Have you tried Dorland's Wax? If you enjoyed this video find out what else you can do: Wax Resist Watercolor (8 Clever Techniques and Tricks!) ua-cam.com/video/ZUHmfkofk2A/v-deo.html
I did use Dorland's Wax on three different pieces in the last couple of days. The first was on inexpensive Grumbacher 140 lb pulp watercolor paper. My painting was done as a demo of a watercolor class I teach.I used a mixture of paint brands and pigment quality. After thorough drying of the painting (several days) using a polyester piece of cloth I applied the wax in circles about an inch and half diameter. There was some color lift off initially so I lightened my pressure and that solved the issue. I actually let that wax dry for 12 hours as one instruction indicated to do.Once it dried I could see the ridges on the paper that must have come from the cloth for they were tiny concentric ridges where I made my finger movements. And buffing them did not take them away if looking from an angle at the painting. What was nice is the wax really popped the colors and gave a very nice sheen to the painting. In the future I will use 300 lb archival cotton paper when I am going to wax for it will be flatter to work with. I then tried the wax on 140 lb cotton paper giclee print and this time using an old cotton sheet to apply the wax. Same circular ridges once dry. It did deepen the colors in a lovely way and there was no blurring or lift off of any colors. May last effort was on another giclee print but this time I used my bare finger to apply a much thinner coat. Then after letting it dry for much less time (3 hours) I buffed it really well and put on a second coat, then let it dry and buffed it. This was the best result. Durable, nice sheen, colors excellent plus once I mount it on 1/4" plywood with no formaldehyde I can stick it in a frame with not need to mat or use glass. It's been a good exercise for me to do. It inspired me to take down a decades old oil painting, clean it, and am now applying glazes so in 6 months or so I will be using the wax again on this revived oil piece. Good luck.
I have finally gotten around to sealing (Dorland’s wax), self-mounting (gel heavy body acrylic medium), and framing a 12” x 16” watercolor on wood panel inside a floater frame. The wax isn’t dry yet, but having it at room temp with a fan should help dry faster. I applied with a rubber glove. I was getting some dust and lint in the wax, but was able to pick it out and then I used a dry paper towel to swipe up and across and down and across until it showed the least amount of inconsistency possible by hand. Who cares anyway… the beauty in art is the imperfection of the final product, and I think this applies to the look of the hand waxing too. Easy to apply. (For reference, of the small bottle of Dorland’s, I used about 1/6th of the bottle on a full 12” x 16” cotton painting).
Glad you did this vid, Michele. I have been using Dorlan’s wax for ages instead of framing my work and it’s wonderful. I use it not only on watercolors but on all my graphite and colored pencil pieces. I first apply a UV protective fixative, then the wax, then I mount them on homemade cradle board (using Golden medium), and put one one last coat of Dorlan’s. Looks great and is very affordable. Good luck w/ the new braces. I had the clear braces a few years ago and they worked fabulously.
@@gathercreatelivewithleslie8340 Actually, for my graphite and colored pencil works I use whatever fix I happen to have at the moment and then I give them a coat of Golden Archival Varnish, that’s what does the UV protection, and then the wax. For my watercolors I skip the fix. The best part is that this treatment really knocks down the graphite shine. As for dust, the wax seems to dry into a hard coat so no dust issues. It seems to act like the wax I put on the furniture I make - dust just doesn’t stick.
This was WONDERFUL, Michele! There is a similar product I use before mailing an envelope if I have hand-lettered it, called Micro Glaze. It would be cost-prohibitive for a watercolour painting (it only comes in tiny jars) but it is a similar process. I was thrilled to see the use of Dorland’s wax in this same manner. The foxgloves were so beautiful and the idea of a hand painted bookmark is brilliant! ❤️
I buy cheap plastic gloves at US Dollar stores or UK Pound Stores. I prefer the plastic for applying it -- gives me a bit more tactile feeling from the surface. Eliminates problem of lint.
Interesting that you didn't mention buffing the waxed painting. I used Dorlands on some flower postcards I made, so that they wouldn't spoil in the post, but I buffed them up to a shine, was really pleased with the effects.
Thank you for mentioning the effects. I figured it would add a sheen or change it. I did try karmar varnish, but it lost the beautiful look of the watercolor (not a lot, just enough to bug me personally) . I'm at a crossroads I guess lol I don't really want to lose the original look, but do want to protect the cards I make. Thank you again!
Such an interesting topic this week Michele. Firstly, I loved the idea of the bookmark, and it was the perfect subject for your determination, beautiful too. Secondly, I have watched a number of UA-cam videos on using Dorland's Wax to protect watercolour paintings, but none of them seemed very convincing, so I was a bit wary. Having watched your demonstration yesterday I feel much better about doing this myself now. Thanks again for your time and support. Take care 🙏❤️
I stretch wet 140 lb watercolor paper onto stretcher strips and paint on it when dry. Then when I'm absolutely sure I don't want to apply more wc paint and it's dry I apply the Dorland's was. No glass, no mat, looks beautiful on the wall, frame it if you choose.
Thank you. I had just been wondering about this very topic. In Florida, mounting work behind glass can invite mold due to the high humidity content; this would be an excellent solution. Luckily I no longer live in Florida. But if you had an old frame that you loved that no longer has glass,this would work for framing a great picture. In Italy, years ago, I went to a fancy hotel. Instead of using matting in front of a picture, they used moire fabric upon which they mounted flower prints. I have done this several times using silk fabric behind some prints that I didn’t want to invest a lot of money on framing before displaying. On a couple, I even did a small stencil design around the picture for decoration. (Not heavily so as to distract from the picture). Of course this is just for my home and done on a budget, but it allowed me to present my work without great expense, especially while I was a student.
That's the reason mounts (mats) are used, to stop humidity build up behind the glass. I don't know if it's foolproof in big temperature and humidity fluctuations though!
I have Dorland's Wax Medium and I have used it a few times. I plan to do more mounting on wood substrates and doing the wax medium on my watercolors so I appreciate your tips.
This is a great video for those of us that cant always run to store to find a frame for our paintings when we just like to hang on refrigerator or a wall...not all our paintings are worthy of frames but many are a lookise enjoyable painting ...mikelle newyork mom....🎨👩🎨
Wow that’s incredibly easy to use compared to what I thought it would be. I have never used the wax but I think that I will definitely have to give it a try. I have been using a Krylon Workable Fixatif Spray to protect my watercolor paintings before framing them. Very informative video. Thanks for sharing this!
Simply because in the UK galleries and exhibitions (at least the traditional ones) favour framed work with standard glass. It's a little different if you are producing modern stuff or mixed media. Basically you need to think about where you would like to exhibit, and what their rules are. You can't talk gallery owners into this or that, most of them are very set in their ways :-)
Non-glare glass seems a bit “dulling”. I find it takes away from the vibrancy of a painting. But does a great job with glare. You’re right Michele, I’ve never seen non-glare in front of a painting in a gallery or museum.
I have done some how to start watercolor type videos that mention, but there are so many I can't recall the exact one. My favourites are Saunders Waterford, Fabriano Artistico, for practice paper SAA or Bockingford. The main thing with practice papers is to stretch them.
is it possible to put your camera over your shoulder? as it looks down, it seems almost upside down and is a bit disorienting lol thank you for these amazing videos!
I have the wax and have used it for cards and mixed media but it's so nice to see somebody using it for fine art because that is a scary prospect I wouldn't have ever attempted. I did find that it could be lightly buffed for a subtle sheen. It seems to take quite a long time to dry and that's here in very dry New Mexico. Both of your paintings are gorgeous.
I do like Dorland’s on bookmarks and postcards, but I would, as you said, be loath to use it on a fine work. I don’t have what some people call, “bathroom art,” but I could see it being an appropriate finish for such work.💁🏼♀️
Just considering the possibility of having to touch up the original watercolor at some point. Would the wax be completely removable? I think not. I just love the look of a good watercolor painting on good paper under good glass💁🏼♀️
Can't thank you enough for this video. I want to make bookmarks of my watercolor paintings as gifts but was concerned about how to do it so the paint wouldn't run. I bought a small laminating machine but thought, well that will do the job but it might look tacky. So, I've hesitated. I had no idea about waxing it. Fantastic. Loved the foxglove painting! Oh, one question -- do you recommend that wax over say the Krylon spray?
@@IntheStudiowithMicheleWebber Thanks. when I looked up the Dorland Wax on Amazon, along with that other suggestions were made. One was for Krylon Archival UV spray for artwork. If you haven't heard of it, I should stick with your tried and true method!
Michelle, could you make a tutorial creating a simi.a4 type of abstract as your in the studio painting? I absolutely love all of the textures you created there. Planning on trying the dorlands wax soon as I have time to purchase it. Thanks for all the content you share so generously.
Thank you so much for the tutorial on how to apply the wax. I guessed when the sales guy handed me the jar that it was buffed on, but he only knew it was what the watercolorists used, not how to apply it. Are there any things to be aware of when washing the buffing cloth? Is it safe to wash with clothes, or should it be washed with "who cares if these get dyed" type rags?
I was wondering, is it okay to wax a painting that is going to be placed behind glass? I know it's unnecessary but I like how the wax intensifies the colour a little.
I use Dorlands cold wax medium. I was told there's more acid in the Dorlands wax medium as opposed to the Dorlands cold wax medium. Any thoughts on that? Just curious, I love watching your videos. BRAVO!!!
I often use this for watercolor paintings. This time around, I painted several old cigar boxes with Ben Moore (house paint), which is acrylic. I am going to glue watercolor paintings on the lids. I used this kind of wax on the cigar boxes in addition to the paintings. However, I think I must have put too much wax on the boxes. It is kind of waxy to the touch. I'm afraid that the people I'm giving these gifts to will put their belongings in the box and they will become sticky. Is there any way to correct this or do I need to throw all these boxes out?
I am not sure of the long term effects. It could be fine but many of the art societies I used to exhibit with are wary of non traditional ways of presenting work and expect it to be under standard glass with no coatings.
Do you know any other way that can be used to seal watercolour paintings? I'm having troubles finding Dorland's brand. I've seen people use Gamblin but it's even harder to find. I've seen a few wax products in my art shop but none of them mention whether they can be used to seal a painting the way Dorland's wax does. I'm trying not to order through Amazon because the customs bill makes it too expensive.
really interesting! i have something called Gamblin Cold Wax Medium i bought a couple of years ago for a reason i can't remember. it sounds like a thickener for oil paint, based on the packaging description. is it basically the same thing as Dorland. Wax?
No idea, I will let you try, you can report back :-) Generally fixative fixes and it's for dry media, not sure if it would seal. There are spray on varnishes I think, never tried those either.
Hello! :) I make cards and color my stamped images with watercolor pencils, and I worry the colors will fade from sunlight. If I varnish the stamped images, will it save them from fading from sunlight?
Cold wax is perfectly suitable for finished gallery artworks. It is archival, removable, and helps dramatically cut harmful uv light and pollution from the air getting to the pigments. It also makes it waterproofand easy to clean dust from withoutharming the work. Many many successful artists use cold wax as a final varnish for their galley watercolor work. Smh
@@IntheStudiowithMicheleWebber the gamblin cold wax medium ( the one I use ) is made for mixing in with srtist grade oil paints. It's used in museum conservation work across the globe. I learned this cold wax varnishing technique from my friend that lives in the UK. Iam not saying EVERYONE uses it like this... but I see artists ( specially the UK ) doing this on their gallery work. They will use a spray varnish 1st, then go over it with the wax to knock down that shiny luster. Iam not trying to give you a hard time, you are quite good at having that knack for teaching basic watercolor techniques to newbies. It takes alot of knowledge and patience to do that successfully..... BUT, I will say you never admitted when you are factually wrong and always blame it on " location " and " well not here " you kinda act like computers and the internet is only local information that specific to your area code. It's plain as day to look up this technique and see its done across the globe and used in many many ways in every art gallery and museum. Have a wonderful day 😊
@@danieljamesbinderystu2968 thanks for your feedback. I have a 20+ year art industry career including product design, art fair organising and art gallery/ large exhibition curation. What is acceptable in galleries and particularly traditional society exhibitions is arbitrary and is indeed location/organiser specific in many instances. It's not just a matter of what is archival, but what is acceptable for exhibiting. Therefore when doing anything other than paper under glass consideration should be given to the end purpose of the work. Pointing this out does not mean I am 'wrong'.
It might be okay for a mixed media exhibition or something modern, but traditional watercolour societies and exhibitions you are expected to mount (mat) and frame under clear glass.
@@IntheStudiowithMicheleWebber Thanks. That's understood but the point of placing a watercolor behind glass is for protection. I can only presume that it'd be wise to check with the specific organizers.
I want to mat and frame , not adhere to a board. Should I wax the back of the painting. Also does the waxed painting stick to the mat if I ever need to remove it?
If you are framing with glass you don't need to wax. It matting and framing without glass then just wax the front. The hinged tape will then be applied to the top (back) of the painting and you won't have any issues.
I'd try looking for things that match the label, which says it "Contains bees wax, paraffin wax, microcrystalline wax, damar resin, mineral spirits and other proprietary materials. Ventilation of work area recommended." That last may be because it points out that if you're using it for extending or modifying oil paints &c., it also directs "Thin wax medium as desired with odorless mineral spirits and mild heat (do not heat above 170F/42C)".
You can but it's expensive and not very environmentally friendly. Plus the thicker paper may lead to air bubbles. You can also get them reproduced at a printers on plastic coated paper that's very strong.
@@IntheStudiowithMicheleWebber Yes, also came to the conclusion they might look a bit 'plasticy' and not like a lovely handmade item, so have ordered Dorland's Wax - yay! Looking forward to making some bookmarks. Your bookmark is lovely.
too much talk, not enough action. Most of us don't care about your patron members. But, that being said, this was a useful video on preserving our precious watercolor paintings.
Speaking of too much talk! Wow. I read through replies on instruction videos to see if a commenter or two have extra advice about the product--as every once in awhile I do find comments that elucidate the video or product even more.Then I found your comment and felt compelled to say something to you, perhaps for reasons owing to this being a dark, mean world so often & art teachers on UA-cam bringing in some light and I hope they don't stop because of people like you that just can't hold the criticisms inside. Content-creators/teachers like this have to make money via multiple streams to survive--artists especially (sounds like you should know that as someone who either paints or owns some). That folks like you take advantage of the free content, then criticize the instructor for trying to be able to afford to bring more free instruction to you via this platform, is super low. I hope my bite-back doesn't put Michele in the middle here--she doesn't know me nor have I ever commented on her videos before (to thank her--as I do here and now: Thank you Michele!!! I've learned so much from you!)--I'm hoping that you will consider being part of the best of humanity, not using something like an artist's UA-cam channel to channel your own sadness/frustration, etc. Be well and do better next time.
Have you tried Dorland's Wax? If you enjoyed this video find out what else you can do: Wax Resist Watercolor (8 Clever Techniques and Tricks!) ua-cam.com/video/ZUHmfkofk2A/v-deo.html
See you soon on patreon 💞
@@sojournerkarunatruth4406 that's great!
Always informative
Please do a video on how to mount a finished painting on a wood block. I would love to see it!
Thanks I will try!
I've used it before. Great stuff.
I did use Dorland's Wax on three different pieces in the last couple of days. The first was on inexpensive Grumbacher
140 lb pulp watercolor paper. My painting was done as a demo of a watercolor class I teach.I used a mixture of paint brands and pigment quality. After thorough drying of the painting (several days) using a polyester piece of cloth I applied the wax in circles about an inch and half diameter. There was some color lift off initially so I lightened my pressure and that solved the issue. I actually let that wax dry for 12 hours as one instruction indicated to do.Once it dried I could see the ridges on the paper that must have come from the cloth for they were tiny concentric ridges where I made my finger movements. And buffing them did not take them away if looking from an angle at the painting. What was nice is the wax really popped the colors and gave a very nice sheen to the painting. In the future I will use 300 lb archival cotton paper when I am going to wax for it will be flatter to work with. I then tried the wax on 140 lb cotton paper giclee print and this time using an old cotton sheet to apply the wax. Same circular ridges once dry. It did deepen the colors in a lovely way and there was no blurring or lift off of any colors. May last effort was on another giclee print but this time I used my bare finger to apply a much thinner coat. Then after letting it dry for much less time (3 hours) I buffed it really well and put on a second coat, then let it dry and buffed it. This was the best result. Durable, nice sheen, colors excellent plus once I mount it on 1/4" plywood with no formaldehyde I can stick it in a frame with not need to mat or use glass. It's been a good exercise for me to do. It inspired me to take down a decades old oil painting, clean it, and am now applying glazes so in 6 months or so I will be using the wax again on this revived oil piece. Good luck.
That's great Kate, thanks for sharing your results!
Right when I was wondering how on Earth some people could possibly send watercolour postcards... Thank you, amazing video 😍
You’re welcome 😊
Interesting! Thanks for the tips. As, I’ve just bought a bigger tin of Schmincke paints must wait to buy Dorlands. Thanks
I have finally gotten around to sealing (Dorland’s wax), self-mounting (gel heavy body acrylic medium), and framing a 12” x 16” watercolor on wood panel inside a floater frame. The wax isn’t dry yet, but having it at room temp with a fan should help dry faster.
I applied with a rubber glove. I was getting some dust and lint in the wax, but was able to pick it out and then I used a dry paper towel to swipe up and across and down and across until it showed the least amount of inconsistency possible by hand. Who cares anyway… the beauty in art is the imperfection of the final product, and I think this applies to the look of the hand waxing too. Easy to apply.
(For reference, of the small bottle of Dorland’s, I used about 1/6th of the bottle on a full 12” x 16” cotton painting).
Glad you did this vid, Michele. I have been using Dorlan’s wax for ages instead of framing my work and it’s wonderful. I use it not only on watercolors but on all my graphite and colored pencil pieces. I first apply a UV protective fixative, then the wax, then I mount them on homemade cradle board (using Golden medium), and put one one last coat of Dorlan’s. Looks great and is very affordable. Good luck w/ the new braces. I had the clear braces a few years ago and they worked fabulously.
Any dust issues over time or damage? What brand of UV protective fix have you used? TIA
@@gathercreatelivewithleslie8340 Actually, for my graphite and colored pencil works I use whatever fix I happen to have at the moment and then I give them a coat of Golden Archival Varnish, that’s what does the UV protection, and then the wax. For my watercolors I skip the fix. The best part is that this treatment really knocks down the graphite shine. As for dust, the wax seems to dry into a hard coat so no dust issues. It seems to act like the wax I put on the furniture I make - dust just doesn’t stick.
@@carolannefisher1516 Great thanks
I have previously used Dorland Wax to protect book marks and post cards and it works beautifully. Thank you.
Glad to hear it :-)
This was WONDERFUL, Michele! There is a similar product I use before mailing an envelope if I have hand-lettered it, called Micro Glaze. It would be cost-prohibitive for a watercolour painting (it only comes in tiny jars) but it is a similar process. I was thrilled to see the use of Dorland’s wax in this same manner. The foxgloves were so beautiful and the idea of a hand painted bookmark is brilliant! ❤️
Thanks Didi, I haven't heard of Micro Glaze!
what are those amazing flowers. I love them
Foxgloves :-)
I buy cheap plastic gloves at US Dollar stores or UK Pound Stores. I prefer the plastic for applying it -- gives me a bit more tactile feeling from the surface. Eliminates problem of lint.
Hurray! I've been waiting for this one! Thank you thank you!!
No problem 😊
Interesting that you didn't mention buffing the waxed painting. I used Dorlands on some flower postcards I made, so that they wouldn't spoil in the post, but I buffed them up to a shine, was really pleased with the effects.
Ah, I will have to try that, thank you!
@@IntheStudiowithMicheleWebber You are very welcome🤗💖
Thank you for mentioning the effects. I figured it would add a sheen or change it. I did try karmar varnish, but it lost the beautiful look of the watercolor (not a lot, just enough to bug me personally) . I'm at a crossroads I guess lol I don't really want to lose the original look, but do want to protect the cards I make. Thank you again!
Such an interesting topic this week Michele. Firstly, I loved the idea of the bookmark, and it was the perfect subject for your determination, beautiful too.
Secondly, I have watched a number of UA-cam videos on using Dorland's Wax to protect watercolour paintings, but none of them seemed very convincing, so I was a bit wary. Having watched your demonstration yesterday I feel much better about doing this myself now.
Thanks again for your time and support. Take care 🙏❤️
You are so welcome!
Thank you for another great video! You are such a fantastic artist and teacher!
I live mounting my paintings on wood they look sooooo classy
I stretch wet 140 lb watercolor paper onto stretcher strips and paint on it when dry. Then when I'm absolutely sure I don't want to apply more wc paint and it's dry I apply the Dorland's was. No glass, no mat, looks beautiful on the wall, frame it if you choose.
Thank you. I had just been wondering about this very topic. In Florida, mounting work behind glass can invite mold due to the high humidity content; this would be an excellent solution.
Luckily I no longer live in Florida. But if you had an old frame that you loved that no longer has glass,this would work for framing a great picture.
In Italy, years ago, I went to a fancy hotel. Instead of using matting in front of a picture, they used moire fabric upon which they mounted flower prints. I have done this several times using silk fabric behind some prints that I didn’t want to invest a lot of money on framing before displaying. On a couple, I even did a small stencil design around the picture for decoration. (Not heavily so as to distract from the picture). Of course this is just for my home and done on a budget, but it allowed me to present my work without great expense, especially while I was a student.
That's the reason mounts (mats) are used, to stop humidity build up behind the glass. I don't know if it's foolproof in big temperature and humidity fluctuations though!
I want to try mounting watercolor paintings (protected with Dorlands wax) on top of silk! I even have several pieces of beautiful solid silks
Yes! Mounting! There are very few vids about this. I did see one similar with oil and canvas roll.
Got it!
I have Dorland's Wax Medium and I have used it a few times. I plan to do more mounting on wood substrates and doing the wax medium on my watercolors so I appreciate your tips.
Very useful. Thanks
Glad it was helpful!
You alway teach me something me something old or new that make me feel so good about painting.
That's awesome!
love the nails, that match the triangle, cool video element
Thank you for making this tutorial. So useful. Yes, please a block mounting vid. would be so useful.
This is a great video for those of us that cant always run to store to find a frame for our paintings when we just like to hang on refrigerator or a wall...not all our paintings are worthy of frames but many are a lookise enjoyable painting ...mikelle newyork mom....🎨👩🎨
I bought Dorland's Wax on your advice and tutorial and am very pleased with the product. Thank you.
Great to hear!
Another great video Michele. I always learn something new from you. As ever thx. 🥰💕🐶💕😷🥰
Thanks for watching Alicia!
thank you for the video & your smile is looking great!!!
Thank you for the video. I think I will try it. I love the book mark.
Another informative video, thank you. I ordered my Dorlands wax from Jacksons today.
Yes. Please do a video on mounting waxed paintings.
Noted!
I have never use this wax but I have seen a few people use it for different mediums. Thanks for the review 😃
You’re welcome 😊
I found out that we are supposed to use a lint proof cloth, applying the wax in cir les. Letdryfor 2 days and buff with lint free cloth to finish.
I'm not sure why I thought a black t shirt would be OK... We live and learn!
They make anti-reflective glass. I used it to frame my degree and it’s amazing.
It is, some galleries don't allow it for exhibiting though :-)
Wow that’s incredibly easy to use compared to what I thought it would be. I have never used the wax but I think that I will definitely have to give it a try. I have been using a Krylon Workable Fixatif Spray to protect my watercolor paintings before framing them.
Very informative video. Thanks for sharing this!
If watercolors are framed under glass they don't need protection at all. Glad you found it useful :-)
ty
Thank you I enjoyed it.
Hi Michele, thanks for all this helpful information. You mentioned you would not use this for gallery work. Could you expand on why?
Simply because in the UK galleries and exhibitions (at least the traditional ones) favour framed work with standard glass. It's a little different if you are producing modern stuff or mixed media. Basically you need to think about where you would like to exhibit, and what their rules are. You can't talk gallery owners into this or that, most of them are very set in their ways :-)
@@IntheStudiowithMicheleWebber Thank you Michele. Really enjoy your channel. Warm regards from Trinidad!
The bookmark is very nice 🙏💐🙏
Thanks, Carol. :-)
I will try it today!
have ordered the wax, many thanks for the tutorial
Hope you like it!
I love this! Thank you so much 😊
You could consider using non-glare glass in the frame.
Yes that's an option, I don't usually have it in the studio as many art galleries and exhibitions don't accept it.
Non-glare glass seems a bit “dulling”. I find it takes away from the vibrancy of a painting. But does a great job with glare. You’re right Michele, I’ve never seen non-glare in front of a painting in a gallery or museum.
Non glare glass would be faster and protect the art image
Do you have a video on types of watercolour papers and which are good to start with?
I have done some how to start watercolor type videos that mention, but there are so many I can't recall the exact one. My favourites are Saunders Waterford, Fabriano Artistico, for practice paper SAA or Bockingford. The main thing with practice papers is to stretch them.
is it possible to put your camera over your shoulder? as it looks down, it seems almost upside down and is a bit disorienting lol thank you for these amazing videos!
Brilliant, again 👍✌️
Thank you!
I have the wax and have used it for cards and mixed media but it's so nice to see somebody using it for fine art because that is a scary prospect I wouldn't have ever attempted. I did find that it could be lightly buffed for a subtle sheen. It seems to take quite a long time to dry and that's here in very dry New Mexico. Both of your paintings are gorgeous.
Thank you, yes it can be buffed, but not immediately.
The container says to wait 24 hours to buff
Thank you!
I do like Dorland’s on bookmarks and postcards, but I would, as you said, be loath to use it on a fine work. I don’t have what some people call, “bathroom art,” but I could see it being an appropriate finish for such work.💁🏼♀️
Why should you not use it on a fine painting?
Just considering the possibility of having to touch up the original watercolor at some point. Would the wax be completely removable? I think not. I just love the look of a good watercolor painting on good paper under good glass💁🏼♀️
According to the experts I’ve read, it is completely removable and it’s used in museums and conservation work
Can't thank you enough for this video. I want to make bookmarks of my watercolor paintings as gifts but was concerned about how to do it so the paint wouldn't run. I bought a small laminating machine but thought, well that will do the job but it might look tacky. So, I've hesitated. I had no idea about waxing it. Fantastic. Loved the foxglove painting! Oh, one question -- do you recommend that wax over say the Krylon spray?
I can't say I've heard of Krylon spray, to be honest, Jean.
@@IntheStudiowithMicheleWebber Thanks. when I looked up the Dorland Wax on Amazon, along with that other suggestions were made. One was for Krylon Archival UV spray for artwork. If you haven't heard of it, I should stick with your tried and true method!
Michelle, could you make a tutorial creating a simi.a4 type of abstract as your in the studio painting? I absolutely love all of the textures you created there. Planning on trying the dorlands wax soon as I have time to purchase it. Thanks for all the content you share so generously.
Hi Suzan. Good thinking! I'll add it to my 'ideas for future videos' spreadsheet! :-)
Merci, Michele!
You are most welcome :-)
I just applied Dorlands to a book mark after watching your tutorial. How long will it take to dry?
I don't live in the west and dorland wax is not available here in local shops but i try to buy it from Amazon but it's was helpful thank you
Sorry to hear that, I hope you can get hold of some :-)
@@IntheStudiowithMicheleWebber thanks
Thank you for talking to us about Dorland's Wax. Have you ever used a spray fixative?
Only for pastels.
Thank you so much for the tutorial on how to apply the wax. I guessed when the sales guy handed me the jar that it was buffed on, but he only knew it was what the watercolorists used, not how to apply it. Are there any things to be aware of when washing the buffing cloth? Is it safe to wash with clothes, or should it be washed with "who cares if these get dyed" type rags?
I personally tend to wash that sort of thing by hand, I have no idea really but I would err on the side of caution before ruining clothes!
I was wondering, is it okay to wax a painting that is going to be placed behind glass? I know it's unnecessary but I like how the wax intensifies the colour a little.
I can't see it would do any harm, providing it is properly hung with a hinged mount (mat) and not touching the glass
@@IntheStudiowithMicheleWebber Thank you Michele 🙂
The kind I have has a very strong smell and it burn my hand, like it says on the jar use in well ventilated space and with gloves and I didn’t lol
I use Dorlands cold wax medium. I was told there's more acid in the Dorlands wax medium as opposed to the Dorlands cold wax medium. Any thoughts on that? Just curious, I love watching your videos. BRAVO!!!
Thanks very much. I'm not sure. Probably best to look at the manufacturer's website.
I found the wax that got on my hand and quickly dried annoying. I'll use a rubber glove in the future.
I often use this for watercolor paintings. This time around, I painted several old cigar boxes with Ben Moore (house paint), which is acrylic. I am going to glue watercolor paintings on the lids. I used this kind of wax on the cigar boxes in addition to the paintings. However, I think I must have put too much wax on the boxes. It is kind of waxy to the touch. I'm afraid that the people I'm giving these gifts to will put their belongings in the box and they will become sticky. Is there any way to correct this or do I need to throw all these boxes out?
Not sure with wood. But lightly sanding the inside may remove the sticky?
*Have you used the dorland's wax on watercolour and then add a liquid gloss vanish for shine without it bleeding?*
Not so far, I did experiment with making pendants and the wax held up to the glue, I would experiment first.
You can buff once completely dry for a satin finish (the jar says to let dry for 24 hours)
Can you explain please why you wouldn’t use this on topquality paintings?
I am not sure of the long term effects. It could be fine but many of the art societies I used to exhibit with are wary of non traditional ways of presenting work and expect it to be under standard glass with no coatings.
@@IntheStudiowithMicheleWebber Thank you so much for taking the time to answer me, that is helpful! 😊
Does it work with metallic acrylic paint?
Acrylics don't need sealing :-)
Do you know any other way that can be used to seal watercolour paintings? I'm having troubles finding Dorland's brand. I've seen people use Gamblin but it's even harder to find. I've seen a few wax products in my art shop but none of them mention whether they can be used to seal a painting the way Dorland's wax does. I'm trying not to order through Amazon because the customs bill makes it too expensive.
I couldn't find any decent alternatives when I searched. Of course if you frame under glass or store unframed there's no need to seal.
I was surprised that buffing is not mentioned. Is it not required or recommended?
I would probably advise waiting a couple of days and then test out a small area first.
really interesting! i have something called Gamblin Cold Wax Medium i bought a couple of years ago for a reason i can't remember. it sounds like a thickener for oil paint, based on the packaging description. is it basically the same thing as Dorland. Wax?
Yes it is used the same just a different brand.
Do you prefer the wax method over a fixative? I'm interested in trying the wax
I actually generally frame all my artwork.
What happens if you spray “fixitive” on watercolor?
No idea, I will let you try, you can report back :-) Generally fixative fixes and it's for dry media, not sure if it would seal. There are spray on varnishes I think, never tried those either.
Will this process be suitable for outside. Why hide it inside, share my are in my garden. Lol
I realise it’s not in your timeline, but still like advice. Steve
can u use beeswax instead of dorlands wax?
I wouldn't, there are concerns with it coloring your work and longevity.
The reflection from the glass shows you’re on the sunny side of the street.
And... 😂 Please please do a vid on mounting and framing 💕
There's a mounting vid on Patreon Audrey, the title is: How to Mount (or Mat) a Print
@@IntheStudiowithMicheleWebber great stuff, thank you 👍❤️
Can I use an Annie Sloan furniture wax which would usually go over chalk paint Thankyou.?
I have no idea, I would be very careful those are extremely different surfaces!
Hello! :) I make cards and color my stamped images with watercolor pencils, and I worry the colors will fade from sunlight. If I varnish the stamped images, will it save them from fading from sunlight?
Hello! It's more to do with the quality of the pigments. The manufacturers website will tell you how lightfast they are.
Cold wax is perfectly suitable for finished gallery artworks. It is archival, removable, and helps dramatically cut harmful uv light and pollution from the air getting to the pigments. It also makes it waterproofand easy to clean dust from withoutharming the work. Many many successful artists use cold wax as a final varnish for their galley watercolor work. Smh
It may depend where you live. No one here uses it, but it's quite traditional round here :-)
@@IntheStudiowithMicheleWebber the gamblin cold wax medium ( the one I use ) is made for mixing in with srtist grade oil paints. It's used in museum conservation work across the globe. I learned this cold wax varnishing technique from my friend that lives in the UK. Iam not saying EVERYONE uses it like this... but I see artists ( specially the UK ) doing this on their gallery work. They will use a spray varnish 1st, then go over it with the wax to knock down that shiny luster. Iam not trying to give you a hard time, you are quite good at having that knack for teaching basic watercolor techniques to newbies. It takes alot of knowledge and patience to do that successfully..... BUT, I will say you never admitted when you are factually wrong and always blame it on " location " and " well not here " you kinda act like computers and the internet is only local information that specific to your area code. It's plain as day to look up this technique and see its done across the globe and used in many many ways in every art gallery and museum. Have a wonderful day 😊
@@danieljamesbinderystu2968 thanks for your feedback. I have a 20+ year art industry career including product design, art fair organising and art gallery/ large exhibition curation. What is acceptable in galleries and particularly traditional society exhibitions is arbitrary and is indeed location/organiser specific in many instances. It's not just a matter of what is archival, but what is acceptable for exhibiting. Therefore when doing anything other than paper under glass consideration should be given to the end purpose of the work. Pointing this out does not mean I am 'wrong'.
Why would you not use it for an exhibition piece? Just curious, thanks
It might be okay for a mixed media exhibition or something modern, but traditional watercolour societies and exhibitions you are expected to mount (mat) and frame under clear glass.
@@IntheStudiowithMicheleWebber Thanks. That's understood but the point of placing a watercolor behind glass is for protection. I can only presume that it'd be wise to check with the specific organizers.
I want to mat and frame , not adhere to a board. Should I wax the back of the painting. Also does the waxed painting stick to the mat if I ever need to remove it?
If you are framing with glass you don't need to wax. It matting and framing without glass then just wax the front. The hinged tape will then be applied to the top (back) of the painting and you won't have any issues.
@@IntheStudiowithMicheleWebber Thank you, that's what I needed to know.
👍if u remove glass doesn’t mat get dirty?
Well it would eventually, I don't recommend this approach for fine art. But I will take the vacuum brush over it and it will be fine for a long time.
Bernadette Smyth what you advice to use if a person is finding it had to use soblutes with oil paint p.ease
I'm not an expert on oil paints, but the water-soluble oil paints are very good and do not need solvents.
Is the wax safe to use during pregnancy? Is it ok for sensitive skin or do I need to wear a glove?
I used it without gloves, but I would check with the manufacturer, it doesn't have a strong smell.
Ok thank you!
For ppl around the world who dont have dorland wax in your country, what could be using instead dorland's?
I've not found an alternative so far. Dorlands Wax can usually be imported from the USA of course it may be expensive for postage.
I'd try looking for things that match the label, which says it "Contains bees wax, paraffin wax, microcrystalline wax, damar resin, mineral spirits and other proprietary materials. Ventilation of work area recommended." That last may be because it points out that if you're using it for extending or modifying oil paints &c., it also directs "Thin wax medium as desired with odorless mineral spirits and mild heat (do not heat above 170F/42C)".
Can you laminate a watercolour bookmark?
You can but it's expensive and not very environmentally friendly. Plus the thicker paper may lead to air bubbles. You can also get them reproduced at a printers on plastic coated paper that's very strong.
@@IntheStudiowithMicheleWebber Yes, also came to the conclusion they might look a bit 'plasticy' and not like a lovely handmade item, so have ordered Dorland's Wax - yay! Looking forward to making some bookmarks. Your bookmark is lovely.
Is this wax archival?
I am uncertain but many galleries accept it, the manufacturer is the person to ask.
It’s used in conservation work
I do watch and enjoy your videos but not interested in other than the Dorland wax info let's see how the wax works
or i just use my home laminator lol but this is cool tho
:)
too much talk, not enough action. Most of us don't care about your patron members. But, that being said, this was a useful video on preserving our precious watercolor paintings.
Speaking of too much talk! Wow. I read through replies on instruction videos to see if a commenter or two have extra advice about the product--as every once in awhile I do find comments that elucidate the video or product even more.Then I found your comment and felt compelled to say something to you, perhaps for reasons owing to this being a dark, mean world so often & art teachers on UA-cam bringing in some light and I hope they don't stop because of people like you that just can't hold the criticisms inside. Content-creators/teachers like this have to make money via multiple streams to survive--artists especially (sounds like you should know that as someone who either paints or owns some). That folks like you take advantage of the free content, then criticize the instructor for trying to be able to afford to bring more free instruction to you via this platform, is super low. I hope my bite-back doesn't put Michele in the middle here--she doesn't know me nor have I ever commented on her videos before (to thank her--as I do here and now: Thank you Michele!!! I've learned so much from you!)--I'm hoping that you will consider being part of the best of humanity, not using something like an artist's UA-cam channel to channel your own sadness/frustration, etc. Be well and do better next time.