Prokofiev Suggestion Diabolique Op.4
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- Опубліковано 12 січ 2025
- 0:40 - 1st Performance
3:25 - Presentation
14:59 - 2nd Performance
17:45 - Closing remarks
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I start by giving some explanation and maybe will shed a different light on this piece for the listener to enjoy this sonata more as well as sharing what are for me some significant and impactful moments in this piece.
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The music sheet makes it do effective! Bravo, your interpretation is amazing!
Thank you so so much! So happy to read this.
Wonderful my dear friend! Lovely playing! Very clear and distinct! Well done! 😊👏👏👏
Yes!! Thank you so much my friend. Love to read your comments. Awesome !!
Magnifique 👏👏❤🎹💯❤
Merci beaucoup Maria Helena !
It's inspiring that you mentioned also "rite of the spring" and giving some insights of this beautiful opus. Back to the suggestion: you mentioned the most important issue on this: the tritone and that's the devil's language...
I'd recommend to simplify the score. It's not that much heavy to rehearse if you regard the theme and if you work it out.
The "Trois Mouvements De Petroucka" by Stravinsky are way more "difficult" as long as students cannot see its simplicity according to the themes ( 3 parts).
You're a pretty good teacher!
Thank you for your comments. Obviously you are a pianist too. Thank you for taking the time to listen to my channel and your writing comments too, besides I find them very interesting. It's a win win situation. Thank you again.
@@laurentboukobzapianiste Agree my friend. I'm a musician and I'm also a general surgeon. But not that much time to rehearse anymore. Unfortunately. But I'm on my way...
@@prokastinatore Okay.. Good luck on your work.
@@laurentboukobzapianiste It's fun! Thank you! Love it. Today I got pretty much time and the difference between humans and music is maybe that we always can explore something new inside a well known piece wich came familiar. It's a thrill and I love it! Take care and talk to you next time!
Impressionnant et très beau. Bravo !👏👏
Merci beaucoup Elene, en même temps c'est vraiment bcp bcp moins difficile par exemple que sa Toccata...
@@laurentboukobzapianiste Tout est relatif ! 😄😄En tout cas j'ai beaucoup aimé cette musique que j'écoute assez peu.
@@elenajalan Génial. J'adore faire découvrir de la belle musique comme celle ci. J'adore. Merci
Great! Thank you!!
Thanks to you. Please feel free to share it all around you.
@@laurentboukobzapianiste I will for sure! Take care!
Great interpretation!
Thank you very much Diana.
very good interpretation and analysis of the piece. I am studying it and what is most difficult for me is the trill alternating hands in measure 20 and the scale at the end before the coda. Do you have any technical advice for those two parts? On the other hand, what is your criterion for using the pedal so that the repetition of chords sounds very clear. Thanks, I subscribe!
Thank you very much for your comments Matias and glad you subscribed to my channel. For the scale at the end, you need to have "reference points" of where your hands are falling together, start by putting accents where they do fall together (to make sure they are REALLY together) than, of course, take the accents off. About the trill alternated hands, this is actually really not piano playing but rather percussion playing, so you can train on a table, a chair, your lap and listen that your hands are doing the job correctly. It will help you to not tire your ears with dissonances and keep it fresh for when you'll play them on the piano. I usually don't teach like that as often the problem can be somewhere else (although the student might identify it as being this or that). I hope my suggestions will help, and if it doesn't please do not hesitate to contact me again. Maybe I can suggest you become a "Member" and I'll give you a masterclass once/month too ? There is a very small fee for this, but it can make you gain an enormous amount of time and frustration. Please feel free to share my channel all around you, and I truly hope my suggestions will help you. Thank you again for your comments Matias.
If I may, I look at first chord in Prokofiev (ua-cam.com/video/Q55uUl0fTcg/v-deo.html) not as a bitonal but a "simple" dominant Bb7/9 with the 9th on top and the 5b in the bass. Just "opened up" and voiced with the 5b in bass, the Bb is also repeated. While the Stravinsky's chord, in the Rite of Spring, is a real bi-tonal chord that is a superimposed Eb7 over a E7 as you point out. Cheers.
Thank you very much for taking the time to point to this precision. Totally appreciated.
I'm actually working on this peice for a piano competition
But I have a problem that every time i play it my fingers start bleeding 😢
Any suggestion ?(other than dioblique😂)
That sounds bad! Why are you bleeding? which parts makes you bleed ? the "Glissandi"? Thank you for asking me. I truly hope I can help.. If it's the Glissandi.. let me know as I may have a trick for that!
@@laurentboukobzapianiste
Yeah the glissando really hurts
But its mostly when there are so much octaves that the pinky and the thumb starts getting hurt
@@shafikbarah9273 I understand the hurt (it's just a training thing, so keep training and the hurt will pass).. but how about the bleeding ? It's due to the octaves too ?
@@laurentboukobzapianiste yep also the octaves
Besides that I am practicing chopin etude Octaves for the same competition
So both of the peices are destroying my thumb til it bleeds and some times the pinky too
What about the Glissandi how am I supposed to do it?
@@shafikbarah9273 The trick is to practice the glissandi on the flat of the pad of your fingers (opposite side of your nails..) Do you see what I mean ? You play the glissando with the nails ONLY for performances... Please let me know this works and if it makes sense what you have to do.