I have just read the reviews about this Turandot and all of them were about "Amazing performance", "Anna was the real star with crystal high notes and a deep bottom". It is so sad but if the public keeps clapping this shit, this is not gonna change. THANK YOU for the video
Alas, they’re the people who says “haters gonna hate!” Or says “Screw the haters!” While they don’t foresee critical point of views on how actual opera singers sings.
Just another example of the death of Italian opera singing. Maria Callas predicted this long ago and it took a while but now we have the evidence. Would not consider for one moment to pay money to hear 3rd rate performers.
in Russia, media are trying their best to promote him as a great opera singer of international level. "Critics" are delighted with his great bleating. Recently, I even read a news article about Domingo gala in Moscow in which Eyvazov participated and they wrote that "Experts often compare his voice with the great Aureliano Pertile and Franco Corelli". I almost died.
Not even '' 'o sole mio '' ...considering that voices like Caruso, Gigli. di Stefano had sung and recorded this Neapolitan evergreen... Netrebko's ATTEMPT to sing Turandot was bad enough - her insistent trying to promote her husband always makes the matters even worse - thls Arena Turandot performance is probably the worst case so far.
I predict she'll be singing as a mezzo into her eighties and start a new career like Plácido Domingo. As long as she gets paid she'll be singing in one tessitura or another.
@@kayaalniak3423 hell yes. I heard his Nabucco a few days ago and it's as bad as watching a donkey trying to get an elephant pregnant. The donkey may have a beautiful voice, but it's just not the correct cale with the elephant (if you know what I mean). He is not a baritone nor a baritenor.
Corelli and Nilsson are rolling in their graves....YES, WITH LAUGHTER! As I do with Netrebko since years and even more when she was young and her fans where hearing with their eyes....
THANK YOU DEAR SIR... You have contributed greatly to the history of COMEDY with this amazing document! Now I need not worry whenever I want a laugh, this is where I will visit!
La "voce" della Netrebko è così instabile e schiacciata dall'impossibilità di eseguire la partitura, che sembra stia per spezzarsi da un momento all'altro. E del marito che dire? Mi stupisco anche che si sia udita una nota, tanto è indietro e ingolata.
As russian i feel so bad for this. Never heard their "Gli enigmi" before. Always wondering how bad it can be. And OMG it is even worse than i imagine. Eyvazov is LITERALLY just opening his mouth without a sound at all. What a great modern opera, LOL.
You do not have to feel "so bad as a Russian" at all for such a performance. The leading artists were very bad and one should not make an issue of nationality out of it. Think of/remember the excellent singers that Russia has produced and feel better - Chaliapin, Vishnevskaya, Obraztsova, Arkhipova, Lemeshev, Nelepp, Atlantov, Galuzin, Hvorostovsky, Reizen, Mikhailov, Pirogov, Petrov, Nesterenko, Shtokolov - to name some of them. The list can go on and on.. Best regards..
All I can hear is her wobble. I have no idea what words she is singing. When a singer only makes noise like that it is like they are parodying their own voice. It’s so boring, all you do then is wait for high notes because they are like an instrument and not communicating.
Now I find that she is going to be singing Turandot at the Met this season. With her husband as Calaf. But I won't be able to attend. I'm busy re-arranging my sock drawer and soaking my comb on those evenings. Plus, I'll be listening to my Nilsson recording of Turandot.
Just now read this! Nope the Met canceled her because of her pro-Putin politics. She was replaced by a Ukrainian Soprano, who came out for her bows after Act 2 draped in the Ukrainian FLAG!
Anna was absolutely beautiful and wonderfully sounded… when she was younger. Then, she met her nowadays husband and that magnificent opera fairy had disappeared. Which is very sad. Very sad.
Ich denke, das hat überhaupt nichts mit ihrem "nowadays husbund" zu tun, sondern nur mit Netrebko allein. Sie allein ist verantwortlich für den desaströsen Zustand ihrer Stimme.
I think her decay started some time before she met Yusif Eyvazov, it started when she became a lyric commodity and started singing any role she was offered to become "an opera star", no matter how unsuitable they were. I've watched and heard her live as Aida (end 2022) and she did a good enough job of singing through the role (no obvious fails) but terrible body language to be honest, when she was on stage but wasn't singing any line, she had no expression and seemed disconnected from the drama around.
As someone who loved younger Netrebko and even travelled to go listen to her and even briefly met her in person... Seeing her decay to this hurts so so much...
I can now tell you Netrebko is not only wobbly and often off pitch, she even often got an inverted vibrato. (Check also Rebeka Lokar, Karola Agai and Desirée Rancatore who all have very interesting high notes sounding like car alarms 🚨)…
Disgrace. Eyvazov should not be invited to any major opera house. Unfortunately, he became the husband of a great star. And Netrebko? She was quite good in lyrical roles (even if her coloratura was not so strong, in comparison with other famous sopranos in the lyrical repertoire). But as Turandot or Aida, she is just an average provincial soprano.
Who is that louzy opera director that plays individually without care for the singers? In the second high C from "figlio del cielo" you can hear a delay from the orchestra to the singer of about 3 to 4 seconds. Where they playing on separate rooms or he just doesn't care for singer's breath?
Well, Afro, I would rather go back in time and watch a production of Turandot with the following singers and with Arturo Toscanini conducting. Calaf- Giacomo Lauri-Volpi Turandot- Roszi Delly Liu- Ljuba Welitsch Timur- Ludwig Weber Mandarino- Louis D'Angelo Altoum- Hubert Buchta Ping- Alfred Poell Pang- Angelo Mercuriali Pong- Renato Ercolani
Why the emphasis with Russian spectacle? Their bad quality does not relate with the nationality. Russia has given us no few astonishing singers. The corruption of today’s opera spectacle comes from western opera houses, disc houses and mostly western singing school.
Screaming and woofing, strained fake sounds from both. What a shame! Aivazov is sometimes presented on Russian posters as Netrebko's husband - a pitiful recommendation... -
Vulgar and campy is nothing new with the Netrebkos. It is what they know to peddle best. Since their appeal to the lowest common denominator knows no bottom, it is for this reason that they can (and do) get away with whatever artistic pulchritude they throw in the direction of audiences. Audiences will lap it all up, guaranteed. It is the same with Bocelli. In fact, a home video circulated last week of Bocelli as accompanist on the piano for, you guessed it, the Netrebkos. How do you spell c-h-e-e-s-e? That said, I don’t see a way for this art form to survive. On the one hand, there is this video as testament of something gone awry. On the other, no one can any longer compose in a “natural”, organic manner. These two problems have collided halfway and this is where we are.
And especially when Bonisolli as only Tenor in the history sang this 4 high Cs it was an incredible effect because of the quality of his singing in a certain way like it was when Callas interpolated the high note in Aida act 2 in Mexico. But this is nothing and what Mr. Netrebko did at the end of nessun dorma Bonisolli would have never done since he had an intelligent musicality and phrasing even with some extra acuti you could discuss about
Thank you very much for uploading this! As being in severe chock i can not give a comment and if i could......my words would not be right to put "in public". :(((((
I think it is her husband who is drstroying her voice… she started singing worse after they married. I have heard several interviews of Eyvazov and I guess they have a patriarchal type of family - he says she never makes him feel like she is the boss and he is like always the leader there… But i think they both’d be better singing separately, everyone in their league, that would benefit both of them, us and opera
Dreadful. Netrebko doesn't have the dramatic soprano voice to sing roles like Turandot. She's basically just shouting and squalling like a cat. Turandot should be sung by a big voiced soprano. The best Turandot's were Nilsson, Dimitrova, and Marton.
So much FILTH I must shower to cleanse myself of these horrific interpretations. Netrebko sings like she’s eating a hot dog. Mr. Netrebko - how does he have a career?
I just heard Yusif sing this role. There were nice moments but overall I didn't hear a voice that is suited to the role. Not hoarse or raspy; rather, foggy and just plain low on volume throughout, bless his heart. At first I thought it was acoustics but every other singer could be heard clearly over the rich orchestration. He sounds better here. :/
I don't necessarily take pleasure in the misfortune of others, but in the case of fascist friend Netrebko, any bad news is fine with me. The woman is not responsible for the downfall of opera singing, but she is a good example of how broken the star system is that pushes such voices up to mega-events, including Kaufmann, Damrau and Garanca. They sing incorrectly, sometimes in the wrong fach and turn opera into nothing more than a vulgar mishmash for an audience that celebrates itself.
Oh well the only people that understand opera, nowadays are too AFRAID to boo. I had tried to boo a terrible tenor just a few weeks ago in Norma, but the crowd just looked at me weirdly and continued their formalism clapping. Where the hell are the loggionists nowadays when we need them the most ???
@@BestOperaMomentsThat would be one of the few situations that I would gladly agree with the loggionisti. Specially for the ones where the singers use amplification.
@@SymphonyBrahms I'm starting to think that La Scala is only place that you can boo freely and i completely doubt that a shitty singer would dare to put a feet in the scenario.
@@dnor16 unfortunately Netrebko has been singing at La Scala's opening night several times these last few years (Chénier -with her husband!-, Tosca, Macbeth) :/ love how they've forbidden the audience to applaud or make noise until the end with the excuse it was all broadcast on tv lollll
Straordinaria, eccezionale Netrebko trovo sia il più grande soprano oggi al mondo nei ruoli drammatici e lirico spinto, lui voce timbricamente molto sgradevole alle mie orecchie...non riesco ad ascoltarlo
Her singing got worse, it is not comfortable to hear at all sometimes, like she has something stuck in her throat to spit out when singing low notes. I could never imagine she was singing this role. Wonder she was with the help of the magical microphone.
There's a way of saying in Italian when referring to a wrong technique where the sound is pushed back in the throat rather than correctly in the mask: "cantare alla Russa". Netrebko is the perfect example, what would actually be a nice voice ruined by the wrong singing technique
Funny enough, the vast majority of famous Russian singers of the Imperial or early Soviet eras were characterized by "masky" and often somewhat nasal sound (at least prior to the 1960s). On the contrary, throaty ingolata sound wasn't really common among them.
@@tripleaxell She was never coloratura...lirico spinto in the wrong roles and how can you imagine a charismatic woman with stage presence that beats all big singers combined like Netrebko to play 3 light boring roles for the entire career...
If I want seven real Turandots other than Bianca Scacciati, Gina Cigna, Christel Goltz, Gladys Kuchta, Birgit Nilsson, Ingrid Bjoner, and Gwyneth Jones, complete with smoky chest tones, vocal endurance, and blazing top notes galore, I would rather go with Erna Schlüter, Roszi Delly, Gertrude Grob-Prandl, Liane Synek, Ludmila Dvorakova, Nadezda Kniplova, and Ghena Dimitrova.
Vulgar? No, just Asian period design. Very like the two-dimensional art from that period. As for Anna N., her fans are not doing her or “Turandot” any favors by praising the kind of singing she does here. It’s for people who have never heard “Turandot” before. And I generally like Anna N.’s singing.
I'm confused. If I agree with @AfroPoli's description, am I supposed to click "thumbs up" or "thumbs down?" This is horrifying. It's as bad as that clip of "Pace, pace" from Covent Garden. And by the way there's also a clip of "In questa reggia" from Munich. Netrebko has become as entertaining (not in a good way) as Tebaldi and late-period Scotto.
Я не люблю этих певцов, но здесь ничего не слышно, побойтесь Бога. Как вы можете судить по такой плохой записи. И нет видео. В театре звучат овации, значит все было прилично. Ну, а чем в сущности отличается Пласидо Доминго в конце ролика ))))
Such a shame to see the once stunning Netrebko looking so tubby and vocally past her best. She was at her best paired with Rollando Villazon in the past.
Turandot es un papel muy, muy exigente en todos los sentidos, siempre se ha considerado el rol, para una soprano madura , por la complejidad que significa el personaje pucciniano. A mi Netrebko me parece una buena cantante, diva no lo es. Y, en este rol no da la talla, ya se ha visto en otros performance de esta misma ópera que no domina el papel y que está lejos vocalmente delo que ese papel requiere. Pero podría seguir cantando Donizetti, Bellini que se le va bien, sin ser belcantista. En cuanto a su marido….eso ya…ni hablar…
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I have just read the reviews about this Turandot and all of them were about "Amazing performance", "Anna was the real star with crystal high notes and a deep bottom". It is so sad but if the public keeps clapping this shit, this is not gonna change.
THANK YOU for the video
Alas, they’re the people who says “haters gonna hate!” Or says “Screw the haters!” While they don’t foresee critical point of views on how actual opera singers sings.
A deep bottom you say ...
LMAO, where can i read this reviews?
Eso sucede cuando un cantante encara roles no adecuados a su voz. Por grandes cantantes que sean... lo suyo.
Just another example of the death of Italian opera singing. Maria Callas predicted this long ago and it took a while but now we have the evidence. Would not consider for one moment to pay money to hear 3rd rate performers.
the worst thing Netrebko did to Opera was to push Yusif with her, he should be a pop tenor like Bocelli, singing Sole Mio with André Ries
in Russia, media are trying their best to promote him as a great opera singer of international level. "Critics" are delighted with his great bleating.
Recently, I even read a news article about Domingo gala in Moscow in which Eyvazov participated and they wrote that "Experts often compare his voice with the great Aureliano Pertile and Franco Corelli".
I almost died.
Not even '' 'o sole mio '' ...considering that voices like Caruso, Gigli. di Stefano had sung and recorded this Neapolitan evergreen...
Netrebko's ATTEMPT to sing Turandot was bad enough - her insistent trying to promote her husband always makes the matters even worse - thls Arena Turandot performance is probably the worst case so far.
That was very funny. It is also true.
@@AnshaAbdul no not Aureliano Pertile and Franco Corelli 😱😱
Bocelli once performed Werther and it was embarrassing to hear.
I predict she'll be singing as a mezzo into her eighties and start a new career like Plácido Domingo. As long as she gets paid she'll be singing in one tessitura or another.
Domingo as a PSEUDO-BARITONE was/is really unbearable, but the prospect of Netrebko singing into her eighties is a nightmare.
@@kayaalniak3423 Hahaha! She is already a nightmare of some sorts.
She is very unreliable, cancels a lot. I wont go out of my wAy to see her. I feel sorry for her hubby, he tries so hard…
As long as gullible people pay to see her NetrebCow will destroy opera.
@@kayaalniak3423 hell yes. I heard his Nabucco a few days ago and it's as bad as watching a donkey trying to get an elephant pregnant. The donkey may have a beautiful voice, but it's just not the correct cale with the elephant (if you know what I mean). He is not a baritone nor a baritenor.
Turandot is for singers what Cape Horn is for sailors: don’t try it if you can’t perform expertly in the heaviest weather.
What a shipwreck.
Corelli and Nilsson are rolling in their graves....YES, WITH LAUGHTER! As I do with Netrebko since years and even more when she was young and her fans where hearing with their eyes....
'Hearing with their eyes'
Absolutely true!
Я думаю имя Франко не марать рядом с Эйвазов
the only thing worse than hearing her sing, is watching her sing. YIKES!
Two broken ambulances.
Two cats howling at the moon.
@@SymphonyBrahms Two drunk cats...
Very mean, very true
@@PragueImport😅
THANK YOU DEAR SIR... You have contributed greatly to the history of COMEDY with this amazing document! Now I need not worry whenever I want a laugh, this is where I will visit!
Sometimes I'm glad to know Eyvazov doesn't have squillo
I mean would you wanna hear him from the back of the opera house?
@@oliverdelica2289 Or anywhere in the opera house.
Opera is dead. And she’s holding the knife.
Nice, dramatic image, lovely :)) (but yes, Rip, let's try and revive it though))
maybe holdng the knife but being not important enough to do any harm to opera at all.
Yes and before her Domingo, Pavarotti and Carreras where holding the knifes....Opera is a "show" - since those days....very sad!
The incision has beenmade😢
@@ulrikewermann1268 Oh, for the days of Bjorling and Nilsson.
La "voce" della Netrebko è così instabile e schiacciata dall'impossibilità di eseguire la partitura, che sembra stia per spezzarsi da un momento all'altro.
E del marito che dire? Mi stupisco anche che si sia udita una nota, tanto è indietro e ingolata.
“Who killed my mike? Ah, thank goodness. I can now respond to Princess Woofy”.
What's next for this destroyer of opera? Brunnhilde? Isolde? Any disaster is possible for NetrebCow.
As russian i feel so bad for this.
Never heard their "Gli enigmi" before. Always wondering how bad it can be. And OMG it is even worse than i imagine. Eyvazov is LITERALLY just opening his mouth without a sound at all. What a great modern opera, LOL.
Asamov tenorwinno what a bloody joke!
Don't get me wrong. I adore the great Russian art and soul. But these two are clearly something else.
@@AfroPoli Yes, i can agree with it.
@@mariabelya В этом как раз и вся потеха, т.к. оперу придумали раньше, чем микрофоны.
You do not have to feel "so bad as a Russian" at all for such a performance. The leading artists were very bad and one should not make an issue of nationality out of it.
Think of/remember the excellent singers that Russia has produced and feel better - Chaliapin, Vishnevskaya, Obraztsova, Arkhipova, Lemeshev, Nelepp, Atlantov, Galuzin, Hvorostovsky, Reizen, Mikhailov, Pirogov, Petrov, Nesterenko, Shtokolov - to name some of them. The list can go on and on..
Best regards..
Another one holding the knife killing opera is Jonas Kaufmann...also only for people listening with their eyes...
Yes! 👏🏻
I played this, and all the animals in the district started to howl. Then I started to howl too... Suggest free earplugs at live performances!
All I can hear is her wobble. I have no idea what words she is singing. When a singer only makes noise like that it is like they are parodying their own voice. It’s so boring, all you do then is wait for high notes because they are like an instrument and not communicating.
Thank Tenor sounds like a can opener!!!
And soprano sounds like a howling cat.
A rusty can opener.
Now I find that she is going to be singing Turandot at the Met this season. With her husband as Calaf. But I won't be able to attend. I'm busy re-arranging my sock drawer and soaking my comb on those evenings. Plus, I'll be listening to my Nilsson recording of Turandot.
Underrated comment, thx for the giggles :)
Just now read this! Nope the Met canceled her because of her pro-Putin politics. She was replaced by a Ukrainian Soprano, who came out for her bows after Act 2 draped in the Ukrainian FLAG!
Anna was absolutely beautiful and wonderfully sounded… when she was younger. Then, she met her nowadays husband and that magnificent opera fairy had disappeared. Which is very sad. Very sad.
Ich denke, das hat überhaupt nichts mit ihrem "nowadays husbund" zu tun, sondern nur mit Netrebko allein. Sie allein ist verantwortlich für den desaströsen Zustand ihrer Stimme.
Finally you start to hear with your ears instead of hearing with your eyes! Congratulations...
Yes, I saw her in "Le noZZe" st.Michel Finland. She was quite good Susanna👍 Z for the Gergiev and all the Putinist!
I think her decay started some time before she met Yusif Eyvazov, it started when she became a lyric commodity and started singing any role she was offered to become "an opera star", no matter how unsuitable they were. I've watched and heard her live as Aida (end 2022) and she did a good enough job of singing through the role (no obvious fails) but terrible body language to be honest, when she was on stage but wasn't singing any line, she had no expression and seemed disconnected from the drama around.
For god sake she has Always been a jock.... She does NOT know what singing means. She produces sounds hugly most of the time
The most overrated soprano of last 50 years...
There had been some others like Ricciarelli , tebaldi, Scotto... But she IS the worst of all. She is just a jock a kind of Florence Foster Jenkins.
As someone who loved younger Netrebko and even travelled to go listen to her and even briefly met her in person... Seeing her decay to this hurts so so much...
Honestly when was she good ? IS it a role she didnt kill ?
She was very good in Anna Bolena at the Met 2011, but it all went downhill.
I thought lyric sopranos had learned from Katia Ricciarelli's experience of Turandot... clearly not!
Ricciarelli as Turandot and Carreras as Calaf. Sigh…..
Karajan fked them up!
That was so sad.
I think Ricciarelli only recorded Turandot but never sang the role on stage!
I can now tell you Netrebko is not only wobbly and often off pitch, she even often got an inverted vibrato.
(Check also Rebeka Lokar, Karola Agai and Desirée Rancatore who all have very interesting high notes sounding like car alarms 🚨)…
she's simply ghastly here.
I had to put the speed at 1.25 to at least get a kind of well done vibrato/caprino cuz netrebko is just so God awfully wobbly
She's wrecking her voice, actually I think it's already wrecked
@@WelshHomo87 невозвратно,она изломала голос..не получив драматик..и уйдя от лирики
Disgrace. Eyvazov should not be invited to any major opera house. Unfortunately, he became the husband of a great star. And Netrebko? She was quite good in lyrical roles (even if her coloratura was not so strong, in comparison with other famous sopranos in the lyrical repertoire). But as Turandot or Aida, she is just an average provincial soprano.
That's really true. Some provincial soprano are better!
Provincial soprano, hahahaha
A below average provincial soprano.
Comically bad provinical soprano
Mamma mia ma che fine ha fatto la vera grande lirica? Semplicemente inascoltabile...
Who is that louzy opera director that plays individually without care for the singers? In the second high C from "figlio del cielo" you can hear a delay from the orchestra to the singer of about 3 to 4 seconds. Where they playing on separate rooms or he just doesn't care for singer's breath?
One of these days her wobble will be bigger than Eva Marton with the difference that Marton actually had a dramatic big voice.
And she can act!
Singers like Netrebko make me long for Eva Marton. She was a great dramatic soprano.
Marton's huge voice would pound through the theatre...she sang like she wasn't afraid to sing... and I loved it.
THIS,
Reminds me of a deadly car crash in a highway I tried to avoid looking at but couldn't help myself.
Povero Puccini.
I love your channel and what you actually expose.
Covid has affected the Italians' hearing, not just their taste!
Just russian and american tourists in the arena😂😂😂😂
that first one man.... how can someones voice be that small
Well, Afro, I would rather go back in time and watch a production of Turandot with the following singers and with Arturo Toscanini conducting.
Calaf- Giacomo Lauri-Volpi
Turandot- Roszi Delly
Liu- Ljuba Welitsch
Timur- Ludwig Weber
Mandarino- Louis D'Angelo
Altoum- Hubert Buchta
Ping- Alfred Poell
Pang- Angelo Mercuriali
Pong- Renato Ercolani
Hahhahahaha!! Im crying!!! This is so rediculous!! Thank you for the post!! Thats a Drug show! Not Opera for sure!
inascoltabile.
Si é terribile di ascoltare questo.
Why the emphasis with Russian spectacle? Their bad quality does not relate with the nationality. Russia has given us no few astonishing singers. The corruption of today’s opera spectacle comes from western opera houses, disc houses and mostly western singing school.
Nice screaming contest. I would pay to not listen this.
Like two cats howling in an alley.
Screaming and woofing, strained fake sounds from both. What a shame! Aivazov is sometimes presented on Russian posters as Netrebko's husband - a pitiful recommendation... -
LOL WTF! 0:23 - what is that? Somebody on the mixing desk raising the microphone gain just a tad too late?
Это позор..а Юсиф уже раскрыл свой рот..и молчание..ещё позор!
Cigna, Nilsson, Dmitrova, Merli, Corelli, Del Monaco must be turning in their graves....
Such a performance is an absolute low point for the Arena.
Vulgar and campy is nothing new with the Netrebkos. It is what they know to peddle best. Since their appeal to the lowest common denominator knows no bottom, it is for this reason that they can (and do) get away with whatever artistic pulchritude they throw in the direction of audiences. Audiences will lap it all up, guaranteed. It is the same with Bocelli. In fact, a home video circulated last week of Bocelli as accompanist on the piano for, you guessed it, the Netrebkos. How do you spell c-h-e-e-s-e? That said, I don’t see a way for this art form to survive. On the one hand, there is this video as testament of something gone awry. On the other, no one can any longer compose in a “natural”, organic manner. These two problems have collided halfway and this is where we are.
Puccini rose out of his grave...heard this performance and killed him again!
The opera's mafia era is here. Sadly...
and they're in the comment section too.
They look like muppets!!
Netrebko was singing everything in her performance.... except the notes.
Anna Netrebko and Yusif Eyvazov - No thanks.
hahahahahah what a wonderful work! do you have the whole recording of that turandot verona 2021 to share? best regards. gus.
07:05 Damn, now that's a definition of vulgarity!
Bonisolli at least had voice and technique for such show-offs. But Eyvazov...
Eyvazov is like a 60 y.o. harlot desperately trying to be seductive.
And especially when Bonisolli as only Tenor in the history sang this 4 high Cs it was an incredible effect because of the quality of his singing in a certain way like it was when Callas interpolated the high note in Aida act 2 in Mexico. But this is nothing and what Mr. Netrebko did at the end of nessun dorma Bonisolli would have never done since he had an intelligent musicality and phrasing even with some extra acuti you could discuss about
Usually it's cool when tenors sing the high C. It's a miracle how Eyvazov made the note empty and boring 😴😴
Bonisolli was like fine champagne. Eyvazov is like cheap beer.
Thank you very much for uploading this! As being in severe chock i can not give a comment and if i could......my words would not be right to put "in public". :(((((
I think it is her husband who is drstroying her voice… she started singing worse after they married. I have heard several interviews of Eyvazov and I guess they have a patriarchal type of family - he says she never makes him feel like she is the boss and he is like always the leader there… But i think they both’d be better singing separately, everyone in their league, that would benefit both of them, us and opera
To think about it, she destroys her career and reputation for him.
What a shame.
LMAO the last sentence was the best.......The longer the better.... ;-))
Dreadful. Netrebko doesn't have the dramatic soprano voice to sing roles like Turandot. She's basically just shouting and squalling like a cat. Turandot should be sung by a big voiced soprano. The best Turandot's were Nilsson, Dimitrova, and Marton.
You really like her, do you.
@@AfroPoli Sort of like listening to a police siren. Except that the police siren is in tune.
Due vocalità poco adatte a questo capolavoro.
Da anni questa è una realtà tristissima .
Io avrei detto "due vocalità per nulla adatte a nessuna Opera", ma sarei risultato troppo cattivo...
So much FILTH I must shower to cleanse myself of these horrific interpretations. Netrebko sings like she’s eating a hot dog. Mr. Netrebko - how does he have a career?
I just heard Yusif sing this role. There were nice moments but overall I didn't hear a voice that is suited to the role. Not hoarse or raspy; rather, foggy and just plain low on volume throughout, bless his heart. At first I thought it was acoustics but every other singer could be heard clearly over the rich orchestration. He sounds better here. :/
It's like Florence Foster Jenkins trying to sing Turandot.
At least Florence adored music
2024: ancora questa Nebrenko alla Scala?! Bleah! Chiediamoci il perché! Italiani, sveglia!!!
I don't necessarily take pleasure in the misfortune of others, but in the case of fascist friend Netrebko, any bad news is fine with me. The woman is not responsible for the downfall of opera singing, but she is a good example of how broken the star system is that pushes such voices up to mega-events, including Kaufmann, Damrau and Garanca. They sing incorrectly, sometimes in the wrong fach and turn opera into nothing more than a vulgar mishmash for an audience that celebrates itself.
Eyvazov trying very, very hard, and Netrebko not trying at all
So true. She does not even know that trying matters.
@@AfroPoli All she has to do is step onto the stage and howl like a cat and her fans cheer. Sad.
money... only money...
In one word, they are both terrible!!!
I'm actually impressed. It wasn't good, but it wasn't the disaster I was expecting.
Эйвазов сплошная катастрофа
It was such a disaster it made the Titanic pale in comparison.
Ears are still bleeding...Absolutely horrific.
Non capisco perché specificare "Russian" nel titolo.
"russian spectacle"?
Bah
I can hear some of the technical problems with their voice: Could you please give exact example of vulgarity? Thanks
Ho sentito in quel magico "tempio dell'arte" Dimitrova e Martinucci poi solo silenzio!
Arturo Fedozzi
Ho sentito dal vivo la Dimitrova e Giacomini….
O ancora meglio la Dimitrova e Nikolov …
@@bodiloto Buongiorno. Nicolov proprio non lo conosco, proverò ad informarmi.
When you realise that after the "VIIIIIIINCEEEEEEEEEEHHHROOOOOOOOOOOGGG!!" (not Vincerò) the claps were just a mere operatic formalism.
Oh well the only people that understand opera, nowadays are too AFRAID to boo. I had tried to boo a terrible tenor just a few weeks ago in Norma, but the crowd just looked at me weirdly and continued their formalism clapping. Where the hell are the loggionists nowadays when we need them the most ???
@@BestOperaMomentsThat would be one of the few situations that I would gladly agree with the loggionisti. Specially for the ones where the singers use amplification.
@@dnor16 Oh for the good old days at La Scala.
@@SymphonyBrahms I'm starting to think that La Scala is only place that you can boo freely and i completely doubt that a shitty singer would dare to put a feet in the scenario.
@@dnor16 unfortunately Netrebko has been singing at La Scala's opening night several times these last few years (Chénier -with her husband!-, Tosca, Macbeth) :/ love how they've forbidden the audience to applaud or make noise until the end with the excuse it was all broadcast on tv lollll
We should be forgiving of the occasional stumble, it happens even to the great, but when the baseline is a drunken stagger, it’s time to throw refuse.
Straordinaria, eccezionale Netrebko trovo sia il più grande soprano oggi al mondo nei ruoli drammatici e lirico spinto, lui voce timbricamente molto sgradevole alle mie orecchie...non riesco ad ascoltarlo
Her singing got worse, it is not comfortable to hear at all sometimes, like she has something stuck in her throat to spit out when singing low notes. I could never imagine she was singing this role. Wonder she was with the help of the magical microphone.
Tag yourself. I am one of the mic technicians who sabotaged the whole show 😎😎😎
Not actually but I wished 🤣
‘Pitchy’ indeed! What pitch is it?
No one can tell.
Netrebko and Eyvazov are always either ahead or late of the orchestra. It’s very annoying.
Эйвазов позор
There's a way of saying in Italian when referring to a wrong technique where the sound is pushed back in the throat rather than correctly in the mask: "cantare alla Russa". Netrebko is the perfect example, what would actually be a nice voice ruined by the wrong singing technique
mask singing is wrong too though, it leads to nasality, the sound is produced in the pharynx, with mask singing, this source is cut off.. :')
Voce ingolata is what I think of based on what you’re describing. Artificially dark, throaty singing.
Funny enough, the vast majority of famous Russian singers of the Imperial or early Soviet eras were characterized by "masky" and often somewhat nasal sound (at least prior to the 1960s). On the contrary, throaty ingolata sound wasn't really common among them.
Ho visto Eyvazov qualche giorno fa in Pagliacci, un Canio inascoltabile.
Non mi sorprende...
Comunque questi due sono tra i favoriti del canale tedesco MARCIA M.
Well Netrebko still has high C. She could sing something lyric. If she has high notes why she tries to sing dramatic repertoire.
She knows she will sell regardless. Damn, she even stops in the middle of a sentence to breathe 😭
@@Cristina-dv5ij so much for Legato. She should just have stuck with her early repertoire.. I liked her Traviata and Lucia.
@@tripleaxell She was never coloratura...lirico spinto in the wrong roles and how can you imagine a charismatic woman with stage presence that beats all big singers combined like Netrebko to play 3 light boring roles for the entire career...
And soon she will sing Abigaile in Wien...🤦🏻
Oh dear.
Say it isn't so.
These two need to stay out of the deep end of the pool.
Terrible !!!
Uno schiffo senza dubitta.
If I want seven real Turandots other than Bianca Scacciati, Gina Cigna, Christel Goltz, Gladys Kuchta, Birgit Nilsson, Ingrid Bjoner, and Gwyneth Jones, complete with smoky chest tones, vocal endurance, and blazing top notes galore, I would rather go with Erna Schlüter, Roszi Delly, Gertrude Grob-Prandl, Liane Synek, Ludmila Dvorakova, Nadezda Kniplova, and Ghena Dimitrova.
what the hell is goin' on??? shame on them!!!!
Vulgar? No, just Asian period design. Very like the two-dimensional art from that period. As for Anna N., her fans are not doing her or “Turandot” any favors by praising the kind of singing she does here. It’s for people who have never heard “Turandot” before. And I generally like Anna N.’s singing.
I'm surprised you've never posted soprano Eilana Lappalainen on your Perle Nere list 😵💫😵💫😵💫
La Devia aveva previsto la venuta dell' armata russa..😂😂😂😂😂
In che senso??
@@niccolosantoro6847 in un intervista di anni fa ha semplicemente detto che le nuove " leve " erano russe
I'm confused. If I agree with @AfroPoli's description, am I supposed to click "thumbs up" or "thumbs down?" This is horrifying. It's as bad as that clip of "Pace, pace" from Covent Garden. And by the way there's also a clip of "In questa reggia" from Munich. Netrebko has become as entertaining (not in a good way) as Tebaldi and late-period Scotto.
To equate Netrebko to Tebaldi is ridiculous. Tebaldi, one of the greatest Sopranos of the 20th Century and Netrebko, in no way in the same league.
Well, I know that Tebaldi had some serious problems with pitch in her high register but darn... Comparing Renata with Netrebko is way too harsh.
Compare Netrebko with Florence Foster Jenkins instead. That is a better comparison.
How could people let this happen? How did people stay in their seats instead of nunning for their lives? HOW? WHY? HOW?
Get to the lifeboats before the Titanic sinks.
Disgusting
How can you measure a voice's real power and amplitude with mikes?! But vulgarity can indeed be easily be measured! Shame!
Mamma mia orrendi
hahahaha Borat thumbs up!!! hahaha
0:13 horrible no cante mas por favor no mas netrevko es terrible destroza el canto
All I can say is..SAD
la parte migliore sicuramente da 8:09 da 8:26, soprattutto se si considera che il "ce" di vincerò dovrebbe essere una semicroma
Я не люблю этих певцов, но здесь ничего не слышно, побойтесь Бога. Как вы можете судить по такой плохой записи. И нет видео. В театре звучат овации, значит все было прилично. Ну, а чем в сущности отличается Пласидо Доминго в конце ролика ))))
Such a shame to see the once stunning Netrebko looking so tubby and vocally past her best. She was at her best paired with Rollando Villazon in the past.
what a pitch Wobble...
She is coming to our country with her husband in two days, and Kaufmann also few days later.. I think I'll pass.
Ta ovca je sramota operi. On brez Anne bi Met, Scalo, Dunajsko in Britansko kraljevo opero zgolj sanjal. Denar je sveta vladar…
They are coming to the USA to do what?Tutor chemistry ?
Listen to your recordings of Nilsson and Bjorling instead. Those will be brilliant performances.
@@SymphonyBrahms Bjorling also couldn't sing this role live, he is a bad example, of studio magic when it comes to Turandot.
Watch out for her Abigaille! It's happening soon!
Oh dear!
Turandot es un papel muy, muy exigente en todos los sentidos, siempre se ha considerado el rol, para una soprano madura , por la complejidad que significa el personaje pucciniano. A mi Netrebko me parece una buena cantante, diva no lo es. Y, en este rol no da la talla, ya se ha visto en otros performance de esta misma ópera que no domina el papel y que está lejos vocalmente delo que ese papel requiere. Pero podría seguir cantando Donizetti, Bellini que se le va bien, sin ser belcantista. En cuanto a su marido….eso ya…ni hablar…