Does anyone feel like a lot of prokofievs music has so much potential and if rewritten in some ways would be amazing? Some of it always feels so impromptu and sloppy but ofc he intends it this way otherwise he wouldn’t have written. Seems like a shame in some ways
no. It is all the best especially sonata 7. You probably want him to write in a more generic style like some sort of jrpg sound track but Prokofiev is far beyond mortal music.
@@ssbuzeno I prefer to show great musicianship naked rather than using tuxedos to mask lack of musical architecture comprehension with più mosso being 3 times previous tempo.
@@LuisKolodin playing as the partition says is not always the best case. Heard of Gould? Of course it's not authentic to the composer, but people like it ^^ your naked playing isn't true to classical music is it?
@@ssbuzeno are you claiming to teach me how to understand the musical language of a piece? are you an over 30-years experienced musician who have read or studied with Clive Brown, Rosenblum, Badura Skoda, Judy Tarling, Harnoncourt, Willy Correa, and have great knowledge of semiotics? if so, MAYBE we can DISCUSS. you should be above this line to teach me (and I should enjoy your musicianship).
![Chopin - Sonata No. 2 in B-Flat Minor, Op. 35 (Cho) [Score]](http://i.ytimg.com/vi/VUk3_qTTVg4/mqdefault.jpg)
Love the andante. Such a hopelessness. A silent scream.
thank you for your channel! I absolutely adore Raekallio's interpretations of the Prokofiev sonatas
By far the best interpretation I could find.
I agree completely! The perfect staccato and marcatissino
Check out his recording of the seventh sonata as well!
I think Richter is best
This pianist is Genius ❤❤❤❤❤❤
No. The real genius was Prokofiev
@@eminkiourktchian7969 ???
@@WEEBLLOM Prokofiev wrote it, the pianist is only playing it.
@@VespertilioGiganticus How does that prevent the pianist from being a genius?
Very nice, but I think the più mosso at 0:39 goes too fast. I don't think it should sound like a presto.
I would agree with this opinion--the way it is written would not lend itself to such a tempo.
not a presto, you're right. It must be dreamy.
That c# is getting on my nerves lol
I wonder if Mahler would've had a good laugh at this if he were alive when it was composed.
Also the d flat LOL
It's usually one of my favorite parts of the piece but they really do fucking HIT that huh lmao
14:12
와 대박! 곡 해석이 완전 블링블링!! Thank you for sharing!! and this pianist so incredible!!!
14:27 is this some kind of reference to Beethoven’s 18 piano sonata?
I didn't think about that, it is rythmically quite close indeed!
2:20
+++
Does anyone feel like a lot of prokofievs music has so much potential and if rewritten in some ways would be amazing? Some of it always feels so impromptu and sloppy but ofc he intends it this way otherwise he wouldn’t have written. Seems like a shame in some ways
no. It is all the best especially sonata 7. You probably want him to write in a more generic style like some sort of jrpg sound track but Prokofiev is far beyond mortal music.
@@Gargantupimp there are many differente approached you could’ve made to my comment and yet you chose the close minded bitch mindset
You'll get used to it with spaced repeated listening. There is not a note wrong. Just give it the time.
This guy actually called Prokofiev's music bad 😢
7 years after first hearing this, it's still an utter masterpiece. Every GD second.
Wrong tempos everywhere.
No
Più mosso = 3x, really? 😒
Since 1960 pianists stopped making music and perverted classical music into showing offs
Since when did people play piano naked to gain views
@@ssbuzeno I prefer to show great musicianship naked rather than using tuxedos to mask lack of musical architecture comprehension with più mosso being 3 times previous tempo.
@@LuisKolodin playing as the partition says is not always the best case. Heard of Gould?
Of course it's not authentic to the composer, but people like it ^^ your naked playing isn't true to classical music is it?
@@LuisKolodin and fix your ears, it's at most x2 lmao
@@ssbuzeno are you claiming to teach me how to understand the musical language of a piece? are you an over 30-years experienced musician who have read or studied with Clive Brown, Rosenblum, Badura Skoda, Judy Tarling, Harnoncourt, Willy Correa, and have great knowledge of semiotics? if so, MAYBE we can DISCUSS. you should be above this line to teach me (and I should enjoy your musicianship).
0:39