"Our eyes can't cut..." Walter Murch's whole premise in his book "In the Blink of an Eye: A Perspective on Film Editing" is that our eyes effectively do cut when we blink. Maybe it's a cop out from me, but I think both perspectives are good to keep in mind. Some stuff will work better with Lubezki's wide/long take approach, other stuff won't.
While I love his style I actually find the oner often disconnects me from the story? It makes me MORE aware of it being a movie/film/TV show because instead of being focused on the story, it makes you aware of how skillful the DP is and how much work must've gone into this shot. I feel like it's very rare that a oner really makes me more engaged with the story. That's my experience at least. That being said, I LOVE watching it. But this is the reason why I was very underwhelmed by the Revenant. Amazing cinematography but it outdid the rest of the film in my opinion
My dude! I can’t belive your covering my favorite DP, Chivo Lubezki, my paisano! Viva Mexico! Viva Crimson Engine! By the way, I’m a fellow C200 owner and have learned a lot from your channel.
I like when he pushes the distortion in wider lenses too. I imagine those shots as if they were shot with "traditional" coverage, or strong lens correction, and how his choices underline the performances so well.
Awesome explanation and analysis. Thank you so much for letting me understand why I like his cinematography so much. Your great disectomy of Lubezky's techniques has finally allow me to understand my appreciation for great cinematography. Great video. Thanks!!!
That Children of Men shot in the car is wild, and about 4-5 other shots in that movie. He's so talented.
"Our eyes can't cut..." Walter Murch's whole premise in his book "In the Blink of an Eye: A Perspective on Film Editing" is that our eyes effectively do cut when we blink. Maybe it's a cop out from me, but I think both perspectives are good to keep in mind. Some stuff will work better with Lubezki's wide/long take approach, other stuff won't.
I love Murch's book! He really is the editor/poet. Chivo has his own perspective, and I think they're both valid.
While I love his style I actually find the oner often disconnects me from the story? It makes me MORE aware of it being a movie/film/TV show because instead of being focused on the story, it makes you aware of how skillful the DP is and how much work must've gone into this shot. I feel like it's very rare that a oner really makes me more engaged with the story. That's my experience at least. That being said, I LOVE watching it. But this is the reason why I was very underwhelmed by the Revenant. Amazing cinematography but it outdid the rest of the film in my opinion
Perhaps a more valid statment would be, "life doesn't cut. . ." - You can't blink away something that's happening.
My dude! I can’t belive your covering my favorite DP, Chivo Lubezki, my paisano! Viva Mexico! Viva Crimson Engine! By the way, I’m a fellow C200 owner and have learned a lot from your channel.
I like when he pushes the distortion in wider lenses too. I imagine those shots as if they were shot with "traditional" coverage, or strong lens correction, and how his choices underline the performances so well.
I love the way you say "welcome to crimson engine"😍
Wonderful video. Thanks!
Awesome explanation and analysis. Thank you so much for letting me understand why I like his cinematography so much. Your great disectomy of Lubezky's techniques has finally allow me to understand my appreciation for great cinematography. Great video. Thanks!!!
Another great package of insight opened! Much appreciated wisdom! Thank you!
Man what kind of mic do you use on your video, it sounds very good!
Love him! Love his work!
The Cinematography Style of Crimson Engine next?
Great content but this constant cutting when you speak is very distracting. After every sentence there seems to be an editing cut. Thanks
he shot the live-action "The Cat in the Hat" lol
Sofia Coppola shoots her films in natural light too.
Loved this one, well said and done. Could you make one about Christopher Doyle please? Would love to hear your thoughts. Many thanks.
Great idea! He's a favorite of mine
Great video thank you
Genius!!!
Thanks for the video
hey man, this was great content, thanks for the anaylsis.
very interesting thank you
What is the last film you show a clip from? With the guy getting carried away
Yeah, the one at 4:43.
en.wikipedia.org/wiki/The_New_World_(2005_film)
Great content
Keep goingg
❤️
great lighting setup!
what camera/lens for your talking-head shot?
thanks! LOVE your work!
-davey
The link to the “Main Camera” is inoperative. Can you tell me what you are using? Thanks 🙏
Canon C200: amzn.to/2PBk3oY
I commend you for comparing DD Lewis to this man as his commitment to his craft is legendary.
Y tu mamá también was nominated for an Oscar. so it is in the Oscar realm.
4:10, I like how you said “ our eyes can’t cut” then immediately cut 1 second later. I guess you want us to see the cut 🤔
Irmão, fale devagar pelo amor de Deus kkkkkkk não consigo acompanhar as legendas