Ustad Ji, I have practiced your qaida in teental and the Lagi with similar boles in Dadra and feel lots of improvement in my fingers then before, now these new boles ,which automatically will improve the style of my playing, thanks for your help and hard work,
Excellent lesson for mastering dhin gin bols (Lesson 13). Needs practice on a daily basis to master this lesson. The movement of right hand fingers from right to left on the tabla (when played on a faster tempo) has to be mastered by rigorous practice on slower tempo. Vikramji, the lesson is Well explained. Thanks a lot.
after about 6 hours i am able to play the dayan part with ghost baya but it is so so so weak. i must do the ryads to build it up, thanks so much for this wonderful piece.
Hi ...I want to thank you for a very valuable lesson! I hope I can play it half as well as you! I would consider myself terrific if I could! Thanks again and all the best to you. Sincerely, Kim
God Bless you Ji, not many people will share these secrets, you are too kind. What is the process of reaching the double speed - I am practicing at Single speed and increasing speed very slowly; I am using Riyaz Studio as Lehra. Do the bols & technique remain the same as the speed increases - can you please comment? God Bless You Sir
Thank you so much sir.. really impressive bols.. such kind of lessons i really wanted .. i am sure this will help .. a lot to get on well with tabla .. could you upload .. few more bols . to improve the clarity of our playing ..
Absolutely wonderful lesson. I will practice this and hopefully do it justice in any up and coming mehfils I'm invited to. Can I ask the history of this kayda/rela/chalan please?
Brilliant lesson. I have been waiting and looking out for this for a long time. Giving you many thanks in advance, can we humbly ask you to do a lesson on this but with lots of variation and paltas please.
I didnt get you on Watsaap do you have a country code before your number? I wanted you to explain about taal kali and sam , I[m a westurn drumer.. dont know much.
Sir my question is towards the end you showed to play TaKe DhinNa in slow speed . But in faster speed it became TaGhe DhinNa. In other words, the Ke went away and it became two Ghe. Should I practice it as two Ghe or as Ke. I hope I am making sense. Thank you very much sir!
who vikram sahib, maza aya, but what application I mean the metronome you recommend to download for practicing table? can I find it easily and download to my cellphone or not?
Sir ji namaste, actually I have a question, so can we also play instead of dhara ghene ( dhati ghene) That's wrong or I don't know that's I am asking you sir🙏
sir please upload some vilambit Taal bols needed for accompany for singers. especially "ektaal". and also variations in the vilambit theka..... please sir
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Ustad Ji, I have practiced your qaida in teental and the Lagi with similar boles in Dadra and feel lots of improvement in my fingers then before, now these new boles ,which automatically will improve the style of my playing, thanks for your help and hard work,
thats great continue the riyaz. God bless u Asmat Sahban
Sir you are really excellent teacher and amazing artist.
Clarity of bols is superb.
This is what a Tabla learner needs.
Very useful...seva it doing ...great knowledge sharing....god bless you....master of tabla 🙏
Wah ye riyaz ke liye bahut accha hai aise aur batye aap ati sundar
Anyone pressing anything but the like button is just very envious of the way he can play Tabla
Thank you very a terrific lesson. You are a fantastic teacher/Guru......
All the BEST TO YOU, Kim
Excellent teaching and bols for practice and hand improvement. Thanks 🙏
Again a beautiful enjoyable lesson. Thanks.
Bohat wadiya hai.....khan Saab
Excellent lesson for mastering dhin gin bols (Lesson 13). Needs practice on a daily basis to master this lesson. The movement of right hand fingers from right to left on the tabla (when played on a faster tempo) has to be mastered by rigorous practice on slower tempo. Vikramji, the lesson is Well explained. Thanks a lot.
Very very nice Vikram Sir....
I like very much your all lessons...
wah ji wah Kiya laggi bahut khoob😚😚
Very nice you teaching because of slow motion movement of finger thank you
Double was bliss to hear sir.. so clear and beautiful...
Very nice lesson for advance learners... Great 🙏🙏
aapka sikhane ka tareeka bemisaal hai.. raat ke 2:30 baje hai to bhi aur suntey jaane ka ichha hai
Sir, thank you for sharing this valuable information,this composition is very helpful for the proper setting of the hands.
Thank u veer ji mujhe aapki video dekh ke tabla bajane ka mann karta hai
after about 6 hours i am able to play the dayan part with ghost baya but it is so so so weak. i must do the ryads to build it up, thanks so much for this wonderful piece.
guru ji ke charno me parnam ap bilkul ustad zakir hussain ji ho
Is ka hi Zarurat tha... Dhannaybad Guru Ji...🙏🙏
अद्भुत वादन,अद्भुत शिक्षण।
very nice vikram ji.
The way you start the teen taal theka, is very nice...could you plz demonstrate that sometime
सर बोहोत खूब आपसे बोहोत कुछ हमें सीखने को मिलता है।सर एकताल के कुछ कायदे बताइए प्लीज़ । प्रणाम सर🙏🙏
I m learning from u many many thnks for giving time 🙏🙏🙏🙏
God bless you
@@vikramgandharv thnks guruji i need ur blessing
@@vikramgandharv bin guru gyan 0 saman mere guruji aap ho mohan 🙏🙏🙏🙏🌹🌹🌹🌹
Very well explained and in best style. Thanks a lot
wahh bahut khubsurat (Nikas) dikhaya aapny😊
Vvv nyc lesson guruji plz try to play more slowly step by step
Hi ...I want to thank you for a very valuable lesson! I hope I can play it half as well as you! I would consider myself terrific if I could! Thanks again and all the best to you.
Sincerely, Kim
its amazing i hope to upload more video for tabla lovers , and also please put more khayda lessons in teental ,thank you
Very useful advance level lesson
wow Vikram ji ...... very nicely explained
thank u for your feedback Sriranjan N.R
Vikram Gandharv please make more ana more videos Vikram ji........ good luck sir
bahot acha laga sunkar kya hame aa sakega
Usthaaad lesson 13 very interesting... congrats for ur good mind
Thanks sir. today I get real fact how play dhingin
Vintage zakir husaain tabla reborn !! 🙏🙏🙏🙏🙏🙏✨✨✨✨
Vikram sir thank you !!! Kai baar shri zakir hussain ka vintage solo suna lekin bol smjh ni aaye !!!
Wah ustad 🙏🙏👌
wahh ustad....
thanks for this kayda.....
thanks a lot sir for sharing a beautiful laggi...
Very very very nice ustad g
Very nice 👌👌👌👌👌👌👌
Very nice
Very nice. Can u pls. share the different paltas for Teen Taal Rela - dhene ghene tak dhene ghene
badiya lesson hai guru ji but it is very difficult ye kafi mehnat ke bad hatho me aayega but guru ji aap great ho thank-you sir ji
practice this in slow speed with patience u can play swaran kumar
God Bless you Ji, not many people will share these secrets, you are too kind. What is the process of reaching the double speed - I am practicing at Single speed and increasing speed very slowly; I am using Riyaz Studio as Lehra. Do the bols & technique remain the same as the speed increases - can you please comment? God Bless You Sir
Simply mindblowing.
Thank you Vikram sir, all of you lessons are awesome. What uthan/tihai you played in the beginning?
dhin gina tak in this "tak" is played very sharp and loudest sound .. sir pls tell us how to produce such awesome sound
Very nice explained sir
Boht acha lesson
You are good tabla player 👌
Ustad gi namaste, kripiy karke dhenegene tak tene kaise banate hai bataeye thanks alot
Sir plz lesson on difference between laddi, laggi and row.
yes plzz sir row.........tutorial
Sir ap ke video aachche hein
Plise vilmbit teen taal ke video banaye
sir dhin gina me haath fekaana sahi hai ya galat?
dekhne me ajib lagta hai
bahut sundae sir bahut bahut dhanyawad
Thanks so much for an awesome lesson
wow...amazing work Vikram
thank you Mithosh Joseph
Great video, thanks!!!!
Wah.. no words sir..
Very nice practice.
amazing player u r sir.
Thanks for the beautiful lesson , it is always more helpful if you write down the bols.
i have spoken very slowly u can write down it.
+Vikram Gandharv very nice sir
always put the bols in the description, please! Thnaks
sir what is the background music your were playing on
can you just say the name of it
Thank you so much sir.. really impressive bols.. such kind of lessons i really wanted .. i am sure this will help .. a lot
to get on well with tabla .. could you upload .. few more bols . to improve the clarity of our playing ..
sure unni krishnan. Thank you
Absolutely wonderful lesson. I will practice this and hopefully do it justice in any up and coming mehfils I'm invited to. Can I ask the history of this kayda/rela/chalan please?
Sir apka tuition class kidar hai?
Chandigarh
Sir, can u please post the 'bols' ?
Kya bat hai sir.....
R/Sir, can we play "N" in Dhi"n" Gi"n" bol on Kinar instead on Shahi in this phrase?
Bcoz its difficult and poor nikas to play on Shahi...
Brilliant lesson. I have been waiting and looking out for this for a long time. Giving you many thanks in advance, can we humbly ask you to do a lesson on this but with lots of variation and paltas please.
sure pilau123 ji. I will upload soon. thanku for the feedback
Dear Sir, would you kindly explain how to perform only a 15 minutes solo. Tarun . Kolkata.
end paji
thank you sir for amazing lessons
Siddesh Gandhe bahot khub bhai jaan AAp mujay WhatsApp msg kar do ji aapse baat karni hai +917503752753
hello pleased play kayda which play by ustad zakir ji in Baje sargam har tarf se song
Thank you guruji!
🙏 Very nice
Thank you - nice lesson
Sir ji tabla Ko tune kase karte hai
excellent lesson
Sir ji can you teach how to play rou rela for the same bol
Please do some peshakar lessons need them more sir
I didnt get you on Watsaap do you have a country code before your number? I wanted you to explain about taal kali and sam , I[m a westurn drumer.. dont know much.
+Vikram Gandharv lajabab
Wonderful.. Thank you
Sir Kya baat hai g
व्वा.....🙏🙏
Sir my question is towards the end you showed to play TaKe DhinNa in slow speed . But in faster speed it became TaGhe DhinNa. In other words, the Ke went away and it became two Ghe. Should I practice it as two Ghe or as Ke. I hope I am making sense. Thank you very much sir!
When u do double it will b ge only. Single speed it will b ke. In many compositions this trick is used
Thank you very much sir!
Sir give a lession dhati ghine dhine ,dhati ghine dhine, dhati ghine.
Sir dhina Gina or dhin gin ek hi type se bajega
No.
Na with first finger
Thank u sir and getak getak dhin dhagetete dina gina Lucknow ka kaida h
Sir धे dilli gharane ke hisaab se kis type se ya kin fingers se bjega
Aan Milo sajna ( thumari ) Ki laggi kaise bajayen plz btaiye
who vikram sahib, maza aya, but what application I mean the metronome you recommend to download for practicing table? can I find it easily and download to my cellphone or not?
this is lehara studio app abdullah zaki . it is available in I phone and android phone
Waaaaa ustad
Sir discription me tbla ke bool notes likh Diya Karo n..
wah
Ustad tari khan dhin ghin bols digiye sir aur kayda
Sir ji namaste, actually I have a question, so can we also play instead of dhara ghene ( dhati ghene) That's wrong or I don't know that's I am asking you sir🙏
Dhara Gene is dhana gine
Thank you for your correction sir but my question was can we play instead of dhana gine (dhati ghene)
@@anikcosta1129 no .
dhar Gene and dhati Gene is same
Dhara Gene and dhata or dhata Gene is same
@@vikramgandharv sir I think he is asking to replace dhada gen phrase with dhati gen... Ti.. (middle finger)
Nice sir ji
Thank you 🙏
kya baat , amazing
thank you Achariya Nand
super sr
sir please upload some vilambit Taal bols needed for accompany for singers. especially "ektaal". and also variations in the vilambit theka..... please sir
SIR I TAKE HELP ON YOUR ON LINE CLASSES. THANK YOU SIR.
Vvv nyc