Cool. Thanks Dean Brown! I saw Jimmy Herring going over the same 2 major triads a tritone apart synthetic scale on another UA-cam video. Seems as if various highly advanced players / composers are independently cluing into this stacked triads thing. That definitely goes for film composers too.
Check out Gary Campbells book called "Triad Pairs" or Jerry Bergonzi's "Hexatonics" they go in depth on the same idea and list all kinds of triads either a whole step, half step or tri tone apart and show what chords they work over.
What a fantastic idea! Would you say this works well with non-diatonic pairs of triads; and what if the two triads were both maj or min? Could I use two chords of the same root, with crazy dissonance... like maybe an Amaj, and Adim? Naturally I'll try all this out when I get my hands on a guitar, but I'm wondering on your opinion. Excellent clip. TCelectronic earned itself a subscription today. Rock on.
I love the fact that it’s approached using simple building blocks - Dean you were really amazing! Thanks for sharing your time with us here.
This is a great concept .What a great idea to explore .
Great Lesson Dean. I love peaking into your mind for second toes how you approach things! Rock on!
Very interesting material simply presented and fun! Thanks and well done!
This concept is also called polytonal arpeggios.
This is fantastic. Thanks for sharing!
thanks dean i am going to try it
Cool. Thanks Dean Brown! I saw Jimmy Herring going over the same 2 major triads a tritone apart synthetic scale on another UA-cam video. Seems as if various highly advanced players / composers are independently cluing into this stacked triads thing. That definitely goes for film composers too.
GOD Bless You 🎸🎸🎸
Check out Gary Campbells book called "Triad Pairs" or Jerry Bergonzi's "Hexatonics" they go in depth on the same idea and list all kinds of triads either a whole step, half step or tri tone apart and show what chords they work over.
Jazz guitar structures by Andrew Greene.
a really good book that shows you how to use various mi7 arpeggios and inversions to get interesting sounds.
This is called Di-Tonic System too.
Or mix the Dorian with a major scale over the same root?
Nice one! I am not a guitar player but this should well work on the piano, too.
What a fantastic idea! Would you say this works well with non-diatonic pairs of triads; and what if the two triads were both maj or min? Could I use two chords of the same root, with crazy dissonance... like maybe an Amaj, and Adim? Naturally I'll try all this out when I get my hands on a guitar, but I'm wondering on your opinion.
Excellent clip. TCelectronic earned itself a subscription today. Rock on.
There is a great book on this topic with tons of examples INTERVALIC IMPROVISATION BY WALT WEISKOPF
Similar to Triad pairs.....
I watch a lot of players. This one is a serious one.
He looks like George Harrison's brother.
chad j He'll be questioning his parentage if we carry on! :-)
"You can kind of hear it more clearly if I play an E dominant 7 sharp 9 chord..."