Talk 98: Artistic Use of Vibrato

[@Mezilesialan]

Clearly, you are a master of the cello , reaching the heights and showing others how to get there.
This video is superb work and an invaluable gift for aspiring players.

[@ligeiarunner]

Many thanks for your generosity, sharing your knowdlege with us!!

[@iAznReDii]

You are an amazing cellist. That was so wonderful.

[@axelvaillant]

Thanks from a very grateful online student Mr Finckel ,this is really helpful.

[@cindymcfarlane9371]

axelvaillant oh my yes!!

[@ExaltationMeredith]

So incredible thank you very much

[@LoveAllReality]

wow! This will make my cello playing more poetic.
It answers so many questions, and is perfectly understandable...

[@YapLapWombat]

Many thanks for posting, I've found the talk extremely stimulating. Pointing out one among several points that were of interest to me was in the Debussy example, where it was my own impression that while you were directing attention to the vibration, a very strong contrast -- indeed, to me objectively as strong if not stronger than the vibration contrast -- was the bow / right arm control of the sound.
Also the wonderful experience talking on radio brooadcasts comes through in the video with fantastically clear and measured speaking. All the best! Greetings from NZ

[@dana.965]

You made me want to learn how to play the cello, thank you so very much.

[@licmusicacello]

really thanks so much from Colombia, south America. gracias por hacer todos estos videos, me ha ayudado.

[@lecger06]

Incredible thank you very much!!

[@shakuzen7]

Amazing video. Thank you so much! . . . once again.

[@Camocow08]

wonderful

[@bacarter]

***** It is from the first movement of the Brahms E minor Sonata, Op. 38