Whether it's fair or not, this sax solo, and the one from the live version floating around, are the standards I use to judge all other solos against. As a sax player myself, I always enjoy a thorough face-melting and will gladly come back for it time and again.
a lot of that attack comes from a classical guitar doubling the line. in the mix it just sounds like a whole lot of clatter and buzz, which fits perfectly lol.
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You really should listen to that whole album. Yoko Kanno and the seatbelts wrote an amazing variety of music for the show that really crosses generas and is so fun to listen to
the series has the most amazing sound track - fills three albums for the one and only season. Probably the best anime series i have ever seen. The music was all written first, the titles of the episodes are all based on the music, glad Yoko Kanno has new fans..
@@galaxyjams i understand and why i included an apology as well as not commenting on any of the other inclusions/exclusions. I only bring up the Specials due to thier sound and over all influence on the genre. As a grognard i appreciate the time taken to spread new music to the young. At almist fifty i share a wide variety of music to my four year old. Nothing like her showing up and asking to hear some daddy music or request Skinny Puppy or Nightmares on Wax or Dead Kennedys... makes my heart patter
Important about how the anime was created: First, the composer would compose a banging tune. Then the anime's creator team would build an episode AROUND the concept of that tune. You can tell. One of the greatest animes.
Not a show as such, but Lego's 'BIONICLE' theme had its own dedicated band, formed from Lego employees for making music for the commercials, for a few years. The band eventually went independent; they're called Cryoshell, and they still release new music occasionally. Their debut track was 'Creeping In My Soul': ua-cam.com/video/6lfmfxhrawE/v-deo.html The band's UA-cam: ua-cam.com/channels/93YEy3DiQ3VioDMcVTY3yg.html
The soundtrack was complete before the animation began. The show (not that live action abortion) was a cinematic phenomenon with action, comedy, and PAIN done masterfully with hand drawn art. For every pivotal moment in the show, maybe a minute at most, there's a full song. If you can find a copy of the full set, (including Future Blues, which never made it to screen) then I reccomend you go rob a bank and grab it. It's a journey.
I definitely agree :) Thank you for your comment @inkoinfinity2! We would love to have you as part of the Galaxy Jams Fam. Join our Fan Club on Facebook for special insights, first to know announcements, priority requests and more!
You know, you guys are so well qualified to talk about this track, but you barely really talk about it at all, even though there's 4 of you. Would love to hear you guys just rip it to pieces and and break it down as it goes, cause I think you guys would actually be good at it.
You had a guest like this listen to a track like this, and you all talked over him and never let him say anything relevant besides an answer to if he liked it. Some viewers wanted the opinion of a grammy winner not a bunch of weeb fans. Constructive criticism here, let your guests be the star more- some people are here for them first.
While the song was playin it was like they were tryin hard to make the song seem amazing. "Woooooo!" "You're gonna like this ending." Just let the piece speak for itself... And your guest for that matter.
@@colomboricua exactly. dude is a respected grammy winner, even if he didn't like the piece he's not gonna crap all over it because obviously the fanboys here would be crushed. such a wasted opportunity man.
Haha no offense to him, but I was wondering if this was the first time the man in white headphones had ever listened to an instrumental. Until he finally cracked at the ending sax riff!
Whether it's fair or not, this sax solo, and the one from the live version floating around, are the standards I use to judge all other solos against. As a sax player myself, I always enjoy a thorough face-melting and will gladly come back for it time and again.
Wow! Compelling statement! Love it!
i always liked that slight string buzz on the bass at the beginning, always felt more intense and just hits different
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Gotta love a bass that sounds super-woody.
@@Telukin hell yeah, it adds a subtle rawness which just makes my ears tingle when i hear
I mean thats a pretty normal sounding stand up bass 🤣, they just turned up the master volume for it a bit more than other jazz does
a lot of that attack comes from a classical guitar doubling the line. in the mix it just sounds like a whole lot of clatter and buzz, which fits perfectly lol.
All hail the great Yoko Kanno!🤘🤘🤘
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Yeah, you guys credit the band, but it’s really Yoko Kanno who wrote this whole amazing piece and put the band together to perform it for the show.
You really should listen to that whole album. Yoko Kanno and the seatbelts wrote an amazing variety of music for the show that really crosses generas and is so fun to listen to
the series has the most amazing sound track - fills three albums for the one and only season. Probably the best anime series i have ever seen. The music was all written first, the titles of the episodes are all based on the music, glad Yoko Kanno has new fans..
Hey Catboxvideo welcome to the channel :) Everyone has an opinion @catboxvideo, we appreciate you taking the time to share yours! :)
@@galaxyjams i understand and why i included an apology as well as not commenting on any of the other inclusions/exclusions. I only bring up the Specials due to thier sound and over all influence on the genre. As a grognard i appreciate the time taken to spread new music to the young. At almist fifty i share a wide variety of music to my four year old. Nothing like her showing up and asking to hear some daddy music or request Skinny Puppy or Nightmares on Wax or Dead Kennedys... makes my heart patter
The live version that is on UA-cam is absolute fire and even better than the studio version in my opinion. 🎷👍
Rumor has it that the copy used here was a recorded rehearsal that they never got a chance to go back and do the "official" version.
My partner taught himself to play the ending sax bit on his tenor sax, because none of the alto players could do it.
So cool! Great sax part!
@@galaxyjams its always a crowd pleaser :)
The bongos go ham! This song is so good. Really the whole album is fire.
Absolutely a great track and album! AGREED!
My absolute fave adore the seatbelts have for years loved your reactions to this amazing tune.
No disrespect meant, but first thing I noticed was the great value George R. R. Martin in the bottom left corner XD Great reaction guys
When you have George R R.Martin at home
You know what's highly underrated, Baccano OP [Guns & Roses]
Important about how the anime was created:
First, the composer would compose a banging tune. Then the anime's creator team would build an episode AROUND the concept of that tune.
You can tell.
One of the greatest animes.
Yoko Kanno FTW!
What other show, live or animated, had band formed just for it. The Seatbelts made some great tunes of Cowboy Bebop!
Not a show as such, but Lego's 'BIONICLE' theme had its own dedicated band, formed from Lego employees for making music for the commercials, for a few years. The band eventually went independent; they're called Cryoshell, and they still release new music occasionally.
Their debut track was 'Creeping In My Soul': ua-cam.com/video/6lfmfxhrawE/v-deo.html
The band's UA-cam: ua-cam.com/channels/93YEy3DiQ3VioDMcVTY3yg.html
Master Honda just going to town the sax
The soundtrack was complete before the animation began. The show (not that live action abortion) was a cinematic phenomenon with action, comedy, and PAIN done masterfully with hand drawn art. For every pivotal moment in the show, maybe a minute at most, there's a full song. If you can find a copy of the full set, (including Future Blues, which never made it to screen) then I reccomend you go rob a bank and grab it. It's a journey.
Yoko kanno is a genius
I definitely agree :) Thank you for your comment @inkoinfinity2! We would love to have you as part of the Galaxy Jams Fam. Join our Fan Club on Facebook for special insights, first to know announcements, priority requests and more!
Animation composer Hoyt Curtain would have liked this (he did the bulk of the scores for Hanna Barbera)
they tried to do a similar opening for Archer
What is George R. R. Martin doing there on the left
Dude this actually made me crack up for 24 seconds.
You know, you guys are so well qualified to talk about this track, but you barely really talk about it at all, even though there's 4 of you. Would love to hear you guys just rip it to pieces and and break it down as it goes, cause I think you guys would actually be good at it.
Oh right. We were supposed to be reacting to it not just enjoying it. Maybe next time;).
Tank slaps
You had a guest like this listen to a track like this, and you all talked over him and never let him say anything relevant besides an answer to if he liked it. Some viewers wanted the opinion of a grammy winner not a bunch of weeb fans. Constructive criticism here, let your guests be the star more- some people are here for them first.
While the song was playin it was like they were tryin hard to make the song seem amazing. "Woooooo!" "You're gonna like this ending." Just let the piece speak for itself... And your guest for that matter.
@@colomboricua exactly. dude is a respected grammy winner, even if he didn't like the piece he's not gonna crap all over it because obviously the fanboys here would be crushed. such a wasted opportunity man.
This.
Everyone has an opinion @deadsiderwashere, we appreciate you taking the time to share yours! :)
@Galaxy Jams yes everyone does have an opinion and we wanted to hear his lol. Anyway not trolling just as I said constructive feedback.
Haha no offense to him, but I was wondering if this was the first time the man in white headphones had ever listened to an instrumental. Until he finally cracked at the ending sax riff!
Is it just me, or does that high trumpet part sound a bit like Maynard Ferguson?
What planet is this?!も良いよ
聞いてみて
Another awesome tune by the seatbelts and car 24
Umm....what do you mean take me back to 2015... Take me back 1998....
The Live version of the sax solo at the end is a sexual experience.
They need to let him speak. Its annoying them talking over him
Everyone has an opinion @simplyafederalist, we appreciate you taking the time to share yours! :)