I love what you guys do, and am a pretty inactive student of thinkspace short courses. Guy, I love your enthusiasm for the craft and your UA-cam content always brings me back. Life has opened doors for me, as I still do have aspirations to output the level of work that could get me admitted to your Master's Program. Thanks for keeping the passion and dream alive! With Love, - Alfred
Loved the video! I'd love if you did another video on what types of pieces a composing portfolio should have. Whether its bidding for jobs or applying to a Masters program
I saw a video by a professional film composer recently who said that all film scores are written in concert C, no matter what key the music is actually in. The accidentals, she said, are actually on the appropriate notes for the key the music is actually in. She put forth that this is to save time, as it's easier for the orchestra to just dive in, and if the piece is in the key of G for example, just putting up with the sharp showing up at the F-note, rather than remembering the key or looking at the key signature. I've never seen this confirmed anywhere, but this seems such an important consideration for the actual engraving of the score, that I would have thought I would have seen it addressed by others. Can you confirm (or deny) that this is the case? Thanks so much.
I know it's absurd, but I can't help being hung up on the claimed 50 million records.... I've run the math. That's just over 1.58 records per minute for 60 years. I can only assume that the mixing credits applied to him are very loosely interpreted as such.
I love what you guys do, and am a pretty inactive student of thinkspace short courses. Guy, I love your enthusiasm for the craft and your UA-cam content always brings me back. Life has opened doors for me, as I still do have aspirations to output the level of work that could get me admitted to your Master's Program. Thanks for keeping the passion and dream alive!
With Love,
- Alfred
Loved the video! I'd love if you did another video on what types of pieces a composing portfolio should have. Whether its bidding for jobs or applying to a Masters program
Wish I had the time and money!!!
I get that
I saw a video by a professional film composer recently who said that all film scores are written in concert C, no matter what key the music is actually in. The accidentals, she said, are actually on the appropriate notes for the key the music is actually in. She put forth that this is to save time, as it's easier for the orchestra to just dive in, and if the piece is in the key of G for example, just putting up with the sharp showing up at the F-note, rather than remembering the key or looking at the key signature.
I've never seen this confirmed anywhere, but this seems such an important consideration for the actual engraving of the score, that I would have thought I would have seen it addressed by others. Can you confirm (or deny) that this is the case? Thanks so much.
Hi Guy,
Do you have any courses for “Beginners” in digital orchestration? It doesn’t need to be accredited, I’m referring to self education courses.
Afternoon all
Afternoon :)
This is the dream.
I know it's absurd, but I can't help being hung up on the claimed 50 million records.... I've run the math. That's just over 1.58 records per minute for 60 years. I can only assume that the mixing credits applied to him are very loosely interpreted as such.
Ok... I sent an email and am now working on my application portfolio.
See you soon. 😊
the under 60 thing for funding is a pain, the Prime Minister lives a couple of miles away I might pop in for a cuppa and a chat about that 😊
Hello ^^
You need a Bachelor's degree......huh? What does musical creativity has to do with that?
Stop clapping!
👏
I have no idea what Telegraph is?
@@pagent11 It's a tool scammers (like the fake account you're replying to) use to try to steal people's money.