The three longest Periphery songs (Omega - 11:46, Racecar - 15:21, and Reptile - 16:45) all add up to, 2,632 Seconds, which is 43:51. So every time you have sex, it should last at least 43:51, or else youre just better off listening to Periphery
@@phillipshaner3400 good point. the best idea would be to do that but that leaves the problem of: what if periphery/sex ends first? then you'd be stuck just doing one of the two in the end anyway
FYI: guest vocal, Elliot Coleman @ 4:37 "I can hear your voice at night" guest vocal, Casey Sabol @ 5:57 "Refuse the violent source and pain that made you, Left to deny" guest solo, Jeff Loomis @ 10:21 - 10:48
I've listened to and enjoyed this song for more than a decade and I never even realized that; I always thought Spencer sounded different in those spots in this track and never even thought about it being a different vocalist entirely lmao
I think Racecar is the height of Periphery. They are still a great band now, i completely love the progression to the Juggernaut's but Racecar is just a masterpiece all around.
I never listened to this song when I was into the album back when it came out, I just assumed it was a short ending track and then a long period of silence and a gag reel at the end or some shit like that. I return now to atone for my sins.
I hate when bands do this. I buy an album and see there's a 10+ minute song at the end, from bands who don't usually go over 5 minutes, and get hyped to see what they can do, only to have the song end shy of 4 minutes.
30 Seconds to Mars - A Modern Myth. 3 minutes. 6 minutes silence. 2 minute ending. Periphery is really good. Omega and Racecar, the longest songs are DJENTY until the end.
It blew my mind that after 3 years of listening to this song over and over again, I just learned that Jeff Loomis was the one who did the epic solo from 10:20. I really thought the whole time that Bulb was the one who did it.
At the time I always knew Misha's iconic sound at his samples to p1 and p2 always using the neck pickup and so far from the solo of Jeff Loomis. Misha has that style of Allan Holdsworth almost since he got some influence from Allan
This song fueled me to run 5 miles non stop to work everyday in a dark time in my life with no license or vehicle as a grown man just to do hard labour all day... This song is a masterpiece
You know when you haven't played Halo CE in a long time, and you play again and see the Forerunner structures shooting beams of blue light into the sky and just say "Wow that's beautiful"? That's how this song makes me feel, especially at 12:42. I just get this feeling of nostalgia and mystery and awe all at once, and Halo CE is the only thing that has ever given me the same feeling. I hope someone else can relate.
Promoter: Okay guys, you get a 30 minute set. Other bands: Let's try to get 6 songs in. If we don't talk a lot we'll be fine. Periphery: Racecar and Reptile. (yes I know it would actually go over)
I am SOOO lucky to have seen this song performed live in 2010. A moment I will always cherish. I just wish that when more youtube reactors did Periphery, that theyd react to this instead of Marigold and Reptile. This, in my opinion, is absolute PEAK Periphery, and the band hits on all fronts on this track.
Periphery's best song ever, and one of the finest djent tracks ever recorded. So many interesting chord progressions and rhythms. 9:11-10:49 still gets me everytime.
+Daniel Draugsvoll I love the whole song aswell, but yeah, I can totally relate to what you say bro ! This part is definitely the best part of the song, and also one of their best riffs of all imo (even tho it's a pretty "simple" one compared to a lot of their other stuff) The solo is just beautiful and chills me to the very bones, and the riff itself ... I just don't have the words for it :D That being said, I would also include the following of the riff when Satello comes back (until 11:27) along with the end of the song when it comes back, with another solo aswell.
I agree, that part is also amazing. The whole song is. I really wish Periphery would start writing these long, fast and experimental songs again... didn't really enjoy Alpha/Omega too much.
Daniel Draugsvoll I feel what you say. Last album is a bit off in my opinion ... It's so short, and I really miss a certain level of creativity I could find in Perpihery 1 & 2 :|
Why do people hate his voice so much? I adore his vocals I think they fit the music perfectly ... he's one of my favorite vocalists with all his ranges and stuff...
For me this is a perfect example of what progressive metal should be. Unusual melodies and odd time signatures are NOT sound too weird. All parts are connected with each other. Damn, I love this song
There are, but not whole song. 2:55 section is in 5/8+6/8+5/8+8/8 I'm no expert but this sure does not sound like straight rhythm (even though it adds up to 24 beats). 6:38 is in 5/4 for sure, ad well as 8:22 and 11:52 7:12 is in 7/4 11:27 and 12:28 is in 17/8 (maybe it's just 1 beat added every 2 bars in 8/8) 12:42 is in 17/8 in some kind of triplet thing idk, but it definitely is not 4/4 I should get a job
@@VasKurtas The entire song is written in 4/4 it just has odd syncopation which makes you look for things that aren't there. It's easier to visualize when you try to actually play it and count the time.
@@tomekk.1889 You may have an opinion, but I think it's wrong) There is no way this song is in 4/4 with just some syncopations. You literally cannot count rhythm so it would make sense in 4/4 at the timecodes that I wrote above. I hope the real expert will come and judge us
@@VasKurtas I'm mot wrong haha. Youre overthinking it. Mark doesn't think in time signatures. Watch his creative process and you'll see. Just because the time signature changed for a few bars doesn't mean the time signature of the song changed. It's still in 4/4
so many times I've been listening to periphery songs, ragnarok and racecar as well, but I didn't notice that fact somehow. I feel my mind moved further! What a awesome notice though!
Dezdom Not necessarily in the narrative, but just a little musical nod. The interlude outro in Ragnarok references a section in Racecar. Since they're alphabetically ordered on my iPod, I hear them back-to-back, which is how I noticed.
HELLO. LUMINESCENT BEING. WALKING OUTSIDE OF MY. LOST IDENTITY CELEBRATE FOR IN THE END WE WILL MEET IN EQUALITY Edit: I remember learning 90% of this song on guitar. That riff and the rhythm sections that go with it are so much fun to play. I could sit there for hours going "dun dun dun dudududundun dun, dududududun du dun dun dududududun dun. dun dun dun" with a semi palm mute going and my foot tapping the meter underneath it. 🤘
***** I literally listen to all of those bands hahah - Haken's 'Crystallised' is a masterpiece, 'Famine Wolf' by BTBAM too (I'm talking songs released in this decade)
+F8willbedecided Absolutely, who are they to say anything about him. They're jealous is the only explaination. This dude's vocal ranger is insane, and his lyrics are amazing. Not to forget his voice fits the song perfectly!
@@dexxxxxxxxxxxxxxxxxxxxxxxx6537 with a username, comment and emoji use like that, my friend, I'm pretty confident that if nothing else, I've worked out who here knows the absolute least.
Man, I've been getting into Periphery in the past 1 or 2 months and I have to say, I LOVE them! It has shred (I happen to be a guitarist who shreds the whole time), the vocalist is amazing and most importantly, it totally djents. 000010
Honestly, I love this song. I always listened to it when I went jogging. I would often finish my nightly jog and the song would still be playing. Brilliant just listening to one song and not having to change it half way through the jog!
12:29 fucking love that riff and the backing guitar. Only metal could do something that amazing. What a fuckin masterpiece of a song when even a riff that good is just a small part of it
Imagine classical/full orchestra of this song. Now this to me is what progressive metal music should be. It’s supposed to be complex, and yet flow perfectly well with all their different sections
Been listening to prog metal for over two decades now and can hear a bit of DT, Rush, Meshuggah, etc in each stanza. Love the arpeggios, hate some of Spencer's 'whiny emo' moments. That all being said, like a great flick this is fifteen minutes that goes by *very* quickly. Truly an EPIC song that's become one of my favorites.
JabrohamsProductions Yup, sure is. en.wikipedia.org/wiki/Periphery_(album) Some of Chris Barretto's harmonies were left in the debut after rerecording with Spencer on lead vox...
JabrohamsProductions It's Spencer. The production quality isn't as good compared to the second album, but it's still pretty easy to tell that it's his voice. "As a result, Sabol's and Barretto's lyrics and vocal melodies and harmonies are still featured on the record." So some harmonies and melodies are still in here, but overall Spencer definitely (re)recorded all the main vocals on this album.
@@jaydenjbryant8665 is p1 actually considered the worst? the only periphery i listen to is p1 and clear albums, and haven't explored more. what album would you say is the best from periphery?
This song should be titled "Time to take it back to the rehearsal room kids" by far most epic metal song ever. Hands down....nothing else even in the stratosphere with it 😎
This might have been where prog/tech death metal/djent peaked. Like honestly the sickest parts of all the influences are on full display here, but nothing sounds jacked from other artists... a fucking masterpiece.
Spencer complainers, just shut up and don't listen to these versions, open up another tab, and listen to the full album instrumental, they got a studio edit of that aswell. Have fun
The solo that starts at 3:31 gives me chills every time. This song was great as an instrumental, but IMO I like it with Spencer's voice so much better.
Listened to this track so many times and it's still so hard to believe that such a masterpiece exists. The amount of swings it has and different bars, is insane.
It will probably sell millions of albums. And it is better than slipknot, Five Finger, Avenged sevenfold etc... all terrible yet very popular, all who have sold millions of albums. (so what do I know right?) Which is why I turned off the radio. No good vocalists this past 15 years. This is very listenable. Good musicians plus vocals I can work with. Dynamics. This kid is still growing and learning. He'll be fine. It is shocking people s systems at the moment. The new people who are coming on board for the first time, and the old who are dumfounded.
I feel the same way, man.. The part at 12:42 and how they included it in Ragnarok actually made me shed a tear.. Thumbs up for Periphery, they are masters at their work, and I feel honoured to have met with them in Oslo and have gotten the experience of talking to them and getting a bit of a closer look at their amazing personalities!
The section at 9:30 with the heavy djent and clean background guitars along with section at 6:40 of Satellites are SOOO GOODDD some of my favorite periphery moments
Fun story about this song and in particular, Jeff Loomis's guest solo on it: Loomis has been my favorite guitarist for a pretty long time now. When I listened to this album for the first time and it got to this song, that solo started playing and it captivated me immediately. The longer it went on the more I was thinking, "holy shit this solo is insane." By the time it was finished I was floored, thinking that it was one of the greatest solos I've ever heard. After the song ends and the album is done I open up the CD booklet and read the liner notes and what do I see but, "Guest solo on "Racecar": Jeff Loomis" I felt so validated. My favorite guitarist passed a totally blind listening test with flying colors and to this day it's one of my favorite guitar solos ever.
Really? I feel like is a pretty intense song to throw to a brand new listener, lol. Usually, I'll recommend something like Scarlet or Make Total Destroy, cause they feel a bit more accessible. Not saying that Racecar is a bad song by any means, in fact, this is up there among my favorites. It's just that a new listener might not appreciate the intricacies without first having understood Periphery's base sound.
I wasn't a big fan of Meshuggah but I am for Periphery. Have been for 7 years now, I remember listening to Bulb's solo stuff and I was instantly in. Found a huge difference, don't really see why the two are compared to eachother so often. You can't tell me that the solo kicking off at 9:54 comes from nowhere but soul man, let alone the whole song :P. This song is seriously the best shit I've heard, and those lyrics are fucking stunning!
![Periphery - Racecar (Instrumental) [432 Hz]](http://i.ytimg.com/vi/0nyGGQ1li90/mqdefault.jpg)
I've listened to all 72 hours of this song.
John Doe 72 hours not minutes...
Roflmao
WillyWonkaIsSatanic 4 years later I still don't get it
i thought it was 123 but ive been mistaken
can someone explain? lmao
The three longest Periphery songs (Omega - 11:46, Racecar - 15:21, and Reptile - 16:45) all add up to, 2,632 Seconds, which is 43:51. So every time you have sex, it should last at least 43:51, or else youre just better off listening to Periphery
Why not do both at once?
@@phillipshaner3400 good point. the best idea would be to do that but that leaves the problem of: what if periphery/sex ends first? then you'd be stuck just doing one of the two in the end anyway
When my band gets a 45 minute set, we aim for 9 songs and hope we can squeeze 10. Periphery can literally just play Racecar, Omega, and Reptile.
I, too, have the sex.
you fucking pleb, don't you dare forget the trilogy muramasa, ragnarok and masamune, so add up whatever the fuck lenght in seconds
FYI:
guest vocal, Elliot Coleman @ 4:37 "I can hear your voice at night"
guest vocal, Casey Sabol @ 5:57 "Refuse the violent source and pain that made you,
Left to deny"
guest solo, Jeff Loomis @ 10:21 - 10:48
I can't believe I missed Elliot's vocals in this song for the past 9 years...
@@distractionpool I thought that it was Tom Murphy their bassist at the time backing up on the vocals
arguably the greatest song ever created.
I've listened to and enjoyed this song for more than a decade and I never even realized that; I always thought Spencer sounded different in those spots in this track and never even thought about it being a different vocalist entirely lmao
Never knew Casey did those vocals, wow
First time I heard this song, I was floored. Changed my life forever.
👈 ........... ☝️
I think Racecar is the height of Periphery. They are still a great band now, i completely love the progression to the Juggernaut's but Racecar is just a masterpiece all around.
Caleb Herb Yes. Racecar and Letter Experiment are still my two favorite Periphery songs
Caleb Herb how about omega????????
Lucas Silva 7 months ago.
Before Omega was released.
Omega and this one are two of the absolute best tracks without question.
Sorry, do you even Periphethree?
I never listened to this song when I was into the album back when it came out, I just assumed it was a short ending track and then a long period of silence and a gag reel at the end or some shit like that. I return now to atone for my sins.
+Brendan Lindsey All is forgiven my child. Welcome to our one big orgy for the song that is spelled the same backwards.
+William Jones mind fucking blown
I hate when bands do this. I buy an album and see there's a 10+ minute song at the end, from bands who don't usually go over 5 minutes, and get hyped to see what they can do, only to have the song end shy of 4 minutes.
I'm looking at you meshuggah
30 Seconds to Mars - A Modern Myth.
3 minutes. 6 minutes silence. 2 minute ending.
Periphery is really good. Omega and Racecar, the longest songs are DJENTY until the end.
You guys spelled Racecar backwards
Nice use of palindrome.
TACOCAT backwards is also TACOCAT
Jesus, my brain short-circuited by that comment.
Pranav Kacker, how did you know? You are an absolute genius.
Aarushi Aiyyar I forgot that’s what there called
What a song. Been years but still obsessed with it.
It blew my mind that after 3 years of listening to this song over and over again, I just learned that Jeff Loomis was the one who did the epic solo from 10:20. I really thought the whole time that Bulb was the one who did it.
We're in the exact same boat here buddy.
Literally never heard of periphery even knowing of Loomis, so it's news to me as well
At the time I always knew Misha's iconic sound at his samples to p1 and p2 always using the neck pickup and so far from the solo of Jeff Loomis. Misha has that style of Allan Holdsworth almost since he got some influence from Allan
Damn, wonder if he's the reason this album sounds like a Tron version of Cynic. I miss it.
I shed a legitimate tear at the end
I've been there brother. The only other time a song did that to me was the solo in "Time" off Dark Side of the Moon by Pink Floyd.
This song fueled me to run 5 miles non stop to work everyday in a dark time in my life with no license or vehicle as a grown man just to do hard labour all day... This song is a masterpiece
You know when you haven't played Halo CE in a long time, and you play again and see the Forerunner structures shooting beams of blue light into the sky and just say "Wow that's beautiful"? That's how this song makes me feel, especially at 12:42. I just get this feeling of nostalgia and mystery and awe all at once, and Halo CE is the only thing that has ever given me the same feeling. I hope someone else can relate.
Halo CE's world building is amazing
Same. I play through Halo CE at least every year. It was my tradition to do a play through during finals week in college haha
Halo CE is the worst one tho, real talk
Edit : forgot about 5. My bad
The irony that Misha performed for a Halo game.
I'd pay for a set just to hear this and reptile.
YES.
Promoter: Okay guys, you get a 30 minute set.
Other bands: Let's try to get 6 songs in. If we don't talk a lot we'll be fine.
Periphery: Racecar and Reptile.
(yes I know it would actually go over)
@@Haxprocess Don't forget Lune. I know you all hate it, but you're wrong and it's awesome.
@@Haxprocess Haxprocess? I smell Heritage.
Stranger Things for sure
God, I still can't get over this song. It makes my eyes watery every single time I listen to it. Everything about it is perfect. Sheer epicness.
I am SOOO lucky to have seen this song performed live in 2010. A moment I will always cherish. I just wish that when more youtube reactors did Periphery, that theyd react to this instead of Marigold and Reptile. This, in my opinion, is absolute PEAK Periphery, and the band hits on all fronts on this track.
I like Reptile more than this, but this song still slaps
The fact that periphery doesn't get more attention annoys me just thinking about it
Marigold is so shit compared to this
Periphery's best song ever, and one of the finest djent tracks ever recorded. So many interesting chord progressions and rhythms. 9:11-10:49 still gets me everytime.
+Daniel Draugsvoll I love the whole song aswell, but yeah, I can totally relate to what you say bro !
This part is definitely the best part of the song, and also one of their best riffs of all imo (even tho it's a pretty "simple" one compared to a lot of their other stuff)
The solo is just beautiful and chills me to the very bones, and the riff itself ... I just don't have the words for it :D
That being said, I would also include the following of the riff when Satello comes back (until 11:27) along with the end of the song when it comes back, with another solo aswell.
I agree, that part is also amazing. The whole song is. I really wish Periphery would start writing these long, fast and experimental songs again... didn't really enjoy Alpha/Omega too much.
Daniel Draugsvoll
I feel what you say. Last album is a bit off in my opinion ... It's so short, and I really miss a certain level of creativity I could find in Perpihery 1 & 2 :|
Some of the best chord progressions ever. Also listen to Means End if you want more of this kind of godliness
Greatest breakdown of all time, you can't change my mind.
Truly one of the greatest songs ever produced!!!
Why do people hate his voice so much? I adore his vocals I think they fit the music perfectly ... he's one of my favorite vocalists with all his ranges and stuff...
***** lmao clever.
Izzy ♥ This song is superb including his vocals. But on many other songs he really sounds... well... off-putting, as not to be homophobic.
Neurochrom
Fully agreed. This song completely summarized all the greatness of Spencer's vocals for me. I believe this is his best song by FAR.
The same people who hate Spencer vocals probably are the same dudes who think grind core vocals are just killer.
What can you do? Some people just have really bad taste like that...
This is the most complete song I have ever heard in my life. There’s not enough words to describe the level of greatness it achieved.
For me this is a perfect example of what progressive metal should be. Unusual melodies and odd time signatures are NOT sound too weird. All parts are connected with each other. Damn, I love this song
4 years ago but this is for new people here: there are no odd time signatures in this song
There are, but not whole song. 2:55 section is in 5/8+6/8+5/8+8/8 I'm no expert but this sure does not sound like straight rhythm (even though it adds up to 24 beats).
6:38 is in 5/4 for sure, ad well as 8:22 and 11:52
7:12 is in 7/4
11:27 and 12:28 is in 17/8 (maybe it's just 1 beat added every 2 bars in 8/8)
12:42 is in 17/8 in some kind of triplet thing idk, but it definitely is not 4/4
I should get a job
@@VasKurtas The entire song is written in 4/4 it just has odd syncopation which makes you look for things that aren't there. It's easier to visualize when you try to actually play it and count the time.
@@tomekk.1889 You may have an opinion, but I think it's wrong) There is no way this song is in 4/4 with just some syncopations. You literally cannot count rhythm so it would make sense in 4/4 at the timecodes that I wrote above.
I hope the real expert will come and judge us
@@VasKurtas I'm mot wrong haha. Youre overthinking it. Mark doesn't think in time signatures. Watch his creative process and you'll see. Just because the time signature changed for a few bars doesn't mean the time signature of the song changed. It's still in 4/4
I just can't get over that solo at 10:20. Absolutely face-melting.
chopstix906 Loomis, baby.
chopstix906 Arch enemy baby
I wish they would re-record this song, just because Spencer's vocals are so much better now, and their production has come a long way too
Rowan Jeffree Imagine, that would shatter the galaxy in two
I think their production was spot on here. If it got any more hi-fi it would lose its gritty charm.
Ayush Bhat do you like black metal?
same
Actually prefer his approach to the vocals more on this album. I havent heard it in years
6:02 "MEEEH IT WILL DJENT WITH NO SORT OF DOUBT ! "
This is just one of those songs I return to. Listening to this was definitely a core memory or something.
12:43-13:50.
The entrancing interlude at the end of Ragnarok is a nod to this section of Racecar.
It all makes sense. Holy shit!
This part makes me cry
so many times I've been listening to periphery songs, ragnarok and racecar as well, but I didn't notice that fact somehow.
I feel my mind moved further! What a awesome notice though!
Is this for any reason to do with the story of Ragnorok on the album (muramasa, ragnorok, masamune) because that would be extra cool
Dezdom Not necessarily in the narrative, but just a little musical nod.
The interlude outro in Ragnarok references a section in Racecar.
Since they're alphabetically ordered on my iPod, I hear them back-to-back, which is how I noticed.
full circle epicness
Best 15 minutes I've spent my life on !
9:12 is the sickest riff ever made. It just comes out of nowhere.
From this exact moment to the end of the song is perhaps my favorite section of any song ever
HELLO. LUMINESCENT BEING. WALKING OUTSIDE OF MY.
LOST IDENTITY
CELEBRATE
FOR IN THE END
WE WILL MEET IN EQUALITY
Edit: I remember learning 90% of this song on guitar. That riff and the rhythm sections that go with it are so much fun to play. I could sit there for hours going "dun dun dun dudududundun dun, dududududun du dun dun dududududun dun. dun dun dun" with a semi palm mute going and my foot tapping the meter underneath it. 🤘
Absolutely filthy
For sure!
Crazy that no one has caught on yet, if you play this song backwards it is the same as forwards. Just like the title of the song!
I'm not sure thats correct. Can anyone confirm or deny?
That's 100% false, lol.
Bratwurst Absolutely correct, can confirm
Probably the greatest progressive metal song of this decade; Painters of the Tempest by Ne Obliviscaris is the only one for me that comes close
Already do, those two are still the best
Weltseele by Obscura takes that crown for me personally.
BTBAM is doing some incredible things.
*****
I literally listen to all of those bands hahah - Haken's 'Crystallised' is a masterpiece, 'Famine Wolf' by BTBAM too (I'm talking songs released in this decade)
Ha... I'd love to say you are correct, but there are many that come close.
Guitar parts at 1:30 are such good examples of periphery’s rhythm abilities. Stuck in my head for days now
love that sliding so much, that and the part right after are prolly my favorite riffs of racecar
This damn album isn't on spotify in Australia anymore and it pisses me OFF >:c Best Periphery album for sure.
Wtf is wrong with all these comments, his singing is fucking sick and full of emotion. You guys just don't get it
+F8willbedecided Absolutely, who are they to say anything about him. They're jealous is the only explaination. This dude's vocal ranger is insane, and his lyrics are amazing. Not to forget his voice fits the song perfectly!
you just dont get it🤓🤓🤓🤓🤓🤓☝️☝️☝️☝️
@@dexxxxxxxxxxxxxxxxxxxxxxxx6537sir look at ur fucking account 💀
@@dexxxxxxxxxxxxxxxxxxxxxxxx6537 with a username, comment and emoji use like that, my friend, I'm pretty confident that if nothing else, I've worked out who here knows the absolute least.
theyre decent vocals but fuuuck he improved a ton as well
13:40 i'm crying. People arguing that Reptile, Ragnarok, Scarlet and shit are the best Periphery song, but they don't shit against this
Ji from p2 is also 🔥
An absolute legendary song. One of their best,.
One word to describe this: Masterpiece.
It’s incredible that the existence of such profound music is even possible!
Man, I've been getting into Periphery in the past 1 or 2 months and I have to say, I LOVE them! It has shred (I happen to be a guitarist who shreds the whole time), the vocalist is amazing and most importantly, it totally djents. 000010
Honestly, I love this song. I always listened to it when I went jogging. I would often finish my nightly jog and the song would still be playing. Brilliant just listening to one song and not having to change it half way through the jog!
After knowing that Elliot Coleman and Casey Sabol did vocals in this, I have a whole new respect for this song.
12:29 fucking love that riff and the backing guitar. Only metal could do something that amazing. What a fuckin masterpiece of a song when even a riff that good is just a small part of it
Imagine classical/full orchestra of this song. Now this to me is what progressive metal music should be. It’s supposed to be complex, and yet flow perfectly well with all their different sections
The chugging at 9:28 just makes me sooo, so happy
I want to marry this guitar solo.
4:35 is phenomenal.
+Whitest White Elliot Coleman baby
+Jeff Corcoran Holy shit, I've heard this song so many times and I'd never noticed Elliot right there!!
+Ahairball when I first heard it, I thought it was spencer just singing a different way lol
Been listening to prog metal for over two decades now and can hear a bit of DT, Rush, Meshuggah, etc in each stanza. Love the arpeggios, hate some of Spencer's 'whiny emo' moments. That all being said, like a great flick this is fifteen minutes that goes by *very* quickly. Truly an EPIC song that's become one of my favorites.
Well said.
This isn't spencer...
JabrohamsProductions Yup, sure is. en.wikipedia.org/wiki/Periphery_(album) Some of Chris Barretto's harmonies were left in the debut after rerecording with Spencer on lead vox...
It was Casey Sabol. Not Spence.
JabrohamsProductions
It's Spencer. The production quality isn't as good compared to the second album, but it's still pretty easy to tell that it's his voice. "As a result, Sabol's and Barretto's lyrics and vocal melodies and harmonies are still featured on the record." So some harmonies and melodies are still in here, but overall Spencer definitely (re)recorded all the main vocals on this album.
I go to sleep to this qnd make many memories with this song as well. I love Periphery!
This song is why everyone likes p1 the most.
P1 is generally considered to be their worst these days. Not even Periphery themselves like the album.
CrashD but for the OG fans, they say otherwise, man would I love to hear this song live again knowing that won’t happen 😔
@@CrashDunning Every band says their older stuff is the worst. And every time it's the exact opposite.
Bruh p1 is considered the worst besides clear
@@jaydenjbryant8665 is p1 actually considered the worst? the only periphery i listen to is p1 and clear albums, and haven't explored more. what album would you say is the best from periphery?
This song should be titled "Time to take it back to the rehearsal room kids" by far most epic metal song ever. Hands down....nothing else even in the stratosphere with it 😎
Still gives me goosebumps.
This might have been where prog/tech death metal/djent peaked. Like honestly the sickest parts of all the influences are on full display here, but nothing sounds jacked from other artists... a fucking masterpiece.
Even the emo ass vocals work so well, normally they make me cringe. But this is MCR level emo that's so musical it's not just wanking off.
12:28 and that's where erra got their sound haha
holy shit
You mean @11:23
Why are you everywhere?
Jeff Loomis' solo will always give me the chills.
OHG1997 what part was that? i never knew he was on this.
When the gloomy, or should I say loomi?;), part comes. To be more specific at about 10:20
OHG1997 fuck me sideways... time to go look up everything he's ever done. (i wasn't hip).
Tapiwa Ushe hahaha, good idea! He's a beast shredder ;)
Been a fan of periphery and nevermore for years. Never knew he was featured on this song.
Happy 10 year anniversary of this amazing debut album Periphery!!!!
Spencer complainers, just shut up and don't listen to these versions, open up another tab, and listen to the full album instrumental, they got a studio edit of that aswell. Have fun
Austin Hynes You sir, are ridiculous.
Inthinkable, Spencer is a really darn good vocalist. He’s improved significantly since this record, which was not bad at all.
i think this is one of the best songs ever written
Just gotta love the creative drum parts and unusual snare hits.
The solo that starts at 3:31 gives me chills every time. This song was great as an instrumental, but IMO I like it with Spencer's voice so much better.
Listened to this track so many times and it's still so hard to believe that such a masterpiece exists. The amount of swings it has and different bars, is insane.
Accidentally discovered this song playing random songs on guitar hero! Best accident of my life xD
Wait this song’s on GH????
@@nmularoni1 it’s on clone hero! It’s like a fan made guitar hero but it’s much better because you can play like 10,000 songs. And this is one of them
Ah Clone Hero. Heard of that. I only have my guitar hero gear for the original wii 😂😂
we getting the mixing engineer fired with this one 🗣🗣🔥🔥🔥
Spencer is the greatest singer of all time.
I don´t wanna be the aggresive guy in youtube that just wants to start fights, insults people and shit, But, WHAT THE FUCK DID YOU JUST SAY?
It will probably sell millions of albums. And it is better than slipknot, Five Finger, Avenged sevenfold etc... all terrible yet very popular, all who have sold millions of albums. (so what do I know right?) Which is why I turned off the radio. No good vocalists this past 15 years. This is very listenable. Good musicians plus vocals I can work with. Dynamics. This kid is still growing and learning. He'll be fine. It is shocking people s systems at the moment. The new people who are coming on board for the first time, and the old who are dumfounded.
Shane Aric Cory Taylor is a great vocalist.
@@ShaneRaric shut up you bellend
I usually don't have an appreciation for vocals, but I love Spence's voice so much.
this is probably the best song of all time
one of, totally...
FAVORITE PERIPHERY SONG/SONG OF ALL TIME.
ITS JUST SO FUKIN INCREDIBLE.
This is their Magnum Opus. The riff at 9:55 is better than 99% of all music ever created. I love this song so much.
My favourite song of theirs. By far.
9:54 - 10:48 is probably the most beautiful solo ever written.
I feel the same way, man.. The part at 12:42 and how they included it in Ragnarok actually made me shed a tear.. Thumbs up for Periphery, they are masters at their work, and I feel honoured to have met with them in Oslo and have gotten the experience of talking to them and getting a bit of a closer look at their amazing personalities!
Loving the Spencer/Elliot vocal harmonies toward the end
Toward the middle *
The section at 9:30 with the heavy djent and clean background guitars along with section at 6:40 of Satellites are SOOO GOODDD some of my favorite periphery moments
My appreciation for this song knows no bounds
This song is like a reflection of life
ups...downs...ups...downs....hope....
4:36 Elliot Coleman
I've listened to the song forwards and backwards and it sounds the same both ways through, periphery is genius!
Easily the best song by Periphery.
This is by far my favorite song in the first album.
It's a shame how underrated it is
This wasn't just a song this is an entire experience
13:08 gives a very strange feeling of freedom.
I see light.
I've never been able to explain how this track makes me feel
Ahhh this song, memories.. It's been so long and all of a sudden I feel happy and content.
Whoever hates this song is stupid.
This. Is. A. Masterpiece.
Fun story about this song and in particular, Jeff Loomis's guest solo on it: Loomis has been my favorite guitarist for a pretty long time now. When I listened to this album for the first time and it got to this song, that solo started playing and it captivated me immediately. The longer it went on the more I was thinking, "holy shit this solo is insane." By the time it was finished I was floored, thinking that it was one of the greatest solos I've ever heard. After the song ends and the album is done I open up the CD booklet and read the liner notes and what do I see but, "Guest solo on "Racecar": Jeff Loomis"
I felt so validated. My favorite guitarist passed a totally blind listening test with flying colors and to this day it's one of my favorite guitar solos ever.
4:37 idk why but it sounds perfect, ooh who am i kidding everything sounds perfect
This song makes me feel like I am speaking to the sun or ascending into the heavens.
11:27 - 12:45 Pretty awesome riffs going on
xCynder my fav of all time
This section is what made me love Racecar so much
Still the best Bulb/Periphery song. Brilliant.
0:47 - 1:07 ah jeez, this section man ❤️❤️❤️
Ive always loved how this song just shreds away into eternity at the end.... So perfect considering the lyrical content
This song is like the face of Periphery. When I suggest this band to a friend, first thing I always say is listen to Racecar..
Really? I feel like is a pretty intense song to throw to a brand new listener, lol. Usually, I'll recommend something like Scarlet or Make Total Destroy, cause they feel a bit more accessible. Not saying that Racecar is a bad song by any means, in fact, this is up there among my favorites. It's just that a new listener might not appreciate the intricacies without first having understood Periphery's base sound.
Cant speak for everyone but once I heard flatline and marigold I was instantly hooked
This should be the last song you show someone if you’re trying to get then into periphery and they’re not used to this music 😂😂😂😂😂😂😂😂😂
i come back to this song every here and there just to reinspire myself. still one of my favorite musical pieces of any genre and of any time
Happy 10th anniversary 💜💜💜
the greatest periphery song. simply brilliant.
This is literally my first time listening to this song with vocals.
Teddy Fuse it’s bombbbb huh
I have to hear this live
Why nobody is talking about 5:47 Riffery and Blast beatery?
This album raised the technical level of music I love so high that it stopped me playing guitar after 10+ years.
I've def. Listened to this song for 72 hours !
So 5 times? Lol
I wasn't a big fan of Meshuggah but I am for Periphery. Have been for 7 years now, I remember listening to Bulb's solo stuff and I was instantly in. Found a huge difference, don't really see why the two are compared to eachother so often. You can't tell me that the solo kicking off at 9:54 comes from nowhere but soul man, let alone the whole song :P. This song is seriously the best shit I've heard, and those lyrics are fucking stunning!
Meshuggah pioneered the sound that Periphery helped make popular. They're like a very melodic Meshuggah. Both great bands
'These are broken words'
Periphery's lyrics summed up in a sentence.
the long, epic song is a lost art nowadays.
this is this decade's "suppers ready"
seriously blown away by this piece