RME Digiface AES Overview - 30-Channel, Bus-Powered USB Interface With Digital Connectivity and SRC

Find out more about the RME Digiface AES at;
www.synthax.co...
In this video, we take a closer look at the brand new Digiface AES from RME, a 30-channel Bus-powered USB audio interface with a range of digital connectivity.
The RME Digiface AES is a professional 14 input and 16 output channel USB 2.0 interface with 2 x Mic/Line analogue input channels and 4 x analogue output channels (2 XLR, one TRS phones) to complement its digital I/O section.
With an excellent set of digital connectivity, SteadyClock FS, full stand-alone operation and built-in parametric EQ, the Digiface AES shines as the perfect all-in-one solution for recording and playback of digital and analogue sources, as well as flexible playback/monitoring via TotalMix FX.
Subscribe to our Channel here: www.youtube.com...
Links:
Website: www.synthax.co.uk.
Facebook: / synthaxaudiouk
Twitter: / synthaxaudio
Instagram: / synthaxaudiouk
LinkedIn: / synthaxaudiouk

[@dougleydorite]

I wish their Madi solution included AES connectivity for under $4k… They are proud of this AES.. when most the I/o is adat

[@Fwuzeem]

I am using the Babyface Pro for an AES/EBU interface using SPDIF and a converter from Studio Spares. It seems a bit expensive considering it can be done on a Babyface Pro FS

[@ManicMaximus]

Seems like a niche product. Other than not being bus powered and having to use a breakout cable, doesn't the UCX II do all this and more for less $$? I guess I'm not the target consumer for this unit.

[@helmanfrow]

I was thinking the same thing until the voiceover said that it "was designed at the request of a large German broadcaster". I guess RME figured that if they're going to do all the R&D for this unit then they might as well put it on the open market.

[@M.W.777]

Yeah, everyone has been wondering the same!

[@andres77fj]

What would be the best choice? And for what situations fits better? I can't realize why seems this cost more than the "fireface ucx ii" for less capabilities ?

[@asmr6773]

What is the dymamic range of the inputs. Note: can't find this in the manual.

[@edenhunter9904]

Can it playback Digital and Analogue simultaneously?

[@SynthaxAudioUK]

Yes, you can route any of the analogue and digital inputs to any physical output in its own submix for monitoring.
Hope this helps!

[@Groove81TV]

Does it have the convertor from the ADI ?

[@citizenworld8094]

When can someone make an affordable Dolby Atmos interface with monitor control.

[@andres77fj]

Would appreciate a detailed comparison between "fireface ucx ii vs digiface aes" , is confusing the price difference

[@SynthaxAudioUK]

Hi Andrés, the Fireface UCX II is still the better option for most applications. As mentioned in the video, the Digiface AES was built to spec for a broadcast company, so studio and live sound engineers were never really the intended audience.
I believe the main reason for the price difference is the inclusion of on-board SRC (with real-time sample rate conversion and clock decoupling), which is a fairly unique feature mainly required for broadcast.

[@andres77fj]

@@SynthaxAudioUK thank you!, I appreciate your craft! Regards

[@龜龜-s8l]

does the totalmix of digiface aes supports dynamic control?

[@SynthaxAudioUK]

Unfortunately not - TotalMix FX only offers EQ with the Digiface AES.
Hope this helps!

[@trippypages7309]

What is the dynamic range of the inputs?????????????????