5 Ways to Make Your Electric Bass Sound Like an Upright - [ AN's Bass Lessons #2 ]
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- Опубліковано 13 лип 2024
- Ever need your electric bass to sound a bit more like an upright? Here are a couple cool ways to get that doghouse sound from the slab. Jazz is just around the corner!
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0:09
Musicomic
www.musicomic.com/comic/20-vibe/
0:28
DIY Fretless
• How to make a fretless...
0:39
Ronan Guilfoyle
• 3G - Falling in Love w...
0:58
Mingus
• Bass Charles Mingus
1:15
Jeff Berlin Masterclass
• Master Class...with Je...
1:59
Palm Muting w/ the Thumb
• 2-Minute Bass Lesson: ...
2:19
Hi Shutter Speed Bass Shot
• Stunning bass string shot
2:40
Steve Swallow
• Video
Peace,
Adam
![Bass Muting Technique (Controlling Your Tone) [ AN's Bass Lessons #1 ]](http://i.ytimg.com/vi/zVj3Gi5ruYc/mqdefault.jpg)
![Bass Muting Technique (Controlling Your Tone) [ AN's Bass Lessons #1 ]](/img/tr.png)
the pedal actually makes it sound electronic to me, and therefore way less "upright bassy" but more "techno bassy"
I was about to say the same thing
Well, he said just that: with the OC-2 he aims more at an _organ bass_ sound. “It's not upright, but it still sounds good”. And while I agree that it makes the sound of the bass itself _less_ acoustic, I find it plausible that in some larger ensemble mixes the OC-2 will make the electric bass _behave_ more like a double bass.
I don't think the point was that using the octave pedal sounds the best of the three options, more that it shows off a unique tone that you might want to go for sometimes.
Yeah it's a little bit too wet, maybe at like 20% or something it would capture more of the desired effect.
Yeah, it sounds like a moog bass to me
dude, I've watched like 15 videos, and I don't even play bass... :))
marko89kv fucking same
I just watch for the theory.
Same
I watched like all the videos then got a bass... I should stop watching youtube before I get anoth- OOH VIOLIN! Oh no not again
marko89kv same here
Here is another tip, use a little sponge strip tucked underneath the strings near the bridge. The original Fender P-Bass had one underneath its bridge cover.
This way you still get muted sound AND you can pluck near the fretboard.
Thanks !
I was surprised to not hear about foam! I got a jazz gig a few months ago and a thick piece of foam did the job perfectly. It's like combining the palm muting technique with the playing at the fretboard technique.
can anyone give more detail about how to do this? Cheers
Malcolm Harris take a piece of spongy foam and stick it under the saddle.
You can also achieve this by taking a hairband and wrapping it around the neck just past the first fret. It doesn't sound as good (to me) but it looks better.
@@deviationblue wrapping it around the neck just mutes open strings it dosent actually mute fretted notes
@@OlePistolCooperation right but it does deaden some of the overtones, just, imo, not enough of them.
I really love how clean that OC-2 makes the bass tone - it makes it really present and effective, without competing. Very unique sound
I've found the best results by soloing the bridge pup (you obviously need a 2 pup bass) turning the tone down, putting a kitchen sponge under the strings near the bridge, and using the 1 finger pizz style up by the neck. This works even with roundwounds.
No mention of using the tone knob! I use that trick with palm muting all the time to get an upright sound.
Andrew Pincock True! I forgot to mention that, but rolling off the clicky high end can help for certain basses.
I disagree. If you listen to a upright bass recordings, they do not filter the higher harmonies, the more important being the ones above 10 kHz
Underline "certain basses". It all depends on what kind of "upright sound" you are looking for. Not even all uprights in live and recorded setting sound the same. In Charles Mingus' recordings, you'll find a more "slappy" (but not slap) bass sound from how hard he plays so that his solos come through better on the original vinyl records that couldn't capture low end frequencies very well (e.s. II B.S. from Mingus Mingus Mingus Mingus Mingus(1963)). In other recordings, or more modern pieces of remasterings, you'll find the bass sitting in its corner on the low end of the sonic spectrum, especially in jazz songs (e.x. That Old Feeling from Chet Baker Sings (1956)) But in a lot of live settings, where you don't have to play hard to feel the bass, bassists play softer (relatively speaking; you have to get a little meat in the to get those strings moving). The higher frequencies that early recordings don't EQ out are just to make bass players feel included in normal, "non-bass-centric" pieces. As far as tone dials go, do whatever you think you need to to get that upright thump.
Not to mention how different every bass can sound just because of building process. A carved upright bass is a very organic creature with a unique cry.
Idea: don’t buy a new fretless bass, buy a fretless neck and put it on the bass you already have
that’s exactly what i was thinking
Why not just jaco it
@@lilkris3008 versatility: you can choose frets / fretless with interchangeable necks.
Unless you have a neck-thru
Oooooh good idea
At Grey Fox this summer I noticed lots of bass players using an acoustic/electric Uke bass with a bass amp. I was amazed at how good it sounded, and it's way more portable.
When I was in college, this French trio came in and did a masterclass. The bass player played electric but got an upright sound by playing every note with the LH index finger and subtly muting the string with the other 3.
That octave pedal is a great idea! Maybe blending in just enough to get the tone really booming? Anyways, gotta say I like these shorter videos of yours. I have gone through your channel a few times in the past, and your old technique videos that discuss left-/right-hand techniques allowed me to continue bass playing. I have chronic tendonitis on both of my wrists from playing video games all day as a kid. So I owe you a big thank you.
gebedijahh Your welcome! I'm glad you got something from those old videos, I'll definitely be doing updated versions of those in this new format with some more info, but I'm glad you've been able to play despite the tendonitis.
Great tutorial! The only further suggestion I could make is to try a mic pointed towards the top end of the fingerboard to pick up some mechanical sound of strings on wood. Adds an extra degree of realism when blended in!
i put a sock by the bridge to keep the muted sound and also play closer to the neck :D worked wonders
Knowledgeable speaker, informative content, short and to the point. Perfect video Adam.
Congrats on 1 mil. I think this was the first vid I watched on your channel and I’ve seen your vids every Monday since then! Keep up the great work
You can get the thump of palm muting, and the full low-end of plucking toward the neck by putting some foam or rolled/folded cloth under the strings by the bridge...kills sustain and excess highs. Cheers!
The low E on a bass has a wavelength of 27 feet -- that's a sphere of air of 344 cubic foot -- that's EIGHT TIMES more than the low E on a 6-string guitar -- pushing that much air requires power/effort
feet?foot? how many wrists is that?
Mick Kennedy are you a scientist ? That’s impressive how you relay such cool information
Nerd!
Great video! Another trick that I use when I want to emulate the upright tone is play less notes than I would play on electric (In other words, I try to play my electric bass with an upright player mind frame) .
It's time to update this video. Technology has improved vastly, and now there's a way to create the sound using Impulse Responses. I was able to recreate it with a couple IRs and my Headrush MX5. It worked flawlessly with my fretless and even my electric upright. It recreated the timbre that a real upright projects perfectly. It also worked great with my customized Squier with flat wounds.
Nice work, Adam. Really great stuff.
I recently found a used upright electric bass for an extremely low price. It's still not 100% like an actual upright, but it's way closer then you'd get with any electric bass
It's nice to see Ronan Guilfoyle get some love stateside. I've seen him a bunch of times here in Ireland but most memorably I recall him playing with Dave Liebman and Bobby Watson in Cork Jazz 1998/7 (memory is a bit fuzzy) but it was one of those all time great volcanic intensity jazz gigs. I'll never forget that one!
Excellent info! Thank you!!
I've been playing upright bass fo 60 years(Theatres,concerts, classical, light music, duet gigs etc )and electric fretless for the last 15. Every dy is a school day, and I have just discovered your channel. If not looking at the screen the OC-2 I would have hought that was a string bass. I also agree wih everything you said. (I don't play "pop,metal etc.) A very well presented lesson.
Great tip on the octave pedal. Thanks.
Very thoughtful and useful points made here, thanks. Re the OC2, it’s interesting how it has a slight drift that gives a subtle fretless vibe. Thanks much
Just got a electric bass, inspired mainly by you. As i play guitar and piano, i think this is gonna be really fun. Thanks for the tips!
My junior year in high school I played an upright bass in jazz band and it was great and all but it was a pain in the ass. For my senior year I decided to stick with mi electric since most of our songs were more geared towards the electric sound. But whenever I needed that upright sound I found that the one finger trick over the fingerboard works the absolute best with the mix. It also helps that I was and still am going through a bit of a flat wound string phase...but yeah. Use the one finger trick for dayyyys
Really helpful, can’t wait to try these techniques. Also you effectively sold me that octave pedal
That was fantastic!
What a great channel you have! Loved all your tips! One thing that I had noticed is that my fretless acoustic bass (not upright) had a natural chorus on it. So I've been playing with the fretless electric now with just a bit of chorus effect. Sounds great!
Very helpful. Thanks 👍
1:49 - I play my guitar lute (acoustic, obviously) with THOMASTIK KF-110 flatwound steel strings and I _love_ the punch and the presence they give me on an instrument that would otherwise sound very much like a acoustic (Spanish) guitar. They are the *only* steel strings I was able to find usable on a low-tension classic guitar setup.
I've always loved odd meters and the like, if you could do a bass specific lesson on unsual time signatures and rythms that'd be amazing! Keep up the awesome work.
I'm just this week experiencing your bass lessons, and as a primarily e. guitar player (Fender Starcaster/B.C Rich Warlock: Bronze) I was surprised to hear that my use of the fretboard (as well as the bridge section) to augment the overall tone and prescence of my instrument was considered a secret. I remember first seeing this usage in some youtube video, where the acoustic guitar player was playing a breakdown section and thought it to be a great but useful method.
What I'm getting at though, is that I'm glad you have been sharing these great notes of knowledge and I understand that at some time you mentioned you don't feel like doing "this". Hey man, thanks for all that you HAVE done. It makes a great difference in my understanding of what is actually fundamental, and what I happened to learn early in my ongoing training. Enjoy your music AN!
That second tip, I didn't realize how useful it was. Did that on my own while looking for more of a round thump. I also kept that uncomfortable angle when changing strings, it made it really hard to silence strings... But its soooo worth it. It really is a pleasant sound I will have to revisit.
You can also use Boss or Zoom (4 example) bass processor that have Defret pedal and makes sound like a fretless bass, it's also good because there are a lot of cool sounds for you bass.
The octave trick is good, tho i really don't like the "eletronic" feel it injects on the tone of the bass with it.
Good video!
TheNamelessBassist I think that one will require finding an octave effect that you find pleasing. I agree, this particular example has a square wave ringing to it that sounds like an electronically generated tone more than an upright, but he did mention that he was using that for an organ sound.
Thanks for the scientific approach! Great video.
Much needed vid. Thank u
I really like your channel has a ton of fun facts an educational ones :)
GREAT VIDEO!
Nicely done. Thank you.
WoW .. Just ran into you on UA-cam didn't hurt much. I want to thank you for what you're doing .I changed a lot of the way I practice and think. It will take me a while to catch up on everything you have, this will be a journey.. Thanks for getting rid of all the myths out there.. Respectfully Jim
Excellent, thanks Adam. Agree: Thomastik-Infeld are the best! Great tip on the octaver. Still holds up.
Actually, I thought that the palm muting sounded the most like an upright and partly because of the higher registers it catches. The upright does have a little high end to it. Also, the notes don't ring out as much. They stop quicker like an upright.
I first saw Ronan Guilfoyle playing in John Abercrombie's band with Joey Baron in 2008. When they played one of Ronan's own compositions I was floored. Last month I went to see the premier of his new suite, Shy Going Boy.
excellent content and presentation
Wow, man! Thanks for the tips, really. I'm looking at playing bass on a jazz album my wife is doing and she requested more of an upright bass sound; I wasn't sure how to approach this. I appreciate the different techniques you demonstrated in this video. VERY helpful!
Sponge or foam under the strings at the bridge works fine.
+1 for autumn leaves
I play upright, fretted acoustic bass guitar and fret less electric. Only the upright sounds like an upright. And it isn't a dull muted sound what a lot of people think. It has a strong pizzicato punch, like a bass drum but the note itself has a lot of harmonics. Something people behind the sound desk never seem to know.... They turn the bass up and the result is an undefined thud. On my ABG and fretless I use one trick that wasn't mentioned. High action! And really work those strings. That gives that Initial impulse. And that hooked Index finger is indeed part of the sound, although walking on my upright I often use three dependent fingers. A thumb over the fingerboard also works great.
Good video!
Excellent tutorial
Thank you Thank you
Excellent video
as usual, very interesting.
Hey Adam,
I'm a guitar player but I use an octave pedal to play bass in jazz settings all the time. In duos or trios with a vocalist or horn player I think it's nice to play guitar on some songs, and bass on others. Walking and comping on guitar is great, but I think some songs work better with a little musical space, and playing bass instead helps achieve that aesthetic. A bass may sound better, but keeping an octave pedal and a spare cable in my go bag is more practical.
Great tips! I myself have been searching for a uprightlike sound. One more tip I would add is fitting a piece of sponge under the strings and close to the bridge, what gives you a permanent palmute.
awesome! keep it up!
greetings from austria!
Everything you suggested (except for octave pedal) I stumbled upon in the early 60s while learning to play.
The string vibrating is very satisfying
I have a cloth typically used for cleaning a bass that I stick at the bridge between the string and the body as a kind of mute. It works real well at giving the thump of the upright bass.
so useful!
You can combine Palm Muting and playing higher up the fretboard through putting a sock(maybe a sock where you lost the second one) next to your bridge under your strings. This combined with rolling tone of on roundwound or just with flatwounds works for me.
Man cool intro and good video.
Great info in here
I use a small woollen cloth rag under the strings at the bridge with the eq set as close to an upright sound, and play with palm-muting... pretty satisfied with the sound I get that way!
#4 Nailed it... It's one of our best kept secrets.
#5 Noooooooooo, go home, You're drunk.
No, you go home!
I agree it sounded like a synth after that step lol
Wasn't convinced about the octave pedal trick, sounds more digital than an acoustic instrument but with the other instruments, it works really well. Goes to show that it's ok to sound weird on your own if it sounds better with the band/in the mix.
I pay upright and electric and the 1 finger over fret technique sounds the most like an upright
ive tried playing over the fretboard and using my thumb solely and it works pretty alright
Thank you! :)
what about using foam/cloth under the strings near the bridge?
keixoun Check out Carol Kaye on Facebook and UA-cam. She's an amazing session musician who recorded with everyone from Ray Charles to the Beach Boys and even the original Mission Impossible theme. She uses flats, a felt mute under the strings, and I think even adjusts her bridge sort of back and up to get a really smooth deep tone.
I've done nearly the same thing for a long time. 20 years ago my bass teacher gave me a piece of rubbery foam to stuff under the strings, right up against the bridge, and said he'd rather use that than carry an upright. I turn the tone knob up a bit and use my thumb on the fretboard.
Hair scrunchies and socks can kinda work if you're desperate.
There's a device you can purchase called the bass mute. you just glue it close to the bridge and with a lever you can set it to mute the strings.
I've been using a rolled up sponge under the strings pushed against the bridge for this sort of thing. For the Octaver trick - it works quite well but you just mix in a tiny bit not as much as in this video.
Great advice. I have been looking for someone to cover all the steps to achieve the upright bass sound.
Thanks for very useful advice, Adam. :) I use both picking techniques you describe here. Both picking over the top frets, but mostly I mute with my right palm and play with my thumb. Whilst doing that I usually turn up the volume on my bass. I generally play with my volume knobs (on my Fenders Jazz Bass) at about 80%, and then turn it to a 100% when playing muted with thumb. To counter for the loss of sustain.
A third technique I use where I also turn the volume to a 100% (like I just described), is that I play more dynamically. I'll generally play a little softer, and add a few accentuated 16th notes in between (usually on the upbeat), which I'll mute with my left hand. If that makes any sense.
Also a variation of two of the techniques you described (chicken fingers and thumb with palm-muting) is just to play with your thumb without any muting. Adds more surface but keeps the sustain.
Loved the octave pedal 😁
Lol your intro is amazing!
Was that Autumn Leaves in G?!! HERESY!
Awesome video as always.
Coated strings or flats make a huge difference. Due to ortho problems I had to sell my fretless bass guitar and have an electric upright, but I have flats on it. It doesn't have that giant resonant thump of a real doghouse, but running it into a delay pedal and it gets in the ballpark.
That I think one finger over the fretboard sound fast and most accurate theory but that OC2 trick sounds really nice and jazzy as well
On my active bass I kill the treble as much as possible and sometimes bring up the low mids to still give it some "oompf" and prevent it from sounding too muddy.
I also found that left hand finger muting (a bit like Francis Rocco Prestia from Tower of Power) instead of right hand palm muting + thumb can help to dull the attack and overtones (more "thud") while still allowing you to use the flexibility of your right hand's fingers for music such as fast swung 16th notes - it's just a bit more difficult for chromatic-style lines because you have to move your whole left hand to change notes.
After all this time of playing with 1 finger over the fretboard, I never knew the sound was close to and upright bass, I discovered to play it like that because I love the deepness of the sound was making xD
Wow Wow thank you ~!!
Thanks so much Adam! Myself and some buddies what to start a rockabilly band but I’m having trouble finding an upright bassist. If I can’t find one, this’ll help.
Thanks Adam. You made me pull my Washburn AB 1 up from the basement.
Adam, I don't even play bass and I like your videos. Good show!
I play bridge pickup only on my jazz bass and I roll down my tone knob almost to the end. With the right hand on the end of the fingerboard and maybe a light chorus it blends really fine with the drummer and the band.
I found using foam as a mute and turning the bass up and the mid and treble all the way down works pretty well
I have a bass with both traditional magnetic (soapbar) pickups and a bridge piezo pickup. The piezo allows it to have a very acoustic sound. It's not necessarily an upright sound, more of an acoustic fretted bass sound (the good kind, not the crappy thin sounding kind). I like this setup because I can switch quickly between the magnetic pickup and acoustic pickup sounds on the fly, or a combination of the 2, although I usually just fully pan to one or the other. It's like I have 2 different instruments in 1. I find myself using the acoustic pickup more and more because the sound is so unique and sweet-sounding.
wandered over here from another of your videos ... love this from way back /... can you do something on how to get your bass to sound its best ... pickup height ...neck relief ... action height ... amp choice ... how to get stage sound at home
I've found that another good way to go is tuning my four string down to B E A D and putting a little piece of foam down at the bridge under the strings. That's with the high end dropped off and plucking on the neck. Flatwounds make a HUGE difference as well.
What about sticking a bit of foam next to the bridge to mute the strings?
Well, that's the same principle as palm mute.
Lelong Well, that's what I expected. But when I tried it, it sounded quite different. And gave me more freedom to pick the strings in other ways.
As it was mentioned it's same idea and effect as palm muting, only worse. Because any time you wouldn't want to get strings muted you'd have to take out the foam and put it back later. Just palm mute :)
I've tried it a while ago, and I didn't notice that big a difference in sound if I recall correctly. However it's more convenient if you want to play without a pick.
I don't think there's anything wrong with it tbh, it just depends on what you want.
"Just palm mute".
Yes, but then you can't pluck the strings up by the fretboard. With foam or a rag by the bridge, you could do both.
i just wanna say that intro is amazing
"These strings are amazing. Buy them. They are worth the 80 DOLLARS" WHY. ARE. STRINGS. 80. DOLLARS???
+Tristen P if you think that's bad, try pricing actual double bass strings
Other instruments have even more expensive strings. The strings I usually buy for my viola are around $200.
wowww thats insane
Flatwounds don't 'die' the way rounds do so they're cheaper in the long run. With some rubbing alcohol they will last you 5-10 years.
Also, the metals are often pretty expensive--violin strings often literally use gold or have silver windings. Density of the metal often contributes to sound quality, etc. I wouldn't be surprised if that rationale applies to bass strings too.
My budd recently got a fretless bas and I really want to try those Thomastik Infeld Vienna strings on it.
if you put a piece of foam where your palm would be muting you can combine methods 1 & 2. Rolling off the tone with both pb&j pickups can give you that strong sub sound whilst keeping enough of the attack. Choose a cab setup that has a combination of large and small speaker cones. Pick a bass amp that gets good cleans and can mimic acoustic tones with a tiny bit of reverb. try using pre-bends and dropping into the note. bends may not be typical on bass but if you don't have a fretless bends can get some of that smooth note movement with practice.
I like, I comment I already subscribed.
i love your intro XD
Great video mate. Any chance you can do an in depth video dedicated to the pros and cons of 5 and 6 string bass guitars and fretless vs fretted? Cheers!
I got very good results with a P-Bass strung with flatwound strings, tone knob at minimum, a piece of foam and by plucking at the end of the fretboard.
Central park west, that was beautiful a great intro
Man your intro song is AWESOME, Can you make that a whole song? Please.