I can't bear to watch this consummate artist and beautiful man die, even if just on stage. Everything about him, from his intensity to his dedication to his victory over leukemia, says life. Bravo, sir, bravo.
With this aria Mr Carreras opened the world of opera for me. I can never tell how grateful I am for his performance of this aria. Never heard it better by any other tenor. He gives meaning to this opera and this specific area. Thank you so much for sharing your great voice and talent with us, Mr. Carreras.
Carreras is one of my favorite tenors ( none can surpass Bjorling) and I love his voice and this performance, he died a true operatic death, it took several minutes.
niente da dire su questa interpretazione giovanile Carreras resta un tenore lirico, ma molto passionale e con un timbro e colore di voce belli ed inconfondibili Si e' sempre detto che aveva difficolta' negli acuti In verita' la voce di carresas era molto unifirme, senza i distacchi nei passaggi di registro che si osservano in molti cantanti belle prova come sempre
Una de las mejores Lucía que escuche Katia Ricciarelli una Lucía de primera y José Carreras magnífico con esa dulzura en la voz que lo hizo insuperable
The theatric interpretation of a performer doesn't need to be similar with other performers. The beauty lies behind the difference in the performer's interpretation, it is where his idiosyncracy and operatic brilliance may be displayed. Even the "La Donna E Mobile" of Kraus, Pavarotti, Aragall, Schipa, Rodger, Volpi, Domingo, Carreras, and many more; all of them portrayed different acts, scenes, tones, rythm, pitch and theatric peculiarities. YOU HAVE A NICE OBSERVATION! YOU'RE A GOOD SPECTATOR
I heard this GOD live sometime in 1978!!!! It was a Stradivarius voice with no technical limitations: piano - forte - this God could handle it all effortlessly - it seems the Olympic Gods graced him with limitless vocal temperament. Genius musician, the most beautiful voice, perfect dramatic temperament - and in 1978 - he was Adonis personified. For that one night - I worship you forever - GOD Carreras! All the composers, including Wagner would worship this interpreter - not only the beauty of voice, but the power!
Tu che a Dio spiegasti l'ali, O bell'alma innamorata, Ti rivolgi a me placata, Teco ascenda, Teco ascenda il tuo fedel. Ah! Se l'ira dei mortali Fece a noi sì cruda guerra, Se divisi fummo in terra, Ne congiunga il Nume in ciel. O bell'alma innamorato, Bell'alma innamorata Ne congiunga il Nume in ciel. O bell'alma innamorato, Bell'alma innamorata Ne congiunga il Nume in ciel. Io ti seguo... Forsennato! Forsennato! Che facesti!... Ahi tremendo! O bell'alma, Mi rivolgi... Al tuo fedel Ah se l'ira dei mortali, Si lunga guerra. O bell'alma, Ne congiunga il Nume in ciel. O bell'alma innamorato, Bell'alma innamorta Ne congiunga il Nume in ciel O bell'alma innamorato, Bell'alma innamorta Ne congiunga il Nume in ciel Nume in Ciel! Nume in ciel! Nume in ciel!
ah, no.....:)))), i began today with this Carreras aria and it seems, that will take such a time, before i stop today again:))), addictive singer, too.
@novice1959 it was a sacrifice :)partly, i am grateful. but if he was able to survive leukemia ,he would have surely been able to keep his full voice (but voice problems + first of all leukemia) were probably too much. but he is so very admirable. i love his edgardo, alvaro.... Without leukemia he would have managed everything. i think leukemia is to blame and we should be grateful he is still able to sing and that he survived. it was such a luck.
Raimondo: CHE FACESTI? [what have you done?] Edgardo: A TE VENGO,O BELL'ALMA.. [I come to you, oh beautiful soul] Raimondo: SCIAGURATO! [unhappy man] Edgardo: TI RIVOLGI,AH AL TUO FEDEL. [Oh! turn towards your true love] Raimondo:PENSA AL CIEL! [think of heaven!]
Por favor, personas que dicen, que no es verdadero tono - ustedes tienen razon, pero es que esta grabacion esta estropeado, pero Carreras no canta asi. Tengo una version con sonido normal.
Tu che a Dio spiegasti l'ali o bell'alma innamorata, ti rivolgi a me placata, teco ascenda il tuo fedel. Ah! Se l'ira dei mortali fece a noi sì cruda guerra, se divisi fummo in terra, ne congiunga il Nume in ciel.
I listened to Pavarotti and Kraus, and they sing it at the end with the full voice, even larger than when they sung the same theme at the beginning of the aria. If he tried to imitate death, he wouldn't walk around with nife stabbed in his chest. I think something else is the case here, not his delibarate adjusting of voice. Nevertheless, I prefer Carreras.
I just noticed they skipped this intense moment: Io ti seguo... RAIMONDO Forsennato! Forsennato! RAIMONDO e CORO Ah, che fai? EDGARDO Morir voglio! RAIMONDO e CORO Ritorna in te, ritorna. EDGARDO No, no, no! (Si ferisce.)
It was his technique that did him in, he could have sung some heavier repertoire, but the singing in the throat was only made worse by the fact that he started adding more size to try and be heard over the orchestra.
It was "..NUME IN CIEL.." [complete - "ne congiunga il Nume in ciel. {may God unite us in heaven}. The voice was deliberately adjusted to portray "a last breath".
Después de escuchar esta "casi-perfecta" interpretación, uno se pregunta por qué Carreras tuvo que abordar, por ejemplo, el Canio de Pagliacci, si no era necesario ni adecuado para su voz de tenor lírico y una línea de canto acorde con ese repertorio. Una lástima la supresión de las intervenciones del coro y de Raimondo previas a la repetición variada del aria.
I don't think there is a beautiful way to destroy a voice, I have almost 50 live Carreras performances, and in many of them it is so upsetting the way he forces and strains that voice.
si il brano è cantato mezzo tono sotto e abbondante, ma non credo che Carreras canti in do diesis maggiore un brano che è stato pensato da Donizetti in re maggiore a caso.. io ho ascoltato tutto il brano e proprio già da quando dice, salendo , la seconda volta" Oh bell'alma innamorata " si sente la voce che tende a non essere più in maschera e peggio ancora quando dice per due volte " il nume in ciel" a conclusione della romanza , in cui le note perdono addirittura lo smalto e per lo stesso motivo . Carreras è stato un magnifico tenore fino a quando non si è dedicato ai ruoli drammatici e in questo brano, che è invece per un tenore lirico , la sua voce , in acuto specialmente, suona pesante e si sente che fa molta fatica a cantare i suoni acuti.... non credo , quindi, che l'essere famoso gli abbia consentito di cantare mezzo tono sotto, mentre penso che la cosa sia stata indispensabile. Aggiungo che cantare per lungo tempo da tenore drammatico significa , purtroppo, perdere la possibilità di cantare, come si deve, da tenore lirico. la saluto
According to you, no tenor other tha Kraus sings anything in Tune. You surely must have Distorted hearing. Down to that Clinic and get your Lugoles tested.
Commovente al massimo !❤
Carreras sei grande grande
What a beautiful voice, what a beautiful man!
We love you CARRERAS
A great interpretation full of vigour and lyrical beauty beyond expectations.
Belissima interpretação!
Great stuff - Carreras always gave so much, be it in an operatic role or singing in concert, he always put his heart and soul into it!
Brilliant acting, brilliant singing. I struggle to find words to praise this enough.
Bravo Josep!
Brilliant half tone lower than original pitch :/
PLACIDO. DOMINGO
GLI BAGNA DI MOLTO
IL NASO
Mi amor ....el único
I can't bear to watch this consummate artist and beautiful man die, even if just on stage. Everything about him, from his intensity to his dedication to his victory over leukemia, says life. Bravo, sir, bravo.
With this aria Mr Carreras opened the world of opera for me. I can never tell how grateful I am for his performance of this aria. Never heard it better by any other tenor. He gives meaning to this opera and this specific area. Thank you so much for sharing your great voice and talent with us, Mr. Carreras.
he is so special, fantastic at that time. Love this the best,
Carreras was great! So full of passion and drama. For this aria this recording is my favorite: ua-cam.com/video/cRltvpJvvME/v-deo.html
Same for me! ♥️
Thanks to God we have these wonderful recordings of the crystal voice of Jose in his young years.
Una delle più belle voci tenorili di sempre! Ci manchi molto Josè
Carreras is one of my favorite tenors ( none can surpass Bjorling) and I love his voice and this performance, he died a true operatic death, it took several minutes.
I love this one
V této arii jsem obdivovala Josého nejvíc ze všech interpretů, co jsem kdy slyšela... operka25
Voz magnífica. Garganta dourada . Interpretação extraordinária. Como não amar essa preciosidade ❤
Simply Wonderful!
Carreras at his lyrical best. That was the most beautiful and expressive timbre in the world
best to me, among 3 or 10 famous tenors, his timbre is so special, full of youth and color,
how he acts. the pain in his face is so believable...
Casi se muere pero que mas da!! La calidad de la voz, el fraseo y enfasis dramatico en la voz eran inigualable. Esos anos fueron memorables para el.
Such a beautiful aria with a wondering voice!
i broke down when i heard this wonderful man sing..... such a beautiful voice!!!
niente da dire su questa interpretazione giovanile
Carreras resta un tenore lirico, ma molto passionale e con un timbro e colore di voce belli ed inconfondibili
Si e' sempre detto che aveva difficolta' negli acuti In verita' la voce di carresas era molto unifirme, senza i distacchi nei passaggi di registro che si osservano in molti cantanti
belle prova come sempre
he made me cry when i heard him sing the final scene in aida today
Magistral ,como todo lo que hace Carreras !!!!!
i can´t help, i like his singing the best:-)
One of the best rendition 😢❤
Una de las mejores Lucía que escuche Katia Ricciarelli una Lucía de primera y José Carreras magnífico con esa dulzura en la voz que lo hizo insuperable
insuperable versión...Grande Jose
ua-cam.com/video/KvIbgbUwqQM/v-deo.html me gusta mas esta
Great voice
Sounds pretty Damn good to me,and looks pretty damn good too.
Great....
They cut out the part of the chorus...odd.
Carreras great as always in this time frame!
MUY MAGNIFICO!
The theatric interpretation of a performer doesn't need to be similar with other performers. The beauty lies behind the difference in the performer's interpretation, it is where his idiosyncracy and operatic brilliance may be displayed. Even the "La Donna E Mobile" of Kraus, Pavarotti, Aragall, Schipa, Rodger, Volpi, Domingo, Carreras, and many more; all of them portrayed different acts, scenes, tones, rythm, pitch and theatric peculiarities. YOU HAVE A NICE OBSERVATION! YOU'RE A GOOD SPECTATOR
I heard this GOD live sometime in 1978!!!!
It was a Stradivarius voice with no technical limitations: piano - forte - this God could handle it all effortlessly - it seems the Olympic Gods graced him with limitless vocal temperament.
Genius musician, the most beautiful voice, perfect dramatic temperament - and in 1978 - he was Adonis personified.
For that one night - I worship you forever - GOD Carreras! All the composers, including Wagner would worship this interpreter - not only the beauty of voice, but the power!
I envy your good fortune !
I hear angels singing
This is quite well sung and the best I have ever heard Jose
Deaf idiot!
@@franzleiermann4955 please you don't like Carreras and I get that but please don't call posters who like him deaf idiots. Deaf people are not idiots.
Tu che a Dio spiegasti l'ali,
O bell'alma innamorata,
Ti rivolgi a me placata,
Teco ascenda,
Teco ascenda il tuo fedel.
Ah! Se l'ira dei mortali
Fece a noi sì cruda guerra,
Se divisi fummo in terra,
Ne congiunga il Nume in ciel.
O bell'alma innamorato,
Bell'alma innamorata
Ne congiunga il Nume in ciel.
O bell'alma innamorato,
Bell'alma innamorata
Ne congiunga il Nume in ciel.
Io ti seguo...
Forsennato!
Forsennato!
Che facesti!...
Ahi tremendo!
O bell'alma,
Mi rivolgi...
Al tuo fedel
Ah se l'ira dei mortali,
Si lunga guerra.
O bell'alma,
Ne congiunga il Nume in ciel.
O bell'alma innamorato,
Bell'alma innamorta
Ne congiunga il Nume in ciel
O bell'alma innamorato,
Bell'alma innamorta
Ne congiunga il Nume in ciel
Nume in Ciel!
Nume in ciel!
Nume in ciel!
ah, no.....:)))), i began today with this Carreras aria and it seems, that will take such a time, before i stop today again:))), addictive singer, too.
Эльдар кажется хочет вернуться в 2007:D
Lenoshkaaa в 1982
wow!
Творец мой и Бог мой! такой кантилены ... такой красоты... Я слышал только от итальянцев!!! Невообразимо!!! у меня это спектакль на DVD!!
Thanks for your comments.
@novice1959 it was a sacrifice :)partly, i am grateful. but if he was able to survive leukemia ,he would have surely been able to keep his full voice (but voice problems + first of all leukemia) were probably too much. but he is so very admirable. i love his edgardo, alvaro.... Without leukemia he would have managed everything. i think leukemia is to blame and we should be grateful he is still able to sing and that he survived. it was such a luck.
Creo que sea estupendo!!
Raimondo: CHE FACESTI? [what have you done?]
Edgardo: A TE VENGO,O BELL'ALMA.. [I come to you, oh beautiful soul]
Raimondo: SCIAGURATO! [unhappy man]
Edgardo: TI RIVOLGI,AH AL TUO FEDEL. [Oh! turn towards your true love]
Raimondo:PENSA AL CIEL! [think of heaven!]
Por favor, personas que dicen, que no es verdadero tono - ustedes tienen razon, pero es que esta grabacion esta estropeado, pero Carreras no canta asi. Tengo una version con sonido normal.
Tu che a Dio spiegasti l'ali
o bell'alma innamorata,
ti rivolgi a me placata,
teco ascenda il tuo fedel.
Ah! Se l'ira dei mortali
fece a noi sì cruda guerra,
se divisi fummo in terra,
ne congiunga il Nume in ciel.
I listened to Pavarotti and Kraus, and they sing it at the end with the full voice, even larger than when they sung the same theme at the beginning of the aria.
If he tried to imitate death, he wouldn't walk around with nife stabbed in his chest. I think something else is the case here, not his delibarate adjusting of voice. Nevertheless, I prefer Carreras.
Agree. Studio recording with Caballe is unbeatable. But this live performance impress more!
Why the weird cut? I have never heard the chorus excised at ‘Ah, che fai’.
@donatello1 yes, very interesting cut.. probably because of the directorial concept here of having him be in Lucia's chambers. Sounds weird though.
Великолепно!
Благороднейший тембр, превосходная техника!
перешла от Бродвея
I just noticed they skipped this intense moment:
Io ti seguo...
RAIMONDO
Forsennato! Forsennato!
RAIMONDO e CORO
Ah, che fai?
EDGARDO
Morir voglio!
RAIMONDO e CORO
Ritorna in te, ritorna.
EDGARDO
No, no, no!
(Si ferisce.)
It was his technique that did him in, he could have sung some heavier repertoire, but the singing in the throat was only made worse by the fact that he started adding more size to try and be heard over the orchestra.
Was a great Andrea Chenier
Carreras sang the most beautiful Edwardo. I love his Fra poco a me recovero more than this piece.
A whole chunk of the music before the stabbing is missing. This is not what Donizetti wrote.
Да, сука, да, это западный Свердловск!
Владимир Путин
Кто еще нажал думая что это скеч от Бродвея ?)
8-летней давности ! :)
Я
It was "..NUME IN CIEL.." [complete - "ne congiunga il Nume in ciel. {may God unite us in heaven}. The voice was deliberately adjusted to portray "a last breath".
Эльдар подчеркнул что скетчи это не всё,ведь классика тоже важна
What's the instrument at 0:00? To 0:03?
Please, can anybody explain what happend with his voice at the end of the aria - 4:8-4:21? I cannot recognize his voice there.
Después de escuchar esta "casi-perfecta" interpretación, uno se pregunta por qué Carreras tuvo que abordar, por ejemplo, el Canio de Pagliacci, si no era necesario ni adecuado para su voz de tenor lírico y una línea de canto acorde con ese repertorio. Una lástima la supresión de las intervenciones del coro y de Raimondo previas a la repetición variada del aria.
ЗАПАДНЫЙ СВЕРДЛОВСК ЗДЕСЬ!
что за ...
I don't think there is a beautiful way to destroy a voice, I have almost 50 live Carreras performances, and in many of them it is so upsetting the way he forces and strains that voice.
Medio tono bajo. Como me haces esto Josep!!!
TKLogan--------You can do better?
el aria esta baja medio tono.
Ельдар завидуй
Школьники набигают на оперу.
Either way, it was the most beautiful way to destroy a voice, no matter how terrible that sounds.
я выражу общее недовольствие этим видео. ельдар я ожидал тупых шуток и скетчей но ни как не культурное видео
Semitono sotto, solo perchè era strafamoso. Questo non è giusto, soprattutto nei confronti di Donizetti.
si il brano è cantato mezzo tono sotto e abbondante, ma non credo che Carreras canti in do diesis maggiore un brano che è stato pensato da Donizetti in re maggiore a caso.. io ho ascoltato tutto il brano e proprio già da quando dice, salendo , la seconda volta" Oh bell'alma innamorata " si sente la voce che tende a non essere più in maschera e peggio ancora quando dice per due volte " il nume in ciel" a conclusione della romanza , in cui le note perdono addirittura lo smalto e per lo stesso motivo . Carreras è stato un magnifico tenore fino a quando non si è dedicato ai ruoli drammatici e in questo brano, che è invece per un tenore lirico , la sua voce , in acuto specialmente, suona pesante e si sente che fa molta fatica a cantare i suoni acuti.... non credo , quindi, che l'essere famoso gli abbia consentito di cantare mezzo tono sotto, mentre penso che la cosa sia stata indispensabile. Aggiungo che cantare per lungo tempo da tenore drammatico significa , purtroppo, perdere la possibilità di cantare, come si deve, da tenore lirico.
la saluto
Horrible.... en fin....
...que corte mas feo!!
Muy buena interpretacion...pero por dios...que mal actua... una buenas clases de teatro le hubiesem ido bien
No está cantada a tono.
According to you, no tenor other tha Kraus sings anything in Tune. You surely must have Distorted hearing. Down to that Clinic and get your Lugoles tested.
@@waynewilliams4706 🤣🤣🤣🤣🤣
@@waynewilliams4706 🤣🤣🤣🤣🤣🤫🤫🤫🤫
@@waynewilliams4706 No está a tono inculto. Si no sabes solfeo aprenda. 🤫🤫🤫🤫
bad vocal technic...he sings Edgardo like Canio
Una voz preciosa, pero no la canta a tono. Le falta la elegancia y el estilo de kraus.
и я от Эльдара