Virginia: Alla Prima Oil painting
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- Опубліковано 13 кві 2023
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This is absolutely incredible. I really wish you would release more real time videos. I don't care if they're 5 hours long. I'd enjoy every second of them.
Stunningly beautiful. Love how the hair silhouette is left rough and scratchy but the face is so perfectly detailed.
beautifully executed, you are a master
This is a beautifully executed painting. Been around for a very long time and have taught many students in oil, sculpture and watercolor. All portraits. I see that the earring is a strong geometric shape and especially a circle which acts like a bulls eye that traps the eye from moving throughout the beautiful textures, colors, and values of a exquisite work. That can be there but of a value that is darker than the skin tones. Not being just a SOB, just willing to pass along wisdom and knowledge that has been gleaned from all that have come before us. Love your work.
Beautiful work Arthur, so subtle.
Absolutely beautiful, such a sensitive portrait, thank you for sharing
So beautiful !!! This is one of these videos who proves alla prima is always the best when mastered.
Thank you Arthur ❤
agree!
Beautifully executed. That was joy to watch
so freshy and light
Beautiful work
Thank you for sharing your process, really beautiful work!!!! Many Blessings!!!!
A veritable masterpiece. A joy to behold
This portrait is so beautiful. You really master the alla prima method. I wish I can paint like you.
Very instructive ,you are unstoppable, Virginia is perfecly painted,very beautiful
Wonderful work . Thanks.
Beautiful!
Lovely painting 👌
Lovely work
You are a master ❤
Alla prima is definitely the best way of painting. It keeps it a life, powerful, pure. John Singer Sargent was the master of masters in Alla prima painting, but you can name yourself a master also
Such a lovely face to paint. The large dark eyes, beautiful line of her nose, high cheek bones, long neck, and stunning lips... all make for such gold when painting or drawing.
Sweet painting .. thank you for sharing:) she looks so peacent and content :)
Looks realistic. Your an amazing artist ❤
Excelente Pintura Parabéns
Maravilha!!!❤
Parabéns pelo excelente trabalho Profissional!!!❤
Muito obrigado por compartilhar algo tão profundo e belo!!!❤
De Rio de Janeiro, Brasil...
🙏🙌⭐🙌🙏
Great painting video ❤ thanks for sharing.have a peaceful day ❤
Magnificent!
Lindo e inspirador 👏🏻👏🏻🌹
Thank so much 🙏🙏
Maravilhosa sua Pinturas Parabéns ❤
Really amazing one Arthur! So cool- that background looks great with this one
Thoroughly enjoyed that………… thank you for sharing❣️
🛎🛎🛎🛎🛎
🥰Maravilloso Arthur!
No encuentro este video en versión a tiempo real, más largo. Lo vi el mes pasado y me gustaría repetir pero no lo encuentro. Lo has borrado? 😢
Maravilhoso ❤
Very nice work. With all the thousands of brushstrokes, it doesn’t end up looking fussy or overdone. This is the second video of yours I’ve seen where you paint on a light background, but you have a medium gray toned glass palette. Is it a holdover from a time when you used a gray toned support, and now you’re so used to it that you have no problem mixing colors, even if the support is white?
I vastly prefer your more blended look to other alla Prima painters I have seen! Not that the I blended look with heavy emphasis on brush economy is bad
But this
This is my preference
Incredible job!
One of your best…..
Wow!! So beautiful. How many brushes do you use in a portrait like this?
😍❤️
Hi Arthur. I just stumbled over our fantastic account. Just getting starting experimenting with ala prima, it’s just so nice to see your progress. I have a question regarding solvent and medium - how do you use them? It’s seems so complicated to me, and I find it hard to see how you do. Do you use solvent just in the start or all the way, or do you add medium or linseed oil in the process? Keep creating the inspiring and beautiful art!!
in most of the cases I use solvent in the start and I use oil mostly to oil out the dry surface (next session). I would suggest to use minimum or no mediums at all when you learn how to paint
Do you use a medium for the top layers, or straight from the tube?
Or do you use a mixture of linseed oil and turpentine to get flow? Would you use such a mixture for the top layer, and if so which proportions would you use of oil and turpentine?
Ini luar biasa. Bagus sekali. Terima kasih atas tutorial nya. Tuhan memberkati
Lovely. What brushes do you use? I'd like to learn more about the types of brushes you use and recommend. thanks!
I like to paint with synthetic long filberts (Rosemary Eclipse) and natural hair rounds (Rosemary Series 33 or Red as substitute). Long flats are also among my favs.
Really like this style. What is that you are using around the 3:28 mark? Like a little piece of cloth or something?
Your paintings are so interesting! I can’t tell what they’re supposed to be
This is incredible! I wish I could paint like you someday. May I please know the color palettes used on her? Thank you 💕
Thanks! Titanium White, Lead-Tin Yellow, Yellow-Brown, Transparent Red Oxide, Vermilion, Alizarin Crimson, Raw Umber, Viridian and Bone Black
This was done over multiple sessions right? Stunning work
Thanks! In two sessions
On a slightly technical note it always amazes me how little paint people can use, is it mostly thinner you use to make them spread or is their linseed oil as well? For me unless I use linseed oil even with Windsor and newton artist paints it is very hard to cover such a canvas with such little paint.
it's mostly paint as it goes out of the tube. The type of brushes is important but most important here is the ground, should be non absorbent for such thin application. Hope it helps!
@@ArthurGain Yes, for portraitists I can see that, I lay it on thick for painting landscapes, a holdover from a plein air teacher's admonishment, who came around looking at our palettes, with stingy application of pigments, as well as that smeared on our canvases, and uttered, loudly: "Forcrissakes, use some paint, they'll make more!" LOL :D
👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍
Very nice, love your work, would love to paint "evolved apes" like you do, LOL, but for me this one looked "finished" at about 4 minutes into the video, the model looked more "beautiful" and "captivating" as like a portrait done by say a Sargent or a Schmid. Does that make sense? Anyone else agree?
I don't paint portraits often as a rule, but do it as a "training exercise", aka "pushups", for my plein air landscape work. Yes, it is important to have an eye for landscape proportions, extremely accurate drawing, correct values, and subtle color changes, and "portraiture practice" certainly gives you that. And in plein air painting you don't have any time to make "big mistakes"!! And portraits done badly are instantaneously recognized as such. Sargent knew that, as he was a master of both genres. Duh!! Obviously!!! LOL
Thus, my portraits, just small 9x12, sketches taking only an hour really, are finished "early", and loosely, and are not as refined as yours. But I never sell them either. Landscapes, I have a "few"! That said I will look at more of your works, which are the methods, a sketchy blocking in, leading to ultimate refinement, which any beginning portrait artist should follow, similarly to that of the masters, of which you are a "modern exponent". And IMHO, one should not try to do the really, and I mean really, "creepy" looking things done and demoed here on you tube by a couple of those artists (You know who I mean) who start by completely rendering and modelling the nose, or an eye, and then proceed to fill in an entire canvas, square inch or square cm if you like, you Euro folks, at a time!! OK for tutorials of painting certain individual features, but I'm not a fan as a method for an entire picture, ...of anything. As I said, I like your "classical" approach!! : )
Cheers from beautiful AZ, and kinda warm now for plein air work, where landscapes are everywhere to paint, and sometimes an "occasional" good-looking woman!! LOL ;D
جميل❤
Hi, amazing painting, do you painting in just 1 day? Thank you
Thank you for your generosity in posting. Glory to God for giving you this gift of beauty, sensitivity and refined appreciation as an artist. Very touching. Thank you!
Was this really one sitting though? The palette is changed multiple times.
Images of tomorrow. Thats my shizIt
do you use a golf club as your Mahl, like I do?
What colors are in your pallet for this pallet?
Titanium white, Lead-Tin Yellow, Yellow Ochre, Transparent Red Oxide, Vermilion, Alizarin, Raw Umber, Viridian and Bone Black. All from Rublev
@@ArthurGain Have you ever tried the Zorn palette? I did once and was amazed!! But it seems best for portraits, so I don't use it for landscapes. For that it's only 6, the primaries and the secondaries, and of course white. It's "limited" for plein air work, so the right hand just knows, on its own, where to go, without my having to look at it,... or the palette. LOL ;D
Перечень использованных красок, пожалуйста.
Titanium white, Lead-Tin Yellow, Yellow Ochre, Transparent Red Oxide, Vermilion, Alizarin, Raw Umber, Viridian and Bone Black. All from Rublev
@@ArthurGain если бы кожа была бледной, какие бы краски Вы использовали?
@@basc5836 примерно те же. Тон кожиуровень влияет в первую очередь на контраст между тональными группами (свет-тень) цвет тут вторичен
Nicely done…Alla prima is an spontaneous approach, but you do lose the depth and complexity of layering of the old masters. 🙏🏻😊
It was amazing until the eyelashes... they don't look right.
Your comment is not right, you have a problem , dude
I wish you would talk through what you were thinking with each stage of application, nonetheless it is stunning!