As a Marathi from Amche Pune, currently residing in Namma Bengaluru - this concert hits differently! A concert in Utsava of our beloved Ganapati Bappa in Bengaluru of all places! Just warms my Marathi heart in Bengaluru!
The raag Lalit(a) is just pure ecstacy! if you can imagine thecine classic - ik Shah in Shan ne banayi- of Ravi and the indelible Taj scene of Dilipkumar and Vy.., also in Lalit, it is one step still higher.
Organizers of the program... Please don't think that the accompanying artists fall any bit smaller in importance. You should have introduced them too. Every one on stage deserves same respect and importance.
Most amazing and mesmerising concert. Totally lost in the soulful music. And it rings in my head even now. Loving this replay of the event. Grateful and Blessed. 🙏
Abishek Raguram, You are like a SUN !!!! No Moon or Stars can illuminate in front of SUN, so please do only solo performance. What a Voice, How many modulations ?!!!! Porum ..... Porum...... Thanks.
ನಾನು ಶಾಸ್ತ್ರೀಯ ಸಂಗೀತ ತುಂಬಾ ಕೇಳುತ್ತೀನಿ..ಆದ್ರೆ ಇತ್ತೀಚೆಗೆ ಶುರು ಆಗಿರೋ ಈ ಜುಗಲ್ಬಂದಿ ಕೆಲವೊಂದು ಕಡೆಗಳಲ್ಲಿ ಕರ್ಕಶ ಅನಿಸುತ್ತೆ...ಇಬ್ಬರು ಒಟ್ಟಾಗಿ ಹಾಡೋದ್ರಿಂದ ಯಾರ ಹೆಚ್ಚುಗಾರಿಕೆ ತಿಳಿಯೋದಿಲ್ಲ...ಒಬ್ಬೊಬ್ಬರೇ ಅವರ ಸಾಮರ್ಥ್ಯಕ್ಕೆ ಅನುಗುಣವಾದ ಹಾಡು ಹಾಡಿದ್ರೆ ಚೆನ್ನಾಗಿರುತ್ತೆ...
classic singing is an integral part of worshiping and we feel proud that in the 21st Century we are still having Great Classical Singer like pandit Bhi sen Joshi Ji 🙏🙏❤❤🙏🙏
Bhairavi is unique to Carnatic,The rasas bhairavi brings out are out of the world ..Bhairavi venkatasubbaih was a legend he had pawned raaga bhairavi and after the loan was paid by his wellwisher,he cud sing it again.Bairavi is in its peak in the must watch film Hamsageethe ,directed by none other than G.V.Iyer,Tamboori was hoisted up the rocky hills of Chitradurga,Ananthnag ,b.v karanth,has done a great job,Dr Balmurali krushna,similar to Abhishekjis divine voice.Kudos Jai Abhishek,jai Bhairavi.. Behag came alive in their.voices...Kale's Heerana,a nirguni Bhajan is anot to missed number
Mahesh kale has few fixed songs for all.his concerts...katiyar kaalizal ghusali songs and abhang kannada raja pandaricha. Needs to try other songs also
Actually....yes ......but .....STILL DIFFERENCE is there . Eventhough same song is there , but everytime in different aalap ,tana and all other singing skills also he experiments and implement there . It might be his usual part of RIYAJ and his own development in his musical skills....he enjoys it and share his joy with audience. One can easily identify every version.... In classical music , song will be same and creativity of artist matters lot ......if I am not wrong.
Abhishek Raghuram is sublime in singing enhanced by his humility, Mahesh Kale is good as usual but too full of himself and arrogant, ptetending to be busy whike abhishek is singing, not bothered to applaud accompanists when they are felicitated etc.
Actually....in starting of performance, itself Mahesh Sir said that Abhishek Sir had promised to be kind with him .I think ,in their language, he wanted to say that Abhishek Sir himself offered to Mahesh Sir to present more .....I feel....
Hindustani music has more straight forward approach. So it is not difficult for Carnatic musicians to grasp it. Just need to practice that voice power and throw and it should be fine.
True but "not trying" isn't the reason lol actually if one of the founders of a hindustani gharana had incorporated the specific Carnatic gamakas in his own singing at some point of his life or teaching methodology itself only then it's possible else it's very hard for future students of that gharana to replicate Carnatic style, Like in case of kirana gharana ustad Abdul Karim Khan later on changed his style incorporating some of the gamakas etc from Carnatic and got quite heavily influenced from Carnatic style and I am quite sure that he taught that modified style to pt Sawai Gandharva(as it's clear from his singing style) and that passed on to pt Bhimsen Joshi etc hence one can say that there are 2 streams of kirana one in north(more closer to ustad Abdul's singing before he got influenced by Carnatic) and one in Karnataka+maharashta , with k+m being more influenced with Carnatic style for example I was listening to pt jayateerth mevundi's(who also learned from pt shripati padegar ,a direct disciple of pt Bhimsen ji) raag shankara rendition that he sang in ITC and was amazed to listen to the starting Alaap which sounded quite apart from normal hindustani but much more closer to Carnatic style which one doesn't really find in north side kirana gharana singers like Arshad Ali(although taan speed of both m+k kirana and north kirana is same, crazy lightening speed aakar and merukhand kirana taans if perfected ofcourse).And his gamakas were not sung in purely Carnatic way, he was just using his amazing kirana merukhand taan speed to sing them is my guess which isn't possible for other hindustani singers not belonging to m+k belt of kirana. Similarly in raag kirwani during singing jay durge durgati also he starts with that Carnatic style Alaap etc, pt kaivalya kumar gaurav is another ex. who have Carnatic touch incorporated in his style itself due to being from k+m belt of kirana gharana , So yes I agree that for a Carnatic musician it's relatively easier to sing the hindustani patterns since they are just mostly meend with some permutation of notes based on the chalan of raag(not necessarily the hindustani taans especially when compared to a master like ustad Amir khan and his lightening merukhand taans) compared to a hindustani classical singer who will need either assistance of a Carnatic guru or is from k+m belt of kirana.
Instead of torturing both streams of music, the artists and the rasikas like this, why can’t they have two separate shorter concerts that can do proper and full justice?
I think there is no question of justice. Both are strong at their end if we talk about RAGA GAYAN . Once music will start automatically their notes will come , actually it's joyful moment for both of them to swim into SWARAS . For this JOY, they can forget anything. BUT here ,if any one observe , one will find that inspite of this own JOY, both of them remembered each one's part and gave very simple touch or contribution in each one's performance.
Super voice of Maheshji Kale. Enjoying from Australia
As a Marathi from Amche Pune, currently residing in Namma Bengaluru - this concert hits differently!
A concert in Utsava of our beloved Ganapati Bappa in Bengaluru of all places! Just warms my Marathi heart in Bengaluru!
This was a musical feast by great artistes. Thoroughly enjoyed this concert. Looking forward to more such programs
Two great living traditions of music and two great living legends..simply awesome..gifted..
Adbhutaha these two are KAARANA JANMAAS. The future of this Earth this Country our Music is very bright. God bless u all. 🙏🙏🙏🙏
Off to Bangalore now but Bangalore is now online, lovable moments for people like me.
What a great performance by Abhishek Ji and especially the thani of Prof. V. Praveen Sir. Outstanding. Thanks for sharing.
what a pleasure it was to watch both the singers live classical singing at it best !!
Agdhi Chan ahe
Wonderful jugalbandi hats 👆
It was a mesmerizing musical programme. Enjoyed it sitting at home in england. Thank you BGU.
Thank you.Nice entertainment of this years Ganeshotsav.of this media.
Pleasant to hear such a nice jugalbandhi. GOD.BLESS both singets
MK..BORN ONCE IN A MILLENIUM....TRUE SON OF VITTHAL....JUST OUTSTANDING...NOBODY CAN BE ANYWHERE NEAR HIM.....GOD OF GODLY MUSIC....
KarnanandakaraNetranandaraManonmaya Sangeetha Kaleji Abhiramjji
Beautiful... Mahesh please come back to the Bay Area we need a live performance from you
It was such a divine and blissful experience🙏🙏
Very divine performance from two young legends of our India 🇮🇳
Super combination combined together hats off to your talent
Excellent rendition by duo god bless 🙌
The raag Lalit(a) is just pure ecstacy! if you can imagine thecine classic - ik Shah in Shan ne banayi- of Ravi and the indelible Taj scene of Dilipkumar and Vy.., also in Lalit, it is one step still higher.
Organizers of the program...
Please don't think that the accompanying artists fall any bit smaller in importance. You should have introduced them too. Every one on stage deserves same respect and importance.
Music true national integrator!
BGU ♥ Mr. Obulesh deserves many thanks for all the support
Excellent and wonderful music. Thanks to conduct program.
It was mind blowing program 👌👌👏👏
Oh,the yesteryears of Pandit Jitendra Abhisheki, the natyasangeet,the Abhang h, brought alive by Mahesh Kale. Thanks.
Most amazing and mesmerising concert. Totally lost in the soulful music. And it rings in my head even now. Loving this replay of the event. Grateful and Blessed. 🙏
Abishek Raguram, You are like a SUN !!!! No Moon or Stars can illuminate in front of SUN, so please do only solo performance. What a Voice, How many modulations ?!!!! Porum ..... Porum...... Thanks.
ನಾನು ಶಾಸ್ತ್ರೀಯ ಸಂಗೀತ ತುಂಬಾ ಕೇಳುತ್ತೀನಿ..ಆದ್ರೆ ಇತ್ತೀಚೆಗೆ ಶುರು ಆಗಿರೋ ಈ ಜುಗಲ್ಬಂದಿ ಕೆಲವೊಂದು ಕಡೆಗಳಲ್ಲಿ ಕರ್ಕಶ ಅನಿಸುತ್ತೆ...ಇಬ್ಬರು ಒಟ್ಟಾಗಿ ಹಾಡೋದ್ರಿಂದ ಯಾರ ಹೆಚ್ಚುಗಾರಿಕೆ ತಿಳಿಯೋದಿಲ್ಲ...ಒಬ್ಬೊಬ್ಬರೇ ಅವರ ಸಾಮರ್ಥ್ಯಕ್ಕೆ ಅನುಗುಣವಾದ ಹಾಡು ಹಾಡಿದ್ರೆ ಚೆನ್ನಾಗಿರುತ್ತೆ...
Excellent performance by two legends.
Master Praveen was on stage for aranetram accompanying D.K.Jayaraman and Sikkil Bhaskaran at the Instute of Enfineers in 1972 which I attended
Excellent singing by two classical singers
Awesome to witness this event live. If only the Drums were not included, would have been even better.
I too agree with this. Drums don't suit here.
The visuals in the back drop are much worse. This is not any music performance meant to TV audiences.
Beautiful singing. But the rotating wheel in the background is highly irritating.
Delightful and enthusiastic musical concert pleased mind
Rahul deshpande sir we are expecting you to perform 🙏🙏
Narayante. Combination with both of you amazing
Out of the world, great👍👏
Atrocious and disrespectful to put ads in the middle of a song! Shame on UA-cam.
UA-cam also manipulates 👍, it seems. Got 3 Like notifications, but 3rd 1 shows .
🌹👌🌿🙏🌹मोरया बाप्पा मोरया🌹🙏🌹❤❤👌🌸🌿🌸🌿🌸❤🌸❤🌸❤🌸🌺💫🌺💫🌺💫🌺💫🌺💫🌺💫🌺💫🌺💫🌿🙏🌿🙏🌿🙏🌿🙏🌿🙏🌿🌿🙏✨🌈✨🌈✨🌈✨🌈✨🌈🌈🌈✨🌈
It was an amazing experience to hear them live. Thanks team BGU
classic singing is an integral part of worshiping and we feel proud that in the 21st Century we are still having Great Classical Singer like pandit Bhi sen Joshi Ji 🙏🙏❤❤🙏🙏
Geniuses at top gear
beautiful singers spoiled the music with the best of their efforts 😧
Leave the negative mindset.
Joyous moments !! ✨✨
Excellent, awesome, soooooooooooooperrrrr 👌🙏🙌💅💖
Jaiganesha
Abhishek is unparalleled, inimitable. Master.
Mahesh kale sir kya bat he nice
AR's singing matchless.
So Devine🙏🙏
Feeling sad to miss this programme..
Bhairavi is unique to Carnatic,The rasas bhairavi brings out are out of the world ..Bhairavi venkatasubbaih was a legend he had pawned raaga bhairavi and after the loan was paid by his wellwisher,he cud sing it again.Bairavi is in its peak in the must watch film Hamsageethe ,directed by none other than G.V.Iyer,Tamboori was hoisted up the rocky hills of Chitradurga,Ananthnag ,b.v karanth,has done a great job,Dr Balmurali krushna,similar to Abhishekjis divine voice.Kudos Jai Abhishek,jai Bhairavi..
Behag came alive in their.voices...Kale's Heerana,a nirguni Bhajan is anot to missed number
శ్రీ మంగళంపల్లి బాలమురళీకృష్ణ గారు కారణజన్ములు, అపర నారద తుంబురులు. వారి స్థాయి, పరిపక్వతలు పొందడానికి ఇతరులకు దుర్లభము.
Abhishek, Awesome, Alwaysss
Magical!
Thanks a lot
Magical......
Superb! ❤❤
Super program moring nice Abhishek song super
Remembering balamurali sir in Raghurams voice
You are right 🙏🙏🙏
who were the harmonium, tabla and drums artists?
Mesmerizing
I think u dint record Mahesh kales kaanada Raja pandharicha song
He should sing Kannada song also,
Thank you very much for the wonderful session. Request you to change the background which is ideal for a dance program
Amezing
Expecting mahesh kale and rahul deshpande next year 2023
Kale sirs kanada super
Chaala bagunnai
Welcome to new innovation in music .
Mahesh kale has few fixed songs for all.his concerts...katiyar kaalizal ghusali songs and abhang kannada raja pandaricha. Needs to try other songs also
Yeah, I observed that as well. It will be better if there is more variety.
Audience requested for Kannada raja pandaricha song.
Actually....yes ......but .....STILL DIFFERENCE is there . Eventhough same song is there , but everytime in different aalap ,tana and all other singing skills also he experiments and implement there . It might be his usual part of RIYAJ and his own development in his musical skills....he enjoys it and share his joy with audience.
One can easily identify every version....
In classical music , song will be same and creativity of artist matters lot ......if I am not wrong.
I think u didn't 👂listen him much.
ಪುಣ್ಯಾತ್ಮರು,,,
❤️👌👌👌
unreal
Abhishek has a better voice quality but Mahesh understands music better
2:32:50
Sura niragas ho Ganapati.
Swara nishkalmashvagali o Ganapati
2:17:05
So much variety in Abhishek's singing. His performance is tooo good.
Tomorrow Shreya ghoshal ki concert live dekhayenge?? please
The announcer at the beginning was terrible.
It disturbs to get abhang ambiance with western beats
True..In pune he performed few months back. Many western instruments. Whole charm and divinity was lost
True. I am tired of this senseless conFUSION.
Bhala shayne aga bayda pa hadi torsri elli matoda ru,
kale's voice is so odd, wish they had Mevundi with Abhishek
I know Mahesh Kale & Marathi language. It was disheartening to see him doing Pranam to the stage with left hand.
Anna, in my opinion, all it matters is heartily gratefulness towards guru and audiance
Moraya repetition didn’t give me any goosebumps.
Abhishek Raghuram is sublime in singing enhanced by his humility, Mahesh Kale is good as usual but too full of himself and arrogant, ptetending to be busy whike abhishek is singing, not bothered to applaud accompanists when they are felicitated etc.
Actually....in starting of performance, itself Mahesh Sir said that Abhishek Sir had promised to be kind with him .I think ,in their language, he wanted to say that Abhishek Sir himself offered to Mahesh Sir to present more .....I feel....
He is applauding him by saying wah wah u didn't hear a music properly . U need to be a good listener first sir.
The announcer should get serious and pronounce sentences properly instead of murdering them. Be ashamed.
Carnatic music student can sing Hindustani. But, Hindustani music learner can't sing Carnatic! May be they never tried!
Hindustani music has more straight forward approach. So it is not difficult for Carnatic musicians to grasp it. Just need to practice that voice power and throw and it should be fine.
Carnatic has more gamakas unlike hindustani...Hindustani music has more brigas rather
But , Mahesh Sir tried . Actually it's not difficult for any one when singer feels SOUL of MUSIC.
True but "not trying" isn't the reason lol actually if one of the founders of a hindustani gharana had incorporated the specific Carnatic gamakas in his own singing at some point of his life or teaching methodology itself only then it's possible else it's very hard for future students of that gharana to replicate Carnatic style, Like in case of kirana gharana ustad Abdul Karim Khan later on changed his style incorporating some of the gamakas etc from Carnatic and got quite heavily influenced from Carnatic style and I am quite sure that he taught that modified style to pt Sawai Gandharva(as it's clear from his singing style) and that passed on to pt Bhimsen Joshi etc hence one can say that there are 2 streams of kirana one in north(more closer to ustad Abdul's singing before he got influenced by Carnatic) and one in Karnataka+maharashta , with k+m being more influenced with Carnatic style for example I was listening to pt jayateerth mevundi's(who also learned from pt shripati padegar ,a direct disciple of pt Bhimsen ji) raag shankara rendition that he sang in ITC and was amazed to listen to the starting Alaap which sounded quite apart from normal hindustani but much more closer to Carnatic style which one doesn't really find in north side kirana gharana singers like Arshad Ali(although taan speed of both m+k kirana and north kirana is same, crazy lightening speed aakar and merukhand kirana taans if perfected ofcourse).And his gamakas were not sung in purely Carnatic way, he was just using his amazing kirana merukhand taan speed to sing them is my guess which isn't possible for other hindustani singers not belonging to m+k belt of kirana. Similarly in raag kirwani during singing jay durge durgati also he starts with that Carnatic style Alaap etc, pt kaivalya kumar gaurav is another ex. who have Carnatic touch incorporated in his style itself due to being from k+m belt of kirana gharana ,
So yes I agree that for a Carnatic musician it's relatively easier to sing the hindustani patterns since they are just mostly meend with some permutation of notes based on the chalan of raag(not necessarily the hindustani taans especially when compared to a master like ustad Amir khan and his lightening merukhand taans) compared to a hindustani classical singer who will need either assistance of a Carnatic guru or is from k+m belt of kirana.
Everything is in bharat so no worry 😂
Mahesh Kale has to learn a lot from Abhishek on how to hold on out of respect with the co- star on stage …
Instead of torturing both streams of music, the artists and the rasikas like this, why can’t they have two separate shorter concerts that can do proper and full justice?
I think there is no question of justice. Both are strong at their end if we talk about RAGA GAYAN . Once music will start automatically their notes will come , actually it's joyful moment for both of them to swim into SWARAS . For this JOY, they can forget anything. BUT here ,if any one observe , one will find that inspite of this own JOY, both of them remembered each one's part and gave very simple touch or contribution in each one's performance.
Jugalbandi/Fusion or confusion? Total disaster.
Terrible compere
Abhishek’s voice is nice Mahesh’s is not.