Peter Paul Rubens, Descent from the Cross

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  • Опубліковано 18 жов 2024

КОМЕНТАРІ • 19

  • @jenn5628
    @jenn5628 Місяць тому +1

    My favorite flemish painter

  • @ChristopherBonis
    @ChristopherBonis Місяць тому +2

    Masterful painting and insightful dialogue. This channel is a gift to all humanity.

  • @monkeygraborange
    @monkeygraborange Місяць тому +12

    It’s so edifying to see great masterworks in the context for which they were created, to understand their function and meaning, which is lost in a museum setting.

  • @cathydarves7078
    @cathydarves7078 Місяць тому +2

    Another wonderful video on my favorite artist!!!

  • @martijnkeisers5900
    @martijnkeisers5900 Місяць тому +4

    I have been to the Cathedral admiring these monumental altar pieces, the sheer size of them alone is overwhelming. Rubens is a master in his use of movement, composition and color. Being religious myself it is very moving in every sense of the word.

  • @Blaze92NL
    @Blaze92NL Місяць тому +5

    My favorite painter! I’ve got my living room full with Rubens’ work

  • @acacioalvarenga1
    @acacioalvarenga1 Місяць тому +4

    I love the style of your videos, I learn so much. Tks

  • @achunaryan3418
    @achunaryan3418 Місяць тому +2

    We need more analysis videos of art like yours😀

  • @melizen2
    @melizen2 Місяць тому +2

    Thank you - so beautiful ~

  • @virginiaensinck5828
    @virginiaensinck5828 Місяць тому +2

    Wonderful explanation! Thank you so much 🤗

  • @juliehayne4636
    @juliehayne4636 Місяць тому +1

    Wonderful to watch this video the day after you released the video on the Rubens altarpiece showing the raising of the cross. Well done!

  • @lippetten
    @lippetten Місяць тому +1

    I love this painting!

  • @ginacrusco234
    @ginacrusco234 Місяць тому +4

    It was a revelation to me that Counter-Reformation policy dictated that patrons appear only in the side-panels of polyptychs. This explains a change I had noted but thought attributable to changes in taste.

  • @Sasha0927
    @Sasha0927 Місяць тому +1

    I was already amazed by the elevation version of this, but here's another stunner! How interesting that he decided to change his technique - I enjoyed the "visual fireworks" of the other version, but you can't really complain in either case.
    It's not surprising to see John the Evangelist portrayed so prominently and elegantly - uniquely positioned to hold most of Christ's body as the favored disciple. I wonder if the red outfit is referencing / at all associated with cardinals. I'm noticing that Mary and Simeon are also exclusively in red for their respective panels and that everyone else's colors are more muted. This is no coincidence!
    I wasn't ready for the details about Rubens being a father and conveying that grandfatherly tenderness while holding the infant Christ. Stop trying to make me cry on a Saturday, lol.

  • @camaramarcelo
    @camaramarcelo Місяць тому +1

    amazing

  • @sandymandy8599
    @sandymandy8599 Місяць тому +2

    These are really great!