in italy we work in a different way. I like to call it "Italian way". We work without money and with friends who can help us to shot our shortmovie or anything else we're trying to make. Sometimes I'm the director, writer and also the producer, someone else is the DOP and also the operator too! This is the "Italian Way", last time we shot a shortmovie (ten pages) in only eight hours just because the producer wasn't organized!!! We done it! And it's a good shortmovie, I'd like to show you. The budget of this project was just 1500 euros; I think it's 1700 dollars...
Zero. Currently working on my first. I studied improv at Second City in Chicago (actually I had to drive 6 hours there and 6 hours back every week but I did it) then I got rid of all my stuff, got a one way ticket to New York and got straight into a homeless shelter. Totally worth it to pursue my dream/goal. I wrote 6 episodes for my sitcom, had to write SUPER TIGHT since I got zero budget. Next month a student director is going to sit down with me and we're going to make this project HAPPEN!!!!!! I'm so EXCITED!!!!!! And thanks to your very HELPFUL as well as ENCOURAGING videos I know I can do this in an EPIC way. I'm STOKED!!!
We're glad you think so! Thanks for the support! 😊🙏🏻 Feel free to check out our blog⏤it's a great resource for any filmmaking-related topic: studiobinder.com/blog/ Enjoy! 🎬✌🏻
This is so great of you guys. You don't always see the legwork when it comes to filmmaking. I'm talking the minutiae. The meetings, the negotiations, the planning, etc. It seems when they show the bts footage for films, we are already on set. Everything is paid for and everyone is ready to work. They don't show this. The pain of trying to make something beautiful while also being beholden to green slips of paper. Thank you. Very educational.
I love these!!! This one is my favorite because it SPEAKS TO ME.I have a sitcom and have written scripts for it as well. I'm using public access station equipment but am still having a hard time with sorting out crew. This was VERY helpful. Thanks.
Man this was fun! So informative and enlightening. Herman is brilliant, the guy knows his stuff! Thanks for this. I appreciate your channel so much. I look forward to unwrapping each episode.
This is a great series. Really wish it was longer but probably the best film related advise series on UA-cam right now! Awesome job guys, I hope you compile the series on Amazon when it's complete!!
Thank you very much for your support and kind words! We're excited and enthusiastic about this series' performance and reception. A deal with Amazon would be crazy!
Been hanging out for episode two now can’t wait for episode three! So informative and clearly put together. Aching for information like this since I didn’t get it at film school. Thank you Studio Binder!
@Renata... Right, same thoughts my side. @StudioBinder. TIP... Maybe you can have a release format/schedule for "us viewers" (e.g. new episode each day/week) Anyway. keep up the good work guys, much appreciated... I'll try to remember to check back in periodically beyond the noise of my crowded notifications so that I can watch this series!
Love the realist view you're giving that you have a budget and its a simple choice if you can work with it great if not we will find someone else as that is life in film making.
That really means a lot! We're glad that this series is taking off and meeting expectations! Hope you enjoy our other videos and stay tuned for episode 3 😊✌🏻🎬
I completely disagree. You go to film school to make early contacts and network while you eat top ramen and binge watch flicks and bond in your dorm room. Every job you get out of school will come from this place. This is invaluable.
I'm wondering, for DP these day with phone cameras so damn good, if it's just a proof of concept is there any drawback to just shooting on your phone? Obvs still need a talented shooter and somebody who knows how to light things, but I'd imagine that'd bring the budget down significantly to reuse what you've already got!
I don't know what will happen in the next episodes yet, but I wonder why the screenwriter and the producer guy can't fill some roles by themselves that don't require a lot of knowledge. Like non-technical cinematographer assistants and maybe even actors? Spending a few days/weeks and preparing shouldn't be too complex.
I know they are trying to show budgeting and " being professional " But he could have easily kept those characters he wanted and just got actors who would work for free. They are in Cali and alot of actors would are new i bet would do it for free. Just saying
how do you expect anyone to be authentic during this process when they know they are in front of the camera? Also, there is an added cost/benefit in that you may be getting a discount from your crew for youtube equity. If you've been on enough sets, you know this is kind of not as authentic as it should be, nice try though. i.e. at $650, you'd be better off hiring a DP who comes with his own RED or whatever, and an AC who is tethered to them who geared up but wants a reel. They are their own gaffer. Done. No rental.
That's Gorilla Film Making your talking about my guy. This video series is showing us how you make a legitimate production work where cast ,crew, and everyone involved feels comfortable after it's all said and done that's your reputation on the line as a Producer, Actor or Director I wouldn't be comfortable having one guy do it all. Quality is dropped wether you like it or not.
II. have been told by Many Many..........................................I am THE Most. I nteresting Man. Alive ! Not the Buddude.I Have 10.000. Hours of content..
What's the biggest budget you worked with? 💰💰💰
in italy we work in a different way. I like to call it "Italian way". We work without money and with friends who can help us to shot our shortmovie or anything else we're trying to make. Sometimes I'm the director, writer and also the producer, someone else is the DOP and also the operator too!
This is the "Italian Way", last time we shot a shortmovie (ten pages) in only eight hours just because the producer wasn't organized!!! We done it! And it's a good shortmovie, I'd like to show you. The budget of this project was just 1500 euros; I think it's 1700 dollars...
Zero. Currently working on my first. I studied improv at Second City in Chicago (actually I had to drive 6 hours there and 6 hours back every week but I did it) then I got rid of all my stuff, got a one way ticket to New York and got straight into a homeless shelter. Totally worth it to pursue my dream/goal. I wrote 6 episodes for my sitcom, had to write SUPER TIGHT since I got zero budget. Next month a student director is going to sit down with me and we're going to make this project HAPPEN!!!!!! I'm so EXCITED!!!!!! And thanks to your very HELPFUL as well as ENCOURAGING videos I know I can do this in an EPIC way. I'm STOKED!!!
@@JoyOfSuicide day ljlīî
@@abdulrahmanadan4636 ? what ?
It's a concept video, use a $10-50 camera with Dual Pixel AF and LED CFL lights.
Yall are going to kill filmschools. This is top notch content
We're glad you think so! Thanks for the support! 😊🙏🏻
Feel free to check out our blog⏤it's a great resource for any filmmaking-related topic:
studiobinder.com/blog/
Enjoy! 🎬✌🏻
FACTS 💯
theres no networking
Am creating my first film here in Botswana 🇧🇼 , this is honestly a huge help, thank you
Herman is his name I like that guy he explains things really good.
This is so great of you guys. You don't always see the legwork when it comes to filmmaking. I'm talking the minutiae. The meetings, the negotiations, the planning, etc. It seems when they show the bts footage for films, we are already on set. Everything is paid for and everyone is ready to work. They don't show this. The pain of trying to make something beautiful while also being beholden to green slips of paper. Thank you. Very educational.
I love these videos so much! They're literally the greatest video about film on UA-cam.
That means a lot! Thank you for your kind words! Stay tuned for episode 3! 🎬
Herman is VERY well versed in his craft!! Love it
I love these!!! This one is my favorite because it SPEAKS TO ME.I have a sitcom and have written scripts for it as well. I'm using public access station equipment but am still having a hard time with sorting out crew. This was VERY helpful. Thanks.
Glad we were able to help out! Thank you for watching! Best of luck with your project and hope all goes well! 😊✌🏻🎬
Man this was fun! So informative and enlightening. Herman is brilliant, the guy knows his stuff!
Thanks for this. I appreciate your channel so much. I look forward to unwrapping each episode.
This is a great series. Really wish it was longer but probably the best film related advise series on UA-cam right now!
Awesome job guys, I hope you compile the series on Amazon when it's complete!!
Thank you very much for your support and kind words! We're excited and enthusiastic about this series' performance and reception. A deal with Amazon would be crazy!
Been hanging out for episode two now can’t wait for episode three! So informative and clearly put together. Aching for information like this since I didn’t get it at film school. Thank you Studio Binder!
That's awesome! So good to hear! Best of luck with your projects! 😊🎬
@Renata... Right, same thoughts my side.
@StudioBinder. TIP... Maybe you can have a release format/schedule for "us viewers" (e.g. new episode each day/week) Anyway. keep up the good work guys, much appreciated...
I'll try to remember to check back in periodically beyond the noise of my crowded notifications so that I can watch this series!
This is really interesting, looking forward for new episodes.
Every production needs guy like Herman
Yes, glad you think so. He's an awesome guy! 😊
Love the realist view you're giving that you have a budget and its a simple choice if you can work with it great if not we will find someone else as that is life in film making.
Yes, we're doing our best to keepin' it real! Misinformation and dishonesty are no bueno.
Stay tuned for more real, fresh content 😊🎬✌🏻
@@StudioBinderStudioBinder good to know, wouldn't want it any other way.
As a working Cinematographer, I will tell you straight up if I can do it or not for the budget. No sense in wasting each others time.
This series is exactly what I need
Thanks for watching! Stay tuned for episode 3! 😊🙏🏻
I like this guy he explains everything really good.
This series is so good.
These are so neat! I hope this series continues!
Absolutely love these videos. A great behind the scenes look at production!
Thanks for your support! Stay tuned for episode 3! ✌🏻🎬
This is an awesome idea. I'm glad you guys were able to pull it off!
Love love love! I can't wait to see how principal photography goes!
Probably the most helpful and interesting series available.
It's Informative and useful. Big thanks from an aspiring filmmaker.
That really means a lot! We're glad that this series is taking off and meeting expectations! Hope you enjoy our other videos and stay tuned for episode 3 😊✌🏻🎬
These are SO HELPFUL!!! Thank you thank you!
Love the show........it's so informative n original !!!
This is great! I am so excited about stumbling across this
The challenges are making it interesting
This is such a great series
This is pure gold ❤️
That's what she said
Yeah the age of film schools is officially over.
I completely disagree. You go to film school to make early contacts and network while you eat top ramen and binge watch flicks and bond in your dorm room. Every job you get out of school will come from this place. This is invaluable.
@@johnta17 All of this can be done without Film School.
You should’ve asked me to DP 😂 I’d do it with $650 😂
Love this. Though I am confused as to why it is unlisted? This is such quality stuff. Edit: Thanks for making it public. Much appreciated:)
can't get enough of your content :)
Can't get enough of your support! 😊🙏🏻
It would be great if we get the whole conversation when you're bringing the crew onboard. Thanks
😃 finally second episode uploaded
This is a great series.
Just as long as this doesn't end up like "The Leisure Class" I'm in.
Invaluable information. Thank you thank you thank you!
The Script Supervisor should be listed with these 3.
Ahhh this is so packed with information! Thank you again! 😍😂
Amazing show
Thank you! 🙏🏻😊
Mastered it 🔥🔥🔥🔥🏃♂️
I would have sublimed out of the room on hearing 650 for camera.
Amazing
Fire the producer, and produce it yourself so you don't have to compromise your camera team.
More good info!
Could you make an episode with description of everyone's duties?
I'm wondering, for DP these day with phone cameras so damn good, if it's just a proof of concept is there any drawback to just shooting on your phone? Obvs still need a talented shooter and somebody who knows how to light things, but I'd imagine that'd bring the budget down significantly to reuse what you've already got!
Good video i get more experience from you
hi if you ever need a storyboard artist or concept artist please let me know?
Wait, you have to buy a camera and lenses? The DP doesn't already have those?
Where is the video of discussing about ""LIGHTS""
👍🏼
Next we need a DP. What about Marvin, will hé accept? Uhhh isn t he the one shooting that very video?
🤔🧐🤫😆
8:13 😂😂😂
where do guys that conceptualise ,idealise,original score guys fit in?those that can come up with do-able promising ideas but cant write?kindly hepl
Herman’s so weird 😂 love the show tho
Haha, he's a ray of sunshine! Thank you for your support! 🙏🏻
Just recently went through this process. Low budget client with high expectations 🤦♂️
It can be a pain but it can also be an invaluable creative experience to hone your script. Glad you made it out of your experience alive 😄✌🏻🎬
I don't know what will happen in the next episodes yet, but I wonder why the screenwriter and the producer guy can't fill some roles by themselves that don't require a lot of knowledge. Like non-technical cinematographer assistants and maybe even actors? Spending a few days/weeks and preparing shouldn't be too complex.
Dude that screenwriter sure is gonna be pissed
you can rent a camra
I know they are trying to show budgeting and " being professional " But he could have easily kept those characters he wanted and just got actors who would work for free. They are in Cali and alot of actors would are new i bet would do it for free. Just saying
I have a script that will change the superhero universe
how do you expect anyone to be authentic during this process when they know they are in front of the camera? Also, there is an added cost/benefit in that you may be getting a discount from your crew for youtube equity. If you've been on enough sets, you know this is kind of not as authentic as it should be, nice try though. i.e. at $650, you'd be better off hiring a DP who comes with his own RED or whatever, and an AC who is tethered to them who geared up but wants a reel. They are their own gaffer. Done. No rental.
That's Gorilla Film Making your talking about my guy. This video series is showing us how you make a legitimate production work where cast ,crew, and everyone involved feels comfortable after it's all said and done that's your reputation on the line as a Producer, Actor or Director I wouldn't be comfortable having one guy do it all. Quality is dropped wether you like it or not.
II. have been told by Many Many..........................................I am THE
Most. I nteresting Man. Alive ! Not the Buddude.I Have 10.000. Hours of content..
250$ just to feed them??? Is this a joke, all my fat friends combined can't eat that much food.
You'd be surprised though, the cost of food and catering is something one can take for granted easily. 😄✌🏻