The Met: Live in HD 2016-2017 Idomeneo: Tutte nel cor vi sento furie del cupo averno
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- Опубліковано 5 вер 2017
- Mozart’s first operatic masterpiece returns to the Met in the classic Jean-Pierre Ponnelle production, conducted by Music Director James Levine. The superb ensemble includes Matthew Polenzani as the king torn by a rash vow, mezzo-soprano Alice Coote in the trouser role of his noble son Idamante, soprano Nadine Sierra as Ilia, and soprano Elza van den Heever as the volatile Elettra, who loves Idamante to the bounds of madness.
莫札特首齣歌劇傑作以經典的尚-皮耶‧龐內爾製作版本重返大都會歌劇院，並由音樂總監詹姆斯‧萊文擔任指揮。華麗的演員陣容包括馬修．布蘭札尼飾演輕率起誓的國王；女中音愛麗絲．庫特反串國王高貴的兒子伊達曼特；女高音娜丁‧塞拉飾演伊莉亞；女高音愛爾莎‧范登‧希爾飾演瘋狂愛上伊達曼特的埃拉克特拉。
She is absolutely AMAZING! Brava Elza! 😘
Il tempo...
Was it a crack at 1:35 ? Btw, excellent performance.
true , calata
No. Parlando. It’s a stylistic aspect used in despair type arias. Soprano Hildegard Beherens was in this original production( and on the video back in the 1980’s) and used it in two arias in this opera. This moan on the last phrase of a stanza in an aria is widely used in Verismo operas. It creates a parlando effect. Teresa Stratas used it to great effect in her career. In Mozart it can very exciting and create a feeling the aria is not just another tune which often happens in that period stylistically. It’s also used at the lower notes in the aria.
Not a crack!!!! Parlando!
Elettra is one of the most vivid characters in opera. Her first and third arias are masterpieces of frustrated rage. Hildegard Behrens was the ideal interpreter of this role when the production was new in 1982. Unfortunately Miss van den Heever is unable to imbue the part with life or authenticity. Her gestures are strained and her facial expressions verge on the ludicrous. The singing is good, though.