This is the most comprehensive video out on this camera! I have two and ordered your cages and multiple accessories and have built out two micro cinema beasts that I am using in interviews, event coverage and as broll rigs on my gimbal. Great job!
This video and the one about the cage were the reason I ordered one. I can't wait to ditch my GoPros on stage and step up my concert videography with the new 4K G2.
I really appreciate the pull no punches approach to this review. I for one am really not impressed by all the numbers, what impresses me is the image a camera can produce and that’s why I want a black magic camera. Yes it takes some finessing but that is where the true art comes from. After all if a camera did everything perfectly for us aren’t we then just a tripod?
@@WillvonTagen but I didn't understand if I could send a clean signal via sdi and simultaneously receive a dirty signal via hdmi with all possible data, including histograms, if any, in the camera and focus picking
Good to see your review on this. Loving the rigging capabilities of the XLCS case for this. I wasn't sure if I really wanted a zoom demand handle, but, I think you've convinced me that it's probably a smart move for the programmability of the buttons and lack of Bluetooth. One note; I did get a Belkin USB Ethernet adapter and was able to remotely use the Lens control HTTP API pretty easily once I understood that in most cases, the GET method returns the 'current' settings in a JSON object. To change the settings, I send a PUT request with that same object with the settings altered that I wanted to change. As practice, I made a zoom-in button that adjusts the aperture and then zooms in using powered zoom to 40mm. Then waits 10 seconds and zooms out again and resets the aperture with 6 HTTP requests using curl to two API endpoints; control/v1/lens/iris and control/v1/zoom. Two to get the current settings. Two to open the aperture and zoom. Two to set the aperture and zoom to what they were. These are the kinds of things that I would be doing with Bluetooth. I might take a look at the construction of the zoom handle and disassemble it to see if I can make it a bit more compact. One final note, the ATEM camera control works pretty well. I have an ATEM mini pro and it can make a myriad of camera adjustments with the software control but it does require that you lug around a laptop also to run the control software.
Great info, thanks! You think you could build a simple controller device using ESP32 or arduino boards? The challenge would be usbc loop for recording though *i guess*
I see two cameras on a single tripod with a 35mm and 85mm focal length for interview/talking head. Or whatever length. On the cheap. Add an overhead shot too. Tons of potential.
Wanted to get this as a dedicated gimbal and car cam, but I think I may get a few more for live events too. Can’t wait, this review got me totally jazzed!
And here I was looking to pick up a dji osmo pocket 3 for studio and webcam streaming on the cheap with options to take things outside. Some how I got here. Can I really use a Micro G2 or something cheaper to build a more complete set up in stages? I mean how much will this set me back to get it used for talking head / live webcam / product view type of camera? Looks pretty complicated if I am being honest. Love that I can get lenses for it over the fixed 20mm pocket 3 but yeah these costs ramp up quick. Edit: Just wanted to add that I've been flipping back and forth between budget mirrorless camera options as well. Notice many older used cameras dont offer 10bit color for 4k or tend to overheat or have a big crop. The rabbit hole has me searching more and more.
Times change. Imagine a superb 4K camera and awesome editing suite for a price of 1 year Adobe Premiere subscription. I hope, Blackmagic still gives Davici Resolve Studio licence with their cameras. Of course, you have to buy some accessories, but lenses are so available these days on secondhand market.
Okay, NOW you've convinced me this has a potential place in my studio. While the zoom demand may not be tiny, the fact it can do all the things you pointed out gives it the potential to act like the URSA handle with a few extras one used to get from a expansion port remote. Now if Blackmagic can simply give it all the record options as the Pocket 4k, patch the issue you found and maybe release a mini zoom demand equivalent handle, maybe they could call it the micro demand handle, then this would be a near perfect upgrade; however, the zoom demand seems to solve my biggest grievances even if it isn't tiny or inexpensive.
Thanks for your hard work and time in putting this together. Really liked the two hacks. I was not aware of either. Also liked that you spent time on the clean output issue and the need to fix it. I use the camera for live streaming so these issues are very important. Another issue is if you have many of them connected to an ATEM via SDI you need a separate return SDI program feed going to each camera in order to control the camera via SDI (not needed for HDMI control). One then has to incorporate other work arounds to create enough program feeds for each camera being controlled via SDI.
Thank you. awesome video, you are deep diving into the pros and cons of the great little Micro G2 here. That is the best round up on this cam I have seen so far containing ´hacks´ I was not aware of before (e.g. using the Zoom Demand handle in conjunction with Belkins USBC hub, the mic input and so on..) and suggestions to improve further iterations of the cam. I hope BM is watching/listening and will act accordingly! For a short time I thought that the new Mevo Core cam would be a better alternative at present, but now I am again very tempted to get a G2 (when it wiil become available here). And then, of course, will get your awesome cage. We will see if BM releases some news at NAB. Again, thank you very much, Will, well done! 🎸👍
I had the OG for years and it is still a workhorse. I got the new G2 and it just expands my capabilities and is such a special tool for a videographer. I use my trusty BM Video Assists that I have picked up over the years. Just such a good paring. I do have the T5 and T7 SSD's but prefer the Crucial X9 or X10 - better form factor and much faster. I have also done some mini NVME 2240 drives that reduce your footprint further and have insane speed. 4K is fine for my work since I have no dreams of going to Sundance. :) I use the small lenses on these cameras. The Samsung 25mm and 45mm are two of my favorites. But if you like a good cinematic look, I go to the classic Angenieux lenes with a C to MFT adapter. Such a special look. Thanks for your videos on this camera and especially the one about the menu system. 👍👍👍
@@WillvonTagen Thank you! Did the footage from that suction mount need any stabilisation/jello correction? I'm considering getting this for some rigid mounting in car chase scenes
Working in post and vfx I can say that rolling shutter can have a serious impact on a successful track and I would think could affect stabilization as well. We mostly use Alexa footage which has very little rolling shutter but it very obvious how much better it is to track footage from a global shutter camera.
Just received my kit and love the build quality and the thought put into this product. I would have loved to see some instructions with the kit too perhaps its online?
I would love for blackmagic to develop a stable wireless camera control ststem - similar to what DJI have done with the Ronin 4D. Having this camera as a bag drop camera with the ability to change settings and monitor remotely would make it even more versatile.
I saw one of your comments on the BMD forums referring to an updated version of this (with mounting holes matching those on the body). I know you've probably got your hands full with the Pyxis cage launch (congrats on that, btw - it looks awesome!), but I'm curious to know if you have an estimate on when that might be released? Thanks!
Hi! Yes, I will update slightly before the next production run. It’s unlikely those would be out before the end of the year-so likely January 2025 but it depends on how long the current inventory takes to sell off.
You would think most editors would be able to handle BRaw but I had one literally cry about it once. Some editors will freak out if you even mention raw to them.
Typically on other cameras I have an atomos mounted anyways and I find the interface of the atomos to be a lot more intuitive for playback But the example given of a car rig where the monitor has to be disconnected does make it clear that internal playback of some kind would be needed at times
Will the metabones 0.58x speedbooster attach without damaging the camera? I know it might vignette and I honestly amd fine with that, I just want to avoid any physical damage.
You could try. It would likely fit without damage since the mount to sensor distance is the same but I don't know about the sensor filter glass thickness or distance. I would be careful--and either way I cannot say for sure.
I’m just trying to understand where this fits for me with my R6 mk2, my Pocket 3 and Action 5. I’m quite satisfied with the video from all three of those. Would the G2 better them? Is the difference significant?
all the camera controls are accessible through the atem app , using an atem switcher or an arduino/sdi board.. camera controls come in the sdi in through the hyperdata..
To me it's arguably better than the Pocket due to the form factor. I often find myself shooting vertical (ugh) for clients who need it, and the box configuration with a cage can easily be adjusted for it.
What a great little camera. I already have a compatible monitor and some SSD drives that I used when I had the BMPCC4K. So, this could be a great option as a B or A camera. Thanks for the walkthrough. Susbcribed.
Great review. I took screenshots of every rig you showed 😅 The image quality is great. You did a great job grading the footage. I would really appreciate if there was an opportunity to buy a lut from you
Great content as always, will! I wanted to ask you for advice on which camera to buy. I'm undecided between the bmcc 2.5k and the bmpcc 4k. the first one has a true cinematic look, but the lack of versatility in terms of ISO and framerate scares me; for the second the opposite applies: it seems too video-like and not cinema-like, even if it has other great features. after seeing this video, studio 4k also seems like an option to me. what do you suggest? thanks a lot!
That might depend on your work. I really don't use slow motion much personally so if it was just hobby work I wouldn't need it. But if you are anticipating paid work where you might need it--it could be helpful. A third option is the original Micro Cinema Camera. It has the same sensor as the Pocket OG but can do 60p.
I see. Well, buying and rigging the Micro would cost me as much as purchasing the Pocket 4k (based on what I found on ebay), so I think this one is my best option, just because of it's great features. However, is there a way to crop the bmpcc 4k sensor so that I can get a s16mm sensor look out of it? I really love the Pocket OG, so maybe I can somehow replicate its image quality and cinematic look for my projects, without renouncing to the versatile Pocket 4k features for other works. Thanks!
@@WillvonTagen after connecting monitor to it, I lost camera control option, maybe a spitter might help. I need to get another usb hub. Well I also got this trigger record and cache in ronin app. There might be a slightly possible option that we might be able to trigger record using ronin app. I’ll keep u update tmr. For the time being by connecting usb-c from camera to RavenEye RSS port (usb-c) I can change shutter speed/angle, ND filter and temp/gain.
@Will von Tagen Will the USB-C port work with an SD card reader? Was thinking it would be great to get one of the tiny Micro SD card readers and just plug that into the side for capture. This possible?
Most likely. I was messing around for a bit with building a cfexpress card adapter for this but it had enough issues for me to stop. The camera saw the card and recorded to it-but I had to format the card on a computer. Also the camera has to be powered off and on to recognize a card being removed or inserted. But maybe it will work better with micro sd-I say give it a go 👍🏻
What an outstanding overview, thank you so much. I've been wondering about how this cam could be rigged for various applications other than just in studio. It's a shame it doesn't have bluetooth - being able to use the app with it would be awesome, but hey, it's already amazing value. I run a Z Cam E2 F6 and the app does really adds to how and where you can use it. One quick question: with only one USB C port, is there a way to use the Zoom demand handle and an SSD at the same time?
Hi, thank for the kind words. Yes, in the video I show how you can use a usb hub to use both ssd and the handle. I cover this right after talking about the handle :)
@@WillvonTagen ah great, apologies I hadn't picked up on that. It creates a fantastic image for the price, and small cube formats are so flexible, seriously thinking of getting one. Thanks again.
Good review. Is it possible to use the camera as a webcam attached to camlink and running the OBS studio? Another question, which is the lenses on your setup that offers you the best "film look" ? Cheers!
Great video! And great channel! Even if they added the USB-C recording option, and since this is called "studio" do you think they'll release a BM Micro Cinema Camera G2? Something similar to this BM Micro Studio, but with some sort of internal media (SD, CF type A)?
Honestly the only thing that kinda makes it a dealbreaker is no playback. I’m sure that was intentional on their part. The external video playback in the hdmi recording doesn’t account for potential corrupt files to see on the internal recording, but I guess you have a backup anyway. Still a hassle, but a great camera
Been waiting for this video! So good! In your opinion, between something like this and a lumix bgh1, which is the better mft mini box camera? I love Blackmagic colors and would love to get one as an upgrade to my Lumix g9. Thoughts?
Great review, Will. Did I hear you say this camera has a Global Shutter? Just rewatched. It's a rolling shutter. Must've imagined it. Or wished for it 😂
Great review! Been waiting for it for a while! Now, I'd love to see different rig configuration senarios in detail and cinematic footage! Keep up the good work! Cheers :) 👍👌😊
The camera will do just as well in low light as any of the pockets-but will be much easier to place in a club environment given its size and lack of screen 👍🏻
You can trigger the VA to record by hitting the record button on the camera, but you cannot trigger the camera to record by the video assist regardless if it’s 3G or 12G.
Oh man this might be what I'm looking for. Been shooting a car series and the GoPro 12s are overheating like mad and generally useless. On your Tarus shoot (awesome job btw) did they overheat at all in the direct sunlight? How about rolling shutter / jello?
how do you find this as a low profile handheld rig? Have you found any issues powering it with a battery for long periods? Tempted to build a small rig to go with my ursa and 6k while using an xperia phone as a monitor for a really portable set up
There are massive differences between the two. Unless it was strictly a webcam I would not consider the g1 studio. However, the original Micro CINEMA Camera (not studio) is still a great camera. It records compressed dng raw (not BRAW) and is limited to 1080p but the results are stunning. Please see my recent video comparing it to the OG pocket.
Man thanks for this review! I'm looking to upgrade for cameras for filming baseball games. I need a camera that can hang on a fence at a fixed deep focus and run in Southern California summer heat for 3 hours straight. My GoPro's cant do it. My Sony A7iv can't do it and an FX3 isn't in the budget. 4K BRAW for under 1k!?
We’re using a few Micro Studio Camera 4K G2 units with the ATEM Television Studio Pro 4K Production Switcher. Through the ATEM software, we’re able to control focus, zoom, gain, etc., but we can't remotely start/stop recording. This is a challenge since our cameras are positioned high up on C-stands, making manual control tricky. I know the Blackmagic Zoom Demand has a built-in record button, but is there a simpler, more affordable solution-like a single remote red button for record/stop control? If only someone would make one! 😅 Any ideas or suggestions would be appreciated!
Thanks for the video! I have a question: Do you think a conventional lanc rec start/stop button connected to the usb-c port would also work? Cheers, Steve
So im filming lot of videopodcastes with Panasonic GH5. Thinking of switching. How is quality/low light performance compere to Gh5. Recording to Atem Iso.
If they just added SD card slot it would been a great camera, as I am not keen on using USB cables as the cables breaks too easily and ports gets loose over time.
Adding the sd slot would have probably required BMD to remove the SDI ports as with the G1 Micros. The USBC port can be protected with the USBC lock for XLCS Cage or with a locking USBC Cable
Hi, can you record externally to an ssd 1080, 2k or is it only 4K? I need one to record to an ssd, maybe in 1080 or 2k events that can last up to 8 hours. Thabks for your help in advance! Bests regards from a Venezuelan viewer in Panama!
Unfortunately you can only record in 4k to ssd. 1080 would require you to use an external recorder like a video assist or Atmos. Hopefully this changes in a future firmware update but for now it is the only way.
This is the most comprehensive video out on this camera! I have two and ordered your cages and multiple accessories and have built out two micro cinema beasts that I am using in interviews, event coverage and as broll rigs on my gimbal. Great job!
Thank you so much!
This video and the one about the cage were the reason I ordered one. I can't wait to ditch my GoPros on stage and step up my concert videography with the new 4K G2.
I really appreciate the pull no punches approach to this review. I for one am really not impressed by all the numbers, what impresses me is the image a camera can produce and that’s why I want a black magic camera. Yes it takes some finessing but that is where the true art comes from. After all if a camera did everything perfectly for us aren’t we then just a tripod?
Good points! Thanks for watching!
One of the best Car Edit on YT and it's inside a camera review :D
Literally thank you for doing a review using video and audio from the camera in the video. Just watching your video answers my a lot of my questions.
So glad it was helpful!
Great video will! Thanks for the shout out, couldn’t have made any of my onboards work without the killer accessories you’ve made for the camera. ❤️🙏🏽
Best camera review I've ever seen! Good work mate, very informative and I appreciate the effort involved in making this!
All I was waiting on was seeing whether the USB-c port can handle multiple outputs. Thank you!
Glad I could help!
Same here
@@WillvonTagen but I didn't understand if I could send a clean signal via sdi and simultaneously receive a dirty signal via hdmi with all possible data, including histograms, if any, in the camera and focus picking
Good to see your review on this. Loving the rigging capabilities of the XLCS case for this. I wasn't sure if I really wanted a zoom demand handle, but, I think you've convinced me that it's probably a smart move for the programmability of the buttons and lack of Bluetooth. One note; I did get a Belkin USB Ethernet adapter and was able to remotely use the Lens control HTTP API pretty easily once I understood that in most cases, the GET method returns the 'current' settings in a JSON object. To change the settings, I send a PUT request with that same object with the settings altered that I wanted to change. As practice, I made a zoom-in button that adjusts the aperture and then zooms in using powered zoom to 40mm. Then waits 10 seconds and zooms out again and resets the aperture with 6 HTTP requests using curl to two API endpoints; control/v1/lens/iris and control/v1/zoom. Two to get the current settings. Two to open the aperture and zoom. Two to set the aperture and zoom to what they were. These are the kinds of things that I would be doing with Bluetooth. I might take a look at the construction of the zoom handle and disassemble it to see if I can make it a bit more compact. One final note, the ATEM camera control works pretty well. I have an ATEM mini pro and it can make a myriad of camera adjustments with the software control but it does require that you lug around a laptop also to run the control software.
Great info, thanks! You think you could build a simple controller device using ESP32 or arduino boards? The challenge would be usbc loop for recording though *i guess*
That handle would eliminate 2 physical issues I have and solve at least 3 problems on my shoulder rig. Hope they release more!
Agreed!
I see two cameras on a single tripod with a 35mm and 85mm focal length for interview/talking head. Or whatever length. On the cheap. Add an overhead shot too. Tons of potential.
Definitely!
Wanted to get this as a dedicated gimbal and car cam, but I think I may get a few more for live events too. Can’t wait, this review got me totally jazzed!
So glad it was helpful!
And here I was looking to pick up a dji osmo pocket 3 for studio and webcam streaming on the cheap with options to take things outside. Some how I got here. Can I really use a Micro G2 or something cheaper to build a more complete set up in stages? I mean how much will this set me back to get it used for talking head / live webcam / product view type of camera? Looks pretty complicated if I am being honest. Love that I can get lenses for it over the fixed 20mm pocket 3 but yeah these costs ramp up quick. Edit: Just wanted to add that I've been flipping back and forth between budget mirrorless camera options as well. Notice many older used cameras dont offer 10bit color for 4k or tend to overheat or have a big crop. The rabbit hole has me searching more and more.
Excellent! Thanks again, Will, your Blackmagic reviews are top-tier. You're a Genius. 😎
Thanks so much and thanks for watching!
Excellent video! I just bought a pyxis 6k and was thinking about getting this as my B camera. Now I'm sold!
Wait, did you say under a 1000!!!!!!!!
Lol, That was the first thing I heard
By 5 dollars without tax
so you cannot record 4k with a video assist screen???
Yes, you can record 4K. Just not in BRAW format.
Times change. Imagine a superb 4K camera and awesome editing suite for a price of 1 year Adobe Premiere subscription. I hope, Blackmagic still gives Davici Resolve Studio licence with their cameras. Of course, you have to buy some accessories, but lenses are so available these days on secondhand market.
12:19 is the key for us, getting close to the subject for wildlife work. Great video u have another subscriber but we are already BMD fans LOL!
Okay, NOW you've convinced me this has a potential place in my studio. While the zoom demand may not be tiny, the fact it can do all the things you pointed out gives it the potential to act like the URSA handle with a few extras one used to get from a expansion port remote. Now if Blackmagic can simply give it all the record options as the Pocket 4k, patch the issue you found and maybe release a mini zoom demand equivalent handle, maybe they could call it the micro demand handle, then this would be a near perfect upgrade; however, the zoom demand seems to solve my biggest grievances even if it isn't tiny or inexpensive.
So glad it was helpful, thanks for watching!
That was an outstanding breakdown of the features and benefits. Thank you for making it clear and informative. Great job!
Thanks for your hard work and time in putting this together. Really liked the two hacks. I was not aware of either. Also liked that you spent time on the clean output issue and the need to fix it. I use the camera for live streaming so these issues are very important. Another issue is if you have many of them connected to an ATEM via SDI you need a separate return SDI program feed going to each camera in order to control the camera via SDI (not needed for HDMI control). One then has to incorporate other work arounds to create enough program feeds for each camera being controlled via SDI.
Thank you. awesome video, you are deep diving into the pros and cons of the great little Micro G2 here. That is the best round up on this cam I have seen so far containing ´hacks´ I was not aware of before (e.g. using the Zoom Demand handle in conjunction with Belkins USBC hub, the mic input and so on..) and suggestions to improve further iterations of the cam. I hope BM is watching/listening and will act accordingly! For a short time I thought that the new Mevo Core cam would be a better alternative at present, but now I am again very tempted to get a G2 (when it wiil become available here). And then, of course, will get your awesome cage. We will see if BM releases some news at NAB. Again, thank you very much, Will, well done! 🎸👍
My pleaser, thanks for watching!
Very nice review. Thanks!
Thank you!
I had the OG for years and it is still a workhorse. I got the new G2 and it just expands my capabilities and is such a special tool for a videographer. I use my trusty BM Video Assists that I have picked up over the years. Just such a good paring. I do have the T5 and T7 SSD's but prefer the Crucial X9 or X10 - better form factor and much faster. I have also done some mini NVME 2240 drives that reduce your footprint further and have insane speed. 4K is fine for my work since I have no dreams of going to Sundance. :) I use the small lenses on these cameras. The Samsung 25mm and 45mm are two of my favorites. But if you like a good cinematic look, I go to the classic Angenieux lenes with a C to MFT adapter. Such a special look. Thanks for your videos on this camera and especially the one about the menu system. 👍👍👍
Will I just bought the camera, this was a very helpful & detailed video. Thank you for the work you put into it. (Niall)
So glad it was helpful! 👍🏻👍🏻
Great review. What lens were you using for the taurus shots please?
@@keshhh that was the Laowa 9mm zero D f/2.8. Awesome wide angle for MFT 👍🏻
@@WillvonTagen Thank you! Did the footage from that suction mount need any stabilisation/jello correction? I'm considering getting this for some rigid mounting in car chase scenes
No stabilization added at all to those shots 👌🏻
Your cage would go crazy with the falcam quick release system. Would love to get a kitted out G2
This was the review I was looking for. Liked and subbed. Fantastic approach.
Thanks for the sub! Glad I could help!
Working in post and vfx I can say that rolling shutter can have a serious impact on a successful track and I would think could affect stabilization as well. We mostly use Alexa footage which has very little rolling shutter but it very obvious how much better it is to track footage from a global shutter camera.
Perfect review, thank you for all the clarification man ! and ur rig kit is just perfect for this camera
Thank you so much!
Excellent review, thanks. Maybe a few more video samples under studio lightning, setting up a live production, etc.
Great vid - Long shot but do you think this would work with DJI's RavenEye? I'm trying to avoid having to use an external screen mountd on the rig
It does work with Raveneye. The HDMI output to the Raveneye receiver is an easy setup. I just hooked it all up in my office and it works great.
@@ChristopherCClark thanks a lot for testing, much appreciated! I think I have no more excuses not to buy it now
Just received my kit and love the build quality and the thought put into this product. I would have loved to see some instructions with the kit too perhaps its online?
Plus excellent summary of this great little camera.
Thank you!
Great vid man, thanks, clears up a lot about this cam. Can you trigger record via sdi too?
Glad I could help! Yes, you can also trigger via SDI.
I would love for blackmagic to develop a stable wireless camera control ststem - similar to what DJI have done with the Ronin 4D. Having this camera as a bag drop camera with the ability to change settings and monitor remotely would make it even more versatile.
That would be pretty neat but I don’t see BMD going down that route.
I saw one of your comments on the BMD forums referring to an updated version of this (with mounting holes matching those on the body). I know you've probably got your hands full with the Pyxis cage launch (congrats on that, btw - it looks awesome!), but I'm curious to know if you have an estimate on when that might be released? Thanks!
Hi! Yes, I will update slightly before the next production run. It’s unlikely those would be out before the end of the year-so likely January 2025 but it depends on how long the current inventory takes to sell off.
@@WillvonTagen copy that; thank you so much for the reply!
Been broadcasting with the G2 for a month now. Can’t wait to get there (3) more. Have to get your rig system first. 😊
You would think most editors would be able to handle BRaw but I had one literally cry about it once. Some editors will freak out if you even mention raw to them.
22:55 is there any possibility to use Blackmagic URSA Cine EVF, type c model
Not yet, but BMD says they’re working on it.
Nice review! What lens did you use for the car mount scene?
That was the Laowa 9mm 2.8 zero D 👍🏻
No internal playback is a massive bummer
True, but the video assist is a big help with that.
Typically on other cameras I have an atomos mounted anyways and I find the interface of the atomos to be a lot more intuitive for playback
But the example given of a car rig where the monitor has to be disconnected does make it clear that internal playback of some kind would be needed at times
those car shots look so good
Thank you :)
Will the metabones 0.58x speedbooster attach without damaging the camera? I know it might vignette and I honestly amd fine with that, I just want to avoid any physical damage.
You could try. It would likely fit without damage since the mount to sensor distance is the same but I don't know about the sensor filter glass thickness or distance. I would be careful--and either way I cannot say for sure.
I’m just trying to understand where this fits for me with my R6 mk2, my Pocket 3 and Action 5. I’m quite satisfied with the video from all three of those. Would the G2 better them? Is the difference significant?
Excellent reporting! Thank you for all the effort!
My pleasure, thanks for watching!
all the camera controls are accessible through the atem app , using an atem switcher or an arduino/sdi board.. camera controls come in the sdi in through the hyperdata..
Excellent presentation.
Thank you very much!
To me it's arguably better than the Pocket due to the form factor. I often find myself shooting vertical (ugh) for clients who need it, and the box configuration with a cage can easily be adjusted for it.
What a great little camera. I already have a compatible monitor and some SSD drives that I used when I had the BMPCC4K. So, this could be a great option as a B or A camera. Thanks for the walkthrough. Susbcribed.
Thanks for sharing and thanks for watching!
Great review. I took screenshots of every rig you showed 😅
The image quality is great. You did a great job grading the footage. I would really appreciate if there was an opportunity to buy a lut from you
brrooo! awesome video! love the attitude of "get over it" the real talk is great bro! Thanks for the video!
Thanks so much!
One thing: I am using my G2's for live broadcasting to a big screen via HDMI and I can use the clean feed option, so this working not only via SDI.
Great content as always, will! I wanted to ask you for advice on which camera to buy. I'm undecided between the bmcc 2.5k and the bmpcc 4k. the first one has a true cinematic look, but the lack of versatility in terms of ISO and framerate scares me; for the second the opposite applies: it seems too video-like and not cinema-like, even if it has other great features. after seeing this video, studio 4k also seems like an option to me. what do you suggest? thanks a lot!
That might depend on your work. I really don't use slow motion much personally so if it was just hobby work I wouldn't need it. But if you are anticipating paid work where you might need it--it could be helpful. A third option is the original Micro Cinema Camera. It has the same sensor as the Pocket OG but can do 60p.
I see. Well, buying and rigging the Micro would cost me as much as purchasing the Pocket 4k (based on what I found on ebay), so I think this one is my best option, just because of it's great features. However, is there a way to crop the bmpcc 4k sensor so that I can get a s16mm sensor look out of it? I really love the Pocket OG, so maybe I can somehow replicate its image quality and cinematic look for my projects, without renouncing to the versatile Pocket 4k features for other works. Thanks!
Crazy update : now I can control the camera setting using my phone in Ronin App using raveneye.
That’s awesome! Would love to know more!
@@WillvonTagen after connecting monitor to it, I lost camera control option, maybe a spitter might help. I need to get another usb hub. Well I also got this trigger record and cache in ronin app. There might be a slightly possible option that we might be able to trigger record using ronin app. I’ll keep u update tmr. For the time being by connecting usb-c from camera to RavenEye RSS port (usb-c) I can change shutter speed/angle, ND filter and temp/gain.
@Will von Tagen Will the USB-C port work with an SD card reader? Was thinking it would be great to get one of the tiny Micro SD card readers and just plug that into the side for capture. This possible?
Most likely. I was messing around for a bit with building a cfexpress card adapter for this but it had enough issues for me to stop. The camera saw the card and recorded to it-but I had to format the card on a computer. Also the camera has to be powered off and on to recognize a card being removed or inserted. But maybe it will work better with micro sd-I say give it a go 👍🏻
What an outstanding overview, thank you so much. I've been wondering about how this cam could be rigged for various applications other than just in studio. It's a shame it doesn't have bluetooth - being able to use the app with it would be awesome, but hey, it's already amazing value. I run a Z Cam E2 F6 and the app does really adds to how and where you can use it.
One quick question: with only one USB C port, is there a way to use the Zoom demand handle and an SSD at the same time?
Hi, thank for the kind words. Yes, in the video I show how you can use a usb hub to use both ssd and the handle. I cover this right after talking about the handle :)
@@WillvonTagen ah great, apologies I hadn't picked up on that.
It creates a fantastic image for the price, and small cube formats are so flexible, seriously thinking of getting one. Thanks again.
lack of BT was a serious miss IMHO
Good review. Is it possible to use the camera as a webcam attached to camlink and running the OBS studio? Another question, which is the lenses on your setup that offers you the best "film look" ? Cheers!
Great video! And great channel! Even if they added the USB-C recording option, and since this is called "studio" do you think they'll release a BM Micro Cinema Camera G2? Something similar to this BM Micro Studio, but with some sort of internal media (SD, CF type A)?
Great review! And that’s a sweet Vette.
The car is almost as cool as the guy who drives it! But rumor is he doesn't put Mobile One in it...
@@WillvonTagen 🤣
This was an excellent review!
Thank you!
What lens were you using for the driving bits? LOVE the flares!
That is the Laowa 9mm 2.8 :)
@@WillvonTagen thanks!
Honestly the only thing that kinda makes it a dealbreaker is no playback. I’m sure that was intentional on their part. The external video playback in the hdmi recording doesn’t account for potential corrupt files to see on the internal recording, but I guess you have a backup anyway. Still a hassle, but a great camera
Been waiting for this video! So good!
In your opinion, between something like this and a lumix bgh1, which is the better mft mini box camera? I love Blackmagic colors and would love to get one as an upgrade to my Lumix g9. Thoughts?
Great review, Will. Did I hear you say this camera has a Global Shutter? Just rewatched. It's a rolling shutter. Must've imagined it. Or wished for it 😂
Great review! Been waiting for it for a while! Now, I'd love to see different rig configuration senarios in detail and cinematic footage! Keep up the good work! Cheers :) 👍👌😊
Thanks for watching! Cheers!
I bought your cage it’s great perfect fit
Glad you like it! Thanks for the support!
Hey Will, thanks for all the details. What lens did you use for the action shots?
Thanks for watching! I used the Laowa 9mm 2.8 Zero D 👍🏻
Brilliant review. Love the opinionated commentary. It's so on-point.
Thank you so much!
How would you build this camera out as a follow cam for a livestream? Lenses?
I don’t know a whole lot about that type of use, sorry.
Do you think this camera would be good fixed camera for capturing DJs in a club(low Light)? or would one of the pocket cinema cameras be much better?
The camera will do just as well in low light as any of the pockets-but will be much easier to place in a club environment given its size and lack of screen 👍🏻
I want a Swiss army knife hybrid camera. Is this camera serviceable for still photos?
It does not shoot photos, sorry
Great video ! thanks for the very helpful videos. 🙏
Thank you and you're welcome :)
Can you trigger recording using the Video Assist 3G monitors?
You can trigger the VA to record by hitting the record button on the camera, but you cannot trigger the camera to record by the video assist regardless if it’s 3G or 12G.
@@WillvonTagenperfect! I’m looking at buying one to use as a “nicer GoPro” for my automotive work 😅 should fit into some cool places!
Oh man this might be what I'm looking for. Been shooting a car series and the GoPro 12s are overheating like mad and generally useless. On your Tarus shoot (awesome job btw) did they overheat at all in the direct sunlight? How about rolling shutter / jello?
Thanks! No heating problem at all and zero jello. I didn’t even stabilize the shots in post. Used a Laowa 9mm 2.8 lens.
Got one in December, love it
It would have been great if they had included resolve studio with this
Would have been great, but it's still a great deal. Same price the G1 was when released 8 years ago!
@@WillvonTagenoh, one question, can this take timecode input from 3.5mm jack like the pocket can?
@@wenjun_ntimecode works through the 3.5mm. I used it with the Deity TC-1.
Fantastic review!!!
Glad you liked it!
how do you find this as a low profile handheld rig? Have you found any issues powering it with a battery for long periods? Tempted to build a small rig to go with my ursa and 6k while using an xperia phone as a monitor for a really portable set up
what's the difference between G1 vs G2? Can you shoot BRAW on G1? would you still consider G1 this time?
There are massive differences between the two. Unless it was strictly a webcam I would not consider the g1 studio. However, the original Micro CINEMA Camera (not studio) is still a great camera. It records compressed dng raw (not BRAW) and is limited to 1080p but the results are stunning. Please see my recent video comparing it to the OG pocket.
Man thanks for this review! I'm looking to upgrade for cameras for filming baseball games. I need a camera that can hang on a fence at a fixed deep focus and run in Southern California summer heat for 3 hours straight. My GoPro's cant do it. My Sony A7iv can't do it and an FX3 isn't in the budget. 4K BRAW for under 1k!?
So glad it was helpful!
Thank you, i finally made up my mind. I will be buying this soon.
What’s the name of the rig attached to the side of the car in motion please?
is it support Blackmagic BlueConnect like bmpcc4k?
I thought about one, but does it do face tracking or autofocus ?
It technically has autofocus but not continuous. From what you listed though, no. No Blackmagic camera has any of that.
thanks for the reply sir, ill just keep my Eos-r then.@@WillvonTagen
LOVE the car footage! Q: what did you use to mount it in the car?
Thanks! Just a cheap Ulanzi suction cup mount from Amazon and a magic arm 👍🏻
For the zoom demand handle, is it just as HID device (like mouse/keyboard)? If so, it might be easy to DIY an alternate in a smaller/cheaper solution.
I'm not sure--but maybe someone else here knows. That would be cool.
We’re using a few Micro Studio Camera 4K G2 units with the ATEM Television Studio Pro 4K Production Switcher. Through the ATEM software, we’re able to control focus, zoom, gain, etc., but we can't remotely start/stop recording. This is a challenge since our cameras are positioned high up on C-stands, making manual control tricky.
I know the Blackmagic Zoom Demand has a built-in record button, but is there a simpler, more affordable solution-like a single remote red button for record/stop control?
If only someone would make one! 😅 Any ideas or suggestions would be appreciated!
Thanks for the video! I have a question: Do you think a conventional lanc rec start/stop button connected to the usb-c port would also work? Cheers, Steve
just to verify, this g2 model does have a 2x crop (as opposed to like a 2.88x crop)? 🤔
Correct. G2 has the standard 2x MFT crop
I'm soooo glad you mentioned all the chatter about these camera geeks
When it comes to lenses don't forget the wonderful Leica 9mm f1.7 mft lens.......
I'm still trying to work out how to trigger the shutter remotely in my one man band YT studio without having to buy an Atem - ideas??
So im filming lot of videopodcastes with Panasonic GH5. Thinking of switching. How is quality/low light performance compere to Gh5.
Recording to Atem Iso.
do you know if the new Atomos Shinobi II will work with this camera?
Can the zoom demand navigate the cameras internal menu?
If they just added SD card slot it would been a great camera, as I am not keen on using USB cables as the cables breaks too easily and ports gets loose over time.
Adding the sd slot would have probably required BMD to remove the SDI ports as with the G1 Micros. The USBC port can be protected with the USBC lock for XLCS Cage or with a locking USBC Cable
Hi, can you record externally to an ssd 1080, 2k or is it only 4K? I need one to record to an ssd, maybe in 1080 or 2k events that can last up to 8 hours. Thabks for your help in advance! Bests regards from a Venezuelan viewer in Panama!
Unfortunately you can only record in 4k to ssd. 1080 would require you to use an external recorder like a video assist or Atmos. Hopefully this changes in a future firmware update but for now it is the only way.
@@WillvonTagen thanks so much my friend, you saved me!
Is the micro g2 sensor 2x crop like other mft cameras?
Yes, 2x crop :)