Well done!! I've just transcribed Green's Greenery so this is absolutely in the style of Grant Green and well described and should be easy to add-in. Some tasty blues licks also. Looks like I'll have to add Snarky Puppy to my listening list for Christmas......
Great explanation of the stuff, not to technical and a very encouraging teacher too. Your tone nails the Green tone. Thank you for posting this tutorial.
totally waiting for someone to transcribe It Ain't Necessarily So. It's the song that played in my head until I figured out what my brain was swingin' to. That was over 20 years ago and I still love Grant Green. Suddenly there's a lot more Grant Green content on UA-cam that I have never seen in all the years I was looking.
Really great lesson and explanation of what changes are happening to the 12 bar version and why. Thanks a lot! The playing was top notch and the guitar is beautiful too!
Wonderful melodic playing! As a guitar composer for book trailers about comics seeking inspiration, I like the pretty tone for that alluring swing sound and advice to add in some Jazz ideas to one's own playing.
I’m no pro and I can’t read music and I’ve played for 36 years and it’s funny I’ve never really known that I’ve been playing this way mixed with blues.unfortunately 8 years ago I had a severe hand injury so major chords are not an option but I work around it and still love playing.
Great lesson! Just wondering as a non-jazz guy why you didn't refer to the G7 in bar No.8 as VI in Bb? Then the whole progression at the end would be a familiar I VI II V.
i get what ya mean about the blues in jazz being more aproachable ...i guess ? lol i really dont get jazz its complicated for nothing...the people that play it seem to be showing off and it lacks real emotion.......but then ...i wish i was talented enough to get it...maybe its cuz im dumb......but i do like this...thanks for posting it
You're obviously not watching masters of the music. Also complicated for nothing? The only people that make it complicated are people who think it's that way. Jazz at it's core is just syncopated rhythms and clever use of dissonamce
am i huge fan of grant green , and this dosent sound like grant at all, im sorry bro. you have to have more focus on grants amazing phrasing. still a good video :)
Well that wasn't really the focus of this lesson. The goal was to introduce blues guitarists to the world of jazz blues with a few Grant Green-inspired bebop licks. Certainly wish I could master his phrasing, but then again only Grant Green can truly sound like Grant Green (true for all of us I think)
This video presenter is kind of bad at articulating the ideas he's presenting. Green did not "ignore the changes", I dont know where this idea comes from. He did a lot more than waffle around a pentatonic scale that's for sure
I don't claim to be a great teacher, but my goal was to demystify playing jazz changes for blues guitarists. I've listened to A LOT of beginner jazz musicians (including myself) get so caught up on hitting every change at the expense of their phrasing. When you listen to jazz greats (particularly blues-heavy players like Grant Green) you find that they don't always hit chord tones on every change. Maybe you don't like the word "ignore", call it whatever you want, the point is the same: Focus on phrasing, start with your ears, gradually introduce jazz ideas into your playing.
@@ChrisMcQueenMusicThis video was/is amazingly helpful to me. Thank you so much! And those little runs starting at 7:19 are great. So simple, but so clean.
More PG lessons: premierguitar.com/lessons
Awesome video. When you go into the "jazzy" version of the solo, your pull-offs are very grant green. Your tone is excellent as well. Thank you.
Grants son is also a fantastic musician 🎸👍
Grant Green wow! Very few lessons on him around! One of George Benson's favourite players iirc.
Well done!! I've just transcribed Green's Greenery so this is absolutely in the style of Grant Green and well described and should be easy to add-in. Some tasty blues licks also. Looks like I'll have to add Snarky Puppy to my listening list for Christmas......
This is a brilliant, understandable lesson. You are a wonderful teacher.
Great explanation of the stuff, not to technical and a very encouraging teacher too. Your tone nails the Green tone. Thank you for posting this tutorial.
totally waiting for someone to transcribe It Ain't Necessarily So. It's the song that played in my head until I figured out what my brain was swingin' to. That was over 20 years ago and I still love Grant Green. Suddenly there's a lot more Grant Green content on UA-cam that I have never seen in all the years I was looking.
I have never played jazz but this seems accessible and fun. Great lesson!
This guy's really good, and took an awful lot of words right outta my mouth! 🙏✌️ Thanks Chris, fantastic job. You made my day man!
thanks SO MUCH .... so mind-opening - and EASY to understand - and thanks for remembering us all of the genius of Grant Green !!!
Really great lesson and explanation of what changes are happening to the 12 bar version and why. Thanks a lot!
The playing was top notch and the guitar is beautiful too!
Nicely done! More of this Chris, PLEASE! Cheers, MB
The good thing about ignoring the changes (at least some of the time!) is that the underlying chords give the blues phrasing a different flavour.
Great lesson! Love Grant Greene.
Stumbled on this lesson looking for some live Grant Green vids. Looks like some cool stuff to get into.
Me too! And very glad to have found it.
Excellent Lesson!
Many thanks Chris, this a really awesome video!
Wonderful melodic playing! As a guitar composer for book trailers about comics seeking inspiration, I like the pretty tone for that alluring swing sound and advice to add in some Jazz ideas to one's own playing.
Thanks!
Good lesson. Grant Green is definitely the gateway drug.
Great stuff, well explained.
This is great! Love Grant Green.
Very underrated vidéo
Excellent, impressive
Bb?! You taught this in Bb?! That’s too jazz for me already. Heh.
... just go 3 frets down and you end u with a blues in G. G G G G / C7 C7 G E7 / Amin D7/9 G G ... and start adding more 9th ... ,-)
Thanks
Dang, Stevie T grew up and started playing jazz!
Great lesson. Thank you.
Awesome! Im on it! Thank you!
Great explanation!
Great lesson! Thank you very much!
Good Job!
Great! Now I have something fun to do on this 10 degree Saturday morning.
Great video
Greeeaaat tutorial respect 🥰
love.
Superb.
I really like the sound of that Guitar ..warm enough for Jazz without roll off and has a nice flutey sound.
Guitar is Moollon.
Great playimng man! Did Grant Green use flat wounds or round wounds? Does anybody know? Love the tone he produces!
Cool stuff appreciate it....
kurikokaleidoscope is your new subscriber.
Great , what is the jazzy way to play these chords ?
nice
what kind of pretty guitar is that
I’m no pro and I can’t read music and I’ve played for 36 years and it’s funny I’ve never really known that I’ve been playing this way mixed with blues.unfortunately 8 years ago I had a severe hand injury so major chords are not an option but I work around it and still love playing.
What kind of guitar is that?
From which songs were these licks taken?
08:37 ...me trying to jazz up the Tetris theme
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What make is that axe?
Moollon instruments
Wonderful 💋
"lithe, loose, slightly bluesy and righteously groovy".
anybody know who made his guitar?
It's a Moollon, but one of their rarer models.
Great lesson! Just wondering as a non-jazz guy why you didn't refer to the G7 in bar No.8 as VI in Bb? Then the whole progression at the end would be a familiar I VI II V.
Because it's not VI, its V7/ii. It's fundamentally the same progression, a variation on a standard jazz turnaround
Start with Charlie Christian ...then go to Grant Green.
to quote Charles McPherson, you play melody, not changes. the melody should always dictate.
i get what ya mean about the blues in jazz being more aproachable ...i guess ? lol i really dont get jazz its complicated for nothing...the people that play it seem to be showing off and it lacks real emotion.......but then ...i wish i was talented enough to get it...maybe its cuz im dumb......but i do like this...thanks for posting it
You're obviously not watching masters of the music.
Also complicated for nothing? The only people that make it complicated are people who think it's that way. Jazz at it's core is just syncopated rhythms and clever use of dissonamce
Why is listening to jazz intimidating????
Pete Davidson plays jazz ladies and gentlemen.
Anything to guide people away from that dreaded and over-played 1st position blues box.
am i huge fan of grant green , and this dosent sound like grant at all, im sorry bro. you have to have more focus on grants amazing phrasing. still a good video :)
Well that wasn't really the focus of this lesson. The goal was to introduce blues guitarists to the world of jazz blues with a few Grant Green-inspired bebop licks. Certainly wish I could master his phrasing, but then again only Grant Green can truly sound like Grant Green (true for all of us I think)
Someone buy this dude a burger.
This video presenter is kind of bad at articulating the ideas he's presenting. Green did not "ignore the changes", I dont know where this idea comes from. He did a lot more than waffle around a pentatonic scale that's for sure
I don't claim to be a great teacher, but my goal was to demystify playing jazz changes for blues guitarists. I've listened to A LOT of beginner jazz musicians (including myself) get so caught up on hitting every change at the expense of their phrasing. When you listen to jazz greats (particularly blues-heavy players like Grant Green) you find that they don't always hit chord tones on every change. Maybe you don't like the word "ignore", call it whatever you want, the point is the same: Focus on phrasing, start with your ears, gradually introduce jazz ideas into your playing.
@@ChrisMcQueenMusicThis video was/is amazingly helpful to me. Thank you so much! And those little runs starting at 7:19 are great. So simple, but so clean.
Great Lesson!