@@metatron333ascension others it takes up to five years knowing how to approach compressor,even those who graduated from college,it's very trick but simple one,I don't know why,to me it takes three years to discover how to hear compressor it's so amazing bro,most important thing you got to pay attention to details and finding a lot of tutorials,coz other you tuber just themselves don't understand,greetings from East Africa Tanzania🇹🇿
Am sure most of engineers,especially those who couldn't afford go to college,suffer alot to understand compressor.i know most of us,lying ourselves that we do.but for sure,it takes a long journey with years of hard practising and ears training,not easy bro,if you wanna stand out.guessing always not good idea when it comes to get down with the real business,here we are truth revealed.we gotta struggle hard,facts is it happens loosing hope when you try hard and never see desired results,but never back down,it takes time,and hard work,don't be lazy,getting headache is the only way out.dont expects changes while you dont wanna stay true to yourself.greetings from East Africa Tanzania🇹🇿
1. level flattening, leveling if your track is not constant, you need it la2a, mv2, dc1a and so on 2. envelope design by attack and release - attack it's about distance. close sound has more transient, far sound has less transient. it's "RELATIVE". - release it's about groove you need to set the release by tempo like the decay of reverb. if your track is close and rhythmical, 16th and 8th note will be suitable. 60 bpm, 4th note is 1 sec, 1000ms. 120 bpm, 4th note is 500ms. 8th note is 250ms. 16th note is 125ms. - ratio in general high GR = high ratio low GR = low ratio 3. saturation, color, aggressiveness(pumping) by the NY compression each compressor has the color. if you need it, choose it, color it. that's it. I hope you don't be confused anymore.
You can make instructions on mixing balance frequency like Pro. And blend with ears or eyes when the ear does not hear clearly (or the device is not good to mix)
9:59 is it 50hz and lower that will be distorded instead of highers ? causes theres wavelength are bigger than the attacke time there waveform will be deforme no ?
Disappointing. While I appreciate the desire to move quickly and the good production values, most of the Sage videos are so fast and superficial as to be a waste of time. "Let's listen..." Listen to what? There is no A/B-ing/bypass to hear how a control affects a sound, no real-time description of which controls are being manipulated and why, etc. If this were a crib notes summary of a longer video, that would be fine, but on its own, it's pretty useless.
I honestly have no words! You guys are beyond crazy to give so much info for free!Truly respect the grind!🙏thank you sage audio for your existence!
Thanks Johan!
SageAudio.com
could you please tell me what oscilation means?
@@Renaxelo wave going up and down.
Best compression master-class ever. Thanks a lot.
I love when math is involved in music & production.
You real do bud,coz no easy short cut.
wow. this was incredible. ill be watching this over and over.
Make sure you master every compressor details
@@doppewaxy282 im trying. hearing all the details takes awhile. its actually the hardest thing to learn in mixing/mastering. how to hear compression
@@metatron333ascension others it takes up to five years knowing how to approach compressor,even those who graduated from college,it's very trick but simple one,I don't know why,to me it takes three years to discover how to hear compressor it's so amazing bro,most important thing you got to pay attention to details and finding a lot of tutorials,coz other you tuber just themselves don't understand,greetings from East Africa Tanzania🇹🇿
Awesome to see this channel pass 75k subs!
Am sure most of engineers,especially those who couldn't afford go to college,suffer alot to understand compressor.i know most of us,lying ourselves that we do.but for sure,it takes a long journey with years of hard practising and ears training,not easy bro,if you wanna stand out.guessing always not good idea when it comes to get down with the real business,here we are truth revealed.we gotta struggle hard,facts is it happens loosing hope when you try hard and never see desired results,but never back down,it takes time,and hard work,don't be lazy,getting headache is the only way out.dont expects changes while you dont wanna stay true to yourself.greetings from East Africa Tanzania🇹🇿
1. level flattening, leveling
if your track is not constant, you need it
la2a, mv2, dc1a and so on
2. envelope design by attack and release
- attack
it's about distance.
close sound has more transient, far sound has less transient.
it's "RELATIVE".
- release
it's about groove
you need to set the release by tempo like the decay of reverb.
if your track is close and rhythmical, 16th and 8th note will be suitable.
60 bpm, 4th note is 1 sec, 1000ms.
120 bpm, 4th note is 500ms.
8th note is 250ms.
16th note is 125ms.
- ratio
in general
high GR = high ratio
low GR = low ratio
3. saturation, color, aggressiveness(pumping) by the NY compression
each compressor has the color.
if you need it, choose it, color it.
that's it.
I hope you don't be confused anymore.
I produce for over 1 year but you guys are amazing this things this professionality free is just fantastic
Unfortunately my pc is not the best
You can make instructions on mixing balance frequency like Pro. And blend with ears or eyes when the ear does not hear clearly (or the device is not good to mix)
What’s the frequency response spectrum analyzer plugin thing at 0:26 called?
Hi! When to use high-level compression?
Absolutely greatful and amazing work for this tedious edits. Wonderful and magnificent education.
Is the high level section on the MV2 classic compression? In terms of reducing the peaks
When will we get more members only videos?
The first week of October! Thanks!
SageAudio.com
This Is HUGE! BRAVO!
9:59 is it 50hz and lower that will be distorded instead of highers ? causes theres wavelength are bigger than the attacke time there waveform will be deforme no ?
OmG, this is Gold! Do EQ Masterclass Sage Audio Please😌
Is there a compressor that compresses audio detecting it's LUFS to emulate more accurate the way human ear perciebes?
So helpful and informative - Cheers as always Sage 🙏🏻🤟🙏🏻
So do i use a comp on every sound to even out the sound? Or is it to preference
Man, this guy is incredible. What the heck man. I want to hang out with this guy.. lol.. learn something.. lol
Informative video, as per usual! 🙂
volume matched examples?
Enjoyed!!!!
wow just got schooled. epic vid thank you
I would like to take a course from Sage Audio if they offer them.
Thank you yo!
I'm Also One of Your Fans :)
I was under the impression Logic Stock Compressors were supposed to be kickass? Have I been wrong all this time?
I think they're great but I'd probably never use them to compress as heavily as in the demo.
solid content
You sound like the guy from ink master are you him.???? The guy whit the toth pick .?
This the drum beat from Tommy and the Shandels song
🌟
Damn Logic got called out hah
Disappointing. While I appreciate the desire to move quickly and the good production values, most of the Sage videos are so fast and superficial as to be a waste of time. "Let's listen..." Listen to what? There is no A/B-ing/bypass to hear how a control affects a sound, no real-time description of which controls are being manipulated and why, etc.
If this were a crib notes summary of a longer video, that would be fine, but on its own, it's pretty useless.