Aaha , delicious PAAYASAM ! Tai's sweet voice is SUGAR . Tai's style of singing is tasty SEMIYA . This beautiful raaga is COW MILK . Shruti is the essence of CORIANDER . Rhythm is pure GHEE . Male accompaniment is crispy CASHEW . ( I think it is of Dr. Pandit Arun Dravid ji ) Female accompaniment is properly fried KISMIS . Thank you for blessing me this holy PRASADAM early in the morning . Mrs Rajya Lakshmi Pantulu .
This is quite different from the Khambavati presented here: ua-cam.com/video/i0S4jxjJjNc/v-deo.html -- It does sound a little bit like Rageshree here in the early presentation, but still so wonderful and the bandishes are famous Khambavati ones
It is closely related. However Khambavati avoids the use of Rishabh at all, while Rageshree uses Rishabh in avaroh. Apart from that the the specific use of pattern the higher Shadaj being impacted by Dhaivat in the Aaroh and the other pattern using Gandhar, Madhyam, Gandhar and Shadaj in a behlawa first and a khatka later in Avaroh is iconic to Khambavati. Rageshree would instead use a meendh which also includes Rishabh. Also what is mentioned below is a Khambavati of Jhinjhoti ang. Which behaves very differently.
Kishori Tai used to sing two versions of Khambavati. This one is the traditional Jaipur Atrauli Khambavati (Khamaj thaat) which is is similar to Rageshri. The other one is Khambavati (Jhinjhoti ang). Very different moods both.
Aaha , delicious PAAYASAM !
Tai's sweet voice is SUGAR .
Tai's style of singing is tasty SEMIYA .
This beautiful raaga is COW MILK .
Shruti is the essence of CORIANDER .
Rhythm is pure GHEE .
Male accompaniment is crispy CASHEW .
( I think it is of Dr. Pandit Arun Dravid ji )
Female accompaniment is properly fried KISMIS .
Thank you for blessing me this holy PRASADAM early in the morning .
Mrs Rajya Lakshmi Pantulu .
Beautiful.........
Thank you ji .
Is Khambavati closely related to Rageshree?
This is quite different from the Khambavati presented here: ua-cam.com/video/i0S4jxjJjNc/v-deo.html -- It does sound a little bit like Rageshree here in the early presentation, but still so wonderful and the bandishes are famous Khambavati ones
I also felt it like Rageshri
It is closely related. However Khambavati avoids the use of Rishabh at all, while Rageshree uses Rishabh in avaroh.
Apart from that the the specific use of pattern the higher Shadaj being impacted by Dhaivat in the Aaroh and the other pattern using Gandhar, Madhyam, Gandhar and Shadaj in a behlawa first and a khatka later in Avaroh is iconic to Khambavati. Rageshree would instead use a meendh which also includes Rishabh.
Also what is mentioned below is a Khambavati of Jhinjhoti ang. Which behaves very differently.
Kishori Tai used to sing two versions of Khambavati. This one is the traditional Jaipur Atrauli Khambavati (Khamaj thaat) which is is similar to Rageshri. The other one is Khambavati (Jhinjhoti ang). Very different moods both.