7 Soloists Teach Left-Hand Consistency
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- Опубліковано 7 кві 2024
- In this UA-cam feature, lead of tonebase Violin, Christian Kim, walks us through several clips featuring tonebase artists where they provide in-depth analysis of the left-hand frame.
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I resonate with so much of what was said here. Particularly when James Ehnes talked about conceptualizing the A and then building on top of it. I feel that intonation is about knowing the relationship between notes rather than where every note is on the instrument-- at least initially . You're so much more likely to get something in tune if you can clearly conceptualize the relationships between the notes and build a mental framework that will make you practice the passage the same way every time.
😊
Yes, very helpful and concise. I like this as it summarises all the experts' tips in one session.
Each his own, but I prefer the left hand frame of Perlman, Ray Chen ect. All joints completely flexible, even the wrist and a raised thumb to counter balance the right side, finger side of the hand. My 4th finger is totally secure when I give with the wrist which is what Chen and Perlman also do.
I love this video! Thanks a lot.
This video is AMAZING! ❤
Thank you!
Random note, Christian Kim's Chaconne is insane and really impressive.
Thank you very much 🙏
James Ehnes left hand is as precise as Heifetz's. Many thanks for the post.
Wow, amazing
Superb stuff, thank you. My students will be grateful... eventually. Or else 😮
Christian is the best 🎉🎉🎉
May someone remind me of the name of the intro piece?
Schubert trascrizione Ernst : ErlKönig, il re degli elfi
❤❤❤
I don’t understand the tutorial by Zukermann, can someone mind explain more?🙏🏻
I think
1) put 3rd with 4th in shifts for better accuracy
2) dont lift the fingers high so you dont destroy your LH frame
Ok. It’s very clear the importance of the left hand frame, but how do you actually work towards that frame? None of them actually give any hints into how they got there or they would suggest. Also, who is this targeted for, adults who understand and know how to do it already?
Octaves in scales are the go to for establishing an initial framework for hand frame along the fingerboard. Progressively advancing the difficulty of how you practice them will start building a reliable frame and then doing thirds introduces the different. finger patterns
Play everything slow, and play it with as minimal effort as possible (ACTIVELY TRYING). Try to unlock the smallest of the muscles. Do this for 10 years and you’ll be the next best ;)
Exactly
Nobody can give you hints to how THEY developed THEIR left hand frame. I’m an adult beginner started 4 years ago. I highly recommend you get a base down and a teacher before dealing with tonebase. I have tonebase and I can honestly say this is the best app I’ve downloaded in years. Everyone is different with different body frames and LEFT HAND FRAMES. You just gotta find what is comfortable and tension free for you. There are times when I catch myself squeezing so I still have to tell myself stop squeezing but it’s not as tight as when I first started and before tonebase. Go slow and be kind to yourself and your mind you got this!!😊
Irish violinist can be very elegant
I'll show this video to my five year old. Perfect for little kids.......
😂 Agree. This is great stuff but even as a professional I found a lot of these concepts quite poorly explained.
@@jacc88888 Besonders interessant ist das Video wenn man wenig Englisch spricht. Lasst die Musik sprechen!
Ich weiß nicht was die Videos mit ewigen Monologen sollen.
@@AnRo68T sorry, I don’t speak German. Can’t copy and paste your comment into Google translate.
Left hand fingers and its contact with the chords decides EVERYTHING in violin playing. Right hand is only a servant. At least it should be. Once it takes the lead over left hand and tries to dictate to it stating that "hey bro, it's me who produces the notes!", come tension, false notes, lack of synchronisation. What we heard in this video about hand position is simply blablabla, useless information. Doesn't help anyone.
Play violin this way. 1 Learn the music in your head, imagine all notes, phrasing, etc. correctly, and know what you want to express with your music 2. Establish contact with the chords through each of your left fingers in the smoothest and roundest possible way, so that you feel continuously that the music streams from your mind into the violin through your left fingers. 3. Never EVER lose this feeling and contact. 4. Don't care about right hand, it won't mistake again. Its job is easy. Yes, staccato too. If it does come back to point 1.
You're welcome.
Und trotzdem macht der Bogen den Klang und übermittelt die Emotionen.
@@AnRo68T The emotions as I exposed are in your brain. You shouldn't do anything with your right arm until the contact in your left hand is perfect. When is it perfect? When you feel that the music in your head is being transmitted to the chord without obstacles. And once you got the feeling but not before, your brain tells your right hand to create the sound and transmit emotions you are talking about. SO: Brain-->left hand contact (smooth and round)-->right hand. For every single note you must respect this. All faults come from disrespecting this order.
@@istvanpinter7618One cannot hear the left hand alone, so it is not musical at all without the right hand. But perhaps you clap with one hand only.
Seemingly you have severe understanding difficulties. Or you simply haven't read correctly my post. But fair enough. Do it your way. Play the notes with your right hand and put the left only after. It wil be fun! Well... maybe not for the spectators...
The looks dont make ANY difference. You cant see if someone his playing out of tune, or scratching. Dont fool yourself. Look however you like but play IN TUNE.