Hey, I really like your channel. There’s so many old movies, and their relevance is waning, as so many young people don’t want to give them a chance. It’s great to have people like you who are keeping them in the Public’s eyes. Thanks for sharing! 💙
Thank you for reviewing this masterpiece ! Out of the past is truly one of the greatest Noir films of all time. I don't know to what extent you might agree with this analysis but some movie critics interpreted this film as the clash between quite and peaceful rural america symbolized by Virginia Huston's character against dangerous mysterious and gorgeous urban america symbolized by Jane Greer's character. Furthermore, Out of the past would become an influential film as it would later be referenced in many other works including the soviet film "The cranes are flying" (1957) and "Night of the living dead" (1968) This is truly an incredible movie thanks again for your great review !
Some great observations and yes, I did see that picture of the quiet rural environment vs. the city streets of San Francisco, and how yes, Mitchum's character wanted to just hide away in that small town, and yet he was unable to hide forever. An interesting thing I noticed though, and didn't mention in the review is, yes, he wanted to hide away from his past, but notice how he named his service station by his full name, "Jeff Bailey" (and not something like "Quality Automotive") almost as if, in a subtle way, he wanted to be able to be found again? Just something I've wondered...
This movie ranks up there with "Double Indemnity" on the short list of the greatest film noir movies. Robert Mitchum and Bogey are my favorite film noir detectives. Loved the banter and the one-liners, like this one from Robert Mitchum to Jane Greer: "You're like a leaf that the wind blows from one gutter to another." FYI: In an interview, Jane Greer let us know what made her character such a deadly femme fatale. Jacque Tourneur's direction to her was this: "In the first half of the movie, you're the good girl. In the second half, you're the bad girl." Needless to say, her performance as Kathie Moffatt was memorable. Thanks again for another great review. By the way, have you reviewed Barbara Stanwyck in "Sorry, Wrong Number" (1948)? Her performance in it gained her an Oscar nomination.
By the way, CAT PEOPLE is 'atmospheric'... I wouldn't expect monsters looming out of the shadows. You should expect those shadows to be there. And be heard.
Thanks again for this recommendation! There was so much I loved about this film. And yes, going to give Cat People a viewing soon. I'm ready for the unexpected!
Top of the list of my film noir favorites. I only wish Rhonda Fleming played the Kathie Moffat character, not Jane Greer. Rhonda Fleming is so hot, man!
@32ModB, I guess that Jacques Tourneur had a good taste 😊 I don't think, btw, I didn't think that the scene in the black night club is racist. It was very matter-of-fact, and it acknowledged that these places exist. I thought, it was a nice touch. But I guess, you didn't want imply at all that the scene is racist.
@@sabineb.5616 commenting on the social attitudes of the USA of the 40's,50's which is literally inconceivable for the generations who didn't live through it. Buses, schools and even the right to work or vote was "white only" in vast areas of the States. Cool places of otherwise "invisible minorities" like black or even the homosexualities were strictly controlled and always indirectly referred to as an inconvenient, embarrassment. Jimmy Stewart who had served in World War Two a decade before, found it impossible to be seen using a Japanese camera 📷 for "Rear Window. So the name was 'vanished'
@@32ModB , you are absolutely right! I am German and I grew up in the 1960s and 1970s. And while we Germans had our own period of institutionalized evil and racism during the Third Reich, it’s very hard to image how it used to be in the US. However, I lived in Manhattan for three years at the end of the 1980s, and there were still deep seated patterns of racial conflicts. Do you have an idea why Jacques Tourneur included this scene in the all-black music bar? I remember that many decades ago, when I saw the movie for the first time in a German movie theater, it didn't strike me as unusual at all. But when I recently re-watched the movie, I noticed immediately that this was unusual for a movie from that period. The plot didn't demand this setting, and, as you said, black people just don't seem to exist in these movies.
Good review - although I think that you should have given a spoiler warning, and then you should have analysed the great ending and how it could be interpreted! Especially the important role of The Kid! Is there someone else who feels that The Kid isn't quite real? He seems to be a bit of a magical creature - like a guardian angel. Who else could smell evil intentions immediately and eliminate an antagonist just by throwing a fishing hook at him? 😊 Spoiler alert: I agree, that Jane Greer's Katie Moffat isn't the typical ice cold femme fatale. Earlier in her life she had made the huge mistake to hook up with the wrong guy - a rich but totally amoral and possessive gangster boss who could hold a grudge as long as an elefant, and who couldn't accept that she wanted to move on. And Katie definitely wanted to move on and start a new life! Otherwise she wouldn't have shot at her criminal sugar daddy and then absconded to Mexico in order to start a new life with a tidy bundle of money which she had stolen from her ex. I also think that she truly fell in love with the attractive private detective whose job it was to find and then reunite her with her ex who had unfortunately survived the shooting. But Katie also has a very pronounced instinct of self-preservation, and throughout the whole complicated narrative she always does what is best for herself, and this means that she has to switch sides constantly. She doesn’t want to be tried for having killed the former business partner of her attractive PI, she wants to be free from her vindictive gangster boss, she wants to have enough cash for a fresh start - and she wants to start her new life with her private investigator whom she certainly loves more than her crime boss! Therefore she shoots her gangster boyfriend - this time fatally - and she tries to blackmail her attractive PI into running away with her by framing him for a couple of murders he hasn't committed. She thinks that she has successfully eliminated all other options for her man - but she hasn't realized that he wasn't under her spell anymore! He had actually stopped loving Katie after she had shot his former business partner in cold blood! And in his new life as a gas station owner he has fallen deeply and sincerely in love with another woman and he isn't willing to run away with Katie! He was only playing along in order to figure out how to get out of this mess! He is actually willing to give himself up, and therefore he informs the police about their plans. Katie hadn't seen this coming, and all her scheeming couldn't save her anymore. I think that we can indeed feel a bit sorry for her!
thanks for the excellent feedback. Yes, as I've been progressing with the channel I've tried to go a little bit deeper with analysis and study of characters and story ideas, so thanks for that suggestion. In thinking about this one again, it seems like the poor guy who used to roll with the bad guys can never really catch a break and get away from it all. Jeff could never live out his days at that humble gas station. The past always seems to find a way to catch up with them again. I'm seeing that in a film I've reviewing now: no matter how hard they try to bury the past and start anew, there's always something or someone to bring them back into that world of crime again.
@@OldMovieRob , thanks for answering 😀 and I will watch more of your videos. It would be great if you can convince your audience to watch old movies. "Out Of The Past" is brilliant in so many ways. And there are so many gems which still deserve an audience!
Hey, I really like your channel. There’s so many old movies, and their relevance is waning, as so many young people don’t want to give them a chance. It’s great to have people like you who are keeping them in the Public’s eyes. Thanks for sharing! 💙
Thanks friend! Its been a fun time watching and learning more about these old classics.
Thank you for reviewing this masterpiece ! Out of the past is truly one of the greatest Noir films of all time.
I don't know to what extent you might agree with this analysis but some movie critics interpreted this film as the clash between quite and peaceful rural america symbolized by Virginia Huston's character against dangerous mysterious and gorgeous urban america symbolized by Jane Greer's character.
Furthermore, Out of the past would become an influential film as it would later be referenced in many other works including the soviet film "The cranes are flying" (1957) and "Night of the living dead" (1968)
This is truly an incredible movie thanks again for your great review !
Some great observations and yes, I did see that picture of the quiet rural environment vs. the city streets of San Francisco, and how yes, Mitchum's character wanted to just hide away in that small town, and yet he was unable to hide forever. An interesting thing I noticed though, and didn't mention in the review is, yes, he wanted to hide away from his past, but notice how he named his service station by his full name, "Jeff Bailey" (and not something like "Quality Automotive") almost as if, in a subtle way, he wanted to be able to be found again? Just something I've wondered...
@@OldMovieRob
Great observation ! Good job !
This movie ranks up there with "Double Indemnity" on the short list of the greatest film noir movies. Robert Mitchum and Bogey are my favorite film noir detectives. Loved the banter and the one-liners, like this one from Robert Mitchum to Jane Greer: "You're like a leaf that the wind blows from one gutter to another."
FYI: In an interview, Jane Greer let us know what made her character such a deadly femme fatale. Jacque Tourneur's direction to her was this: "In the first half of the movie, you're the good girl. In the second half, you're the bad girl." Needless to say, her performance as Kathie Moffatt was memorable.
Thanks again for another great review. By the way, have you reviewed Barbara Stanwyck in "Sorry, Wrong Number" (1948)? Her performance in it gained her an Oscar nomination.
I haven't seen that film with Barbara Stanwyck but I will definitely add that to my list. thanks!
I can't find a better movie-review channel anywhere - you take the trouble to look up current scenery - just amazing. Thanks.
By the way, CAT PEOPLE is 'atmospheric'... I wouldn't expect monsters looming out of the shadows. You should expect those shadows to be there. And be heard.
Thanks again for this recommendation! There was so much I loved about this film. And yes, going to give Cat People a viewing soon. I'm ready for the unexpected!
Top of the list of my film noir favorites. I only wish Rhonda Fleming played the Kathie Moffat character, not Jane Greer. Rhonda Fleming is so hot, man!
#1 Noir for me
When they were filming it, Mitchum quipped that when they mimeographed the script they lost a couple of pages!
Another great movie!! And another excellent review! Thanks!
One of my favorite noirs.
Again a great review ,thanks, Robert Miichum is a very fine actor
Never saw a bad movie with Mitchum ..on screen off screen..a man’s man ..
A real classic. Love it. I like parts of the 1980s remake Against All Odds too.
Check out farewell my lovely..starting Robert Mitchum from 1975 ..👍🏻
I'll add that to my list, thanks!
I really dig into this channel!
Your reviews always are so pleasant to hear.
In my opinion this is one of the best movies EVER made. It's ASTOUNDING!
Thanks friend. I'm trying to keep learning and try to get better as I go.
Good to see you Rob
Despite all the racism of the 40's, 50's the coolest music places were always black❤
@32ModB, I guess that Jacques Tourneur had a good taste 😊
I don't think, btw, I didn't think that the scene in the black night club is racist. It was very matter-of-fact, and it acknowledged that these places exist. I thought, it was a nice touch. But I guess, you didn't want imply at all that the scene is racist.
@@sabineb.5616 commenting on the social attitudes of the USA of the 40's,50's which is literally inconceivable for the generations who didn't live through it. Buses, schools and even the right to work or vote was "white only" in vast areas of the States. Cool places of otherwise "invisible minorities" like black or even the homosexualities were strictly controlled and always indirectly referred to as an inconvenient, embarrassment. Jimmy Stewart who had served in World War Two a decade before, found it impossible to be seen using a Japanese camera 📷 for "Rear Window. So the name was 'vanished'
@@32ModB , you are absolutely right! I am German and I grew up in the 1960s and 1970s. And while we Germans had our own period of institutionalized evil and racism during the Third Reich, it’s very hard to image how it used to be in the US. However, I lived in Manhattan for three years at the end of the 1980s, and there were still deep seated patterns of racial conflicts.
Do you have an idea why Jacques Tourneur included this scene in the all-black music bar? I remember that many decades ago, when I saw the movie for the first time in a German movie theater, it didn't strike me as unusual at all. But when I recently re-watched the movie, I noticed immediately that this was unusual for a movie from that period. The plot didn't demand this setting, and, as you said, black people just don't seem to exist in these movies.
Testing
Good review - although I think that you should have given a spoiler warning, and then you should have analysed the great ending and how it could be interpreted! Especially the important role of The Kid! Is there someone else who feels that The Kid isn't quite real? He seems to be a bit of a magical creature - like a guardian angel. Who else could smell evil intentions immediately and eliminate an antagonist just by throwing a fishing hook at him? 😊
Spoiler alert:
I agree, that Jane Greer's Katie Moffat isn't the typical ice cold femme fatale. Earlier in her life she had made the huge mistake to hook up with the wrong guy - a rich but totally amoral and possessive gangster boss who could hold a grudge as long as an elefant, and who couldn't accept that she wanted to move on. And Katie definitely wanted to move on and start a new life! Otherwise she wouldn't have shot at her criminal sugar daddy and then absconded to Mexico in order to start a new life with a tidy bundle of money which she had stolen from her ex. I also think that she truly fell in love with the attractive private detective whose job it was to find and then reunite her with her ex who had unfortunately survived the shooting. But Katie also has a very pronounced instinct of self-preservation, and throughout the whole complicated narrative she always does what is best for herself, and this means that she has to switch sides constantly. She doesn’t want to be tried for having killed the former business partner of her attractive PI, she wants to be free from her vindictive gangster boss, she wants to have enough cash for a fresh start - and she wants to start her new life with her private investigator whom she certainly loves more than her crime boss! Therefore she shoots her gangster boyfriend - this time fatally - and she tries to blackmail her attractive PI into running away with her by framing him for a couple of murders he hasn't committed. She thinks that she has successfully eliminated all other options for her man - but she hasn't realized that he wasn't under her spell anymore! He had actually stopped loving Katie after she had shot his former business partner in cold blood! And in his new life as a gas station owner he has fallen deeply and sincerely in love with another woman and he isn't willing to run away with Katie! He was only playing along in order to figure out how to get out of this mess! He is actually willing to give himself up, and therefore he informs the police about their plans. Katie hadn't seen this coming, and all her scheeming couldn't save her anymore. I think that we can indeed feel a bit sorry for her!
thanks for the excellent feedback. Yes, as I've been progressing with the channel I've tried to go a little bit deeper with analysis and study of characters and story ideas, so thanks for that suggestion. In thinking about this one again, it seems like the poor guy who used to roll with the bad guys can never really catch a break and get away from it all. Jeff could never live out his days at that humble gas station. The past always seems to find a way to catch up with them again. I'm seeing that in a film I've reviewing now: no matter how hard they try to bury the past and start anew, there's always something or someone to bring them back into that world of crime again.
@@OldMovieRob , thanks for answering 😀 and I will watch more of your videos. It would be great if you can convince your audience to watch old movies. "Out Of The Past" is brilliant in so many ways. And there are so many gems which still deserve an audience!
Thanks for revealing the whole plot bozo