Concerto magnifico, assolutamente perfetto nell'architettura musicale e commovente nelle melodie. Impressionante che un essere umano sia riuscito a congegnare una meraviglia del genere.❤
underrated concerto, deserves more performances. some of the melodies are cutely heroic but it still features saint saens technique, innovation and timelessness.
Saint Saens è uno dei miei musicisti preferiti.Ragazzo prodigio, le sue sinfonie e i concerti per pf. costituiscono il meglio del romanticismo orchestrale francese,e non solo,insieme a quello di Berlioz. Come non si possono apprezzare i suoi concerti,cosi' come Bartje li ha caricati? Ottima la registrazione .Roge' è tecnicamente indiscutibile e la PO lo supporta splendidamente.
Camille Saint-Saëns:1.D-dúr Zongoraverseny Op.17 1.Andante - Allegro assai 00:00 2.Andante sostenuto quasi adagio 12:28 3.Allegro con fouco 22:57 Pascal Rogé-zongora Londoni Filharmonikus Zenekar Vezényel:Charles Dutoit
Oui, c'est vraiment une beauté. Saint seans glisse souvent parmi ses grandes œuvres de petites mélodies sublime. Son concerto n°5 vers 2 minutes à aussi un belle et sublime mélodie.
Вроде как считается,что мало исполняемые произведения в самом деле неудачны,что есть причина для редкого исполнения. Но тут я так не считаю. Чудесный концерт. Исполняется крайне редко. 2 и 5 концерты его вытеснили из мировой сокровищницы. Напрасно.
I came to the same realisation yesterday as I tried to find one such live recording. The third movement of this concerto is sheer joy and I wanted to watch it being played. It's a pity we are deprived of this.
If I can discipline myself to learn this concerto, I will make sure it is video-taped live. I'll be in full formal attire just like in the olden days, with coat tails, high neck collar, and choker bow-tie. Please pray for me to that end, as my days on this earth are numbered. Pushing 80. Thank you kindly. 👃🤗🎹🎶🎵
Pour moi St-Saëns n'est vraiment pas reconnu à sa juste valeur. Magnifiques concertos pour piano, pour violon, pour violoncelle et sublime 3ème symphonie. Il est vrai que son "look" fait trop sérieux. Dommage car pour moi il fait partie des tous meilleurs compositeurs français et même mondiaux.
The Saint-Saens piano concerti, in my experience, are some of the most glorious expressions of Western art and yet oddly a much underrated, under-performed body of works by the regard of both piano and orchestral repertory scheduling by major symphony orchestras. I don't understand the contradiction. I'm really weary of the repetitive programming by American orchestras. Perhaps European orchestras are more ecumenical, but here in most U.S. big-city halls, it's Mozart, Beethoven, Schubert, Schumann, Grieg, Tchaikovsky, Dvorak, Sibelius, Rimsky-Korsakoff, Shostakovich & Copland. Ta-da! With occasional Brahms, Strauss, Borodin, Resphigi, Britten, Mahler, Ravel and John Adams. Almost never Purcell, Rameau, Handel, Telemann, Saint-Saens, Bizet, Glinka, Bellini, Bartok, Glazunov, Gliere, Satie, Debussy, Nielsen, Field, Khachaturian, Berg, Poulenc, Smetana, Faure, Delibes, Webern, Wagner, Verdi & Puccini (symphonic transcriptions), Scriabin, Holst, Delius, Henze, Gorecki, Hindemith, Foss, Barber, Nono, Revueltas, Weill, Feldman, Janacek, Grainger, Albeniz, Beach, Charpentier, Honneger, Joplin, Carter, Gershwin, Berio, Ginastera, Boulez, Penderecki, Nancarrow, Xenakis, Babbitt, Walton, Boulanger, Da Falla, Kodaly, Partch, Corigliano, Orff, Milhaud, Villa-Lobos, Hindemith, Menotti, Dallapiccola, Cowell, Biebl, Harris, Ives, Harrison, Riley, Ades, Richter or Nythism. Now, I'll concede that orchestras must do certain things just to stay in existence. But the human imagination, especially when vital tympani of the young are recruited, can balance the decently delightful and dutiful with the daringly dissonant and death-defying, without losing the dainty-deportment of deep-pocketed patrons. If, for example, the Marketing dept, demands something digestible in Db (major, of course), give them a medium-length work of lyrical grace and propulsive conviction--ostensibly in C# but actually somewhat ambiguous mode from the early Baroque, rich in polyrhythms, peppered with quotations from utterly unexpected composers, all in a work that's punchy but short enough for another gorgeous work (one especially beloved by the most popular board member), to be planned for encore, and which can take its generous time. (You're too hot for your own good--yep, Rameau as scheduled, Barber for the encore.) Before the performance take the viola section out to a nice dinner, and make sure the wind section used tons of glint. Voila! We got seventy-five new subscribers for next season, or my name isn't Wolfgang Xenakis Nono.
Why this concerto did not eclipse no. 2 and no.4 (Cortot recorded it as well as Casadesus and many others ) and become the go-to concerto along with Strauss Burlesque I'll never know . I should learn it it sounds good even on a single piano and the orchestral interludes too can be handled by 2 hands . This IZZZ dee GO TO Early-ROMANTIC ERA CONCERTO ! Not Rubinstein not all those others . Mendellsohn ,Chopin ,Hummel - yeah we know .
@@도토오리-n4h a classicist is not a different word for composer of classical music. Musicians who play the classical music play music if the last 1000 years. However classicism is also a time period in classical music. Mozart is a prime example of classicism. Together with Haydn and Beethoven. Ravel and Debussy are from different time periods in music and are therefore not classicists but they are still classical composers.
This was my first CD. :-)) Almost 40 years ago...
Foi o primeiro concerto que ouvi na minha vida. Foi pelo rádio.
Passados 36 anos encontrei-o num CD!
@@roselipadilha958 😊
Para mi el mejor de los conciertos para piano de Camille, soberbio !!!!
The first movement of this is ethereal
Concerto magnifico, assolutamente perfetto nell'architettura musicale e commovente nelle melodie. Impressionante che un essere umano sia riuscito a congegnare una meraviglia del genere.❤
Very beautiful piano concerto!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
underrated concerto, deserves more performances. some of the melodies are cutely heroic but it still features saint saens technique, innovation and timelessness.
Totally agree. All of them. No just number 2, 4 and 5, are beautiful and original concertos.
Superb performance of this underrated pianoconcerto !
Saint Saens è uno dei miei musicisti preferiti.Ragazzo prodigio, le sue sinfonie e i concerti per pf. costituiscono il meglio del romanticismo orchestrale francese,e non solo,insieme a quello di Berlioz.
Come non si possono apprezzare i suoi concerti,cosi' come Bartje li ha caricati?
Ottima la registrazione .Roge' è tecnicamente indiscutibile e la PO lo supporta splendidamente.
Camille Saint-Saëns:1.D-dúr Zongoraverseny Op.17
1.Andante - Allegro assai 00:00
2.Andante sostenuto quasi adagio 12:28
3.Allegro con fouco 22:57
Pascal Rogé-zongora
Londoni Filharmonikus Zenekar
Vezényel:Charles Dutoit
2:29
21:23 Saint-Saëns' Piano Concerto No. 2 opening.
Well observed !!
Oui, c'est vraiment une beauté. Saint seans glisse souvent parmi ses grandes œuvres de petites mélodies sublime. Son concerto n°5 vers 2 minutes à aussi un belle et sublime mélodie.
G minor and arpeggios, and there the resemblance stops.
Thanks for uploading!
delicate and dramatic masterpiece
Bravo brilliance concerto
2:29 best melody of all time
Beutiful
Calm and strenuous at the same time,,,, 👍🎼💕🎼💕🎼👍
I read somewhere that Saint-Saëns was exhausted after composing his music. Stressing but beautiful music.
whooosh! tres galant!
Sublime!!!!!!
Gracias y saludos cordiales desde Mallorca para ti también bartje bartmam
Вроде как считается,что мало исполняемые произведения в самом деле неудачны,что есть причина для редкого исполнения. Но тут я так не считаю. Чудесный концерт. Исполняется крайне редко. 2 и 5 концерты его вытеснили из мировой сокровищницы. Напрасно.
Считаю ,что все его концерты великолепны по своему.
Very crystal…✨
Why is it there isn't a single video on UA-cam of a pianist playing this live?
Underrated piece
I came to the same realisation yesterday as I tried to find one such live recording. The third movement of this concerto is sheer joy and I wanted to watch it being played. It's a pity we are deprived of this.
If I can discipline myself to learn this concerto, I will make sure it is video-taped live. I'll be in full formal attire just like in the olden days, with coat tails, high neck collar, and choker bow-tie. Please pray for me to that end, as my days on this earth are numbered. Pushing 80. Thank you kindly. 👃🤗🎹🎶🎵
@@Rudy-zk2cq How's it going? Any update? 😉
21:30 , Seems very much of a precursor to #2
I noted the same thing when I came to that passage: the g-minor runs a foretaste of what was to come 10 years later!
It is easy way that we have to hear “an echo of Rubinstein's piano concerto” with this, also his no3.
¡Hermoso!
Pour moi St-Saëns n'est vraiment pas reconnu à sa juste valeur. Magnifiques concertos pour piano, pour violon, pour violoncelle et sublime 3ème symphonie. Il est vrai que son "look" fait trop sérieux. Dommage car pour moi il fait partie des tous meilleurs compositeurs français et même mondiaux.
Totalement d'accord 🙂
同意
Yep
Trop naturellement talentueux pour ne pas susciter la jalousie. Dommage pour les amoureux de la musique. Il suffit d’écouter...
The Saint-Saens piano concerti, in my experience, are some of the most glorious expressions of Western art and yet oddly a much underrated, under-performed body of works by the regard of both piano and orchestral repertory scheduling by major symphony orchestras.
I don't understand the contradiction. I'm really weary of the repetitive programming by American orchestras. Perhaps European orchestras are more ecumenical, but here in most U.S. big-city halls, it's Mozart, Beethoven, Schubert, Schumann, Grieg, Tchaikovsky, Dvorak, Sibelius, Rimsky-Korsakoff, Shostakovich & Copland. Ta-da!
With occasional Brahms, Strauss, Borodin, Resphigi, Britten, Mahler, Ravel and John Adams.
Almost never Purcell, Rameau, Handel, Telemann, Saint-Saens, Bizet, Glinka, Bellini, Bartok, Glazunov, Gliere, Satie, Debussy, Nielsen, Field, Khachaturian, Berg, Poulenc, Smetana, Faure, Delibes, Webern, Wagner, Verdi & Puccini (symphonic transcriptions), Scriabin, Holst, Delius, Henze, Gorecki, Hindemith, Foss, Barber, Nono, Revueltas, Weill, Feldman, Janacek, Grainger, Albeniz, Beach, Charpentier, Honneger, Joplin, Carter, Gershwin, Berio, Ginastera, Boulez, Penderecki, Nancarrow, Xenakis, Babbitt, Walton, Boulanger, Da Falla, Kodaly, Partch, Corigliano, Orff, Milhaud, Villa-Lobos, Hindemith, Menotti, Dallapiccola, Cowell, Biebl, Harris, Ives, Harrison, Riley, Ades, Richter or Nythism.
Now, I'll concede that orchestras must do certain things just to stay in existence. But the human imagination, especially when vital tympani of the young are recruited, can balance the decently delightful and dutiful with the daringly dissonant and death-defying, without losing the dainty-deportment of deep-pocketed patrons.
If, for example, the Marketing dept, demands something digestible in Db (major, of course), give them a medium-length work of lyrical grace and propulsive conviction--ostensibly in C# but actually somewhat ambiguous mode from the early Baroque, rich in polyrhythms, peppered with quotations from utterly unexpected composers, all in a work that's punchy but short enough for another gorgeous work (one especially beloved by the most popular board member), to be planned for encore, and which can take its generous time. (You're too hot for your own good--yep, Rameau as scheduled, Barber for the encore.)
Before the performance take the viola section out to a nice dinner, and make sure the wind section used tons of glint.
Voila! We got seventy-five new subscribers for next season, or my name isn't Wolfgang Xenakis Nono.
Very nice recording. Thanks for posting.
What a great picture at the end of the video! Any details on that? Date? Orchestra? Etc. etc.
Me hizo llorar muy bueno
Stunning magical wonderful!
Why cant the adverts be before and not during the performance. Seems philistine to me !!
I can't change them. It is a UA-cam thing.
@@bartjebartmans I understand its not yourself but You Tube that's the culprit. However they could have adverts before not during a performance!
Why this concerto did not eclipse no. 2 and no.4 (Cortot recorded it as well as Casadesus and many others ) and become the go-to concerto along with Strauss Burlesque I'll never know . I should learn it it sounds good even on a single piano and the orchestral interludes too can be handled by 2 hands . This IZZZ dee GO TO Early-ROMANTIC ERA CONCERTO ! Not Rubinstein not all those others . Mendellsohn ,Chopin ,Hummel - yeah we know .
I regret we have to hear “an echo of Rubinstein's piano concerto” with this no1, also no3.
0:00 is a good place to start. +
I've heard some of these melodies in French songs.....
❤❤❤❤❤❤❤❤❤
2:29 so french!
At last a piano concerto in radiant D major, tonality avoided by romantic composers.
Жаль, что ютуб не работает.
I should thank to david garrett.
존나극락이네 이거 ...
it feels like mozart
Reynaldo Hahn described Saint-Saens as France's last classicist...
@@erikthenorviking8251 Except Ravel or Debussy? Interesting.. thx
@@도토오리-n4h a classicist is not a different word for composer of classical music. Musicians who play the classical music play music if the last 1000 years. However classicism is also a time period in classical music. Mozart is a prime example of classicism. Together with Haydn and Beethoven. Ravel and Debussy are from different time periods in music and are therefore not classicists but they are still classical composers.
Also like Rubinstein!
@@hansmemling7605 Saint-Saëns is a Romantic.
8:33
8:33
2:30
5:48