Liszt's Transcendental Étude No 11, 'Harmonies du soir', played by Boris Giltburg

Here is Boris Giltburg performing Liszt's Transcendental Étude No 11, 'Harmonies du soir', in a live, late-night session at Jaques Samuel Pianos Showroom in London, filmed by Stewart French of Fly On The Wall (fotw.london).
Giltburg's new recording of the complete Transcendental Études is out now on Naxos: www.naxos.com/catalogue/item....

[@rinacravero]

Hermoso este estudio de Liszt, gracias Boris, lo tocas muy lindo, eres muy expresivo. Gracias por compartir tu talento con nosotros que te escuchamos y nos deleitarnos. ♥️

[@goupilargente]

Superbe interprétation, un pur plaisir du début à la fin.

[@carrotvevo]

ah yes i can see you too love chords

[@rinacravero]

Lindísimo! Bravoooooo👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼❤️

[@zacsummers8755]

Great performance! Although, some constructave criticism; on the climax, work on playing with more power and accuracy. Give it the power Liszt intended it to be! Bravo, and I’d love to see this played live someday

[@Ar1osssa]

It's not my favourite perfomance, but it played very poetical.

[@zacsummers8755]

Don’t sweat yourself too much on accuracy. The only pianist who pulled the octave jumps off with full speed and accuracy was Boris Berezovsky in 2002. Not even the great pianists like Trifonov could get it perfectly accurate.

[@AbcAbc-ox6pg]

I'm playing this too and it is so difficult to hit the right keys playing the fast jumps

[@zacsummers8755]

Abc Abc berezovsky nailed it tho 🤣🤣

[@greggi331]

The point is not about being fast. It’s about bringing out the theme to make it operatic and beautiful, like in the section in E major.

[@nandovancreij]

@@greggi331 yeah its actually in the same tempo as the E major section which is often misinterpreted by for example trifonov