I use a guitar amp. Saving up for a tiny bass amp😅 Thankyou!!🙏🏻 Its amazing! I love this song so so so much!! And you rock this😍 I think my favorite live version of this song is from Royal Albert hall 04.01.2006🙏🏻 first time i heard it my heart almost stopped.
Thanks for your kind words! If i remember correctly I used a boss ds1 40th annivers into a boss bf2 and then into a tech 21 bass driver. I also used the clean parallel output and added a little bit of plate reverb.
@@ioannist.5568 thanks I had a go this morning and used Zoom bx1 four digital effects peddle. I emulated a boss chorus, boss reverb and an Ampeg SVT Classic amp head. Tried it on both my Nanyo SB300 bass and my Ibanez Mikro Bass.. interestingly enough the tone from the Mikro was closer.. probably due to the lack of onboard preamp. The Nanyo has a glockenklang 2 band on board pre amp which I think needs a bit of fiddling to get the exact tone. The full sized Nanyo is a bit easier to control the slides on but the Ibanez always needs more control. Put through my Peavy 30 practice amp. Mrs P said it sounded very Gallupesque😁😁
@@ioannist.5568 in need to work on my pick work though.. I'm more of a finger player.. however I will say that the Ibanez plays much better on a pick than finger. Ive got roundwood Ernie Balls and I think I might try flats on it with a higher tension.
@@ioannist.5568 they are superb value for money. I bought the Zoom BX1Four on the recommendation of Scott Whitley who is the current bassist with Big Country. Touring long distance became a too costly for them due to transport or rental of amps and pedals . They mostly play venues with a broad quality of PAs so they use Zoom pedals these days which means his kit is limited to 2 basses and a Zoom. The Zoom doubles up as a headphone practice amp. Yes.. its not the genuine analogue pedal but under usual performace conditions the nuances cannot be spotted unless you have a very very well trained ear. I use the Zoom because bass is a hobby and Im not going to.spend the cash on pedals and amps if I want to sound like a particular bass player because financially it doesnt make any sense. The BX1 cost £80 ... the software allows me to create virtual pedal boards and amps. I think that they are better and certainly a lot cheaper than the Boss DE platform. Once you know what the board you want to emulate is you set it up on the laptop download it to the pedal and then play with the settings to get the sound right. Each virtual pedal is a digital rendition of the analogue version and has the same adjustment inputs. You assemble the virtual pedals onto the zoom pedal and can serial or divert each as you would on a pedal board.
It's not so tricky - you need a pick and if you have it set some chorus on a pedal with a bit of OD or distort the opening bars are a open chord E and A 0-0 ....0-0.... just remember to mute. when the main bass riff starts it's A string 555555/88/13 13 13 13- 13 13- 12 12/17 17 17 17 17 17 \5 5/ 17 17 17 17 17 17\ 5 5 5 5 5 5 5 about half way through the introduction - watch 'I's video it drops onto the E string - same rhythm E string 000000/33/10 10 10 10 10 10 - 9 9/12 12 12 12 12 12 \00/12 12 12 12 12 12 12 \000000 variation after the E string above is a coda on the A string - check I's video for the fingering looks like A 77-99-10 10-7 7 in 16ths It's quite a forgiving track to play unless you have round wounds designed for cutting trees down! In which case you will develop some mighty callouses on your left fingers with all the sliding around. The trick with this track is rhythm and disciplined pick striking. Also like many of Gallop's bass lines it really benefits from playing with some expression and phrasing. so phrase towards the top of the phrase - thing of a wave - ever so drive the pace on the up and from mforte to forte before pulling back on the the return cadenza. pam pam pam par reeda reeeda pam pam pam par reeda reeeeeda reeee.ummmm reeeeeeeummmm
Awwwh. This Song is on my side since 1986. So inspiring. What an intro. U should get more follower..
This is their best bass line. So powerful
I was sitting and listening to this piece with my mouth agape, I mean it ... You nailed it! And this song is one of my favourites of them as well
Thanks! One of my favourites too
Awesome cover !!
Thanks. One of their best
Love this!!!!❤
Tack Ann! ❤️❤️
I tuned my bass to drop d But i dosnt sound like it😅
@@annloken buy a chorus pedal and put a distortion before it. If you don't have any amplifier, try a bass cab simulation
I use a guitar amp. Saving up for a tiny bass amp😅 Thankyou!!🙏🏻 Its amazing! I love this song so so so much!! And you rock this😍
I think my favorite live version of this song is from Royal Albert hall 04.01.2006🙏🏻 first time i heard it my heart almost stopped.
@@annloken I always appreciate finding people with a similar taste in music😊
That's amazing !!
Thanks!
Spot on bro! Simon is one of my favorite bass players. You nailed it. It's a long song, but I'd like to see you cover the song 'Disintigration'.
Why not!!
Yes plz disintegration!
Great job man!!!!
Τhanks!
love this !!
Thanks Chris. It's a great song with amazing sound which I tried to imitate.
Nice! Never knew this track used a Drop D bass tuning.
Thanks. I'm not sure but this worked for me, especially with the first strumming
@@ioannist.5568 I thought the intro strums were just on the A and D strings, but this works! Great job!
@@micahnewman cool!
Pezzo meraviglioso
Grazie mille! ❤️🤍💚
Excellent. Do you have parts for this one ?
SICK!!!
Thanks
❤️❤️❤️
So nice! What’s this? Condenser’s and Flanger together?
Thanks. If I recall right I used a boss ds-1 and bf-2 on this into my tech21 bass driver
soooooo fuckin good
thanks broooo
Comme d'hab.😉 👍😍
salut mon ami!
What set up did you use? Usual Simon with a bit of Chorus?
Excellent cover, very impressive rhythm discipline which is vital in this one.
Thanks for your kind words!
If i remember correctly I used a boss ds1 40th annivers into a boss bf2 and then into a tech 21 bass driver. I also used the clean parallel output and added a little bit of plate reverb.
@@ioannist.5568 thanks I had a go this morning and used Zoom bx1 four digital effects peddle. I emulated a boss chorus, boss reverb and an Ampeg SVT Classic amp head. Tried it on both my Nanyo SB300 bass and my Ibanez Mikro Bass.. interestingly enough the tone from the Mikro was closer.. probably due to the lack of onboard preamp. The Nanyo has a glockenklang 2 band on board pre amp which I think needs a bit of fiddling to get the exact tone. The full sized Nanyo is a bit easier to control the slides on but the Ibanez always needs more control.
Put through my Peavy 30 practice amp. Mrs P said it sounded very Gallupesque😁😁
@@ioannist.5568 in need to work on my pick work though.. I'm more of a finger player.. however I will say that the Ibanez plays much better on a pick than finger. Ive got roundwood Ernie Balls and I think I might try flats on it with a higher tension.
@@HarryFlashmanVC I have not any experience with digital processors like zoom as bass effects. If it does the job, then yes why not!
@@ioannist.5568 they are superb value for money. I bought the Zoom BX1Four on the recommendation of Scott Whitley who is the current bassist with Big Country. Touring long distance became a too costly for them due to transport or rental of amps and pedals . They mostly play venues with a broad quality of PAs so they use Zoom pedals these days which means his kit is limited to 2 basses and a Zoom. The Zoom doubles up as a headphone practice amp.
Yes.. its not the genuine analogue pedal but under usual performace conditions the nuances cannot be spotted unless you have a very very well trained ear.
I use the Zoom because bass is a hobby and Im not going to.spend the cash on pedals and amps if I want to sound like a particular bass player because financially it doesnt make any sense. The BX1 cost £80 ... the software allows me to create virtual pedal boards and amps. I think that they are better and certainly a lot cheaper than the Boss DE platform. Once you know what the board you want to emulate is you set it up on the laptop download it to the pedal and then play with the settings to get the sound right. Each virtual pedal is a digital rendition of the analogue version and has the same adjustment inputs. You assemble the virtual pedals onto the zoom pedal and can serial or divert each as you would on a pedal board.
heyy what are the tabs?
No tabs used.
It's not so tricky - you need a pick and if you have it set some chorus on a pedal with a bit of OD or distort
the opening bars are a open chord E and A 0-0 ....0-0.... just remember to mute.
when the main bass riff starts it's
A string 555555/88/13 13 13 13- 13 13- 12 12/17 17 17 17 17 17 \5 5/ 17 17 17 17 17 17\ 5 5 5 5 5 5 5
about half way through the introduction - watch 'I's video it drops onto the E string - same rhythm
E string 000000/33/10 10 10 10 10 10 - 9 9/12 12 12 12 12 12 \00/12 12 12 12 12 12 12 \000000
variation after the E string above is a coda on the A string - check I's video for the fingering looks like
A 77-99-10 10-7 7 in 16ths
It's quite a forgiving track to play unless you have round wounds designed for cutting trees down! In which case you will develop some mighty callouses on your left fingers with all the sliding around.
The trick with this track is rhythm and disciplined pick striking. Also like many of Gallop's bass lines it really benefits from playing with some expression and phrasing. so phrase towards the top of the phrase - thing of a wave - ever so drive the pace on the up and from mforte to forte before pulling back on the the return cadenza.
pam pam pam par reeda reeeda pam pam pam par reeda reeeeeda reeee.ummmm reeeeeeeummmm