May be I know nothing in this music, but I do not understand where is vibrato, where is dynamics, where is strong sound(if I may say so)? Gypsy jazz guitarists, for example angelo debarre, play jazz songs much more dynamics, have much more nice vibrato and sound.
Vibrato is not used in traditional jazz guitar. The greatest jazz guitarists, like Charlie Christian, Wes Montgomery, and Grant Green do not use it. The guitarist in this video has almost perfect control of the dynamics in his playing. This player has his own sound that comes out of the jazz guitar tradition but is distinctly his own. Very few players are on this player’s level.
To add a point about “traditional jazz guitar” - the masters, starting with Charlie Christian, based their sound concept on horn players, especially tenor saxophone which was the dominant solo voice in American popular music/jazz from about 1930 to 1960. Tenor saxophone was, and for many fans still is, THE SOUND of jazz.
I was composing music, and for a break, I came to UA-cam and I saw your video. Very inspiring and wonderful for me. thanks a lot my friend🙏🌹😀❤👌
This line is nasty!!! love it. 0:34
A nice little cooker! In the pocket buddy 👍
Hey that's cool !
👏👏👏👏
Si sente Wes
That's hot. Too bad it was over so soon.
May be I know nothing in this music, but I do not understand where is vibrato, where is dynamics, where is strong sound(if I may say so)?
Gypsy jazz guitarists, for example angelo debarre, play jazz songs much more dynamics, have much more nice vibrato and sound.
Vibrato is not used in traditional jazz guitar. The greatest jazz guitarists, like Charlie Christian, Wes Montgomery, and Grant Green do not use it. The guitarist in this video has almost perfect control of the dynamics in his playing. This player has his own sound that comes out of the jazz guitar tradition but is distinctly his own. Very few players are on this player’s level.
Pls tell all gypsy players to play softly like Classical guitarist.
Much appreciated!
To add a point about “traditional jazz guitar” - the masters, starting with Charlie Christian, based their sound concept on horn players, especially tenor saxophone which was the dominant solo voice in American popular music/jazz from about 1930 to 1960. Tenor saxophone was, and for many fans still is, THE SOUND of jazz.