Upright Bass Lesson: Walking Bass Lines Over Altered Chords with John Patitucci || ArtistWorks
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- Опубліковано 10 кві 2024
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This master class changes my life. Learned everything on these lessons, came out much better. Buy the whole series. Thank you John!
Nice lesson, John is one of the greatest!
Muy bueno 👍
This is probably the best advice I've ever received! Thanks!
Thank you very much!
I was waiting for him to explain about C7 sharp 5 going to F minor. The sharp 5 is the 3rd of the F minor. To me it always sounds like playing the # 5 of the dominant undermines the harmony because it anticipates the flat 3 of the next chord.
🎻❤🎻❤🎻
What happens when you play C7 # 5 followed by F minor? To me it always sounds like a weak progression because the #5 is the flat 3 of the i chord. So to my ear it sounds like you have anticipated the i too soon.. must be the way I am playing it..
Usually the 5 of a minor is a dom b9. The 5 from harmonic minor. Composers use so many options in minor. It’s hyper flexible so study all!
useful video, but audio is a little low