Hakaishin means God of Destruction. Also Blazblue and Gullty Gear don’t really have looping tracks for their fight themes. They’re usually full compositions. Daisuke being Daisuke lol. You are correct in that he doesn’t compose *everything* by himself but generally the fight themes are almost always him.
FINAL BOSS FIGHT THEME LET'S GOOOOOOOOO Such an awesome fight, me and my friend were stuck on this for a good hour on the hardest difficulty, this song stuck with me well after the fight. Blazblue had such an insane finale
This is the theme that plays in the story when it’s in the endgame. Ragna vs Susano’o. If he Ragna wins he essentially defeats the Satan of the Blazblue verse. If Susano’o wins, he gets to escape his ‘prison’ and create endless worlds of endless despair that will feed him power for eternity. That’s the simplified version of events. This theme represents Susano’o desire to truly be ‘free’ from his prison and will destroy everything that he hates. Which is; everything. Hope to see more Blazblue reactions. There is some real bangers. Walpurgisnacht. Yotomoshurika. The Tyrant. Six Heroes and more.
Lol, saw someone in the chat suggesting you play the games. That shit is 4 games each with 30-hours long visual novels, plus all the dialogues for each characters' arcade mode in each game. The plot is the most anime you can get, with magic, science and time-travel being involved. I've played all of them since I started with the first one back in the day, but even I have a hard time making sense of it all.
@@tabkg5802 For Calamity Thrigger it is. Continuum Shift is better, but not by much. Also...are you being Serious by saying "Ain't that Complicated" to a story that has Time-Travel, Inter-Dimensional Entities(Some of which are playable)Different ver. of the SAME Person(Again, playable AND Plot Relevant)AND Canon, infinite timeliness? And that's just the first game.
@@tabkg5802 Compared to... well, most stories in fiction, it's convoluted to say the least. Just the idea of Observers, which is based on the Schrödinger’s Cat experiment, would be enough to be the core plot of a Holywood movie. Then you add the magic and anime bs, the world actually being the dream of a mecha-god, time paradoxes, literal beings existing outside of "reason", the different factions, the 36 playable characters and all of the side characters... I mean I enjoy it, the lore combined with the gameplay and the kick-ass OST, this is actually one of my favorite series ever. But "simple" is definitely not a word I would use to describe it.
Honestly, all of the themes involving Susanoo are amazing. As a bit of context, Susanoo is a playable character and he happens to be one of the final bosses, alongside Izanami, another playable character. Both of their themes "Must Die" and "Yomotsuhirasaka" are amazing, and quite scary if you're fighting them. As a fun fact: Susanoo's gameplay involves unlocking his specials since they are sealed, making him stronger the longer the battle lasts, and with more possibilities. Truly, a God of Destruction.
Susanoo is considered a high mid-tier with only one special unlocked at the start of the round; moving to a totally busted top-tier when he has all specials unlocked. The sheer power of this character to make mid-tier with only one special and really meaty normals.
I know Daisuke can do a lot of things. But this is one of those tracks that made go "wait what, he can do this too!?" Really, at first I thought this is going to be a track in style of Awakening the Chaos or Metamorphosis, but Hakaishin turns out to be much much more. Especially the part where more classical Japanese melody was played in a conventional flute style, but but also in an unconventional interpretation in citar. And I sm like oooaahhhh!!!
I'm not well versed on the BB soundtracks, but I know there's a few GG tracks that are very much out of left field compared to most. Man is very talented.
oh man, I can;t wait for him to react to Awakening the Chaos, the og Blazblue theme. If people ask which ost is the closest ost to depict Blazblue, its awakening the chaos
This. This track right here is, in my humble opinion, Daisuke's magnum opus. Essentially, this is the final boss theme of the whole BlazBlue saga. The fated clash between Ragna the Bloodedge, the protagonist and the series' main villain, Yuki Terumi, having reclaimed his true form of the deity Susano'o and with it, his full power. The insatiable Black Beast and the furious God of Destruction. Both standing at the edge of the world, in opposition to their dreams. And man does Daisuke nail the climactic feeling of this fight and then some. Daisuke has for sure composed so many other bangers but none come even close to this one for me and it's a crime that BB's music doesn't get the recognition it rightfully deserves (though after it got rollback, it's thankfully changing).
8:10 so during the game, if for SOME reason you're not done with the 1 round Final Boss, THIS is where the song loops and it starts from the guitars after the intro, 2:07 these Guitars. 😊
5:46 I don't really know why this song has a middle eastern instrument in it, but this section is meant to be an allusion to ancient Japanese folk music, played on a modern guitar. I'm not well versed enough in Japanese history to explain that background or what kind it specifically is, but I know that it relates to the nature of Susano'o, the character whose theme this is (to be more specific, this is the theme of his Unlimited form that never made it into the game). Susano'o in actual Japanese Shinto mythology is a storm god, and Blazblue's Susano'o is likewise an ancient Japanese god, but his body is strangely made of impossibly advanced technology for someone who has existed since the dawn of time. This section of the song reflects that by playing a real ancient Japanese influence, traditionally played with its original, also ancient instrument, but here it's played with arguably the single most modern instrument that exists today.
YES YES YES, FINALLY MORE BLAZBLUE! KEEP IT COMMING BABY, KEEP IT COMMING!....Must Die, Walpurgisnacht, Hakaishin, Yomotsuhirasaka, Standing Unrivaled, Black and White and the list goes on, a lot of precious diamonds.
Man I love this song cause it's the song that plays at the crux of 4 games spanning years and when I first heard it in game I had to pause cause I knew I woulda smashed the boss before I could hear this full amazing track. The big build up before the end just makes me remember everything Ragnas been through in blazblue and how he's at the end facing the guy that ruined literally everything for everyone and how he's not even mad anymore just knows he's gunna put him in the ground and clean shit up
While this song is absolutely amazing, it made me feel bittersweet because I just remembered that Toshimichi Mori, the creator of Blazblue, announced his departure from Arc System Works just a few days ago.
I love every second of this song, the Choir(fake or not) the opening Guitars, the beat right after with the Zithar and just the constant Orchestra through out the song even the Metal parts until the Solo, the Melody before the Chorus, THE CHORUS. I love it ALL!.
I always equated Blazblue to more power and symphonic metal while Guilty Gear sticks to more of the traditional metal genres and prog. I love this song. It is one of the longest compositions Ishiwatari has made, if not the longest. It serves as the battle theme to the climax of the story. It, much like the other long songs in Ishiwatari's discography, you will probably never hear the whole thing in game lol.
Surprise surprise, Blazblue is Daisuke Ishiwatari's *other* major project, aside from Guilty Gear. Unsurprisingly, the soundtrack rocks your face off, although Blazblue has a lot more influences other than rock, including blues, jazz, and dance music.
A lil bit of my impression since I also main susanoo in Central fiction In this theme you really experience firsthand what susanoo is, the hakaishin (god of destruction), the sword that cut down evil (ragna) and just pure madness under a calm and divine facade and he has that unique chant where he basically said "I am strength, I am power, I am everything, I am the sword the sword of God that cuts down evil". The choir part symbolizes divinity which susanoo is, even in the real mythology he is one of the 3 sibling gods alongside amaterasu and tsukuyomi. The fun part after the choir symbolizes the madness he has under the mask of godhood and the drums and middle eastern part symbolize him likes to play around and at the end part where the choir hits again and slowly ends it can be treated as if susanoo succeed on destroying and creating a new world according to central fiction's story
gg +r to xrd tracks are all very much compositions aswell but usually not as long as stuff in blazblue . strive has a few longer songs but its skimmed to fit the speed of the fights so you usually hit arround the end of the song. bb actually was criticised to having so long interludes that rounds ended before the song even picked up . hakaijin is probably the biggest offender of that . i usually played with my pall slowly the first round so the second round has the payoff .
when I listen to this for the first time in training mode, its BLOW MY MIND, we can say Blazblue made their own metal genre (I really cant find music like Blazblue), and thanks to Blazblue I am part of FGC now, hakaishin mean God of Destruction, its play in story mode when MC fight the final boss
As a culmination of all that transpired before it during the climax, this probably takes the feel for multiple characters. Love the Blazblue reactions, keep it up!
When it comes to BlazBlue, I can absolutely recommend "Endless Despair II". It's one of those songs remixed by GALNERYUS, and in my opinion, allows each of the members to really show their insane talent! It's an insane ride from beginning to end, and a badass sendoff to the charismatic antagonist of BlazBlue that will forever remain unmatched.
I love blazblue. It all can be described as "its still going?!" from the story, to the songs to the combos. This game is so good. That aside, this theme is made for the character Susano in the story. he is literally born to be the god of war and destruction, hence the name. I feel like the mix of the holy church like chorus and the hard guitar riffs plus the eastern instruments all encompass Susano and his inspirations as a whole PERFECTLY. Daisuke really does know what he's doing.
Highly recommend Black onslaught II, The Highlander and Must die for THE hardcore metal from BlazBlue. Those 3 tracks are like the heaviest fighting game music out there, rivaled only by some Killer instinct songs. Honestly BB ost is so diverse and the best part of it is that EVERY song is amazing
As many have probably told you Blazblue is also at least partually made by Daisuke Ishiwatari. But the curcumstances arround its creation are very interesting, due to legal issues "Arcsystem Works" lost the rights to Guilty Gear for a while wich was pretty bad as you could probably immagine, Blazblue was made to be the new Arcsys fighter to replace guilty gear for a while, for all intents and purposes Blazblue was originally a different spinn on Guilty Gears formula but with a different aesthetic still inspired by metal but with a lot of other stuff such as japanese myth mixed into it. Over time it became more of its own thing and now that Arcsys got the GG rights back both games can Coexist...
Really cool commentary dude! React to more Blazblue related OSTs, but most of them are focused with loops'n'stuff. HAKAISHIN is just a special case because Mori and Daisuke were smoking of that GOAT weed
Blazblue and Guilty Gears relevance and popularity is kind of intertwined. Arcsys actually lost the rights to a lot of Guilty Gears characters during the early 2000's (The highly experimental MOBA-esque fighter, Guilty Gear 2 was made under these legal restrictions, with them specifically saying they lost the rights to Faust and Dizzy, which suggest that they lost the right to any character that debuted in the GGX series) and decided to make Blazblue as a sort of spiritual successor to Guilty Gear which Daisuke took a bit of a backseat on, only doing the music and none of the other things he usually does with Guilty Gear (Story, character design etc) while waiting for the rights of "his baby" to come back. They made four Blazblue games and more or less wrapped up the story in the fourth game just as they had gotten back the full rights to Guilty Gear and had made Xrd. Then they moved on to Strive and such. Last we saw of Blazblue was Crosstag Battle which was a non-canon crossover fighter. I don't know what Arcsys thinks about doing new BB Games, but I think we're due for a new one soon.
Before Guilty Gear STRIVE kicked in, THIS is Daisuke Ishiwatari's longest music track. It further signifies the absolute decisive battle between Jin and Ragna's team-up fight against Susano'o, the God of Destruction. Hence the title "Hakaishin", which means Destruction God. Yeah, it took Ragna and Jin TEAMING-UP to beat this guy, who are already two of the most OP characters in BB! And they did not even defeat Susano'o the normal way, they had to use a "Cheat Code" to get Terumi out of the Susano'o Unit, and then have Amaterasu "Observe" him as a Hero to get rid of his Hax powers.
Normally, I would get into video game OSTs after playing a game, but it was the other way around when it came to Blazblue and Guilty Gear. Hell, I SUCK at both games, but at least I get to listen to awesome speed metal shit even though I lose. 🤣
Hakaishin means God of Destruction. Also Blazblue and Gullty Gear don’t really have looping tracks for their fight themes. They’re usually full compositions. Daisuke being Daisuke lol. You are correct in that he doesn’t compose *everything* by himself but generally the fight themes are almost always him.
I mean GG ost generally had a lot of "looping" (via repetition of verses) before Xrd and IIRC overture, but yeah
I can’t wait for when someone requests must die or black onslaught . Wish blazblue had more vocal tracks like that
YOMOTSUHIRASAKA too
Still nothing
I hope MUST DIE is reacted to soon, it's honestly the most listened to song on my phone
This is my Number 1 fav song from BlazBlue, my second is "In-Justice" and third is "Weak Executioner II" hopefully you'll hear those soon 😊
FINAL BOSS FIGHT THEME LET'S GOOOOOOOOO
Such an awesome fight, me and my friend were stuck on this for a good hour on the hardest difficulty, this song stuck with me well after the fight. Blazblue had such an insane finale
This is the theme that plays in the story when it’s in the endgame. Ragna vs Susano’o. If he Ragna wins he essentially defeats the Satan of the Blazblue verse. If Susano’o wins, he gets to escape his ‘prison’ and create endless worlds of endless despair that will feed him power for eternity. That’s the simplified version of events.
This theme represents Susano’o desire to truly be ‘free’ from his prison and will destroy everything that he hates. Which is; everything.
Hope to see more Blazblue reactions. There is some real bangers. Walpurgisnacht. Yotomoshurika. The Tyrant. Six Heroes and more.
Lol, saw someone in the chat suggesting you play the games.
That shit is 4 games each with 30-hours long visual novels, plus all the dialogues for each characters' arcade mode in each game.
The plot is the most anime you can get, with magic, science and time-travel being involved.
I've played all of them since I started with the first one back in the day, but even I have a hard time making sense of it all.
Lmao yes.
The main plotline ain't that complicated tho
@@tabkg5802 For Calamity Thrigger it is. Continuum Shift is better, but not by much. Also...are you being Serious by saying "Ain't that Complicated" to a story that has Time-Travel, Inter-Dimensional Entities(Some of which are playable)Different ver. of the SAME Person(Again, playable AND Plot Relevant)AND Canon, infinite timeliness?
And that's just the first game.
@@Sekainoowaride yes 😳
But seriously tho, it isn't that hard to understand when you actually play through the game imo
@@tabkg5802 Compared to... well, most stories in fiction, it's convoluted to say the least.
Just the idea of Observers, which is based on the Schrödinger’s Cat experiment, would be enough to be the core plot of a Holywood movie.
Then you add the magic and anime bs, the world actually being the dream of a mecha-god, time paradoxes, literal beings existing outside of "reason", the different factions, the 36 playable characters and all of the side characters...
I mean I enjoy it, the lore combined with the gameplay and the kick-ass OST, this is actually one of my favorite series ever.
But "simple" is definitely not a word I would use to describe it.
Honestly, all of the themes involving Susanoo are amazing.
As a bit of context, Susanoo is a playable character and he happens to be one of the final bosses, alongside Izanami, another playable character. Both of their themes "Must Die" and "Yomotsuhirasaka" are amazing, and quite scary if you're fighting them.
As a fun fact: Susanoo's gameplay involves unlocking his specials since they are sealed, making him stronger the longer the battle lasts, and with more possibilities. Truly, a God of Destruction.
the only character that I know that his gameplay consist in to start nerfed but cancel it while progression
I loooooooove "Yomotsuhirasaka"!
Susanoo is considered a high mid-tier with only one special unlocked at the start of the round; moving to a totally busted top-tier when he has all specials unlocked. The sheer power of this character to make mid-tier with only one special and really meaty normals.
I know Daisuke can do a lot of things. But this is one of those tracks that made go "wait what, he can do this too!?" Really, at first I thought this is going to be a track in style of Awakening the Chaos or Metamorphosis, but Hakaishin turns out to be much much more. Especially the part where more classical Japanese melody was played in a conventional flute style, but but also in an unconventional interpretation in citar. And I sm like oooaahhhh!!!
I'm not well versed on the BB soundtracks, but I know there's a few GG tracks that are very much out of left field compared to most. Man is very talented.
oh man, I can;t wait for him to react to Awakening the Chaos, the og Blazblue theme. If people ask which ost is the closest ost to depict Blazblue, its awakening the chaos
@@neardarkroad1347 7 months late but... he already did, it was the first bb song he reacted to, in fact.
So the thing about BlazBlue is that if you are a BlazBlue player you will most likely know every song in the game.
Yep. It’s true
And every player has their own theme(s) they use any time they get to do song/stage selection.
@@YepmyaccountI'm the asshole that puts on Variable Heart. You may throw your rotten vegetables at me now.
This. This track right here is, in my humble opinion, Daisuke's magnum opus. Essentially, this is the final boss theme of the whole BlazBlue saga. The fated clash between Ragna the Bloodedge, the protagonist and the series' main villain, Yuki Terumi, having reclaimed his true form of the deity Susano'o and with it, his full power. The insatiable Black Beast and the furious God of Destruction. Both standing at the edge of the world, in opposition to their dreams. And man does Daisuke nail the climactic feeling of this fight and then some.
Daisuke has for sure composed so many other bangers but none come even close to this one for me and it's a crime that BB's music doesn't get the recognition it rightfully deserves (though after it got rollback, it's thankfully changing).
Hakaishin is just something special for sure. No fgc song comes close
we love to hear a Sitar solo
if not reacted yet, Black Onslaught I / II, Stand Unrivaled or Must Die should be a big for some head bangs.
Yes, Sir.
Black onslaught II goes so hard it's insane. Drummer was on something special during the recording of it
Drums aren't usually my favourite instrument but they definitely are in this song, wow.
8:10 so during the game, if for SOME reason you're not done with the 1 round Final Boss, THIS is where the song loops and it starts from the guitars after the intro, 2:07 these Guitars. 😊
5:46
I don't really know why this song has a middle eastern instrument in it, but this section is meant to be an allusion to ancient Japanese folk music, played on a modern guitar. I'm not well versed enough in Japanese history to explain that background or what kind it specifically is, but I know that it relates to the nature of Susano'o, the character whose theme this is (to be more specific, this is the theme of his Unlimited form that never made it into the game). Susano'o in actual Japanese Shinto mythology is a storm god, and Blazblue's Susano'o is likewise an ancient Japanese god, but his body is strangely made of impossibly advanced technology for someone who has existed since the dawn of time. This section of the song reflects that by playing a real ancient Japanese influence, traditionally played with its original, also ancient instrument, but here it's played with arguably the single most modern instrument that exists today.
ahhhh waiting for my bullet dance request to come through will be hype
YES YES YES, FINALLY MORE BLAZBLUE!
KEEP IT COMMING BABY, KEEP IT COMMING!....Must Die, Walpurgisnacht, Hakaishin, Yomotsuhirasaka, Standing Unrivaled, Black and White and the list goes on, a lot of precious diamonds.
Man I love this song cause it's the song that plays at the crux of 4 games spanning years and when I first heard it in game I had to pause cause I knew I woulda smashed the boss before I could hear this full amazing track. The big build up before the end just makes me remember everything Ragnas been through in blazblue and how he's at the end facing the guy that ruined literally everything for everyone and how he's not even mad anymore just knows he's gunna put him in the ground and clean shit up
we are very lucky to be graced with this ost in the climax of BB saga
While this song is absolutely amazing, it made me feel bittersweet because I just remembered that Toshimichi Mori, the creator of Blazblue, announced his departure from Arc System Works just a few days ago.
I love every second of this song, the Choir(fake or not) the opening Guitars, the beat right after with the Zithar and just the constant Orchestra through out the song even the Metal parts until the Solo, the Melody before the Chorus, THE CHORUS. I love it ALL!.
I always equated Blazblue to more power and symphonic metal while Guilty Gear sticks to more of the traditional metal genres and prog. I love this song. It is one of the longest compositions Ishiwatari has made, if not the longest. It serves as the battle theme to the climax of the story. It, much like the other long songs in Ishiwatari's discography, you will probably never hear the whole thing in game lol.
You will NEVER hear this song unless you play the Story mode All the way to the end.
@@Sekainoowaride First two minutes if you're lucky at most.
Dunno man I don't think BB ost fits into one genre with songs like In the shadows, Marionette purple i/ii, catus carnival i/ii and many others
Surprise surprise, Blazblue is Daisuke Ishiwatari's *other* major project, aside from Guilty Gear. Unsurprisingly, the soundtrack rocks your face off, although Blazblue has a lot more influences other than rock, including blues, jazz, and dance music.
Daisuke is only one of the two main composers for the games' music, Blazblue was created by Toshinori Mori actually.
Bro Blazblue created by mori-san, you can look the game has different vision, daisuke is just one of the composers who work according to mori
why did you have to misinform that badly? lol
Don't forget Japanese Mythology. Because Mori do be heavy on that JP Mythology.
Always down for more Daisuke!
A lil bit of my impression since I also main susanoo in Central fiction
In this theme you really experience firsthand what susanoo is, the hakaishin (god of destruction), the sword that cut down evil (ragna) and just pure madness under a calm and divine facade and he has that unique chant where he basically said "I am strength, I am power, I am everything, I am the sword the sword of God that cuts down evil".
The choir part symbolizes divinity which susanoo is, even in the real mythology he is one of the 3 sibling gods alongside amaterasu and tsukuyomi.
The fun part after the choir symbolizes the madness he has under the mask of godhood and the drums and middle eastern part symbolize him likes to play around and at the end part where the choir hits again and slowly ends it can be treated as if susanoo succeed on destroying and creating a new world according to central fiction's story
gg +r to xrd tracks are all very much compositions aswell but usually not as long as stuff in blazblue . strive has a few longer songs but its skimmed to fit the speed of the fights so you usually hit arround the end of the song. bb actually was criticised to having so long interludes that rounds ended before the song even picked up . hakaijin is probably the biggest offender of that . i usually played with my pall slowly the first round so the second round has the payoff .
I think Hakaishin is God of Destruction because I remember Beerus being called that in Dragon Ball Super.
GRAHHH I LOVE BLAZBLUE SONGS
when I listen to this for the first time in training mode, its BLOW MY MIND, we can say Blazblue made their own metal genre (I really cant find music like Blazblue), and thanks to Blazblue I am part of FGC now, hakaishin mean God of Destruction, its play in story mode when MC fight the final boss
There really is nothing like BlazBlue. Even GuiltyGear's OST (which is also done by Daisuke) is way different
@@thebigsam exactly
As a culmination of all that transpired before it during the climax, this probably takes the feel for multiple characters. Love the Blazblue reactions, keep it up!
That drop after the choir is downright villainous.
They really wanted to let you know how final this Susan fight was.
Childish killer (first version). One of the best
If daisuke and Gordon ever compose on the same game the world will never be ready
You’d probably like the dynasty warriors soundtracks. Absolute riff driven songs. Easy to play too.
You about to make me become a Patron and request some Dynasty Warriors songs LOL
@@Shayera01 Do it, more people need to appreciate that ost. Cycolnized Typhoon, Male Roar, Wall of Fate, pretty much all of 7/8 songs.
When it comes to BlazBlue, I can absolutely recommend "Endless Despair II". It's one of those songs remixed by GALNERYUS, and in my opinion, allows each of the members to really show their insane talent! It's an insane ride from beginning to end, and a badass sendoff to the charismatic antagonist of BlazBlue that will forever remain unmatched.
I love blazblue. It all can be described as "its still going?!" from the story, to the songs to the combos. This game is so good.
That aside, this theme is made for the character Susano in the story. he is literally born to be the god of war and destruction, hence the name. I feel like the mix of the holy church like chorus and the hard guitar riffs plus the eastern instruments all encompass Susano and his inspirations as a whole PERFECTLY. Daisuke really does know what he's doing.
Blazblue does have a lot of sick songs in the OSTs. Honestly feeling like revisiting them myself after watching this lol.
Nightmare Fiction is a must to check out
Highly recommend Black onslaught II, The Highlander and Must die for THE hardcore metal from BlazBlue. Those 3 tracks are like the heaviest fighting game music out there, rivaled only by some Killer instinct songs. Honestly BB ost is so diverse and the best part of it is that EVERY song is amazing
As Hakaishin is the final theme for Susano'o the epic more Celestia sounds to it make sense for a God.
also if you havent listen to Must Die :>
More great songs from blazblue are "awakening the chaos" and " endless despair"
He already did Awakening the Chaos
As many have probably told you Blazblue is also at least partually made by Daisuke Ishiwatari.
But the curcumstances arround its creation are very interesting, due to legal issues "Arcsystem Works" lost the rights to Guilty Gear for a while wich was pretty bad as you could probably immagine, Blazblue was made to be the new Arcsys fighter to replace guilty gear for a while, for all intents and purposes Blazblue was originally a different spinn on Guilty Gears formula but with a different aesthetic still inspired by metal but with a lot of other stuff such as japanese myth mixed into it.
Over time it became more of its own thing and now that Arcsys got the GG rights back both games can Coexist...
Daisuke working as one of the composers of the soundtrack for blazblue
Finally someone properly telling the story of BB's creation without scrubquoting "and this is why BB is bad🤓🤓🤓". Thank you lmao
5:39 I know you heard that 😏 I call this the "Brain Destroyer"
Whenever I play Blazblue, I always set the higher difficulty and to win the most available rounds in order to being able to hear this masterpieces.
Really cool commentary dude! React to more Blazblue related OSTs, but most of them are focused with loops'n'stuff. HAKAISHIN is just a special case because Mori and Daisuke were smoking of that GOAT weed
Yes, Sir.
You gotta react to must die and endless despair 1 or 2, plus sword of doom. There’s too much blazblue goodness and too little time
So, is God Of War (from Blazblue) is next? Can't wait!
Yeah, Daisuke Ishiwatari is a musical GOD
Please react to Must Die! Susano'o theme is soooo good!!
Blazblue and Guilty Gears relevance and popularity is kind of intertwined. Arcsys actually lost the rights to a lot of Guilty Gears characters during the early 2000's (The highly experimental MOBA-esque fighter, Guilty Gear 2 was made under these legal restrictions, with them specifically saying they lost the rights to Faust and Dizzy, which suggest that they lost the right to any character that debuted in the GGX series) and decided to make Blazblue as a sort of spiritual successor to Guilty Gear which Daisuke took a bit of a backseat on, only doing the music and none of the other things he usually does with Guilty Gear (Story, character design etc) while waiting for the rights of "his baby" to come back.
They made four Blazblue games and more or less wrapped up the story in the fourth game just as they had gotten back the full rights to Guilty Gear and had made Xrd. Then they moved on to Strive and such. Last we saw of Blazblue was Crosstag Battle which was a non-canon crossover fighter.
I don't know what Arcsys thinks about doing new BB Games, but I think we're due for a new one soon.
do bullet dance I and bullet dance II those are my favorite. its noels theme
It‘s a shame you can not unlock the Song in the Game to use it as your BGM in your Fights or at least start it in the Gallery-Mode.
You can. It's unlocked by finishing the story mode.
@@Skallva Dude! You are so damn awesome for telling me that! Thank you sincerely. I'm gonna fire it up right away!
Before Guilty Gear STRIVE kicked in, THIS is Daisuke Ishiwatari's longest music track. It further signifies the absolute decisive battle between Jin and Ragna's team-up fight against Susano'o, the God of Destruction. Hence the title "Hakaishin", which means Destruction God. Yeah, it took Ragna and Jin TEAMING-UP to beat this guy, who are already two of the most OP characters in BB! And they did not even defeat Susano'o the normal way, they had to use a "Cheat Code" to get Terumi out of the Susano'o Unit, and then have Amaterasu "Observe" him as a Hero to get rid of his Hax powers.
Normally, I would get into video game OSTs after playing a game, but it was the other way around when it came to Blazblue and Guilty Gear. Hell, I SUCK at both games, but at least I get to listen to awesome speed metal shit even though I lose. 🤣
Nightmare fiction must have
Man U know what u should listen to the music from Prince of Persia they got so amazing guitar playing
I love the bgm but i cant play game, it's top fast paced. I more like a slow game guy like starcraft 2 and dota 2
Glutton fang
And metal gear rising