This is pretty smooth. This also has my attention because it’s the type of music I’d like to create & evolve. Watching a lot of videos about creating generative modular magic but it always seems like I run into some confusion about which modules are better for generative. For example, I know I’ll probably get a Erica Synths VCO but I know I need more than one so I looked at some of the Behringer VCOs but I’m not sure if they produce sounds like this. If you ever get a moment, would you mind sharing only the components you started with for generative creations? I read your patch notes but I suppose I don’t know which five items to get after the VCO (not sure which are cost effective and amazing), rotating/variable clock divider, MIDI/CV in and output. How do you figure out the right filter when you can only watch videos for the same interest and possible setup? Well, that is all for now. I was a bit excited listening to your creation so I had to respond before falling asleep! So excited to get started! Lots of head scratching but I’m getting the fundamentals. Have to go subscribe now. Thank you again for the quality production.
Wow, thanks for sharing this! My suggestion is the following: don't worry too much about which modules to choose. It does not depend on your modules, but how you use them. My synth is a quite atypical ambient synth. Of course it helps if a module has a lot of modulation ins and all random source modules are great: Turing Machine, Marbles, sample and hold, etc. Any filter can have an effect that you can use. SEM for example is not very characteristic, but it is great to fade parts of a melody. Wavetable VCOs are great and you don't necessrily need many of them. You can always multiple one source and modify them with different effects. If you run a squarewave through a clock devider you'll get an octave down for example... There are several tricks you can read about and others that you will discover yourself.
Beautiful. I love 2hp pluck as a lead voice. It cuts through so well.
It’s retro future personified
😍😍😍😍👏👏👏👏
I fugs w this.
This is pretty smooth. This also has my attention because it’s the type of music I’d like to create & evolve. Watching a lot of videos about creating generative modular magic but it always seems like I run into some confusion about which modules are better for generative. For example, I know I’ll probably get a Erica Synths VCO but I know I need more than one so I looked at some of the Behringer VCOs but I’m not sure if they produce sounds like this. If you ever get a moment, would you mind sharing only the components you started with for generative creations? I read your patch notes but I suppose I don’t know which five items to get after the VCO (not sure which are cost effective and amazing), rotating/variable clock divider, MIDI/CV in and output. How do you figure out the right filter when you can only watch videos for the same interest and possible setup?
Well, that is all for now. I was a bit excited listening to your creation so I had to respond before falling asleep!
So excited to get started! Lots of head scratching but I’m getting the fundamentals. Have to go subscribe now. Thank you again for the quality production.
Wow, thanks for sharing this! My suggestion is the following: don't worry too much about which modules to choose. It does not depend on your modules, but how you use them. My synth is a quite atypical ambient synth. Of course it helps if a module has a lot of modulation ins and all random source modules are great: Turing Machine, Marbles, sample and hold, etc. Any filter can have an effect that you can use. SEM for example is not very characteristic, but it is great to fade parts of a melody. Wavetable VCOs are great and you don't necessrily need many of them. You can always multiple one source and modify them with different effects. If you run a squarewave through a clock devider you'll get an octave down for example... There are several tricks you can read about and others that you will discover yourself.