7 hod až 9 hod Chramova hudba se zpěvy to je krásná mše svatá děkuji za ní Jasná záře nitrem rozlila se že vše jiné v stíny zapadlo A zář ta Jasná mou je očistu Slova Šárky že stejnojmenné opery Děkuji moc Věra
I was playing this at full blast on my car CD player last summer with the air conditioning on -- i.e. all the windows were open. I pulled up outside a coffee shop in the middle of the first movement. There were several people enjoying their coffees and ice creams on the sidewalk. I usually turn the player off at the most appropriate cadence, but this time I left it on until the end of the movement; it just seemed right to do so. When I did turn it off and got out, everyone applauded.
Apparently he was for most of the 19th century. Interesting bit of trivia: Cramer is the only composer to be mentioned by name in Jane Austen's novels. But today he seems to be known only for his piano etudes.
Cramer mériterait d’être découvert après l’ombre qu’on lui a faite durant plus de deux siècles du fait de la présence de deux génies :Mozart et Beethoven ! Shelley et ses London Mozart Players réparent cet oubli ! Merci
Howard Shelleys pianism is alert and subtly lyrical, bringing out the many technical demands with fluency, clarity, and with an absorbing feeling for agogic accent. These are fully realized interpretations that deceptively suggest a lifetime of performance experience.
The pianist does a fantastic job, it's like he has played it many times and has worked out all the nuances. Normally in these more obscure pieces the soloists seem to have less solid footing, and it sometimes comes off as if they were sight reading their parts.
Splendida musica di un'epoca straordinaria, da un altro autore sconosciuto, fa riscoprire, a mio parere, almeno in questo concerto, alla pari dei grandi Mozart, Beethoven, o tanti altri... 👏👏👏
My biggest gripe with the Cramer concertos is his absolute neglect of the wind instruments in his first movements while the soloist is playing. The only one of his concertos that has any kind of interaction between the full orchestra with all its instruments in the first movement is his 5th (C minor).
7 hod až 9 hod
Chramova hudba se zpěvy to je krásná mše svatá děkuji za ní
Jasná záře nitrem rozlila se že vše jiné v stíny zapadlo
A zář ta Jasná mou je očistu
Slova Šárky že stejnojmenné opery
Děkuji moc Věra
I was playing this at full blast on my car CD player last summer with the air conditioning on -- i.e. all the windows were open. I pulled up outside a coffee shop in the middle of the first movement. There were several people enjoying their coffees and ice creams on the sidewalk. I usually turn the player off at the most appropriate cadence, but this time I left it on until the end of the movement; it just seemed right to do so. When I did turn it off and got out, everyone applauded.
Did they know you weren't actually playing the piano inside your car?
Who told you he wasn't?
That's a great story, David. I love it when people like you have passion for life and beautiful music.Please don't ever stop living this way.
Ahahaha so funny story
❤
Why isnt this composer famous?? This piece is phenomenal!!
Apparently he was for most of the 19th century. Interesting bit of trivia: Cramer is the only composer to be mentioned by name in Jane Austen's novels. But today he seems to be known only for his piano etudes.
He's not unknown even today, to aficionados of music of his era. But we don't get many chances to hear his music, alas.
There’s little recorded music from him
Cramer mériterait d’être découvert après l’ombre qu’on lui a faite durant plus de deux siècles du fait de la présence de deux génies :Mozart et Beethoven ! Shelley et ses London Mozart Players réparent cet oubli ! Merci
Howard Shelleys pianism is alert and subtly lyrical, bringing out the many technical demands with fluency, clarity, and with an absorbing feeling for agogic accent. These are fully realized interpretations that deceptively suggest a lifetime of performance experience.
The pianist does a fantastic job, it's like he has played it many times and has worked out all the nuances. Normally in these more obscure pieces the soloists seem to have less solid footing, and it sometimes comes off as if they were sight reading their parts.
Brilliant and Delightful 👏 👏 👏 👏 👏 👏
Splendida musica di un'epoca straordinaria, da un altro autore sconosciuto, fa riscoprire, a mio parere, almeno in questo concerto, alla pari dei grandi Mozart, Beethoven, o tanti altri... 👏👏👏
Veeeery good !
Just love it.🎹
Lovely. I would so like to applaud.
If you're in the convenience of your own home - what's stopping you?!?
@@EpicPianoArrangementsthat’s right. I’d do that same.
Gracias por tu esfuerzo al subir estos videos de gran calidad; música y arte, genial!!!…☀️☀️
Every comment on an obscure composer be like,:
“Why is he not more known?”
“Well, he used to but not anymore.”
Anyway, really like this concerto!
Divine.
very nice and completely unknown (to me) piano concerto! thanks KD2 for posting it :)
One of the better obscure concertos!
Yep. This one shouldn’t be obscure
Great!
Lovely!
Cool
Merveilleux concerto de Cramer entre Mozart et Beethoven prodigieusement restitué par Howard Shelley et ses London M P !
My biggest gripe with the Cramer concertos is his absolute neglect of the wind instruments in his first movements while the soloist is playing. The only one of his concertos that has any kind of interaction between the full orchestra with all its instruments in the first movement is his 5th (C minor).
A beautiful painting too. By whom ?
It is a mid-XIX century painting representing Titian in a gondola entertained by his daughters, unfortunately I cannot find the author
Henry Nelson O’Neil
@@lorenzodapragalanti9151 Henry Nelson O’Neil
6:37
English composer?????? es aleman
of German origin
He was born in Germany but moved to England as a child, and spent most of the rest of his life there.