I haven't heard this from anyone before---keeping your sound at the same volume as the original sound, which makes sense - it's louder not better! Will do going forward.
Love your channel and the way you describe things. Feels like you are fed up with overexplaining so you keep it clear and simple. Some racks with stock plugins to fasten up the workflow would be deeply appreciated. Cheers from Amsterdam.
is that High Pass filtering on Kick at 6:09 always necessary? I see it in every producing tutorial, but I also see every producer channel warn that doing steep slope cuts on Ableton EQ Eight creates phase issues and artifacts in the low end.
That's what also bothers me. Most of the time I find that HP filtering a kick only raises the db meters but my ears don't hear much difference or it sounds even quieter. Even in this example, when he applied EQ, to my ears the kick got quieter while the volume meters showed an increase in gain. Lowering the gain on EQ to compensate for this drowns the kick in the mix imo. So most of the time I only LP my main kick and add secondary kicks/toms for mid range to add that "hardstyle" sound if needed. EQ happens because of phasing and this is an area I don't want to mess around with in my low end yet.
Look up "signal to noise ratio" ... basically what you want is to record with your synth output as loud as possible without clipping. "Correct" volume is key here, so don´t try to apply any mixdown before recording, mix it afterwards. What you aim for is maximum "distance" between your signal volume and the noise floor ... most of the time you won´t need to remove the noise floor from the recording at all that way. There are also videos here on UA-cam, that discuss and compare the noise different interfaces bring with. If you can use a low noise one ... cables don´t make any difference unless they are really really cheap crap.
That was exactly what I needed. More content about how to better prepare my mix for the Master.
I haven't heard this from anyone before---keeping your sound at the same volume as the original sound, which makes sense - it's louder not better! Will do going forward.
Awesome tips! Would love more tips like these in the future. Can you go over a mastering chain set up one day? Cheers! 🍻
Good suggestion! Gonna do that for sure.
Yes sir nice stuff! bring more mixing content 🤩
Very cool and interesting advices! And yes, please more 😊
Great video, with some essential take aways and very easy to understand! Would love to see more videos like this :)
really really informational! thank you so much for sharing! :)
Great! Thank you!
Love your channel and the way you describe things. Feels like you are fed up with overexplaining so you keep it clear and simple.
Some racks with stock plugins to fasten up the workflow would be deeply appreciated. Cheers from Amsterdam.
You picked up on my exact vibe - spot on! Workflow racks are a neat idea, gonna look into that.
Very nice Tips about mixing an yes we will See more Tips about this 🤗
Great video, definitely want to learn more about proper mixing!!
Insane value. Would be nice to go over mastering or clipping in the future!
Nice advices, thanks 🙏
This was awsome. Could you do more, this time mixing hold track :D
Thanks for that good content
is that High Pass filtering on Kick at 6:09 always necessary? I see it in every producing tutorial, but I also see every producer channel warn that doing steep slope cuts on Ableton EQ Eight creates phase issues and artifacts in the low end.
That's what also bothers me. Most of the time I find that HP filtering a kick only raises the db meters but my ears don't hear much difference or it sounds even quieter. Even in this example, when he applied EQ, to my ears the kick got quieter while the volume meters showed an increase in gain. Lowering the gain on EQ to compensate for this drowns the kick in the mix imo. So most of the time I only LP my main kick and add secondary kicks/toms for mid range to add that "hardstyle" sound if needed. EQ happens because of phasing and this is an area I don't want to mess around with in my low end yet.
Another helpful tutorial! Do you always keep the Kick separated from the sub & mids?
I love to know techniques for removing the noise floor on hardware/eurorack synths. but anything mixing and mastering is great.
Look up "signal to noise ratio" ... basically what you want is to record with your synth output as loud as possible without clipping. "Correct" volume is key here, so don´t try to apply any mixdown before recording, mix it afterwards. What you aim for is maximum "distance" between your signal volume and the noise floor ... most of the time you won´t need to remove the noise floor from the recording at all that way. There are also videos here on UA-cam, that discuss and compare the noise different interfaces bring with. If you can use a low noise one ... cables don´t make any difference unless they are really really cheap crap.
@@themattschulz3984 Thanks for your reply! I'll check it out.
@@themattschulz3984 Nothing to add. Exceptional reply!
Cool 🔥✌🏼 welches color theme ist das eigentlich? Finde die Farben der Pegel ziemlich cool 😎
Customized theme. Might get into that in a future vid.
MORE 😀 TIPS THANKS🙏
The video had 909 views before I clicked on it. I apologise 😅
Haha no worries 😅It had 707 and 808 views at some point before as well, so all good 😉
bro messed up on the eq gain staging. should have been -3.4, you did -3.2.