My parents had this on an LP way back when I was just in elementary school. I fell in love with it back then, and it's still wonderful to hear. Especially this rendition!
Aaah! Food for the soul! Written more than 200 years ago, it is one of an infinite number of examples of genius and truly ageless music. Thank you W.A. Mozart
00:00 - Увертюра, ГП, D 00:53 - Увертюра, ПП, А 01:34 - Увертюра, ЗП, А 04:15 - 1 д. 1-й дует Фігаро і Сюзанни. 07:44 - 1 д. 2-й дует Фігаро і Сюзанни. 13:01 - 1 д. Каватина Фігаро. 24:44 - 1 д. Арія Керубіно. 31:20 - 1 д. Терцет Графа, Базиліо і Сюзанни. 41:22 - 1 д. Арія Фігаро.
Overture to Mozart's "The Marriage of Figaro", K. 492 "borrowed" from: Giovanni Paisiello "Barber of Seville" 1782.; = André Grétry „L’Amant jaloux“, 1778 Other:Soler:"Martini lo spagnuolo" ("Martini the Spaniard"); in modern times, he has been called "the Valencian Mozart" - historical facts show that it is the other way around - "Mozart is Soler from Vienna". Soler is credited with introducing, in Una cosa rara, the waltz to Vienna; and a melody from the same work is quoted by Mozart in the banquet scene in Act 2 of Don Giovanni (1787). "Il burbero di buon cuore" (The Good-Hearted Curmudgeon) is an opera dramma giocoso in two acts by Vicente Martín y Soler. The Italian libretto by Lorenzo Da Ponte is based on the French comedy Le bourru bienfaisant by Carlo Goldoni. The opera premiered on 4.01.1786 in Vienna at the Burgtheater with a cast that included three well known Viennese singers of the day: Nancy Storace as Angelica, Francesco Benucci as Ferramondo, and Maria Mandini as Marina.The opera premiered in the same year and at the same house as Mozart's Le nozze di Figaro (1.05. 1786.). Mozart tried to "fix" this opera (his style of creation). Similarly Forgotten Giuseppe Gazzaniga ("Don Giovanni Tenorio", (5.02.1787.) - Mozart's "Don Dovani" (29.10.1787.)
Le tempo de l'ouverture est vraiment trop rapide ; cela le rend le brutal et paradoxalement les "tutti" deviennent assez lourds ; on est loin de la légèreté mozartienne ; même pour les phrases répétées, ça cogne sans nuance ; le tempo fonctionne assez bien pour les récitatifs de l'acte 1.. Merci de nous proposer cet extrait intéressant.
I think it's a matter of taste. I like the faster tempos very much and although not everything is done as precisely as the Currentzis recording (he chooses even faster tempos here and there), this recording is one of the best for me.
![Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492 {Act II} [With score]](http://i.ytimg.com/vi/12IJVZ-hIlk/mqdefault.jpg)
![Wolfgang Amadeus Mozart - Le nozze di Figaro, K. 492 {Act II} [With score]](/img/tr.png)
My parents had this on an LP way back when I was just in elementary school. I fell in love with it back then, and it's still wonderful to hear. Especially this rendition!
Aaah! Food for the soul! Written more than 200 years ago, it is one of an infinite number of examples of genius and truly ageless music. Thank you W.A. Mozart
00:00 - Увертюра, ГП, D
00:53 - Увертюра, ПП, А
01:34 - Увертюра, ЗП, А
04:15 - 1 д. 1-й дует Фігаро і Сюзанни.
07:44 - 1 д. 2-й дует Фігаро і Сюзанни.
13:01 - 1 д. Каватина Фігаро.
24:44 - 1 д. Арія Керубіно.
31:20 - 1 д. Терцет Графа, Базиліо і Сюзанни.
41:22 - 1 д. Арія Фігаро.
Jamais je n’aurais su vivre sans Mozart il rend le monde plus supportable
This is really nice, I love the magic flute you uploaded, thank you so much, waiting for the rest!
Thank you very much for uploading this! Waiting for the other acts :)
It would be great if there'd be a video with the vocal score (piano only). Can't stand transposing the stupid horns.
Comicità e drammaticità appena accennate: il classicismo delle "luci romantiche", sempre in tensione.
Overture to Mozart's "The Marriage of Figaro", K. 492 "borrowed" from: Giovanni Paisiello "Barber of Seville" 1782.; = André Grétry „L’Amant jaloux“, 1778 Other:Soler:"Martini lo spagnuolo" ("Martini the Spaniard"); in modern times, he has been called "the Valencian Mozart" - historical facts show that it is the other way around - "Mozart is Soler from Vienna". Soler is credited with introducing, in Una cosa rara, the waltz to Vienna; and a melody from the same work is quoted by Mozart in the banquet scene in Act 2 of Don Giovanni (1787). "Il burbero di buon cuore" (The Good-Hearted Curmudgeon) is an opera dramma giocoso in two acts by Vicente Martín y Soler. The Italian libretto by Lorenzo Da Ponte is based on the French comedy Le bourru bienfaisant by Carlo Goldoni. The opera premiered on 4.01.1786 in Vienna at the Burgtheater with a cast that included three well known Viennese singers of the day: Nancy Storace as Angelica, Francesco Benucci as Ferramondo, and Maria Mandini as Marina.The opera premiered in the same year and at the same house as Mozart's Le nozze di Figaro (1.05. 1786.). Mozart tried to "fix" this opera (his style of creation). Similarly Forgotten Giuseppe Gazzaniga ("Don Giovanni Tenorio", (5.02.1787.) - Mozart's "Don Dovani" (29.10.1787.)
The _Se a caso_ duettino is my favorite. Mostly because of the loud, low 'Don-don' in Susanna's part. I'm a big fan of low voices, in fact.
11:25 that chord❤❤❤❤
Wolf gang
Plisss Cosi fan Tutte :D
29:12
Wow tradotto in italiano
41:22 non piu andrai.
Are you going to do all of Mozarts operas ?
I am thinking of doing Don Giovanni (not sure yet), do you have an opera you want to see with score?
Can you do Shostacovichs the nose or lady macbeth and mozarts the abduction from the seraglio
@@DamonJHK così fan tutti? Can you do?
@@decodesc7744 Yes, please do Così fan tutte!
@@decodesc7744 Not sure if you are still there, but thr score you asked is up.
31:19
24:42
from baby noah animal expedition
Even after having played the violin for 10 years, the Overture is simply way too fast for my slow brain haha.
Hey, I have not been on UA-cam for a good while. What happened to "die Zauberflöte" ? Was it deleted?
Working on it!
@@DamonJHK Thank you. I miss it. The one that was deleted was the best version I had ever listened to.
@@nguessanbenie2487 Oh but since that version got blocked on UA-cam, I will use a different recording this time, I think
@@DamonJHK Aw dang it. Well, thank you 😊
Thank you so much!
Why do I hear piano at 0:09
Oh never mind it’s probably the harpsichord in the basso continuo
@@indioduran4535 did Mozart use harpsichord?
It shows up in recitativi like 6:57
It's a fortepiano
41:22
6:49
34:19
In what language is this singing ?
Italian
7:13
Does anyone now where can I find the harpsichord part for this peace ?😊
You can search on imslp
@@sararavelo1996 thank you 😊 👍
You won't, the recitative's accompaniment is being improvised.
16:40
Le tempo de l'ouverture est vraiment trop rapide ; cela le rend le brutal et paradoxalement les "tutti" deviennent assez lourds ; on est loin de la légèreté mozartienne ; même pour les phrases répétées, ça cogne sans nuance ; le tempo fonctionne assez bien pour les récitatifs de l'acte 1.. Merci de nous proposer cet extrait intéressant.
I think it's a matter of taste. I like the faster tempos very much and although not everything is done as precisely as the Currentzis recording (he chooses even faster tempos here and there), this recording is one of the best for me.
Pour d'obscures raisons je n'avais pu venir voir vos publications depuis un moment. V
Vous êtes sur le chemin de devenir un grand professionnel, bravo!
Bad orchestra!
The orchestra was made to replicate what music sounded like in the classical era, so it's appropriate.
Bad ears!
I think they did a good job. Very exciting recording.
@@takeuchi5760 agreed
@@unoriginal422 not only appropriate, but accurate, and also very different, but incredibly beautiful, especially the differences in the dinamics.