Einer der wenigen wirklich exzellente Tenoere mit der nötigen hohen tessitura und überragender Textverständlichkeit. Ganz wichtig sind doch die gesprochenen Sätze!
I spoke once with Renee Fleming in an online chat. She told me that with her voice she thought Korngold's orchestrations would overpower her voice. But she loved korngold have is always happy to do his arias, but not the full operas for the reasons stated
Einer der wenigen wirklich exzellente Tenoere mit der nötigen hohen tessitura und überragender Textverständlichkeit. Ganz wichtig sind doch die gesprochenen Sätze!
What a gloriously gorgeous set.
Himmlisch - was für ein Lied? - Korngold fantastisch!
Been there several times. Jakubiak and Briscein did very well.
The 1927 recording by Lotte Lehman and Richard Tauber of this duet is sublime. It's on UA-cam.
The best ever: Caroll Nebett und Rene Kollo.
Who knew this was really a duet?????!!!! Why was it published in sheet music as a soprano solo???
the tenor sings it again at the end of the opera
The gently tinkling sounds from the celesta surely represent Marie playing the lute?
Chris Goddard Yes
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
why the seven pairs of shoes?
Marie is a true lady.
Not quite a match for Renee Fleming!
Fleming’s was a small lyric voice not suitable at all for this opera.
Are you referring to her self obsessive concert singing with a small orchestra?
Agree to disagree
@@aliegan2109 Thanks
I spoke once with Renee Fleming in an online chat. She told me that with her voice she thought Korngold's orchestrations would overpower her voice. But she loved korngold have is always happy to do his arias, but not the full operas for the reasons stated