It's the 'Tango Instrumental' from One From The Heart. He throws a bit of 'Tango 'Til They're Sore' into the mix when done live, too. Maybe that was the original tango format for 'Tango 'Til They're Sore'?
As the stories go, if it wasn't for THIS movie, *Blade Runner* would've had a LOT less neon in its artistic direction, (because Riddley Scott and Co apparently swiped a whole heap of 'em outta storage for their own futuristic LA sets, the year after *One from the Heart* wrapped)
Thank you for posting this...awesome to watch Tom trying to make his bones at a crossroads of his career... I still have a copy of 'Heart Attack & Vine', and I still tear up at certain points when I play it...the fact that so many hear it as the rantings of some inebriated reprobate cannot diminish the beauty and the feeling dripping from each track...too bad Asylum couldn't see it then...
Great gold on the One From The Heart Extras DVD. Also the audio only demos played on a theatre system are simply stunning. Hope Tom knows about the Johnson Winery in the Alexander Valley, with it's barn size organ with hundreds of pipes, drums, maracas, horns, cymbals, and giant baffling doors opening and closing while the music on the organ is played.opening up for volume changes, and playing the most gigantic and glorious sound you ever heard in your life. How about an album of this, Tom?
Wow!!! Tom and Crystal are music geniuses in their own right...But mix their talents with there technical music team in this Francis Ford Coppola atmosphere and this is IMO one of genuine Hollywood musical masterpieces of ALL TIME! Earned an Academy Award nomination!
I've just realized........Listened to the album countless times, never seen the actual movie! @~@ (And I LOVE Coppola!........Some of the time : The Conversation (1974) Apocalypse Now (1979) Rumble Fish (1983) Are three totally different flavours of movie perfection!
The re-release of the soundtrack with the balck trim on the cover and the street scene pic has extra tracks....and the Empty Pockets suite at the end of the re-release is unbelievable. Amazing. And how about that arranger on the score? Greatness...!
simply a genius..he borrowed sing styles from great jazz and blues singers(Howlin' Wolf,Louis Armstrong)..while he is an amazing composer and great orchestrator.!(if himself worked for the orchestrating part of his songs)
Absolutely! It is rare to see him speaking in this manner! ....I imagine he was humbled a good bit in front of Coppola, who at that time especially was just fresh off all his most monumental, career-defining movies: The Godfather 1 and 2 / The Conversation / Apocalypse Now etc And all the while still remaining an 'indie' director, outside the Hollywood money / production machine, which definitely has its own added artistic kudos (It does have an ever-so-slight vibe of 'dinner over at the bosses house')
@@zetetick395 He seems exhausted by the task! It must be difficult for a free spirit like him to stay true to his own creative process while obeying to someone else's desiderata...
@@lareinedemado Are we talking about Tom, or Frank? 🤔 (That could equally apply to 'em both, imo.) ....They both ended up doing what they wanted in the end, which is the ideal outcome....Tom; onto Rain Dogs, and Frank; onto Rumble Fish. 👍
Yeah, the footage of Tom 'conducting' with the other pro- orchestra conductor fella was a little bit awkward..............That part *really* oughta have been Bones Howe!
Tom met his future collaborator, conspirator and other half when he made the movie with Coppola.
Technically they met 2 yrs before on the set of Paradise Alley, but it was a casual passing thing.
There is a bit of the intro to Tango Till They're Sore in there too :D
It's the 'Tango Instrumental' from One From The Heart. He throws a bit of 'Tango 'Til They're Sore' into the mix when done live, too. Maybe that was the original tango format for 'Tango 'Til They're Sore'?
The MUSIC is the movie. It is the finest and most complete soundtrack ever made.
As the stories go, if it wasn't for THIS movie, *Blade Runner* would've had a LOT less neon in its artistic direction,
(because Riddley Scott and Co apparently swiped a whole heap of 'em outta storage for their own futuristic LA sets, the year after *One from the Heart* wrapped)
...one of the best male-female vocalist pairings in western pop music history!!
Thank you for posting this...awesome to watch Tom trying to make his bones at a crossroads of his career...
I still have a copy of 'Heart Attack & Vine', and I still tear up at certain points when I play it...the fact that so many hear it as the rantings of some inebriated reprobate cannot diminish the beauty and the feeling dripping from each track...too bad Asylum couldn't see it then...
Richly deserved Oscar nomination for Waits. Love this soundtrack.
Jeez...Take Me Home at 9:02. the light really shines down on this man. Stunning melody.
Great gold on the One From The Heart Extras DVD. Also the audio only demos played on a theatre system are simply stunning. Hope Tom knows about the Johnson Winery in the Alexander Valley, with it's barn size organ with hundreds of pipes, drums, maracas, horns, cymbals, and giant baffling doors opening and closing while the music on the organ is played.opening up for volume changes, and playing the most gigantic and glorious sound you ever heard in your life. How about an album of this, Tom?
@bigwaitsfan What you need are the soundtrack CD and the special edition DVD. Both are packed with gems. :-)
Wow!!! Tom and Crystal are music geniuses in their own right...But mix their talents with there technical music team in this Francis Ford Coppola atmosphere and this is IMO one of genuine Hollywood musical masterpieces of ALL TIME! Earned an Academy Award nomination!
Absolutely. It's a mystery to me as to why this score is not held in higher esteem by Waits fans in particular.
I fuckin love the controled melancolie of this man's music👍👍
7:25
Yep, you're right. They cocked up in the editing there.
I've just realized........Listened to the album countless times, never seen the actual movie! @~@
(And I LOVE Coppola!........Some of the time : The Conversation (1974) Apocalypse Now (1979) Rumble Fish (1983) Are three totally different flavours of movie perfection!
talented originals!
😊
The re-release of the soundtrack with the balck trim on the cover and the street scene pic has extra tracks....and the Empty Pockets suite at the end of the re-release is unbelievable. Amazing. And how about that arranger on the score? Greatness...!
Great insight here to the working proceedures of a master musician and songwriter... Great footage!
Are Tom and Francis singing "Love and Kisses"?
insight into the mind no matter how CV commical
simply a genius..he borrowed sing styles from great jazz and blues singers(Howlin' Wolf,Louis Armstrong)..while he is an amazing composer and great orchestrator.!(if himself worked for the orchestrating part of his songs)
Nice to see waits being genuine for once. I'm so used to him hamming up every interview
Absolutely! It is rare to see him speaking in this manner!
....I imagine he was humbled a good bit in front of Coppola,
who at that time especially was just fresh off all his most monumental, career-defining movies: The Godfather 1 and 2 / The Conversation / Apocalypse Now etc
And all the while still remaining an 'indie' director, outside the Hollywood money / production machine, which definitely has its own added artistic kudos
(It does have an ever-so-slight vibe of 'dinner over at the bosses house')
@@zetetick395 He seems exhausted by the task! It must be difficult for a free spirit like him to stay true to his own creative process while obeying to someone else's desiderata...
@@lareinedemado Are we talking about Tom, or Frank? 🤔
(That could equally apply to 'em both, imo.)
....They both ended up doing what they wanted in the end, which is the ideal outcome....Tom; onto Rain Dogs, and Frank; onto Rumble Fish. 👍
@@zetetick395 I am talking about Tom 😉
OK. irst of all, Tom Waits, married to Ricky Lee Jones.. How mad is that..
"score by Tom waits"....
(*bunch of other dudes make his music*)
The score is influenced by a bunch of other dudes, but he does all the initial writing, and changed record deals whenever he wanted more freedom
Yeah,
the footage of Tom 'conducting' with the other pro- orchestra conductor fella was a little bit awkward..............That part *really* oughta have been Bones Howe!