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I love her voice. There's something about the way she sings that reaches me and moves me
Gorgeous work here and well place vocal production. Finally none of droopy, breathy or overly aspirated straight toned circus nonsense so often part of these Baroque excursions. Wonderful and clear.
Talentueuse et émouvante !
Merci Katherine. Y ou re sublime
J'adore la voix de Katherine Watson depuis que je l'ai entendue à Versailles chanter dans le Messie de Handel sous la direction de William Christie
4:24 Unclear stupid conductors will be the death of us all.
This conductor did it precisely. Whole bar in small gesture, so the orchestra knows the tempo. And they know about it from rehearsals.
Matěj Pokorný I think he’s making reference to the harpsichordist coming in early and misunderstanding the conductor’s beat.
Superbe voix, magnifique aussi dans la récente Theodora : ua-cam.com/video/cGjeKWOjW_A/v-deo.html
What is the name of this aria?
Armide Acte V Scène 5 : "Le perfide Renaud me fuit"
Užasný soprán....
I love her voice. There's something about the way she sings that reaches me and moves me
Gorgeous work here and well place vocal production. Finally none of droopy, breathy or overly aspirated straight toned circus nonsense so often part of these Baroque excursions. Wonderful and clear.
Talentueuse et émouvante !
Merci Katherine. Y ou re sublime
J'adore la voix de Katherine Watson depuis que je l'ai entendue à Versailles chanter dans le Messie de Handel sous la direction de William Christie
4:24 Unclear stupid conductors will be the death of us all.
This conductor did it precisely. Whole bar in small gesture, so the orchestra knows the tempo. And they know about it from rehearsals.
Matěj Pokorný I think he’s making reference to the harpsichordist coming in early and misunderstanding the conductor’s beat.
Superbe voix, magnifique aussi dans la récente Theodora : ua-cam.com/video/cGjeKWOjW_A/v-deo.html
What is the name of this aria?
Armide Acte V Scène 5 : "Le perfide Renaud me fuit"
Užasný soprán....