Filming 4:3 is so strange coming from filming exclusively 16:9 but I've been a huge fan of the anamorphic character. Definitely not great for all creative projects but it certainly has its place. Thanks for watching!
Sure is! The E2-F6 is (in my opinion) a fantastic and less expensive alternative to RED. Worth looking into. Check out my latest short film trailer (She’s on the Run). I filmed the entire thing on the Z-Cam F6 combined with the Blazar Remus lenses.
Hello! Thanks for watching! When I bought my set, the silver wasn’t out just yet but I went with Amber because I film a lot of natural light as well and wanted a flare tone that would compliment it. However, initial thoughts I’ve seen from the silver set is that they’re pretty neutral in color. Perhaps they would be a “best of both worlds” option? I’ve filmed a few different light sources with the Amber and I have to say that the warmer flare tones are pretty subtle. Hope that helps!
They have two versions of the lenses S35 and FF. I really would like to have a set. But they’re always on back order. But maybe I’ll just have to go ahead and get the order in.
@@neilfullframe I’m loving mine so far! I waited 3-4 months for mine. I was disappointed with the wait time but I wasn’t disappointed with the results.
So you're shooting 4:3 and desqueezing to 16:9? Nice content ;)
Filming 4:3 is so strange coming from filming exclusively 16:9 but I've been a huge fan of the anamorphic character. Definitely not great for all creative projects but it certainly has its place. Thanks for watching!
Zcam is still a thing ?
Sure is! The E2-F6 is (in my opinion) a fantastic and less expensive alternative to RED. Worth looking into. Check out my latest short film trailer (She’s on the Run). I filmed the entire thing on the Z-Cam F6 combined with the Blazar Remus lenses.
What are your thoughts using it? I will be shooting mostly in natural light as well, and I am wondering which one to get - amber or silver?
Hello! Thanks for watching! When I bought my set, the silver wasn’t out just yet but I went with Amber because I film a lot of natural light as well and wanted a flare tone that would compliment it. However, initial thoughts I’ve seen from the silver set is that they’re pretty neutral in color. Perhaps they would be a “best of both worlds” option? I’ve filmed a few different light sources with the Amber and I have to say that the warmer flare tones are pretty subtle. Hope that helps!
@@queryproductions That does help! Thanks you.
They have two versions of the lenses S35 and FF. I really would like to have a set. But they’re always on back order. But maybe I’ll just have to go ahead and get the order in.
@@neilfullframe I’m loving mine so far! I waited 3-4 months for mine. I was disappointed with the wait time but I wasn’t disappointed with the results.