Fantastic performance on everyone's part. Vishnevskaya had a remarkable life. She went though the harrowing Leningrad blockade as a teenager and then she sang in music halls for years. But she found a proper teacher and had a great opera career, both in Russia and the West. Her autobiography is a page turner.
Di CORELLI non ci sono più aggettivi per commentare la sua grandezza, il più grande CALAF di tutti i pempi. Questa Liu e una bellissima sorpresa non sfigura affatto nel confronto, abbinamento perfetto per i rispettivi ruoli. Piacevole ascolto!!!!! Brava GALINA.... Beautiful
In her autobiography, GV writes that she wanted to sing the final note of this aria pianissimo as directed by Puccini, but she was told that the Italian audiences expected a fortissimo. She decided to hold the note pianissimo and only at the very end to crescendo to a fortissimo. She was told that the effect in the opera house was like that of a whistling train emerging from a tunnel.
Вокал высочайшего уровня! Наша Галина Павловна показала класс! Франко Корелли, конечно, великолепен необыкновенно, но Вишневская ему оказывается под стать. У нее, действительно, был очень красивый, певучий и сильный голос - я его слышал в Большом!
ManricoV, molt grazie. Muy hermoso;Gran voz y hermosa interpretacione di Galina Vishnevskaya, e come sempre, IL MAESTRO FRANCO CORELLI MAGNIFICO, SUBLIME. .
Dans ces mémoires, Vichnevskaia en parle, de cette Turandot. Comme un choc de titans, et à chacun de se débrouiller pour survivre à la confrontation! Pas question de faire des pianissimi, quand bien même Puccini les a écrit! Ecoutez 2.13....
What a joy to hear this in correct score pitch. Almost all other UA-cam postings are transferred a half tone too high. ANY singer (even The Great Ones) sounds terrible when his/her voice is played back faster than it was recorded. If you can't get the pitch right (this post is perfect), DON'T POST. You're only doing singers a horrible disservice.
If his nerves had been stronger and would have sustained a fully flighted international career, would Corelli have been regarded as "Caruso's Heir" after the untimely death of Björling? I think so. He was truly magnificent.
Bob Smth, Zacaria was more than passable,compare him to someone Climbming Everest he was just reaching the Summit,just a few feet from the top just failing to be able to plant a flag.But my G-D he was excellent,no comparison to today's would be.This is only the opinion of a person who has loved Opera most of his time on this Planet. Rene 89 yrs and still listening,trying to appreciate the current Artists.
+Yskuch O don't hear any "boos", but if there are a few, idiots are everywhere, you know. Mr. Matthieu Degott's comment below, is to be paid attention.
I really hated the continuous change of tempi - and such fast to slow extremes. Toady's audiences want more realism in opera, and that usually means a faster tempo to mirror actual emotions. But some of the slow tempi were actually interesting if I could hear it in its entirety.
As usual, Vishnevskaya sings with an old woman's timbre and exaggerated phrasing. Как и обычно, у Вишневской "старушечий" тембр и неделикатная утрированная фразировка.
Не слышу ничего старушечьего, но техника у неё не самая лучшая, хотя именно здесь голос изумительно звучит. Тогда многие утрировали, включая Корелли. Другая манера пения была, очевидно.
@@tatyanashaideman9639 Такие подробности деятельности этих двоих были мне неизвестны, но весьма вероятно, иначе ведь куда ж было деваться. Образцова как меццо не могла не воспользоваться случаем пройтись по сопрано. Знамо знамо...
@@wagnergalore5866 Когда был юбилей Вишневской, она долго просила Демидову прочесть стихи Ахматовой о голосе Вишневской. Демидова долго отнекивалась, тк дружит с Маквалой , а Маквала дружила с Образцовой. Хотя Демидова постоянно на своих поэтических вечерах использует бахиану в исполнении Вишневской.
@@wagnergalore5866 Ростропович дал интервью на западе, где сказал, что Нестеренко агент КГБ, а тот на словах собирался в суд на Ростроповича подавать за это.
![Signore, ascolta (Vishnevskaya) & Non piangere (Corelli) - 1964 La Scala [BEST SOUND]](http://i.ytimg.com/vi/aunokYAvpwQ/mqdefault.jpg)
Fantastic performance on everyone's part. Vishnevskaya had a remarkable life. She went though the harrowing Leningrad blockade as a teenager and then she sang in music halls for years. But she found a proper teacher and had a great opera career, both in Russia and the West. Her autobiography is a page turner.
Vishnevskaya wrote years later she had never heard such singing (Corelli's) and probably would never hear again. She was also great...
Di CORELLI non ci sono più aggettivi per commentare la sua grandezza, il più grande CALAF di tutti i pempi. Questa Liu e una bellissima sorpresa non sfigura affatto nel confronto, abbinamento perfetto per i rispettivi ruoli. Piacevole ascolto!!!!! Brava GALINA.... Beautiful
Первый раз слышу эту арию в исполнении Вишневской! Очень достойно! Корелли неподражаем! Браво великим певцам!
Великая женщина! Петь тяжело физически, господь наградил чудесным голосом, всего добилась сама, уважение восхищение, браво Галина Вишневская
Галина Павловна, браво 👏 👏 👏 Это потрясающе! Лучшая навсегда!
Corelli!!
In her autobiography, GV writes that she wanted to sing the final note of this aria pianissimo as directed by Puccini, but she was told that the Italian audiences expected a fortissimo. She decided to hold the note pianissimo and only at the very end to crescendo to a fortissimo. She was told that the effect in the opera house was like that of a whistling train emerging from a tunnel.
Still you could hear one booo in her aplause….maybe from the guy who suggested to her to do it differently
Now, that was opera!!
Вокал высочайшего уровня! Наша Галина Павловна показала класс! Франко Корелли, конечно, великолепен необыкновенно, но Вишневская ему оказывается под стать. У нее, действительно, был очень красивый, певучий и сильный голос - я его слышал в Большом!
Какая красивая и талантливая! Обожаю!!!
FRANCO CORELLI UNO DEI PIU' GRANDI TENORI DI TUTTI I TEMPI RENZO MANTOVA
Vishnevskaia is wonderful here, at the top of her vocal abilities. But OMG, Corelli is sooooo out of this world.
Corelli immenso !!,,,,Vishnevskaia strepitosa!!!,,
I've never red better about my favourite tenor!
è un piacere ascoltarli. EMOZIONE.
Out of this world! How lucky were those who were there!
Magnifici! Che rimpianto non averli ascoltati dal vivo!
It was made in 1964, from La Scala.
Yes, they both are divine here.
Thanks for sharing this J E W E L.
ManricoV .
Два великих артиста с поставленными от природы голосами! Уникальная пара!
ну ну, не сказал бы что от природы
Великий здесь только Корелли.А Вишневская просто средняя певица.
@@proteus6366 Вишневская здесь не уступает в величии маэстро Корелли! :)
Корелли ставил себе голос и все время совершенствовал. Кстати, см., что Вишневская писала об этой постановке....
@@Keatsy08 Вы имеете в виду ее книгу "Галина"?
¡Qué maravillosa Galina!!!! Corelli, como siempre, un dios.
Спасибо, что предоставили эту запись для прослушивания, читала о ней в книге Галина, но услышала впервые.
SUPER
Mio caro Maestro Franco Corelli! Quanto vi amo! How i love you! Как я Вас люблю! This is my favorite aria and scene. Это моя любимая ария и сцена
Unico e magnifico.
Wonderful voices; lovely duet.
Un gran placer escuchar estas dos esplendidas voces..¡¡
ManricoV, molt grazie. Muy hermoso;Gran voz y hermosa interpretacione di Galina Vishnevskaya, e come sempre, IL MAESTRO FRANCO CORELLI MAGNIFICO, SUBLIME.
.
Великолепно!!!
Dans ces mémoires, Vichnevskaia en parle, de cette Turandot. Comme un choc de titans, et à chacun de se débrouiller pour survivre à la confrontation! Pas question de faire des pianissimi, quand bien même Puccini les a écrit! Ecoutez 2.13....
WOW!!!!
Wonderful!!! It is really a gem! It goes straight to my favorites.
Thank you very much for sharing.
Wonderful recording, beautiful.
You can find this 1964 recording from La Scala on Amazon.
Thank you
Extraordinario dúo
Великолепно! Божественно! Брава!
БравО
Magnificently enchanting.
What a joy to hear this in correct score pitch. Almost all other UA-cam postings are transferred a half tone too high. ANY singer (even The Great Ones) sounds terrible when his/her voice is played back faster than it was recorded. If you can't get the pitch right (this post is perfect), DON'T POST. You're only doing singers a horrible disservice.
Excelente duo ,fantásticas voces
Exclusive, sublime!
Брависимо!!!
Voci Dumnezeesti ! Multumesc!
Magnífico!
If his nerves had been stronger and would have sustained a fully flighted international career, would Corelli have been regarded as "Caruso's Heir" after the untimely death of Björling? I think so. He was truly magnificent.
Mio Dio che cosa maravilhosa Grazie per lá possibilita di poterlo ascoltare e a voi che trasmettete Raffaella
bravissimi
Notables !!!
Fantastic my friend. Arnold Bourbon Amaral
Capolavoro! Mille grazie!
Excellent!
Bob Smth, Zacaria was more than passable,compare him to someone Climbming Everest he was just reaching the Summit,just a few feet from the top just failing to be able to plant a flag.But my G-D he was excellent,no comparison to today's would be.This is only the opinion of a person who has loved Opera most of his time on this Planet. Rene 89 yrs and still listening,trying to appreciate the current Artists.
Wonderful recording. Two great singers are singing together in their glory. I wonder what year was done this recording. Thank you very much.
Brava!Brava!!Brava!!!
I don't know... Is it a squeaks or forcing sound? Corelli is great as always!
Wonderful ! Thanks so much! :)
THE GREATEST TENOR EVER LIVED IN THE WORLD. FOR EVER CORELLI. I WAS VERY LUCKY TO STUDY 1997.
💖💖
шикарно!
♥️♥️♥️
💖🌷🌷
I only hear one person booing, and he might be a paid heckler at that. Zaccaria is reminiscent of Pinza here.
Was this performance recorded by any chance in it's entirity?
Henry Webb
yes you can find it on youtube
А все она, Турандот. И Лиу не пожалели... 😥
Боже какой голос!!!!!Вот тебе и совок!!!!!!
Вишневская ненавидела совок. И какое отношение к ее таланту имеет государственный строй?
Итальянцы зря овации не устраивают.
I'am very sorry too, but there are "boos"!
+Yskuch O don't hear any "boos", but if there are a few, idiots are everywhere, you know.
Mr. Matthieu Degott's comment below, is to be paid attention.
maybe "bis" ?)
it's La Scala, they like to boo, including Callas, Alagna, Sabatini, etc. It's part of their passion.
@@AnshaAbdul of course. They are "bis"
+Yskuch There aren’t any boos. People are either saying bis or bravi.
I really hated the continuous change of tempi - and such fast to slow extremes. Toady's audiences want more realism in opera, and that usually means a faster tempo to mirror actual emotions. But some of the slow tempi were actually interesting if I could hear it in its entirety.
What’s wrong with the audience🤦♂️
"The fabulous Nicola Zaccaria sings Timur" - that's debatable. Zaccaria was passable at best.
Bob Smith Oh dear!🙀
"Nessun m'ascolta..."?
As usual, Vishnevskaya sings with an old woman's timbre and exaggerated phrasing. Как и обычно, у Вишневской "старушечий" тембр и неделикатная утрированная фразировка.
Не слышу ничего старушечьего, но техника у неё не самая лучшая, хотя именно здесь голос изумительно звучит. Тогда многие утрировали, включая Корелли. Другая манера пения была, очевидно.
Ведь пошло от Нестеренко и Образцовой, артистов Большого и агентов НКВД, что Вишневская плохая певица.
@@tatyanashaideman9639 Такие подробности деятельности этих двоих были мне неизвестны, но весьма вероятно, иначе ведь куда ж было деваться. Образцова как меццо не могла не воспользоваться случаем пройтись по сопрано. Знамо знамо...
@@wagnergalore5866 Когда был юбилей Вишневской, она долго просила Демидову прочесть стихи Ахматовой о голосе Вишневской. Демидова долго отнекивалась, тк дружит с Маквалой , а Маквала дружила с Образцовой. Хотя Демидова постоянно на своих поэтических вечерах использует бахиану в исполнении Вишневской.
@@wagnergalore5866 Ростропович дал интервью на западе, где сказал, что Нестеренко агент КГБ, а тот на словах собирался в суд на Ростроповича подавать за это.