Quelle surprise ! Je ne pensais plus jamais revoir cette version de cosi fan tutte... Quand l'ai-je vue la première fois? A Paris même, il y a 20 ans, 30 ans... Peu import le nombre d'années devant tant de beauté. Et tant de vérité portée dans cet opera avec une telle légèreté. C'est l'oeuvre qui a tout changé. Elle parle d'amour, des illusions perdues. Plus qu'une leçon de sagesse, une vraie leçon de vie à qui sait l'entendre. J'ai écouté avec bonheur mille autre versions de cosi fan tutte,, qui de tous les operas est mon unique, mon préféré mais cette version est, à mon sens, celle qui rend le mieux compte de ce chef d'œuvre. Quel bonheur! Quelle surprise de la retrouver ainsi par hasard... La vérité c'est que chaque instant était à tout jamais gravé au fond de mon coeur. Merci 🙏
Please give an example of other composers, for I think what you say is simply not true. As an example of something that only Mozart could write I bring up the finale of the first act of Don Giovanni in which three orchestras play three completely independent tunes, and yet it sounds so divinely right. This shows a combinatorial genius in Mozart’s music to which no other composer has ever come close. Only Mozart had the genius to write such complex yet beautiful music. If you disagree, give an example that even comes close.
@@caltamino what is "simply not true" from what I said? that Mozart music sticks to my head?...that I can guarantee is True, haha. That there may be other composers who created more complex structures?...pay attention to the word "may" in the sentence. It is not an absolute statement.
I love Mozart. I am a classically trained singer who does crossover - that means I sing opera, operetta, and musical theatre styles. And Mozart. He is simply in a league of his own. I can't really put it into words, but when I sing his music it just feels different in my voice and my head. Cosi fan Tutte is my favourite; I am working on one of the arias for my diploma right now, and after that I hope to make a recording of only Mozart arias. So happy and yet so ethereal at the same time - just such perfect music! 😊
I discovered it live as my first opera experience at 15yo. I just went back to watch it as a 30yo birthday gift from my mom and myself. I had listened to recordings in the meantime but still got the chills and the most childish smile for the whole time. I will never get tired of it either. I hope I can show it to my daughter when she will be 15 ❤
I played this Opera twice in the orchestra. The first time when I was at Stanford in 1976-first violin. The second time with Livermore opera. I love Cosi Fan Tutte the music is just gorgeous but the lyrics are a work of genius by Lorenzo da Ponte as well. It is genuinely funny, a sophisticated well crafted Comedy. With good actors singers it's a marvellously enjoyable opera
5:14 - No. 1 - La mia Dorabella (Terzetto) 8:20 - No. 2 - É la fede delle femine come l'araba fenice (Terzetto) 11:07 - No. 3 - Una bella serenata (Terzetto) 1:00:07 - No. 14 - Come scoglio (Fiordiligi)
I watch this opera for the first time.A very good production.I really enjoy the self-ironical moments and the gags in it 🎉The sweetest sounding arias are placed in it.Nice performance, everyone.
This was just wonderful. Having only seen operas under duress and never enjoyed them, despite the fabulous music; the warbly voices have alway put me off. But what sublime singing here and I would gladly see this again. Just LOVED it. Thank you.
Welcome to beginning to understand the greatness of the Opera art form. Opera is musical theater, yet superior to it. Why? Because in theater of three people were to speak simultaneously no one would be able to understand a single word they say. Yet in Opera we have trios, quartets, quintets, sextets in which 3, 4, 5, 6 people sing at the same time, yet it makes perfect sense. In addition the music can express every human emotion that even the greatest acting cannot convey in theater. This is particularly true in the Operas of Mozart. He had an extraordinary ability to express every human feeling in the music.
Great cast (adore Rainer Trost) and you can't beat James Eliot Gardiner as a conductor. Beautiful quality recording and the subtitles help introduce this some what complex plot to anyone unfamiliar with this opera, Thanks!
I did the role of Fiordiligi when I was nineteen! Such fun elegant opera! Will never forget the good time I had singing such a difficult role! Small college in Pittsburg,Kansas,would you beleive?The audience loved it! MMB
I'm singing Guglielmo professionally for the first time later this month, and Rod Gilfry is my voice teacher -- sometimes the stars really align! I've watched a ton of Così productions at this point, and I'm convinced no one sings the role better.
This production of Cosi Fan Tutte is so adorable and funny. A perfect musical performance of orchestra and cast that is very entertaining. And it has a seemingly unscripted moment that becomes fateful for Rodney Gilfry (Guglielmo) when he kisses Amanda Roocroft's (Fiordiligi) hand at the end of her performing N14 Aria in Scene 11, at 1:03:21 (this probably was agreed between the two before the performance without letting their fellow cast members know). The moment he kisses her hand Claudio Nicolai (Don Alfonso, in the background watching them) looks surprised as if he did not expect the move. Roocroft, in her character defending her love and appalled by Gilfry's audacity takes a swing and hits him in the face so hard that he runs out of the frame. Nicolai's and Rosa Mannion's (Dorabella) jaws drop in disbelief. Moments later we see Roocroft shaking her hand in pain from her hit. Eirian James (Despina) can't believe what just happened but enjoys the episode. When Gilfry is back and approaches Roocroft she raises her hand and he immediately protects his face. Looks like he did not want take another hit. All this goes over very fast and the cast's performance is so professional that the whole event is barely noticable.
I think it’s possible both kiss+slap were improvised. Gilfry seems PRETTY taken aback by it and seems like he steps aside in order to not lose his shit. But maybe it was just a harder slap than he expected like you said. Either way I’ve never seen that aria so geniusly staged, it’s like comic but TENSE! Love the constant movement (contrasted with “Like a rock”)
this was the first opera my mother ever took me to when I was a young girl, and still remains my favorite. It's funny, light, and has some beautiful music to go with it. The perfect one to have a Big Brain Relaxation Sesh to.
"The perfect one to have a Big Brain Relaxation Sesh to." This opera is much complex than your little brain can understand .....go and educate yourself before you expose your ignorance.
@@prager5046 uh oh we have a 420 IQ galaxy brain big boy on our hands! You're such a smarty pants special boy, yes you are! Based on your self aggrandizing attitude, and your misuse of ellipses, I'd guess you're in, say, high school? You're not as smart as you feel like, and you don't come across as cool as you want to. Stop making a fool out of yourself.
E nel tuo nel mio bichiero is always such a moving quartet/trio for me. I love it. She has finally found peace within in a love that wont abandon her and that is ready to be with her in peace and harmony. It truly is for me the best trio of this opera. Its also why i believe that in real life she would not have stayed with her previous lover, such betrayal after such a moving scene. Mozart and daponte best collaboration in my humble opinion
It is a most beautiful performance with lot of amazing voices. Even, it is so bad the ads are dsitrupting thsi ethernal harmony. The final purpose of the evolution was Mozart himself. And the expandation of the heavenly harmony.
coming close to being my favourite production of this opera, staging orchestra and cast are simply brilliant, un'aura amorosa worth the price of admission alone, I will be coming back to this many times I can tell.
This inspired me to order a copy of Lorenzo Da Ponte's memoirs. Years ago I had read several volumes of Giacomo Casanova's autobiography, and I believe knowing the character - by way of word-choice and tone, etc. - of someone who lived a bit later, through the turn of the century - through the French Revolution and IN young America - should deepen and round-out knowledge of learned enlightenment-era, and the transition into the so called Age of Reason, disposition and spirit. Also heard there was some interesting literature in 1790's Vienna.
William Alston If Casanova hadn’t suddenly stopped writing his memoirs (I think it only goes up to the 1770s) Mozart and Da Ponte probably would have made an appearance in them... too bad
Deluxe Clavier I always think about that tantalizing prospect. Does DaPonte even write about Mozart that much? I’ve seen some excerpts but get the impression there’s not much more than that. Ugh why was everyone so coy. Michael Kelly’s account of knowing Mozart is probably the most satisfying.
I'm very happy this was my first exposure to Cosi. Other versions on UA-cam are overacted, to the point that the beauty of music is totally lost to percussive diction and lack of harmonic blending. This version is perfection in direction, conducting, acting, singing, and the audience clearly LOVES it as they should.
Superb on all accounts. Thank you... another favorite! The singing is magnificent, the conducting perfect, and the staging beautifully atmospheric, yet not distracting. Wish I'd seen this, but this posting is pleasure enough.
I loved watching this so much. I have since listened to the Böhm and Rene Jacobs recordings. Schwarzkopf is so great in the Böhm recording, but Jacobs wins me over with his thrilling, Baroque touch to the score, much like in this video. Thank you for posting!
Autore opera scrittore poeta : Lorenzo Da Ponte naturalizzato italiano ; le sue origini erano ebraiche la sua antica identità : si chiamava nome e cognome Emanuele Conegliano . Lui trasferimento Stati Uniti d'America ( attività lavorative nel nuovo Continente americano ; Droghiere,,distillatore di Liquori, impresario di trasporti) città di New York lui diventò insegnante di italiano.
I agree. No deeper comment has been ever made on the subject of infidelity. Beethoven has said that he would not ever write an Opera on such an undignified subject, yet how wrong he was!!! For Mozart’s magnificent masterpiece on this “undignified “ subject is a beautiful statement on the way REAL human beings are. Mozart’s characters are always profoundly HUMAN, neither superheroes nor supervillains as in Beethoven’s Fidelio, but just deeply human, with qualities and defects like all human beings have.
Bravo per tutti. The voices are wonderful. I would like to have seen this production a little more enhanced with touches of the period. But musically fine.
This opera works much better in the era it was composed--sorry all you modernist stage directors. This was wonderful! I was especially taken by Trost's " Una Aura Amorosa"
I'm with you all the way, Ian. Next week I'm going to see this at the Kennedy Center with Washington National Opera. i hope it's a traditional production.
희동아 1. La mia Dorabella - Terzetto - 00:05:15 4. Ah guarda, sorella - Duetto - 00:13:41 5. Vorrei dir - Aria - 00:19:38 12. In uomini! - Aria - 00:46:10 16. E voi ridete? - Terzetto - 01:07:31 19. Una donna - Aria - 01:38:25 23. Il core vi dono - Duetto - 01:59:01 29. Fra gli amplessi - Duetto - 02:36:47 우리 화이팅
Stewart Rood They always say voice quality should be the only concern, but I’ll shamelessly admit it enhances my experience A LOT when sexy characters look sexy.
I must confess I am impressed with James's range of voice. Have never heard such low-voiced notary in CFT. No wonder the girls were mislead :). And musically, it is quite beautiful. But visually I prefer Glyndenbourne's 2009 staging with Persson and Vondung - I mean the decoration and costumes. Also, I am quite curious... It is another staging missing Ferrando's aria "Ah lo veggio". Does anybody know why is it missed so often? Why do they pass from "Ma tu mi guardi e poi sospiri" directly to Ferrando's leave? Like that it is a bit illogical and this lack of logic is dealt with worse or better in different stagings.
" Glyndenbourne's 2009" Maybe you thought 2006, conducting by Ivan FISHER with Luca Pisaroni as Guglielmo and topi Lehtipuu as Ferrando. In my opinion, the most beautiful production I've never seen.
"Ah lo veggio" is usually cut because it's apparently very difficult to sing. Search for it directly in UA-cam and you will find a few versions so you can judge for yourself.
There is one DVD in which it is included and indeed contains more music than any other Cose: the performance from Zurich with Malin Hartelius and Jose Camarena
26:40 *NO. 7 DUETTINO* FERRANDO E GUGLIELMO: Al fato dàn legge Quegli occhi vezzosi; Amor li protegge, Nè i loro riposi Le barbare stelle Ardiscon turbar. Il ciglio sereno, Mio bene, a me gira: Felice al tuo seno Io spero tornar.
Rainer Trost is absolutely stunning, especially in Aura Amorosa. Rodney Gilfry, the best Count Almaviva and Don Giovanni ever, also does an excellent performance as Guglielmo. In my opinion Gardiner is the best composer I know because of his Mozart works: this one, Figaro 1993, and Don Giovanni 1994. They all have Rodney Gilfry performing, and really good selection of singers. In this Cosi fan tutte, Fiordilidgi and Dorabella are not that good, Despina and Alfonso are pretty good.
I have to respectfully disagree. Both Amanda Roocroft and the mezzo (for the life of me I have forgotten her name at this very moment) we’re brilliant in this production! Especially so considering that they were about 22 and 24 years old respectively. To have that much control of their young voices,in such a huge production, is freaking spectacular!
@@PamelaMou1 Are you a member of the orchestra ? I love so much the semi-scenic Don Giovanni, made in Concertgebouw in 1994, still with Rod Gilfry as Don and all wonderful singers, Luba Orgonasova, Ildebrando d'Arcangelo, Christoph Prégardien. You all made a wonderful and unforgettable job !
Quelle surprise ! Je ne pensais plus jamais revoir cette version de cosi fan tutte... Quand l'ai-je vue la première fois? A Paris même, il y a 20 ans, 30 ans... Peu import le nombre d'années devant tant de beauté. Et tant de vérité portée dans cet opera avec une telle légèreté. C'est l'oeuvre qui a tout changé. Elle parle d'amour, des illusions perdues. Plus qu'une leçon de sagesse, une vraie leçon de vie à qui sait l'entendre. J'ai écouté avec bonheur mille autre versions de cosi fan tutte,, qui de tous les operas est mon unique, mon préféré mais cette version est, à mon sens, celle qui rend le mieux compte de ce chef d'œuvre. Quel bonheur! Quelle surprise de la retrouver ainsi par hasard... La vérité c'est que chaque instant était à tout jamais gravé au fond de mon coeur. Merci 🙏
What a happy story - thanks.
Mozart music sticks to my head. There may be other composers who created more complex structures but Mozart’s music speak to me like no other.
Same!
Please give an example of other composers, for I think what you say is simply not true. As an example of something that only Mozart could write I bring up the finale of the first act of Don Giovanni in which three orchestras play three completely independent tunes, and yet it sounds so divinely right. This shows a combinatorial genius in Mozart’s music to which no other composer has ever come close. Only Mozart had the genius to write such complex yet beautiful music. If you disagree, give an example that even comes close.
@@caltamino what is "simply not true" from what I said? that Mozart music sticks to my head?...that I can guarantee is True, haha. That there may be other composers who created more complex structures?...pay attention to the word "may" in the sentence. It is not an absolute statement.
I love Mozart. I am a classically trained singer who does crossover - that means I sing opera, operetta, and musical theatre styles. And Mozart. He is simply in a league of his own. I can't really put it into words, but when I sing his music it just feels different in my voice and my head. Cosi fan Tutte is my favourite; I am working on one of the arias for my diploma right now, and after that I hope to make a recording of only Mozart arias. So happy and yet so ethereal at the same time - just such perfect music! 😊
also mozart's music gives me so much nostalgia and i have no clue why
I first found Cosi fan Tutte when I was a student. I grew up with it. I grow old with it. I never tire of it.
One cannot tire of perfection
I discovered it live as my first opera experience at 15yo. I just went back to watch it as a 30yo birthday gift from my mom and myself. I had listened to recordings in the meantime but still got the chills and the most childish smile for the whole time. I will never get tired of it either. I hope I can show it to my daughter when she will be 15 ❤
@@annabees I am 16 (soon to be 17) and I am going to watch Le nozze di figaro with my mother in not too long
Ouvertura - Strumental - 00:00:28
ATTO PRIMO
1. La mia Dorabella - Terzetto - 00:05:15
2. È la fede delle femmine - Terzetto - 00:08:20
3. Una bella serenata - Terzetto - 00:11:11
4. Ah guarda, sorella - Duetto - 00:13:41
5. Vorrei dir - Aria - 00:19:38
6. Sento, O Dio (oddio) - Quintetto - 00:21:26
7. Duettino 00:21:26
8. Bella vita militar! - Coro - 00:28:49
8a. Di scrivermi ogni giorno - Recitativo - 00:30:57
9. Bella vita militar! - Coro - 00:32:40
10. Soave sia il vento - Terzettino - 00:34:57
Nel mare solca - Recitativo - 00:38:47
Ah! Scostati - Recitativo - 00:40:50
11. Smanie implacabili - Aria - 00:42:00
12. In uomini! - Aria - 00:46:10
13. Alla bella Despinetta - Sestetto - 00:51:37
Stelle! Sogno, o son desto? - Recitativo - 00:56:37
14. Come scoglio - Aria - 01:00:07
15. Non siate ritrosi - Aria - 01:05:56
16. E voi ridete? - Terzetto - 01:07:31
17. Un'aura amorosa - Aria - 01:09:30
18. Ah che tutta in un momento - Finale - 01:16:37
Si mora sì - 01:19:15
Eccovi il medico - 01:24:20
Dove son - 01:27:20
Dammi un baccio - 01:31:05
ATTO SECONDO
19. Una donna - Aria - 01:38:25
20. Prenderò quel brunettino - Duetto - 01:44:04
21. Secondate, aurette amiche - Duetto+coro - 01:47:35
22. La mano a me date - Quartetto - 01:51:15
23. Il core vi dono - Duetto - 01:59:01
Barbara! - Recitativo - 02:03:59
24. (Aria - skipped)
Ei parte… senti… Ah no! - Recitativo - 02:05:33
25. Per pietà - Aria - 02:07:07
Il mio ritratto! - Recitativo - 02:17:25
26. Donne mie - Aria - 02:19:00
In qual fiero contrasto - Recitativo - 02:22:09
27. Aria 02:23:44
28. Aria 02:30:47
29. Fra gli amplessi - Duetto - 02:36:47
30. Tutti accusan le donne - Terzetto - 02:45:50
31. Fate presto - Finale - 02:47:57
Benedetti i doppi coniugi - 02:49:47
E nel tuo, nel mio bicchiero - 02:54:00
Miei signori - 02:55:48
Bella vita militar! - 02:57:24
Sani e salvi - 02:59:19
Giusto ciel! - 03:02:21
Thank you so so much! This is a life saver! :)
like a boss! thanks!
Geoffroy MB duetiini
Geoffroy MB duettino
Geoffroy MB Luna bella serenata
Happy memories of playing viola in this! But of course this is the first time I have actually seen it! I was under the stage!
Oh wow! I think it is my favourite interpretation of this incredible opera. How amazing to have played in this!
I played this Opera twice in the orchestra. The first time when I was at Stanford in 1976-first violin. The second time with Livermore opera. I love Cosi Fan Tutte the music is just gorgeous but the lyrics are a work of genius by Lorenzo da Ponte as well. It is genuinely funny, a sophisticated well crafted Comedy. With good actors singers it's a marvellously enjoyable opera
"I was under the stage !"
A bit like Orpheus in the Underworld playing for Eurydice
Or Paganini or Faust playing for The Devil ?
Going to play viola in the pit for the second time, which is why I am watching.
5:14 - No. 1 - La mia Dorabella (Terzetto)
8:20 - No. 2 - É la fede delle femine come l'araba fenice (Terzetto)
11:07 - No. 3 - Una bella serenata (Terzetto)
1:00:07 - No. 14 - Come scoglio (Fiordiligi)
Amanda Roocroft is an amazing Fiordiligi. What a voice!
I watch this opera for the first time.A very good production.I really enjoy the self-ironical moments and the gags in it 🎉The sweetest sounding arias are placed in it.Nice performance, everyone.
This was just wonderful. Having only seen operas under duress and never enjoyed them, despite the fabulous music; the warbly voices have alway put me off. But what sublime singing here and I would gladly see this again. Just LOVED it. Thank you.
Welcome to beginning to understand the greatness of the Opera art form. Opera is musical theater, yet superior to it. Why? Because in theater of three people were to speak simultaneously no one would be able to understand a single word they say. Yet in Opera we have trios, quartets, quintets, sextets in which 3, 4, 5, 6 people sing at the same time, yet it makes perfect sense. In addition the music can express every human emotion that even the greatest acting cannot convey in theater. This is particularly true in the Operas of Mozart. He had an extraordinary ability to express every human feeling in the music.
Great cast (adore Rainer Trost) and you can't beat James Eliot Gardiner as a conductor. Beautiful quality recording and the subtitles help introduce this some what complex plot to anyone unfamiliar with this opera, Thanks!
Wow Mozart's music is so beautiful!
And it's so nice to see a traditional production with a lovely set, it's rare nowadays
I did the role of Fiordiligi when I was nineteen! Such fun elegant opera! Will never forget the good time I had singing such a difficult role! Small college in Pittsburg,Kansas,would you beleive?The audience loved it! MMB
I bet you're talented
That’s wonderful!
I played in the Orchestra in two marvelous productions of Cosi Fan Tutte. One at Stanford, the other with the Livermore Opera.
That’s so cool!!! I’m 21, and I’ve just been cast as Despina in my university’s production! It’s my first operatic role 😁
What a lovely production, and superb singing by the entire cast. Thank you so much.
The ladies are so sublime. Many thanks for this beautiful Opera piece.
I'm singing Guglielmo professionally for the first time later this month, and Rod Gilfry is my voice teacher -- sometimes the stars really align! I've watched a ton of Così productions at this point, and I'm convinced no one sings the role better.
Im jealous! :D
Did it happen or did covid cancel it?
Hope it went well snd you keep on singing!
This production of Cosi Fan Tutte is so adorable and funny. A perfect musical performance of orchestra and cast that is very entertaining. And it has a seemingly unscripted moment that becomes fateful for Rodney Gilfry (Guglielmo) when he kisses Amanda Roocroft's (Fiordiligi) hand at the end of her performing N14 Aria in Scene 11, at 1:03:21 (this probably was agreed between the two before the performance without letting their fellow cast members know). The moment he kisses her hand Claudio Nicolai (Don Alfonso, in the background watching them) looks surprised as if he did not expect the move. Roocroft, in her character defending her love and appalled by Gilfry's audacity takes a swing and hits him in the face so hard that he runs out of the frame. Nicolai's and Rosa Mannion's (Dorabella) jaws drop in disbelief. Moments later we see Roocroft shaking her hand in pain from her hit. Eirian James (Despina) can't believe what just happened but enjoys the episode. When Gilfry is back and approaches Roocroft she raises her hand and he immediately protects his face. Looks like he did not want take another hit. All this goes over very fast and the cast's performance is so professional that the whole event is barely noticable.
Henning Seip filmporno
I think it’s possible both kiss+slap were improvised. Gilfry seems PRETTY taken aback by it and seems like he steps aside in order to not lose his shit. But maybe it was just a harder slap than he expected like you said. Either way I’ve never seen that aria so geniusly staged, it’s like comic but TENSE! Love the constant movement (contrasted with “Like a rock”)
I think it all planned but the singers such good actors too and so committed it looked improvised
Nothing is improvised in the theater.
All that affected blah blah just for a kiss in a hand and some stamping???...why don't you just focus on the masterpiece ?
Perfect; this is one of the best versions; strong voices and acting - many thanks for uploading!
So many gorgeous notes from Rainer Trost. What a voice!
I must have seen and listened to this over two dozen times, of of the best productions available truly mesmerizing and complere
this was the first opera my mother ever took me to when I was a young girl, and still remains my favorite. It's funny, light, and has some beautiful music to go with it. The perfect one to have a Big Brain Relaxation Sesh to.
"The perfect one to have a Big Brain Relaxation Sesh to." This opera is much complex than your little brain can understand .....go and educate yourself before you expose your ignorance.
@@prager5046 uh oh we have a 420 IQ galaxy brain big boy on our hands! You're such a smarty pants special boy, yes you are! Based on your self aggrandizing attitude, and your misuse of ellipses, I'd guess you're in, say, high school? You're not as smart as you feel like, and you don't come across as cool as you want to. Stop making a fool out of yourself.
If you love Mozart, you are always a young girl in your heart, be assured 😊 !
You are so right!
E nel tuo nel mio bichiero is always such a moving quartet/trio for me. I love it. She has finally found peace within in a love that wont abandon her and that is ready to be with her in peace and harmony. It truly is for me the best trio of this opera. Its also why i believe that in real life she would not have stayed with her previous lover, such betrayal after such a moving scene. Mozart and daponte best collaboration in my humble opinion
Mozart ruled the libretto of the opera himself
There was something so Natural about Claudio Nicolai's acting. May he rest in peace
It is a most beautiful performance with lot of amazing voices. Even, it is so bad the ads are dsitrupting thsi ethernal harmony. The final purpose of the evolution was Mozart himself. And the expandation of the heavenly harmony.
Have seen it many times, but this version, to me, is the best!!!
coming close to being my favourite production of this opera, staging orchestra and cast are simply brilliant, un'aura amorosa worth the price of admission alone, I will be coming back to this many times I can tell.
This inspired me to order a copy of Lorenzo Da Ponte's memoirs. Years ago I had read several volumes of Giacomo Casanova's autobiography, and I believe knowing the character - by way of word-choice and tone, etc. - of someone who lived a bit later, through the turn of the century - through the French Revolution and IN young America - should deepen and round-out knowledge of learned enlightenment-era, and the transition into the so called Age of Reason, disposition and spirit. Also heard there was some interesting literature in 1790's Vienna.
William Alston If Casanova hadn’t suddenly stopped writing his memoirs (I think it only goes up to the 1770s) Mozart and Da Ponte probably would have made an appearance in them... too bad
Deluxe Clavier I always think about that tantalizing prospect. Does DaPonte even write about Mozart that much? I’ve seen some excerpts but get the impression there’s not much more than that. Ugh why was everyone so coy. Michael Kelly’s account of knowing Mozart is probably the most satisfying.
I'm very happy this was my first exposure to Cosi. Other versions on UA-cam are overacted, to the point that the beauty of music is totally lost to percussive diction and lack of harmonic blending. This version is perfection in direction, conducting, acting, singing, and the audience clearly LOVES it as they should.
Thanks a lot for this recording! It's been wonderful minutes!
This has long been a favourite of mine, and as everybody says, both Trost and Gilfry are quite superb, as are the girls.
Brilliant show with brilliant cast! Such talented voices
This performance with another Gardiner's Figaro reminds of my very short happiness moment of my late 20's.
Superb on all accounts. Thank you... another favorite! The singing is magnificent, the conducting perfect, and the staging beautifully atmospheric, yet not distracting. Wish I'd seen this, but this posting is pleasure enough.
I absolutely agree
Mozart genius at his best
Superb production, to the ear and eye. Thank you.
You're welcome!
PURE JOY !!!
Bravissimi! Ben fatto a tutti!
Superb production and all voices , Thank you
An extremely good performance!!! Thank you for the subtitles.
Спасибо большое создателям прекрасного произведения!
19:35--"Vorrei dir, e cor non ho" (my favorite aria).
Прекрасная постановка, прекрасные исполнители! 🌸 Bravi!
Thank you for posting. I am having my students watch this for their literature class, as we don't have an operahouse nearby. Thank you. Its superb.
Buy v no b buggy mm m
Rehearsing to be in this production I will be in the chorus Thank you so much for this production ☺
You're welcome!
Luke Donnelly I
Magnífica producción de un clásico mozartiano que no fue muy comprendido en épocas pasadas. Maravillosa música y grandes interpretaciones.
I loved watching this so much. I have since listened to the Böhm and Rene Jacobs recordings. Schwarzkopf is so great in the Böhm recording, but Jacobs wins me over with his thrilling, Baroque touch to the score, much like in this video. Thank you for posting!
One of my all time favs!!!
Cosi fan tutte , Mozart , es excellent ❤
Really good acting in this one! Love Fiordiligi showing she wasn't all that much come scoglio from the beginning 🤣
Man... they're all over their 50s and 60s today. And Don Alfonso is 92 years old.
それがどうした
アルフォンソはもう死んでるけど
Qué excelente ópera, tanto por el lado de la creación del genio de Mozart como por esta producción. Buenísima en todos los aspectos.
Autore opera scrittore poeta : Lorenzo Da Ponte naturalizzato italiano ; le sue origini erano ebraiche la sua antica identità : si chiamava nome e cognome Emanuele Conegliano . Lui trasferimento Stati Uniti d'America ( attività lavorative nel nuovo Continente americano ; Droghiere,,distillatore di Liquori, impresario di trasporti) città di New York lui diventò insegnante di italiano.
I agree. No deeper comment has been ever made on the subject of infidelity. Beethoven has said that he would not ever write an Opera on such an undignified subject, yet how wrong he was!!! For Mozart’s magnificent masterpiece on this “undignified “ subject is a beautiful statement on the way REAL human beings are. Mozart’s characters are always profoundly HUMAN, neither superheroes nor supervillains as in Beethoven’s Fidelio, but just deeply human, with qualities and defects like all human beings have.
Rodney and Rainer have such good chemistry
Alma Tadema animated through Mozart or Mozart through Tadema. Absolutely brilliant production and performance.
I love Gardiner's conducting. So beautiful and funny.
True Master.
Lovd the production. Happy, saw it life! Claudio Nicolai ❤️
Чудесное исполнение шедевра - живое и грамотное.
Bravo per tutti. The voices are wonderful. I would like to have seen this production a little more enhanced with touches of the period. But musically fine.
I love the way it starts
Truly superb performance!
*No.1Terzetto 05:15
*Recit 07:02
*No.2 Terzetto 08:20
*Recit 09:29
*No.3 Terzetto 11:11
*Allegro 16:40
*Recit 18:16
*No.5 Aria 19:35
*No.6 Quintetto 21:27
Merci! quel régal pour les oreilles!
Bienvenue!
@@aimee4096 De rien.
This work is so beautiful...
This opera works much better in the era it was composed--sorry all you modernist stage directors. This was wonderful! I was especially taken by Trost's " Una Aura Amorosa"
I'm with you all the way, Ian. Next week I'm going to see this at the Kennedy Center with Washington National Opera. i hope it's a traditional production.
Such voices seem to be rare these days.
best coi fan tutte yet
Thanks!
Can you suggest a rendition of Verdi's Falstaff?
best cosi fan tutte!!
❤❤❤❤❤❤❤ sublime regia originale ❤❤❤❤❤
Beaucoup de nuances, magnifique!
one of the things art Tatum and Mozart do is to suddenly change key then go back to the tonic to sub-dominant
12:50 just amazing orchestra in the end of this part 😍 😍 😍
Did you ever disappointed listening or watching productions with John Eliot Gardiner ? :)
Parfait ❤❤
Ouais
If Rodney Gilfry is in it, then you know it's gonna be damn good.
The best part starts at 1:19:00 .
Actually the best part starts at 0:0:0 .
it is so cool that the orchestra is all in black....makes the instruments and faces pop out.....
Bella! Beautiful!
Beautiful couples well done 🌷🌹
Loved it, thanks!
The wicked maid reminds me of Carmen from the Opera, Carmen.
Bravissimi ❤️
Bellissima regia originale ❤❤❤❤❤❤❤perfetta❤❤❤❤❤❤❤
희동아
1. La mia Dorabella - Terzetto - 00:05:15
4. Ah guarda, sorella - Duetto - 00:13:41
5. Vorrei dir - Aria - 00:19:38
12. In uomini! - Aria - 00:46:10
16. E voi ridete? - Terzetto - 01:07:31
19. Una donna - Aria - 01:38:25
23. Il core vi dono - Duetto - 01:59:01
29. Fra gli amplessi - Duetto - 02:36:47
우리 화이팅
예바나...☆
imagine Mozart telling his wife Constanza, well it called 'ALL women are like that' !
Una Donna 😍😍😍
Ecellent and with such attractive people too!
Stewart Rood They always say voice quality should be the only concern, but I’ll shamelessly admit it enhances my experience A LOT when sexy characters look sexy.
I'm watching the 'poison' scene and really laughing my butt off.
第一幕女高音費奧笛麗姬(Fiodiligi)唱出詠嘆調『我們的信心堅如盤石』，具有花腔的優美曲調。男低音阿逢索和兩姊妹一起唱出的三重唱『但願風平浪靜』以及多首重唱曲，都非常好聽。
I must confess I am impressed with James's range of voice. Have never heard such low-voiced notary in CFT. No wonder the girls were mislead :). And musically, it is quite beautiful. But visually I prefer Glyndenbourne's 2009 staging with Persson and Vondung - I mean the decoration and costumes. Also, I am quite curious... It is another staging missing Ferrando's aria "Ah lo veggio". Does anybody know why is it missed so often? Why do they pass from "Ma tu mi guardi e poi sospiri" directly to Ferrando's leave? Like that it is a bit illogical and this lack of logic is dealt with worse or better in different stagings.
" Glyndenbourne's 2009" Maybe you thought 2006, conducting by Ivan FISHER with Luca Pisaroni as Guglielmo and topi Lehtipuu as Ferrando. In my opinion, the most beautiful production I've never seen.
yes, I've meant that one :)
"Ah lo veggio" is usually cut because it's apparently very difficult to sing. Search for it directly in UA-cam and you will find a few versions so you can judge for yourself.
thanks for explaining :)
There is one DVD in which it is included and indeed contains more music than
any other Cose: the performance from Zurich with Malin Hartelius and Jose
Camarena
Wonderful. And both guys are so hot!
Kabir Orlowski The girls are beautiful too☺
Vissza ajarom kapnì a glendeboroui elòadàst.Kerem,segitsenek.
Exquisite performed
26:40
*NO. 7 DUETTINO*
FERRANDO E GUGLIELMO:
Al fato dàn legge
Quegli occhi vezzosi;
Amor li protegge,
Nè i loro riposi
Le barbare stelle
Ardiscon turbar.
Il ciglio sereno,
Mio bene, a me gira:
Felice al tuo seno
Io spero tornar.
The guys are really cute. Guglielmo's voice is a little small. Very tasteful production overall.
1幕
No.4 13:41
p.40 Eccoli 19:02
p.54 24:20 2번체
p.63 28:21
p.78 33:49
p.88 40:34
p,97
43:53 signora dorabella,
44:04
44:25 Ma ponno anche
44:35
45:45
p.112 51:41
p.116 52:53
p.132 アル56:27〜57:07
フィオTemerari58:44
p.155 1:08:25 Si puo
p.171 1:18:32 Ah che tutta
p.173 1:19:12
p.190 1:23:20
p.193 1フィナ 1:24:20
p.199 386 1:26:22
p.204 1:28:31
p.209 カット後 476 1:30:20
p.211 Allegro 1:31:05
Rainer Trost is absolutely stunning, especially in Aura Amorosa. Rodney Gilfry, the best Count Almaviva and Don Giovanni ever, also does an excellent performance as Guglielmo. In my opinion Gardiner is the best composer I know because of his Mozart works: this one, Figaro 1993, and Don Giovanni 1994. They all have Rodney Gilfry performing, and really good selection of singers. In this Cosi fan tutte, Fiordilidgi and Dorabella are not that good, Despina and Alfonso are pretty good.
Gardiner is the conductor, not the composer.
I have to respectfully disagree. Both Amanda Roocroft and the mezzo (for the life of me I have forgotten her name at this very moment) we’re brilliant in this production! Especially so considering that they were about 22 and 24 years old respectively. To have that much control of their young voices,in such a huge production, is freaking spectacular!
@@lusibalwethusesanti852
26 and 30
@@紫式部-n4p I stand corrected.
GARDINER as usual. Good singers too. It would be really nice as concert version !
We did it as a concert version in Amserdam as part of this tour.
@@PamelaMou1 Are you a member of the orchestra ? I love so much the semi-scenic Don Giovanni, made in Concertgebouw in 1994, still with Rod Gilfry as Don and all wonderful singers, Luba Orgonasova, Ildebrando d'Arcangelo, Christoph Prégardien. You all made a wonderful and unforgettable job !
Sublime music
1:05:57 Non siate ritrosi
2:19:00 Donne mie la tanti
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