Reminds me the piano solo "Travels Albums" of Liszt. But here deeper than just playing what you see. If these pieces were for piano and violin within an oriental contexture, they would have gained an exquisite dialogue capacity. In piano solo, melancholy prevails . But the "message" is clear. IN any event, why do I keep associating these tonalities to the ABSCHIED of Das Lied Von Der Erde of MAHLER? Yes, I know, I know - all of them are a kind of Farevell. Of course, I add such Inaccessible Places to my humble list of themes to be remembered. Musical Greetings to all who had the unfortunate experience of reading me...
Gracias desde Madrid en España! Jorge Ivanovitch Gurdjieff y Thomas de Hartmann nos montan en la nave espacial Ocasión para asomarnos a una música diferente.Gracias desde mi corazón!
Music from inaccessible mountains.. the great ones glide by in a stream bestowing gifts of grace for ones with the courage to grasp the nettles yet barely noticed by those who walk in life's slumber, a fleeting glint of sun on water in the corner of the eye then passed out of remembrance. Blessings Mr Gurdjieff
Can't begin to describe what the Gurdjieff/de Hartmann music means to me, but certainly it transports me to other worlds. I have the scores published by Schott (4 volumes) and play these pieces myself for my own enjoyment. I'm nerdy about such things, but t's interesting to compare the various recordings of the Gurdjieff/de Hartmann corpus against the Schott scores. I can't say whether I'd prefer the Kremski set or the van Veen, since each has its respective strengths. Van Veen has an excellent, warm recorded sound for his piano, includes the small drum (a "daff") for the numerous pieces that have a drum part, and follows the Schott scores closely and sequentially, but Kremski has a much larger selection (notwithstanding the van Veen CD's claim to be "complete"--it's only the complete scores published by Schott), an incredible lightness of touch, uses the pedal more sparingly, and he's a bit freer with things like repeats: if the piece is very short, he'll tend to add a repeat, the better to let the listener "inhabit" the world evoked by the piece. All the pieces on Kremski vol. 1 appear in the Schott scores, but sometimes under different titles, and one of the pieces (Kurd Melody from Isfahan) is somewhat different than what's published--which indicates to me that Kremski may have been following a different manuscript version. Here's a finding list (with the Schott titles if they're different); this would also be useful for trying to compare with their counterparts in van Veen: La Lutte des Mages / The struggle of the Magicians: 1 Extrait / Excerpt n°1 (Schott IV.15 “Fragment No. 4”) 2 Extrait / Excerpt n°2 (Schott IV.13 “Fragment No. 3”) 3 Extrait / Excerpt n°3 (Schott IV.16 “Fragment No. 5”) Voyage vers des lieux inaccessibles I Journey to inaccessible places: 4 Chant et Danse Sayyid / Sayyid Song and Dance (Rubato) (Schott II.30 “Sayyid Song and Dance, in A minor”) 5 Bayaty (Schott II.36) 6 Chant Sayyid / Sayyid Song (1 ere partie / First part) (Schott II.12 “Sayyid Chant and Dance, in D minor,” first part) 7 Piece n°2 (Schott II.3, “Sayyid Chant and Dance,” second part) 8 Danse Sayyid / Sayyid Dance (Schott II.33) 9 Piece n°5 (Moderato) (Schott II.20 “01.I (1926)”) 10 Mélodie Kurde d'Ispahan / Kurd melody from lspahan (Schott I.33 “Kurd Melody from Isfahan”; Kremski seems to be playing a different version) Hymnes d'un Grand Temple / Hymns from a Great Temple: 11 Hymne / Hymn n°1 (Schott, IV.1) 12 Hymne / Hymn n°2 (Schott, IV.2) 13 Hymne / Hymn n°3 (Schott, IV.3) 14 Hymne / Hymn n°4 (Schott, IV.4) 15 Hymne / Hymn n°5 (Schott, IV.5) 16 Hymne / Hymn n°8 (Schott, IV.8) 17 Hymne Essenien / Essenian Hymn (Larghetto misterioso) (Schott IV.10 “Hymn from a Great Temple, No. 10”)
The film Gurdjieff in Armenia covers his teaching and contains his original movements from the 1920's and music: ua-cam.com/video/6eXZScF26Dc/v-deo.html
Una musica di silenzi e pause fra i pensieri, una musica che lascio vibrare fra le pareti della casa mentre pulisco, posso anche leggere e lei mai disturba perché è rivolta al nostro centro anche se il centro non è ancora consapevole.
Composed by : GI Gurdjieff - Thomas de Hartmann (from folk songs) Piano : Alain Kremski (www.kremski.fr) Label : Naïve (www.naive.fr ) CDs are currently unavailable. Enjoy the full albums (vol 01 to vol 12) on youtube! Willing to play this music? Piano sheet music available at Schott Music
It's slways differcult with a strange curious name to tell which country he was born this composer is completely new to me worth looking at his musical output
It would be interesting to know how Gurdjieff and de Hartmann collaborated to bring us such magnificent and solemn music. Are these all Gurdjieff compositions transcribed by de Hartmann?
@@bwanna23 thank you , I checked all paintings of Alexandre de Salzmann, could not see the artwork of these CD. Also his style looks different from these works.
Reminds me the piano solo "Travels Albums" of Liszt. But here deeper than just playing what you see. If these pieces were for piano and violin within an oriental contexture, they would have gained an exquisite dialogue capacity. In piano solo, melancholy prevails . But the "message" is clear. IN any event, why do I keep associating these tonalities to the ABSCHIED of Das Lied Von Der Erde of MAHLER? Yes, I know, I know - all of them are a kind of Farevell. Of course, I add such Inaccessible Places to my humble list of themes to be remembered. Musical Greetings to all who had the unfortunate experience of reading me...
Nutella commercial cut ins great touch 🤣 What would Gurdjieff think of this low vibrational interference ha ha great music great man
Gracias desde Madrid en España! Jorge Ivanovitch Gurdjieff y Thomas de Hartmann nos montan en la nave espacial Ocasión para asomarnos a una música diferente.Gracias desde mi corazón!
Bouleversant ! Encore ! Encore ! Encore !
Grande Gurdjieff
Powerful. Lovely. Haunting.
Soul calling music. Thank you.
Music from inaccessible mountains.. the great ones glide by in a stream bestowing gifts of grace for ones with the courage to grasp the nettles yet barely noticed by those who walk in life's slumber, a fleeting glint of sun on water in the corner of the eye then passed out of remembrance.
Blessings Mr Gurdjieff
Can't begin to describe what the Gurdjieff/de Hartmann music means to me, but certainly it transports me to other worlds. I have the scores published by Schott (4 volumes) and play these pieces myself for my own enjoyment.
I'm nerdy about such things, but t's interesting to compare the various recordings of the Gurdjieff/de Hartmann corpus against the Schott scores. I can't say whether I'd prefer the Kremski set or the van Veen, since each has its respective strengths. Van Veen has an excellent, warm recorded sound for his piano, includes the small drum (a "daff") for the numerous pieces that have a drum part, and follows the Schott scores closely and sequentially, but Kremski has a much larger selection (notwithstanding the van Veen CD's claim to be "complete"--it's only the complete scores published by Schott), an incredible lightness of touch, uses the pedal more sparingly, and he's a bit freer with things like repeats: if the piece is very short, he'll tend to add a repeat, the better to let the listener "inhabit" the world evoked by the piece.
All the pieces on Kremski vol. 1 appear in the Schott scores, but sometimes under different titles, and one of the pieces (Kurd Melody from Isfahan) is somewhat different than what's published--which indicates to me that Kremski may have been following a different manuscript version. Here's a finding list (with the Schott titles if they're different); this would also be useful for trying to compare with their counterparts in van Veen:
La Lutte des Mages / The struggle of the Magicians:
1 Extrait / Excerpt n°1 (Schott IV.15 “Fragment No. 4”)
2 Extrait / Excerpt n°2 (Schott IV.13 “Fragment No. 3”)
3 Extrait / Excerpt n°3 (Schott IV.16 “Fragment No. 5”)
Voyage vers des lieux inaccessibles I Journey to inaccessible places:
4 Chant et Danse Sayyid / Sayyid Song and Dance (Rubato) (Schott II.30 “Sayyid Song and Dance, in A minor”)
5 Bayaty (Schott II.36)
6 Chant Sayyid / Sayyid Song (1 ere partie / First part) (Schott II.12 “Sayyid Chant and Dance, in D minor,” first part)
7 Piece n°2 (Schott II.3, “Sayyid Chant and Dance,” second part)
8 Danse Sayyid / Sayyid Dance (Schott II.33)
9 Piece n°5 (Moderato) (Schott II.20 “01.I (1926)”)
10 Mélodie Kurde d'Ispahan / Kurd melody from lspahan (Schott I.33 “Kurd Melody from Isfahan”; Kremski seems to be playing a different version)
Hymnes d'un Grand Temple / Hymns from a Great Temple:
11 Hymne / Hymn n°1 (Schott, IV.1)
12 Hymne / Hymn n°2 (Schott, IV.2)
13 Hymne / Hymn n°3 (Schott, IV.3)
14 Hymne / Hymn n°4 (Schott, IV.4)
15 Hymne / Hymn n°5 (Schott, IV.5)
16 Hymne / Hymn n°8 (Schott, IV.8)
17 Hymne Essenien / Essenian Hymn (Larghetto misterioso) (Schott IV.10 “Hymn from a Great Temple, No. 10”)
Jamás habrá una música tan bella y consciente como la de gurdjieff y Thomas de Harman
Your worlds are too loud , isn’t it ?
The best interpretation for this music. Thank you Alain Kremski.
The film Gurdjieff in Armenia covers his teaching and contains his original movements from the 1920's and music:
ua-cam.com/video/6eXZScF26Dc/v-deo.html
Una musica di silenzi e pause fra i pensieri, una musica che lascio vibrare fra le pareti della casa mentre pulisco, posso anche leggere e lei mai disturba perché è rivolta al nostro centro anche se il centro non è ancora consapevole.
Gracias
the best magic music
Ô, combien le ciel est haut, d'ici bas, au milieu.................
Sublimely beautiful!
Awesome music
Vielen Dank, exelente musica magnifica
Love this 🙏🏼
everything was okay in my life then " Gurdjieff - De Hartmann Vol 01: Voyage vers des lieux inaccessibles, Alain Kremski " did clash me
it aight
Thank you very much
quelle ballade........magnifique merci...
HERMOSA MUSICA TRASPORTA A OTRO MUNDO, GRACIAS
Today, he didn't turn around. He kept looking at the horizon, perhaps waiting for something to happen, perhaps watching something only he could see.
He was quietly looking at the fireplace, his back turned on me.
Then he saw bacon dipped in cheese - and he forgot about everything.
Just beautaiful. Thank-you.
Composed by : GI Gurdjieff - Thomas de Hartmann (from folk songs)
Piano : Alain Kremski (www.kremski.fr)
Label : Naïve (www.naive.fr )
CDs are currently unavailable. Enjoy the full albums (vol 01 to vol 12) on youtube!
Willing to play this music? Piano sheet music available at Schott Music
grazie per questa magnifica musica
Nikko LaZic vMagnificent!
Is it free? Can you send me if you have them? :)
Գրատիդաի փոր տուդո սենգոր հուրջիեֆֆ
Música sagrada, que se escucha con otros oídos...
Gracias.
Gracias por compartir.
timeless...thank you
Hermosa música, gracias!
Speechless...
muy bien monumental .
El valor de estar presente. Bella.
Grazie!
Excelente ayuda a la humanidad
Thank you!
Just like the silence of life,you can not fell but it is being.
Magic
11 Hymne / Hymn n°1 3'5º is epic
It's slways differcult with a strange curious name to tell which country he was born this composer is completely new to me worth looking at his musical output
open my mind now i am so councious
Cheikh Sufi if you feel the need to say you are conscious, are you really?
are you a robot?
magnifica
To last for eternity...
Love this music...Thank you @Nikko LaZic
Great! How about crediting the Painter?
It would be interesting to know how Gurdjieff and de Hartmann collaborated to bring us such magnificent and solemn music. Are these all Gurdjieff compositions transcribed by de Hartmann?
The De Harmann bio, 'Our life with Mr. Gurdjieff' has some insight.
@@johnmoulton1378ok
😃🌱🌼💚
たくさん作品を残しているんだね。
Տրաբախո սենտիդո օբջետիվո սեր
a painting there I see and who it was that created it, is unknown
💁
Does anybody know who is the artist behind those paintings that are shown in Gurdjieff - De Hartmann music youtube videos?
It may be Alexandre de Salzmann, an artist friend and student of Gurdjieff.
@@bwanna23 thank you
@@bwanna23 thank you , I checked all paintings of Alexandre de Salzmann, could not see the artwork of these CD. Also his style looks different from these works.
Anyone have any info on the cover artwork? thx
It may be Alexandre de Salzmann, an artist friend and student of Gurdjieff.
Գրատիդապ դենհոր գուրջիրֆֆ ,փոր նուս տրազերը ումա փոսսիբիլիդադը դե մուդանցա ռեալ
MALDITOS ANUNCIOS QUE NO BENEFICIAN A NADIE, INTERRUMPEN LA ATENCIÓN EN LA MUSICA
Nikola ti poznajes mene??
Ça serait bien d avoir le nom des morceaux. Merci
Regardez et cliquez sur "SHOW MORE", ils sont la :)
ads?
Far out.
STOP!
Պարը
Love this music...Thank you @Nikko LaZic