King Crimson - Exiles (Live At The Concertgebouw, Amsterdam, November 23rd 1973)
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- Опубліковано 22 сер 2024
- Full Playlist: • The Night Watch (Live ...
EXILES
(Fripp, Palmer-James, Wetton)
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David Cross: Violin, Viola, Mellotron
Robert Fripp: Guitar, Mellotron
John Wetton: Bass Guitar & Vocals
Bill Bruford: Drums
Recorded At The Amsterdam Concertgebouw on November 23rd 1973.
Live Engineer: George Chkiantz
Mixed at DGM World Central by David Singleton & Robert Fripp during July 1997.
Engineer: David Singleton
Assistant Engineer: Alex R. Mundy
Cover Painting: "The Night Watch" by: P.J. Crook
Sleeve Design: Bill Smith Studio, London.
#KingCrimson
#RobertFripp
Perfect song: the vocal melody, the guitar parts, the mellotron, the bass line, the drums, the viola, all in perfect harmony.
King Crimson was a perfect harmony
Bruford, Cross, Fripp & Wetton...PERFECT!!!
The best line-up!
yes♪ perfect！！ and never-reunion_ 😭
David cross also😭😭🙏🏼
King Crimson had the most musically knowledgeable fans of any progressive rock band IMO. If someone said Crimson was among his or her favorite prog bands, they were always very into music and music history. If you want to have serious prog conversations, find some folks who list KC among their favorite bands.
R.I.P. John
Wetton joins the mellotron intro with a beautiful contrapuntal bass line. Then starts singing while not missing a beat on the bassline, what a talent!!
As a bass player/singer, I have no idea how he manage to to both of em simultaneously so flawlessly. His bass lines are very complex
Phil Lesh once described trying to sing while playing bass as “black magic.” There’s WAY too much coordination involved!
this version has a really eerie opening from the mellotron. but I think that really adds to the already spooky element that exiles has in it's opening sequence. truly a beautiful piece written by Robert Fripp and Co.
That’s why I love this version. Gives me goosebumps
King Crimson + Mellotron = Melancholytron Deluxe
No Prog Rock group can touch this version of crimson for live performances and Fripp is not only the greatest prog rock guitar player, but the best composer and overall musician!
Seems to be some real magic between these particular musicians and live and sometimes improvised, amazingly backtracking John Wetton's career and finding this album if I had a time machine would be in my top 5 all time concerts to see live.
@@voxdot Same here. Bruford's drumming especially on the USA version of this song is proto hip hop in the groove. So steady yet breathing.
The best version of this amazing song.
the one live in Bremen is good, Zürich version also great too
The USA one was awesome too!
Rhode Island's the best IMO. When Bruford enters on drums, it's like entering a different universe. And Wetton's vocals are unmatched.
0:00 It's impossible not to feel goosebumps listening this! I just imagine what mindblowing could be if Fripp used a 7th string guitar in this song!
A low or high A?
@@beahafkenscheid8421 a low string
Gracias King Crimson por tan bella creación. Marcó mi vida.
Sweet melancholy thanks💕
Exiles live in this era is so special every performance
Thanks Robert and the DGM team for this. Probably my favourite 70s Crim live album.
Easily my favorite and in my Top 10 all time concerts.
Fripp adds just enough to serve the song even though he's totally capable of "melting faces" at any time. Wetton's vocals and awesome bass line carry the day here.
Only John could wail like that!.
Un tema más que llegó para quedarse en el corazón.
I love this song, it's amazing, the screams...
masterpiece
Even better than the recorded version from the Larks' Tongues in Aspic LP.
Epa! Desde Colombia oyendo a los grandes
Beutiful
John Wetton once commented that LTIA paled in comparison to the live versions of the same songs. This (and the other evidence) proves him absolutely right.
Both David and Bob playing mellotron...
They switch off. When Fripp is playing the guitar, Cross is on the mellotron or vice versa.
johon-MR.progressive bass-weeton ♪☆！Great！！！
If I had to pick one Crimson song it would be this. I love the USA version better, it's got more intensity. But still great
Agree. The USA version has a lot more energy! I have listened to it for the past 40 years! Greetings from Adelaide, Australia!