I learnt this from Hungary's most famous portrait photographer (he used to work in Hollywood, unfortunately he died a few years ago at age +90): Almost everyone's nose is curving a bit towards the left or the right, and to counter-balance this in photography, you want to place the main light on the "shorter" side. For example: if you look at this video, his nose is going towards his left, but he placed the light on his right. This makes the curvature effect more prominent. So ideally, he should have placed the main light on the other side, on his left - and the shadow would hide / lessen the curvature. This is something that very few photographers know, it was only thought by great masters in the early / mid 20th century.
This mainly applies to photography or still, non-moving subjects such as interviews. For action or moving shots, depending on where the actor is headed, you may not always be able to likgt the subject's "good side." That being said, photography subjects are usually not in motion, and if you are shooting in a studio, you can predict or direct their movement. There are lots of photographers who emphasized how to study the face, as well as how to light & pose subjects to enhance their good side & hide flaws. Two popular options I readily know are Monte Zucker and Clay Blackmore, both who were portrait masters. Monte was a Canon "Explorer of Light," was the United Nations Photographer of the Year, and created the Monte Zucker Pneumatic Posing Stool and Westcott's Monte Illuminator Reflector, along with some of their light kits (many discontinued; he passed in 2007). He had an online social forum for photographers at Zuga.net (also closed) where he taught how to study the face, critiqued images, and coached photographers. There are quite a few current famous high-end photographers who came from that website. He died awhile ago, but I'm sure you can find many books and videos he made about portrait photography and studying & lighting the face. Some of the poses and looks may be dated, but his insight is still worth looking up.
Great video. I’ve been looking for this info for several hours and you’ve nailed it. Don’t worry about the rambling, be confident in your expertise and know that those of us who are less experienced are grateful to you for sharing.
In the opening how you explain how a really good video should be like is so valuable. The details that matter is often the hardest to understand until someone points it out. Thank you
VERY INFORMATIVE video. Something else to hit on is probably the fact that the 300d MK II COB light and P300C are likely around 15 - 20% brightness, meaning a person can get away with much cheaper and less bright lights. Lights the level of an Amaran 60d (no yet available at the time of this video I realize) and a P60c (also not yet available, but I own both these lights) would also light this scene exactly the same on a much lower budget. Yes, there are times when more light is needed for a different shooting situation, but for this dimly lit scene smaller lights (and lower cost) would do just as well of a job. I have only used the full 100 watts of my 100d a couple times. About 85-90% of the time I am using 15 - 35%, and that is why I also picked up an Amaran 60d, which can also be powered off of Sony NP-F batteries for convenience when power is not otherwise available.
Great job man. Fellow Filmmaker sent me, and this was a good video. At the end you mentioned how turning the lights at the back off made it seem more serious... That's something that not enough youtubers talk about, so if you ever wanna talk about what lights create what mood, I for one would be very interested to hear that!
This was by far the most helpful video on this topic I’ve seen. I also appreciate the mention of specific products/companies so I know where to begin my search. All this talk about lights, I couldn’t stop watching the sun moving across the windows between cuts, haha.
i really wanted to see how you set it up or which light you were talking about, as you talked about it so a pov/bts video, even off a phone camera would've been really useful! thanks for giving the other tips and easy to understand pros&cons list!!
Don´t worry about the rambling etc. I think you were on the message all the time and it was all surprisingly coherent regarding how free flowing and understated it all felt. Subscribed based on just this video. Just keep doing what feels right and don´t overproduce yourself, I think you got something airy and nice going there ;)
Great video, I think YT needs more lighting-related content instead of only camera reviews. It's tough to find good quality lighting videos. Saving up for the Nova now and love my set of 300dii's.
Thanks Chris! I appreciate you dropping by. I agree, if there was as much emphasis on lighting as “cinematic b-roll,” there would be much more cinematic content on UA-cam 😂
@@TylerEdwards I would like to see a tutorial on lighting a wide interview shot. For example, interviewee on a stool and having one camera wide head to toe, second camera tight. Struggling to get it right since the key has to be far away.
At first I thought your window light was just tube lights sitting behind difussion curtains. I thought that's brilliant and looks really good! Then the light changed and realized it was the actual sun lol. Might be something to recreate. It was beautiful.
I've been searching for a video that would explain to me which light is better for me and I finally found this information here in this video. Thank you very much!
Thanks for glossing over quickly for the more experienced guys. Sometimes videos can get a little to teachy about bunch of stuff you don't care about or sound like an infomercial Get Job!
Thanks! This video is really helpful. I'm trying to figure out what kind of lighting I need right now and it is so much more difficult than I first imagined.
Really informative and helpful. Thank you for making this video.I am in the market for the best lighting for beauty/makeup tutorials. Do you suggest a led or point source for makeup tutorials? Also, how many lights do you think are a must for filming makeup tutorials ?
Excellent video Tyler, very well organized even without the script. I was searching for a panel vs cob light comparison video and I was happy to rewatch yours!
Hi. I have really benefited. I would like to ask something herein. Actually i would like to obtain a light beam in haze in the scene 7:05, for instance. In this scene, a nice light beam was coming from the window behind. Which type of source, i mean panel led or point spot, do you recommend to achieve a haze like that. Thanks in advance :)
As always, fantastic video Tyler. I’m already utilizing my 300D2 to the max just like you are. Utterly salivating over that P300 Nova! That’s the next lighting investment.
As far as your rambling on dude, the information density remains high throughout so it works great, at least for me. Rambling to me would be more like talking at length with low information density where it feels like time wasted without any new information. Love your format and B-roll example footage choices - just subscribed :D
Which heat shield gel do you use on set? I happened to melt my color gel with my Aputure 300d mkII before and was looking for a solution so it'll be great if you tell me which one is right for your setup.
Great vid. Great lighting. Since you asked for a tip on he video, I wouldn’t say what you’re gonna talk about next, just talk about it. And a script would help, or at least bullet points. Thanks for the info.
Please suggest some set of video light for beginners and Intermediate level so we don’t go wrong in our selection. I appreciate your break down on the video light.
Trying to get first lights and this really helped. Gonna go for the point source light for now. Thanks! wondering, how many watts from single point source would I need of studio portraits?
Wow! This video was incredible. I love how you talk about the different creative applications. It definitely helped me see the different uses of a point source. I'm trying to buy some lights and this really helped me see the difference.
Really great explanation of lighting techniques. I am about to start a kids you tube channel and can't decide between 200x and 200d. The possibility to define exact color temperature seems to be a great and practical feature but then I will loose a lot of light power. Which model would you recommend?
Really great, lots of information and nice visual examples, and I like the speed talking. Alas, if you are relatively inexperienced (and the theme is so basic, it addresses the novices ...), you might have difficulties with all the specific names. A beginner perhaps doesn't know what a "Two-by" is, or what the specifics of a "Skylight" are ...
Help can't decide between the Aputure Amaran P60c or point source Amaran 300c RGB. Leaning toward the 300C because I can put diffusers on the front of it.
@@TylerEdwards Thanks appreciate your opinion very much and I think I agree with you both good units but I believe the diversity of the 300C is worth going that direction I can buy one now and add a second one later.
Thank you for the video. Are the soft boxes (with regular bulbs) out of comparison because they are less reliable than the LED panel or point source? I want to know your opinion about them, specially those which are marketed with (45w x 12 bulb ... and so on). Thank you again.
Which light would you recommend for outdoor fashion? The talents are moving but the lighting assistant has about 1-2meter distance from the talent. I have been using an Aputure 300d but wondering if a smaller light setup will work like the godox ML60?
yah, startin w a hard light src is more versatile. and the dramatic glory of using negative fill and creating caravaggio depth is addicting. had a question about rgb / bicolor v max output and gels: seems like for budget end, having a bicolor led spot/hard src is ideal. also, seems max output in wattage is the main thing to look for in leds. so, it seems like, bicolor would maybe reduce output by half, (vs daylight balanced-only light, since the leds are mixed daylite/tungsten) so 300w led becomes 150w in daylite or tungsten. rgb seems 1/3 weaker than total wattage. 180w becomes 60w , etc. then the other route: gels. gels seem to reduce output by at least half. is it better to nuke and use gels or get a higher wattage light and have the built in color options? am a close on the estimated wattage loss (1/2 for bicolor, 1/3 for rgb)? probs too vague to answer, but a probs i'm runnin into tryna light something like a c120dii's 180w, but rgb functionality u gotta go like 500w lupo or gemini type level $$$ lol. #gatedcommunity anyway, yeh, excited to see more filmmakers start to get creative w lighting, return to the 70s golden age.
Great clip man! For a guy who’s just starting the hunt to get my first light this was a bang on. I went to look at the apurture 300II and the 60 today. 60 is small and versatile but I feel like I’m gonna grow out of it pretty fast. You think the 120 is a happy medium or should I just go all out and hit the 300 !? Cheers, James
thank you for the video! I love your lighting setups, they are super informative and I can learn tons from them! would love to see the BTS picture of the setup if you could include it in the future! thank you so much and looking forward to more of this awesome content!!!
@@TylerEdwards Nice. We moved here from Chicago and I'm still looking for a solid place to rent high end video shoot equipment from. Not nearly as many options here, if any. Recommendations?
Really interesting and well explained, I just checked your buttery luts and im interested for my R5, but i see that the clog one was made for the EOS R, that was 8 bit instead of 10 bit. Are you planning on releasing one for the R5 / R6? Thanks again mate!!
Great video man! I live in Monument, CO. Where are you located? I do a lot of business filming. But if you ever need someone who does FPV drone work LMK. I'd be happy to come up and film with you for the day.
Panel or point source? What’s your choice?? Comment below! 👇👇
yes!
LED panels 😜
Personally, I think a point source is a great starting light.
both as in your super cool example in this video!!!
Both but, getting a godox vl-150 soon
I learnt this from Hungary's most famous portrait photographer (he used to work in Hollywood, unfortunately he died a few years ago at age +90): Almost everyone's nose is curving a bit towards the left or the right, and to counter-balance this in photography, you want to place the main light on the "shorter" side. For example: if you look at this video, his nose is going towards his left, but he placed the light on his right. This makes the curvature effect more prominent. So ideally, he should have placed the main light on the other side, on his left - and the shadow would hide / lessen the curvature. This is something that very few photographers know, it was only thought by great masters in the early / mid 20th century.
Now i can't unsee it 😄
Didn't knew this trick
This mainly applies to photography or still, non-moving subjects such as interviews. For action or moving shots, depending on where the actor is headed, you may not always be able to likgt the subject's "good side." That being said, photography subjects are usually not in motion, and if you are shooting in a studio, you can predict or direct their movement. There are lots of photographers who emphasized how to study the face, as well as how to light & pose subjects to enhance their good side & hide flaws. Two popular options I readily know are Monte Zucker and Clay Blackmore, both who were portrait masters. Monte was a Canon "Explorer of Light," was the United Nations Photographer of the Year, and created the Monte Zucker Pneumatic Posing Stool and Westcott's Monte Illuminator Reflector, along with some of their light kits (many discontinued; he passed in 2007). He had an online social forum for photographers at Zuga.net (also closed) where he taught how to study the face, critiqued images, and coached photographers. There are quite a few current famous high-end photographers who came from that website. He died awhile ago, but I'm sure you can find many books and videos he made about portrait photography and studying & lighting the face. Some of the poses and looks may be dated, but his insight is still worth looking up.
Great video. I’ve been looking for this info for several hours and you’ve nailed it. Don’t worry about the rambling, be confident in your expertise and know that those of us who are less experienced are grateful to you for sharing.
Thank you!! I appreciate the kind words!
Your ‘rambling’ is of so much value for someone trying to gather knowledge about various lights! Thanks, man 😊 Cheers!
🙏🙏
I love a great nerdy ramble about technical stuff related to filmmaking. Thanks for sharing your experience and wisdom.
🙏🙏🙏 thanks so much for the kind words!!
In the opening how you explain how a really good video should be like is so valuable. The details that matter is often the hardest to understand until someone points it out. Thank you
VERY INFORMATIVE video. Something else to hit on is probably the fact that the 300d MK II COB light and P300C are likely around 15 - 20% brightness, meaning a person can get away with much cheaper and less bright lights. Lights the level of an Amaran 60d (no yet available at the time of this video I realize) and a P60c (also not yet available, but I own both these lights) would also light this scene exactly the same on a much lower budget. Yes, there are times when more light is needed for a different shooting situation, but for this dimly lit scene smaller lights (and lower cost) would do just as well of a job. I have only used the full 100 watts of my 100d a couple times. About 85-90% of the time I am using 15 - 35%, and that is why I also picked up an Amaran 60d, which can also be powered off of Sony NP-F batteries for convenience when power is not otherwise available.
Thank you!!
accidentally found your channel , stayed and watched every single one of ur vids. damn it's good!
A happy accident! Thanks for the kind words!
Very useful advice, thank you
Glad it was helpful! Thank you!
Great job man. Fellow Filmmaker sent me, and this was a good video.
At the end you mentioned how turning the lights at the back off made it seem more serious... That's something that not enough youtubers talk about, so if you ever wanna talk about what lights create what mood, I for one would be very interested to hear that!
Thanks so much! It is definitely something I plan on talking about in a future video!
I second that idea. That would be a very interesting video to watch.
This was by far the most helpful video on this topic I’ve seen. I also appreciate the mention of specific products/companies so I know where to begin my search. All this talk about lights, I couldn’t stop watching the sun moving across the windows between cuts, haha.
Glad it was helpful! haha ya, it would probably be way less noticeable if I just used a teleprompter and run through it in one take hahah
No, no need scripts, this is way better. Subbed and liked. I never like or dislike, but this got it.
Dude I honestly learnt so much. Instant sub
🙏🙏🙏
I have a Nova and I adore it. But I find myself pushing my 60D through a scrim to be my go-to when I'm out in the field.
i really wanted to see how you set it up or which light you were talking about, as you talked about it so a pov/bts video, even off a phone camera would've been really useful! thanks for giving the other tips and easy to understand pros&cons list!!
The lighting is so good in this! 🙌
Thanks!
Don´t worry about the rambling etc. I think you were on the message all the time and it was all surprisingly coherent regarding how free flowing and understated it all felt. Subscribed based on just this video. Just keep doing what feels right and don´t overproduce yourself, I think you got something airy and nice going there ;)
Thanks so much for the kind words!
Great video, I think YT needs more lighting-related content instead of only camera reviews. It's tough to find good quality lighting videos. Saving up for the Nova now and love my set of 300dii's.
Thanks Chris! I appreciate you dropping by. I agree, if there was as much emphasis on lighting as “cinematic b-roll,” there would be much more cinematic content on UA-cam 😂
@@TylerEdwards I would like to see a tutorial on lighting a wide interview shot. For example, interviewee on a stool and having one camera wide head to toe, second camera tight. Struggling to get it right since the key has to be far away.
Bro, i subscribed at 43 seconds, that lighting is great. didn't notice cause it's also good, but audio is at a comfortable level 🥲✨
🙏🙌🙏
Lighting has always been that scary thing that I think I'm going to mess up so this was super helpful to just take a step back and remember the basics
Great video! 👍🏼 I’m based in Colorado to
Nice!! Colorado is awesome!🏔️
At first I thought your window light was just tube lights sitting behind difussion curtains. I thought that's brilliant and looks really good! Then the light changed and realized it was the actual sun lol. Might be something to recreate. It was beautiful.
Haha good idea! I might have to make a video on that! Thanks for watching!
I've been searching for a video that would explain to me which light is better for me and I finally found this information here in this video. Thank you very much!
Wow, that’s so awesome! Thanks for sharing!
Thanks for glossing over quickly for the more experienced guys. Sometimes videos can get a little to teachy about bunch of stuff you don't care about or sound like an infomercial Get Job!
Thanks! This video is really helpful. I'm trying to figure out what kind of lighting I need right now and it is so much more difficult than I first imagined.
I thought you were concise and very informative. Good stuff! I would have loved to have seen more setups, but I know, lots of time.
Thank you!
First time in your channel. Great video!
Your rambling is appreciated you know your stuff so it's not just ramblings
Hi Tyler, thanks for this video. We are in Parker, Colorado.
Awesome! Just down the road!
Really informative and helpful. Thank you for making this video.I am in the market for the best lighting for beauty/makeup tutorials. Do you suggest a led or point source for makeup tutorials? Also, how many lights do you think are a must for filming makeup tutorials ?
Excellent video Tyler, very well organized even without the script. I was searching for a panel vs cob light comparison video and I was happy to rewatch yours!
Thanks man! Glad you dropped by as always!
Loving the look, what kind of filtration did you use?
I love the lighting in this shot! Great image
Thank you! 🙏
Hi. I have really benefited. I would like to ask something herein. Actually i would like to obtain a light beam in haze in the scene 7:05, for instance. In this scene, a nice light beam was coming from the window behind. Which type of source, i mean panel led or point spot, do you recommend to achieve a haze like that. Thanks in advance :)
Great video with a lot of very useful info bro! The more I learn about light the harder and harder it is to pick any one single type. haha
Thanks bro! And I agree. Great thing there are so many great options out there on the market! Appreciate you brother!
As always, fantastic video Tyler. I’m already utilizing my 300D2 to the max just like you are. Utterly salivating over that P300 Nova! That’s the next lighting investment.
I appreciate the feedback Didier! The nova is a fantastic tool for sure!
As far as your rambling on dude, the information density remains high throughout so it works great, at least for me. Rambling to me would be more like talking at length with low information density where it feels like time wasted without any new information. Love your format and B-roll example footage choices - just subscribed :D
Thanks Paul!
Awesome keep posting like this, your explanation is better than text books
🙏🙏🙏
Very helpful explanation & examples thank you.
It's way better when you ramble on my friend - we get way more info! great vid as always
Haha thanks so much!
Great video, I find it very helpful and well explained! thank you!
Excellent comparison LED Panel vs Point Source. Awesome!
Which heat shield gel do you use on set? I happened to melt my color gel with my Aputure 300d mkII before and was looking for a solution so it'll be great if you tell me which one is right for your setup.
Shotdeck user I see ;-) Thanks for the info!
Haha definitely! Love shotdeck!! Thanks for dropping by, love you’re work!
Great vid. Great lighting. Since you asked for a tip on he video, I wouldn’t say what you’re gonna talk about next, just talk about it. And a script would help, or at least bullet points. Thanks for the info.
Please suggest some set of video light for beginners and Intermediate level so we don’t go wrong in our selection.
I appreciate your break down on the video light.
Amaran lights are perfect for that. Definitely can’t go wrong with Amaran!
Very informative video. Thank you 😊
This is great! Thanks so much for sharing your insight, love this sort of detailed explanation.
Really nice video. The only way to improve since you’re someone who rambles would be to have a recap of bullet points at the very end.
On the ground pointed up at the ceiling, that's brilliant
Very thorough
This was so helpful! Thank you!
Glad it was helpful, thanks for watching! 🙏
Trying to get first lights and this really helped.
Gonna go for the point source light for now.
Thanks!
wondering, how many watts from single point source would I need of studio portraits?
Awesome man, greetings from Indonesia
Thanks for the info! Packed with info and at the same time easy to understand.
Thanks!
Do you think Newer's 660 LED is a significant difference from Newer's 528 LED?
I’m not familiar with those lights, but I would assume the 660 has more output and would always recommend more output if budget allows!
Wow! This video was incredible. I love how you talk about the different creative applications. It definitely helped me see the different uses of a point source. I'm trying to buy some lights and this really helped me see the difference.
Thanks for watching and so glad it was helpful!
Really great explanation of lighting techniques. I am about to start a kids you tube channel and can't decide between 200x and 200d. The possibility to define exact color temperature seems to be a great and practical feature but then I will loose a lot of light power. Which model would you recommend?
Hi, would a clamp light with a led daylight bulb be a good key light starter for a new UA-cam channel in your opinion?
Great video Tyler! Just out of interest what was your chat to camera focal length?
Thanks! Hm I can’t recall exactly. Maybe around 20-24mm?
Really great, lots of information and nice visual examples, and I like the speed talking. Alas, if you are relatively inexperienced (and the theme is so basic, it addresses the novices ...), you might have difficulties with all the specific names. A beginner perhaps doesn't know what a "Two-by" is, or what the specifics of a "Skylight" are ...
Great work, always enjoy the content 🙌🏻
🙏🙏🙏 thanks so much!
Love your videos. Super informative. Thanks!
Thanks so much! Glad you liked the video!
Thanks. Have both now. Will use them more intentionally and informed now.
Hello... so spotlight vs soft which is more soft putting diffusion panel in a spotlight ?
Quite informative. Keep on!
Help can't decide between the Aputure Amaran P60c or point source Amaran 300c RGB. Leaning toward the 300C because I can put diffusers on the front of it.
300c
@@TylerEdwards Thanks appreciate your opinion very much and I think I agree with you both good units but I believe the diversity of the 300C is worth going that direction I can buy one now and add a second one later.
Great explanation Tyler!
Thanks Marko!
Thank you for the video.
Are the soft boxes (with regular bulbs) out of comparison because they are less reliable than the LED panel or point source? I want to know your opinion about them, specially those which are marketed with (45w x 12 bulb ... and so on).
Thank you again.
Very insightful video!
Which light would you recommend for outdoor fashion? The talents are moving but the lighting assistant has about 1-2meter distance from the talent. I have been using an Aputure 300d but wondering if a smaller light setup will work like the godox ML60?
Great video my man
Thank you!
nice, helpful video, Ramble On 😉🤘
looking for intros to lighting and find out your based in the same state as me thats so dope!!
yah, startin w a hard light src is more versatile. and the dramatic glory of using negative fill and creating caravaggio depth is addicting.
had a question about rgb / bicolor v max output and gels:
seems like for budget end, having a bicolor led spot/hard src is ideal.
also, seems max output in wattage is the main thing to look for in leds.
so, it seems like, bicolor would maybe reduce output by half, (vs daylight balanced-only light, since the leds are mixed daylite/tungsten)
so 300w led becomes 150w in daylite or tungsten.
rgb seems 1/3 weaker than total wattage. 180w becomes 60w , etc.
then the other route: gels.
gels seem to reduce output by at least half.
is it better to nuke and use gels or get a higher wattage light and have the built in color options?
am a close on the estimated wattage loss (1/2 for bicolor, 1/3 for rgb)?
probs too vague to answer, but a probs i'm runnin into tryna light something like a c120dii's 180w, but rgb functionality u gotta go like 500w lupo or gemini type level $$$ lol. #gatedcommunity
anyway, yeh, excited to see more filmmakers start to get creative w lighting, return to the 70s golden age.
Thanks for another great video Tyler!! Keep it up!
Thanks Jason! I appreciate it!
Great clip man! For a guy who’s just starting the hunt to get my first light this was a bang on. I went to look at the apurture 300II and the 60 today. 60 is small and versatile but I feel like I’m gonna grow out of it pretty fast. You think the 120 is a happy medium or should I just go all out and hit the 300 !?
Cheers,
James
I’m always in favor of more output! Better to have it just in case is my philosophy
Informative, and paced well. Thanks.
that is a lot of info here, thanks
always loved your content brotha
I instantly noticed how nice your lighting set up is. Are you using a cheeky mist filter? Looks really silky
Thanks! I use a black pro mist 1/8
I like the real world examples. Would love more!
Really informative and to the point. Great video! Subscribing to see more of your videos.
To the point. very helpful! what I needed at the time...
Great and informative video.
Thanks, glad you like it!
Well presented. Thank you.
Thanks so much!!
thank you for the video! I love your lighting setups, they are super informative and I can learn tons from them! would love to see the BTS picture of the setup if you could include it in the future! thank you so much and looking forward to more of this awesome content!!!
Thanks so much! I have quite a few lighting breakdown videos on my channel!
Brilliant information, lobe your vibe. Maybe just slow down the speech a tad. We are a bit slow over here in OZ. Lol
Great insight! Thank you! 🙏
Nice job, Tyler. Love the video. Visuals are gorgeous too. You live in Denver as well?
Thanks! And yup, I am near Boulder!
@@TylerEdwards Nice. We moved here from Chicago and I'm still looking for a solid place to rent high end video shoot equipment from. Not nearly as many options here, if any. Recommendations?
Great schooling. I’ll dust off my old Arri kit. Been using led only
Very valuable, thank you!
Well that was very informative 👍🏼 thank you
Really interesting and well explained, I just checked your buttery luts and im interested for my R5, but i see that the clog one was made for the EOS R, that was 8 bit instead of 10 bit. Are you planning on releasing one for the R5 / R6? Thanks again mate!!
For my canon LUTs, head over to www.tylerfedwards.com/luts There you will find clog 1,2&3 luts which work for all canon cameras.
great video!! thanks
Glad you liked it! Thanks for watching!
Thanks for the video, very helpful!
Great video!
Thanks for the info!
Well done sir! Subbed.
love this setup
Great video man! I live in Monument, CO. Where are you located? I do a lot of business filming. But if you ever need someone who does FPV drone work LMK. I'd be happy to come up and film with you for the day.
Nice! I’ll keep you in mind for FPV!
fantastic help!