I have just read the reviews about this Turandot and all of them were about "Amazing performance", "Anna was the real star with crystal high notes and a deep bottom". It is so sad but if the public keeps clapping this shit, this is not gonna change. THANK YOU for the video
Alas, they’re the people who says “haters gonna hate!” Or says “Screw the haters!” While they don’t foresee critical point of views on how actual opera singers sings.
Just another example of the death of Italian opera singing. Maria Callas predicted this long ago and it took a while but now we have the evidence. Would not consider for one moment to pay money to hear 3rd rate performers.
Corelli and Nilsson are rolling in their graves....YES, WITH LAUGHTER! As I do with Netrebko since years and even more when she was young and her fans where hearing with their eyes....
All I can hear is her wobble. I have no idea what words she is singing. When a singer only makes noise like that it is like they are parodying their own voice. It’s so boring, all you do then is wait for high notes because they are like an instrument and not communicating.
As someone who loved younger Netrebko and even travelled to go listen to her and even briefly met her in person... Seeing her decay to this hurts so so much...
Straordinaria, eccezionale Netrebko trovo sia il più grande soprano oggi al mondo nei ruoli drammatici e lirico spinto, lui voce timbricamente molto sgradevole alle mie orecchie...non riesco ad ascoltarlo
I just heard Yusif sing this role. There were nice moments but overall I didn't hear a voice that is suited to the role. Not hoarse or raspy; rather, foggy and just plain low on volume throughout, bless his heart. At first I thought it was acoustics but every other singer could be heard clearly over the rich orchestration. He sounds better here. :/
Her singing got worse, it is not comfortable to hear at all sometimes, like she has something stuck in her throat to spit out when singing low notes. I could never imagine she was singing this role. Wonder she was with the help of the magical microphone.
I'm disappointed by the negative, cruel comments. She doesn't sound terrible - on the contrary! People can be like chickens - ganging up on someone and pecking because that person is "out of favor."
Out of their league; almost painful. La Netrebko will be singing this role at the Met later on (COVID permitting) where she reigns as prima donna assoluta and can do no wrong. He is overrated, however, he is part of a package deal.
Rudy Park isn't even good. But when compared to Eyvazov he seems like a god. Have people literally not heard of the names Corelli Barioni del Monaco ???
Why the emphasis with Russian spectacle? Their bad quality does not relate with the nationality. Russia has given us no few astonishing singers. The corruption of today’s opera spectacle comes from western opera houses, disc houses and mostly western singing school.
I predict she'll be singing as a mezzo into her eighties and start a new career like Plácido Domingo. As long as she gets paid she'll be singing in one tessitura or another.
@@kayaalniak3423 hell yes. I heard his Nabucco a few days ago and it's as bad as watching a donkey trying to get an elephant pregnant. The donkey may have a beautiful voice, but it's just not the correct cale with the elephant (if you know what I mean). He is not a baritone nor a baritenor.
in Russia, media are trying their best to promote him as a great opera singer of international level. "Critics" are delighted with his great bleating. Recently, I even read a news article about Domingo gala in Moscow in which Eyvazov participated and they wrote that "Experts often compare his voice with the great Aureliano Pertile and Franco Corelli". I almost died.
Not even '' 'o sole mio '' ...considering that voices like Caruso, Gigli. di Stefano had sung and recorded this Neapolitan evergreen... Netrebko's ATTEMPT to sing Turandot was bad enough - her insistent trying to promote her husband always makes the matters even worse - thls Arena Turandot performance is probably the worst case so far.
La "voce" della Netrebko è così instabile e schiacciata dall'impossibilità di eseguire la partitura, che sembra stia per spezzarsi da un momento all'altro. E del marito che dire? Mi stupisco anche che si sia udita una nota, tanto è indietro e ingolata.
THANK YOU DEAR SIR... You have contributed greatly to the history of COMEDY with this amazing document! Now I need not worry whenever I want a laugh, this is where I will visit!
As russian i feel so bad for this. Never heard their "Gli enigmi" before. Always wondering how bad it can be. And OMG it is even worse than i imagine. Eyvazov is LITERALLY just opening his mouth without a sound at all. What a great modern opera, LOL.
You do not have to feel "so bad as a Russian" at all for such a performance. The leading artists were very bad and one should not make an issue of nationality out of it. Think of/remember the excellent singers that Russia has produced and feel better - Chaliapin, Vishnevskaya, Obraztsova, Arkhipova, Lemeshev, Nelepp, Atlantov, Galuzin, Hvorostovsky, Reizen, Mikhailov, Pirogov, Petrov, Nesterenko, Shtokolov - to name some of them. The list can go on and on.. Best regards..
Anna was absolutely beautiful and wonderfully sounded… when she was younger. Then, she met her nowadays husband and that magnificent opera fairy had disappeared. Which is very sad. Very sad.
Ich denke, das hat überhaupt nichts mit ihrem "nowadays husbund" zu tun, sondern nur mit Netrebko allein. Sie allein ist verantwortlich für den desaströsen Zustand ihrer Stimme.
I think her decay started some time before she met Yusif Eyvazov, it started when she became a lyric commodity and started singing any role she was offered to become "an opera star", no matter how unsuitable they were. I've watched and heard her live as Aida (end 2022) and she did a good enough job of singing through the role (no obvious fails) but terrible body language to be honest, when she was on stage but wasn't singing any line, she had no expression and seemed disconnected from the drama around.
Now I find that she is going to be singing Turandot at the Met this season. With her husband as Calaf. But I won't be able to attend. I'm busy re-arranging my sock drawer and soaking my comb on those evenings. Plus, I'll be listening to my Nilsson recording of Turandot.
Just now read this! Nope the Met canceled her because of her pro-Putin politics. She was replaced by a Ukrainian Soprano, who came out for her bows after Act 2 draped in the Ukrainian FLAG!
Well, Afro, I would rather go back in time and watch a production of Turandot with the following singers and with Arturo Toscanini conducting. Calaf- Giacomo Lauri-Volpi Turandot- Roszi Delly Liu- Ljuba Welitsch Timur- Ludwig Weber Mandarino- Louis D'Angelo Altoum- Hubert Buchta Ping- Alfred Poell Pang- Angelo Mercuriali Pong- Renato Ercolani
Disgrace. Eyvazov should not be invited to any major opera house. Unfortunately, he became the husband of a great star. And Netrebko? She was quite good in lyrical roles (even if her coloratura was not so strong, in comparison with other famous sopranos in the lyrical repertoire). But as Turandot or Aida, she is just an average provincial soprano.
Screaming and woofing, strained fake sounds from both. What a shame! Aivazov is sometimes presented on Russian posters as Netrebko's husband - a pitiful recommendation... -
I can now tell you Netrebko is not only wobbly and often off pitch, she even often got an inverted vibrato. (Check also Rebeka Lokar, Karola Agai and Desirée Rancatore who all have very interesting high notes sounding like car alarms 🚨)…
Dreadful. Netrebko doesn't have the dramatic soprano voice to sing roles like Turandot. She's basically just shouting and squalling like a cat. Turandot should be sung by a big voiced soprano. The best Turandot's were Nilsson, Dimitrova, and Marton.
Horrible Turandot, and the new one is awful with a worse singer who has a small voice and wobbles. This is not opera it’s too much mic 🎙 only loud screaming and wobbling. The audiences are ignorant and the Met gets lots of corporate money, they just goose step to the horrible culturally illiterate.
Vulgar and campy is nothing new with the Netrebkos. It is what they know to peddle best. Since their appeal to the lowest common denominator knows no bottom, it is for this reason that they can (and do) get away with whatever artistic pulchritude they throw in the direction of audiences. Audiences will lap it all up, guaranteed. It is the same with Bocelli. In fact, a home video circulated last week of Bocelli as accompanist on the piano for, you guessed it, the Netrebkos. How do you spell c-h-e-e-s-e? That said, I don’t see a way for this art form to survive. On the one hand, there is this video as testament of something gone awry. On the other, no one can any longer compose in a “natural”, organic manner. These two problems have collided halfway and this is where we are.
I don't necessarily take pleasure in the misfortune of others, but in the case of fascist friend Netrebko, any bad news is fine with me. The woman is not responsible for the downfall of opera singing, but she is a good example of how broken the star system is that pushes such voices up to mega-events, including Kaufmann, Damrau and Garanca. They sing incorrectly, sometimes in the wrong fach and turn opera into nothing more than a vulgar mishmash for an audience that celebrates itself.
I've listened to a lot of different Turandots. Sutherland and Nillson remain my favourites because of what they brought to the role. Sutherland bought a femninty to the role that I haven't heard before. Nilsson brought that steeliness which is uniquely hers , but both of them brought the full power of their voices which turandot requires. They had exquisite phrasing especially Sutherland who brought her Bel Canto technique and Nilsson brought the Isolde voice which Puccini wanted. Bottom line is both Sutherland and Nilsson were dramatic sopranos. Sutherland being a dramatic coloratura and Nilsson a dramatic Wagnerian. Netrebko seems to think she's a dramatic but she's not, her voice lacks the heft and power required for the roles she's currently attempting to sing. That husband of hers can barely sing in tune. Opera is well and truly dead
So much FILTH I must shower to cleanse myself of these horrific interpretations. Netrebko sings like she’s eating a hot dog. Mr. Netrebko - how does he have a career?
And especially when Bonisolli as only Tenor in the history sang this 4 high Cs it was an incredible effect because of the quality of his singing in a certain way like it was when Callas interpolated the high note in Aida act 2 in Mexico. But this is nothing and what Mr. Netrebko did at the end of nessun dorma Bonisolli would have never done since he had an intelligent musicality and phrasing even with some extra acuti you could discuss about
Who is that louzy opera director that plays individually without care for the singers? In the second high C from "figlio del cielo" you can hear a delay from the orchestra to the singer of about 3 to 4 seconds. Where they playing on separate rooms or he just doesn't care for singer's breath?
Netrebko already for years sound very bad… her voice is wobbly all the time, the pitch is not there, sound like a bird who is squirrel!! Her husband is total fiasco nothing to do wit opera…
A parte calare di intonazione come una disperata.... Ma perché? Ma non sente che la voce balla paurosamente?? 🤣 Comunque "Straniero ascolta" è diventato "Stranuuuuoannoooona!"... Pronuncia fantastica🤣 luì è sempre flatty: alla frase "gli enigmi sono tre" la nota non la prende...
I think it is her husband who is drstroying her voice… she started singing worse after they married. I have heard several interviews of Eyvazov and I guess they have a patriarchal type of family - he says she never makes him feel like she is the boss and he is like always the leader there… But i think they both’d be better singing separately, everyone in their league, that would benefit both of them, us and opera
Turandot es un papel muy, muy exigente en todos los sentidos, siempre se ha considerado el rol, para una soprano madura , por la complejidad que significa el personaje pucciniano. A mi Netrebko me parece una buena cantante, diva no lo es. Y, en este rol no da la talla, ya se ha visto en otros performance de esta misma ópera que no domina el papel y que está lejos vocalmente delo que ese papel requiere. Pero podría seguir cantando Donizetti, Bellini que se le va bien, sin ser belcantista. En cuanto a su marido….eso ya…ni hablar…
Vulgar? No, just Asian period design. Very like the two-dimensional art from that period. As for Anna N., her fans are not doing her or “Turandot” any favors by praising the kind of singing she does here. It’s for people who have never heard “Turandot” before. And I generally like Anna N.’s singing.
If I want seven real Turandots other than Bianca Scacciati, Gina Cigna, Christel Goltz, Gladys Kuchta, Birgit Nilsson, Ingrid Bjoner, and Gwyneth Jones, complete with smoky chest tones, vocal endurance, and blazing top notes galore, I would rather go with Erna Schlüter, Roszi Delly, Gertrude Grob-Prandl, Liane Synek, Ludmila Dvorakova, Nadezda Kniplova, and Ghena Dimitrova.
Oh well the only people that understand opera, nowadays are too AFRAID to boo. I had tried to boo a terrible tenor just a few weeks ago in Norma, but the crowd just looked at me weirdly and continued their formalism clapping. Where the hell are the loggionists nowadays when we need them the most ???
@@BestOperaMomentsThat would be one of the few situations that I would gladly agree with the loggionisti. Specially for the ones where the singers use amplification.
@@SymphonyBrahms I'm starting to think that La Scala is only place that you can boo freely and i completely doubt that a shitty singer would dare to put a feet in the scenario.
@@dnor16 unfortunately Netrebko has been singing at La Scala's opening night several times these last few years (Chénier -with her husband!-, Tosca, Macbeth) :/ love how they've forbidden the audience to applaud or make noise until the end with the excuse it was all broadcast on tv lollll
Thank you very much for uploading this! As being in severe chock i can not give a comment and if i could......my words would not be right to put "in public". :(((((
I have just read the reviews about this Turandot and all of them were about "Amazing performance", "Anna was the real star with crystal high notes and a deep bottom". It is so sad but if the public keeps clapping this shit, this is not gonna change.
THANK YOU for the video
Alas, they’re the people who says “haters gonna hate!” Or says “Screw the haters!” While they don’t foresee critical point of views on how actual opera singers sings.
A deep bottom you say ...
LMAO, where can i read this reviews?
Eso sucede cuando un cantante encara roles no adecuados a su voz. Por grandes cantantes que sean... lo suyo.
Just another example of the death of Italian opera singing. Maria Callas predicted this long ago and it took a while but now we have the evidence. Would not consider for one moment to pay money to hear 3rd rate performers.
Corelli and Nilsson are rolling in their graves....YES, WITH LAUGHTER! As I do with Netrebko since years and even more when she was young and her fans where hearing with their eyes....
'Hearing with their eyes'
Absolutely true!
Я думаю имя Франко не марать рядом с Эйвазов
All I can hear is her wobble. I have no idea what words she is singing. When a singer only makes noise like that it is like they are parodying their own voice. It’s so boring, all you do then is wait for high notes because they are like an instrument and not communicating.
I thought lyric sopranos had learned from Katia Ricciarelli's experience of Turandot... clearly not!
Ricciarelli as Turandot and Carreras as Calaf. Sigh…..
Karajan fked them up!
That was so sad.
As someone who loved younger Netrebko and even travelled to go listen to her and even briefly met her in person... Seeing her decay to this hurts so so much...
Honestly when was she good ? IS it a role she didnt kill ?
She was very good in Anna Bolena at the Met 2011, but it all went downhill.
that first one man.... how can someones voice be that small
Straordinaria, eccezionale Netrebko trovo sia il più grande soprano oggi al mondo nei ruoli drammatici e lirico spinto, lui voce timbricamente molto sgradevole alle mie orecchie...non riesco ad ascoltarlo
I just heard Yusif sing this role. There were nice moments but overall I didn't hear a voice that is suited to the role. Not hoarse or raspy; rather, foggy and just plain low on volume throughout, bless his heart. At first I thought it was acoustics but every other singer could be heard clearly over the rich orchestration. He sounds better here. :/
Due vocalità poco adatte a questo capolavoro.
Da anni questa è una realtà tristissima .
Io avrei detto "due vocalità per nulla adatte a nessuna Opera", ma sarei risultato troppo cattivo...
Her singing got worse, it is not comfortable to hear at all sometimes, like she has something stuck in her throat to spit out when singing low notes. I could never imagine she was singing this role. Wonder she was with the help of the magical microphone.
I'm disappointed by the negative, cruel comments. She doesn't sound terrible - on the contrary! People can be like chickens - ganging up on someone and pecking because that person is "out of favor."
Get your ears examined
She is a dreadful. It's like s squalling cat attempting to sing Turandot.
I'm actually impressed. It wasn't good, but it wasn't the disaster I was expecting.
Эйвазов сплошная катастрофа
It was such a disaster it made the Titanic pale in comparison.
Pobre Puccini, pobre Rosa Raisa, pobre Miguel Fleta....
All I can say is..SAD
The big mistake of Anna N. Is that she thinks that is able to sing all repertoire at hand. In any moment, we will see her singing Porgy and Bess.👎👎👎👎👎
She will probably destroy Brunnhilde and Isolde next.
what a pitch Wobble...
la parte migliore sicuramente da 8:09 da 8:26, soprattutto se si considera che il "ce" di vincerò dovrebbe essere una semicroma
I keep coming back to this performance. It is pure perfection.
It's pure something. But propriety forbids me to say what it is.
Warum sagt den beiden keiner, das man Singen können muss, wenn es Oper sein soll und kein Kindertheater. Arme Kunst, armer Puccini
The Putin Opera Company on tour !!
FRECHEIT
Out of their league; almost painful. La Netrebko will be singing this role at the Met later on (COVID permitting) where she reigns as prima donna assoluta and can do no wrong. He is overrated, however, he is part of a package deal.
Absolutey amazing singing by Mme Netrebko!
🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣
Psych!. She is destroying her voice.
Absolutely amazing shouting and squalling by Madame NetrebCow.
Rudy Park, please come back
Rudy Park isn't even good. But when compared to Eyvazov he seems like a god. Have people literally not heard of the names Corelli Barioni del Monaco ???
@Noack Somewhere nothing wrong, but just not calaf material.
Rudy Vallee, please come back …!
Groucho Marx, please come back.
@@SymphonyBrahms you called?
Why the emphasis with Russian spectacle? Their bad quality does not relate with the nationality. Russia has given us no few astonishing singers. The corruption of today’s opera spectacle comes from western opera houses, disc houses and mostly western singing school.
I predict she'll be singing as a mezzo into her eighties and start a new career like Plácido Domingo. As long as she gets paid she'll be singing in one tessitura or another.
Domingo as a PSEUDO-BARITONE was/is really unbearable, but the prospect of Netrebko singing into her eighties is a nightmare.
@@kayaalniak3423 Hahaha! She is already a nightmare of some sorts.
She is very unreliable, cancels a lot. I wont go out of my wAy to see her. I feel sorry for her hubby, he tries so hard…
As long as gullible people pay to see her NetrebCow will destroy opera.
@@kayaalniak3423 hell yes. I heard his Nabucco a few days ago and it's as bad as watching a donkey trying to get an elephant pregnant. The donkey may have a beautiful voice, but it's just not the correct cale with the elephant (if you know what I mean). He is not a baritone nor a baritenor.
the worst thing Netrebko did to Opera was to push Yusif with her, he should be a pop tenor like Bocelli, singing Sole Mio with André Ries
in Russia, media are trying their best to promote him as a great opera singer of international level. "Critics" are delighted with his great bleating.
Recently, I even read a news article about Domingo gala in Moscow in which Eyvazov participated and they wrote that "Experts often compare his voice with the great Aureliano Pertile and Franco Corelli".
I almost died.
Not even '' 'o sole mio '' ...considering that voices like Caruso, Gigli. di Stefano had sung and recorded this Neapolitan evergreen...
Netrebko's ATTEMPT to sing Turandot was bad enough - her insistent trying to promote her husband always makes the matters even worse - thls Arena Turandot performance is probably the worst case so far.
That was very funny. It is also true.
@@AnshaAbdul no not Aureliano Pertile and Franco Corelli 😱😱
Bocelli once performed Werther and it was embarrassing to hear.
the only thing worse than hearing her sing, is watching her sing. YIKES!
Two broken ambulances.
Two cats howling at the moon.
@@SymphonyBrahms Two drunk cats...
Very mean, very true
@@PragueImport😅
La "voce" della Netrebko è così instabile e schiacciata dall'impossibilità di eseguire la partitura, che sembra stia per spezzarsi da un momento all'altro.
E del marito che dire? Mi stupisco anche che si sia udita una nota, tanto è indietro e ingolata.
The most overrated soprano of last 50 years...
There had been some others like Ricciarelli , tebaldi, Scotto... But she IS the worst of all. She is just a jock a kind of Florence Foster Jenkins.
Povero Puccini.
THANK YOU DEAR SIR... You have contributed greatly to the history of COMEDY with this amazing document! Now I need not worry whenever I want a laugh, this is where I will visit!
Sometimes I'm glad to know Eyvazov doesn't have squillo
I mean would you wanna hear him from the back of the opera house?
@@oliverdelica2289 Or anywhere in the opera house.
Opera is dead. And she’s holding the knife.
Nice, dramatic image, lovely :)) (but yes, Rip, let's try and revive it though))
maybe holdng the knife but being not important enough to do any harm to opera at all.
Yes and before her Domingo, Pavarotti and Carreras where holding the knifes....Opera is a "show" - since those days....very sad!
The incision has beenmade😢
@@ulrikewermann1268 Oh, for the days of Bjorling and Nilsson.
Another one holding the knife killing opera is Jonas Kaufmann...also only for people listening with their eyes...
Thank Tenor sounds like a can opener!!!
And soprano sounds like a howling cat.
A rusty can opener.
Mamma mia ma che fine ha fatto la vera grande lirica? Semplicemente inascoltabile...
As russian i feel so bad for this.
Never heard their "Gli enigmi" before. Always wondering how bad it can be. And OMG it is even worse than i imagine. Eyvazov is LITERALLY just opening his mouth without a sound at all. What a great modern opera, LOL.
Asamov tenorwinno what a bloody joke!
Don't get me wrong. I adore the great Russian art and soul. But these two are clearly something else.
@@AfroPoli Yes, i can agree with it.
@@mariabelya В этом как раз и вся потеха, т.к. оперу придумали раньше, чем микрофоны.
You do not have to feel "so bad as a Russian" at all for such a performance. The leading artists were very bad and one should not make an issue of nationality out of it.
Think of/remember the excellent singers that Russia has produced and feel better - Chaliapin, Vishnevskaya, Obraztsova, Arkhipova, Lemeshev, Nelepp, Atlantov, Galuzin, Hvorostovsky, Reizen, Mikhailov, Pirogov, Petrov, Nesterenko, Shtokolov - to name some of them. The list can go on and on..
Best regards..
Nice screaming contest. I would pay to not listen this.
Like two cats howling in an alley.
Anna was absolutely beautiful and wonderfully sounded… when she was younger. Then, she met her nowadays husband and that magnificent opera fairy had disappeared. Which is very sad. Very sad.
Ich denke, das hat überhaupt nichts mit ihrem "nowadays husbund" zu tun, sondern nur mit Netrebko allein. Sie allein ist verantwortlich für den desaströsen Zustand ihrer Stimme.
Finally you start to hear with your ears instead of hearing with your eyes! Congratulations...
Yes, I saw her in "Le noZZe" st.Michel Finland. She was quite good Susanna👍 Z for the Gergiev and all the Putinist!
I think her decay started some time before she met Yusif Eyvazov, it started when she became a lyric commodity and started singing any role she was offered to become "an opera star", no matter how unsuitable they were. I've watched and heard her live as Aida (end 2022) and she did a good enough job of singing through the role (no obvious fails) but terrible body language to be honest, when she was on stage but wasn't singing any line, she had no expression and seemed disconnected from the drama around.
For god sake she has Always been a jock.... She does NOT know what singing means. She produces sounds hugly most of the time
In one word, they are both terrible!!!
Now I find that she is going to be singing Turandot at the Met this season. With her husband as Calaf. But I won't be able to attend. I'm busy re-arranging my sock drawer and soaking my comb on those evenings. Plus, I'll be listening to my Nilsson recording of Turandot.
Underrated comment, thx for the giggles :)
Just now read this! Nope the Met canceled her because of her pro-Putin politics. She was replaced by a Ukrainian Soprano, who came out for her bows after Act 2 draped in the Ukrainian FLAG!
Turandot is for singers what Cape Horn is for sailors: don’t try it if you can’t perform expertly in the heaviest weather.
What a shipwreck.
I had to put the speed at 1.25 to at least get a kind of well done vibrato/caprino cuz netrebko is just so God awfully wobbly
She's wrecking her voice, actually I think it's already wrecked
@@crazyorganist1609 невозвратно,она изломала голос..не получив драматик..и уйдя от лирики
I played this, and all the animals in the district started to howl. Then I started to howl too... Suggest free earplugs at live performances!
Well, Afro, I would rather go back in time and watch a production of Turandot with the following singers and with Arturo Toscanini conducting.
Calaf- Giacomo Lauri-Volpi
Turandot- Roszi Delly
Liu- Ljuba Welitsch
Timur- Ludwig Weber
Mandarino- Louis D'Angelo
Altoum- Hubert Buchta
Ping- Alfred Poell
Pang- Angelo Mercuriali
Pong- Renato Ercolani
Terrible !!!
Disgrace. Eyvazov should not be invited to any major opera house. Unfortunately, he became the husband of a great star. And Netrebko? She was quite good in lyrical roles (even if her coloratura was not so strong, in comparison with other famous sopranos in the lyrical repertoire). But as Turandot or Aida, she is just an average provincial soprano.
That's really true. Some provincial soprano are better!
Provincial soprano, hahahaha
A below average provincial soprano.
Comically bad provinical soprano
“Who killed my mike? Ah, thank goodness. I can now respond to Princess Woofy”.
What's next for this destroyer of opera? Brunnhilde? Isolde? Any disaster is possible for NetrebCow.
Screaming and woofing, strained fake sounds from both. What a shame! Aivazov is sometimes presented on Russian posters as Netrebko's husband - a pitiful recommendation... -
I can now tell you Netrebko is not only wobbly and often off pitch, she even often got an inverted vibrato.
(Check also Rebeka Lokar, Karola Agai and Desirée Rancatore who all have very interesting high notes sounding like car alarms 🚨)…
she's simply ghastly here.
THIS,
Reminds me of a deadly car crash in a highway I tried to avoid looking at but couldn't help myself.
Covid has affected the Italians' hearing, not just their taste!
Just russian and american tourists in the arena😂😂😂😂
Dreadful. Netrebko doesn't have the dramatic soprano voice to sing roles like Turandot. She's basically just shouting and squalling like a cat. Turandot should be sung by a big voiced soprano. The best Turandot's were Nilsson, Dimitrova, and Marton.
You really like her, do you.
@@AfroPoli Sort of like listening to a police siren. Except that the police siren is in tune.
They look like muppets!!
Horrible Turandot, and the new one is awful with a worse singer who has a small voice and wobbles. This is not opera it’s too much mic 🎙 only loud screaming and wobbling. The audiences are ignorant and the Met gets lots of corporate money, they just goose step to the horrible culturally illiterate.
inascoltabile.
Si é terribile di ascoltare questo.
Vulgar and campy is nothing new with the Netrebkos. It is what they know to peddle best. Since their appeal to the lowest common denominator knows no bottom, it is for this reason that they can (and do) get away with whatever artistic pulchritude they throw in the direction of audiences. Audiences will lap it all up, guaranteed. It is the same with Bocelli. In fact, a home video circulated last week of Bocelli as accompanist on the piano for, you guessed it, the Netrebkos. How do you spell c-h-e-e-s-e? That said, I don’t see a way for this art form to survive. On the one hand, there is this video as testament of something gone awry. On the other, no one can any longer compose in a “natural”, organic manner. These two problems have collided halfway and this is where we are.
Puccini rose out of his grave...heard this performance and killed him again!
Cigna, Nilsson, Dmitrova, Merli, Corelli, Del Monaco must be turning in their graves....
Such a performance is an absolute low point for the Arena.
Anna Netrebko and Yusif Eyvazov - No thanks.
money... only money...
I don't necessarily take pleasure in the misfortune of others, but in the case of fascist friend Netrebko, any bad news is fine with me. The woman is not responsible for the downfall of opera singing, but she is a good example of how broken the star system is that pushes such voices up to mega-events, including Kaufmann, Damrau and Garanca. They sing incorrectly, sometimes in the wrong fach and turn opera into nothing more than a vulgar mishmash for an audience that celebrates itself.
I've listened to a lot of different Turandots. Sutherland and Nillson remain my favourites because of what they brought to the role. Sutherland bought a femninty to the role that I haven't heard before. Nilsson brought that steeliness which is uniquely hers , but both of them brought the full power of their voices which turandot requires. They had exquisite phrasing especially Sutherland who brought her Bel Canto technique and Nilsson brought the Isolde voice which Puccini wanted. Bottom line is both Sutherland and Nilsson were dramatic sopranos. Sutherland being a dramatic coloratura and Nilsson a dramatic Wagnerian. Netrebko seems to think she's a dramatic but she's not, her voice lacks the heft and power required for the roles she's currently attempting to sing. That husband of hers can barely sing in tune. Opera is well and truly dead
One of these days her wobble will be bigger than Eva Marton with the difference that Marton actually had a dramatic big voice.
And she can act!
Singers like Netrebko make me long for Eva Marton. She was a great dramatic soprano.
Marton's huge voice would pound through the theatre...she sang like she wasn't afraid to sing... and I loved it.
So much FILTH I must shower to cleanse myself of these horrific interpretations. Netrebko sings like she’s eating a hot dog. Mr. Netrebko - how does he have a career?
It's like Florence Foster Jenkins trying to sing Turandot.
At least Florence adored music
07:05 Damn, now that's a definition of vulgarity!
Bonisolli at least had voice and technique for such show-offs. But Eyvazov...
Eyvazov is like a 60 y.o. harlot desperately trying to be seductive.
And especially when Bonisolli as only Tenor in the history sang this 4 high Cs it was an incredible effect because of the quality of his singing in a certain way like it was when Callas interpolated the high note in Aida act 2 in Mexico. But this is nothing and what Mr. Netrebko did at the end of nessun dorma Bonisolli would have never done since he had an intelligent musicality and phrasing even with some extra acuti you could discuss about
Usually it's cool when tenors sing the high C. It's a miracle how Eyvazov made the note empty and boring 😴😴
Bonisolli was like fine champagne. Eyvazov is like cheap beer.
He’s terrible
They both are
what the hell is goin' on??? shame on them!!!!
Who is that louzy opera director that plays individually without care for the singers? In the second high C from "figlio del cielo" you can hear a delay from the orchestra to the singer of about 3 to 4 seconds. Where they playing on separate rooms or he just doesn't care for singer's breath?
Hahhahahaha!! Im crying!!! This is so rediculous!! Thank you for the post!! Thats a Drug show! Not Opera for sure!
Netrebko was singing everything in her performance.... except the notes.
Netrebko and Eyvazov are always either ahead or late of the orchestra. It’s very annoying.
Эйвазов позор
Netrebko already for years sound very bad… her voice is wobbly all the time, the pitch is not there, sound like a bird who is squirrel!! Her husband is total fiasco nothing to do wit opera…
urlato, senza interpretazione. Una ben brutta Turandot
La più brutta Turandot del secolo!
Disgusting
I love your channel and what you actually expose.
The opera's mafia era is here. Sadly...
and they're in the comment section too.
Ho visto Eyvazov qualche giorno fa in Pagliacci, un Canio inascoltabile.
Non mi sorprende...
Comunque questi due sono tra i favoriti del canale tedesco MARCIA M.
Mamma mia orrendi
0:13 horrible no cante mas por favor no mas netrevko es terrible destroza el canto
And soon she will sing Abigaile in Wien...🤦🏻
Oh dear.
Say it isn't so.
A parte calare di intonazione come una disperata.... Ma perché? Ma non sente che la voce balla paurosamente?? 🤣 Comunque "Straniero ascolta" è diventato "Stranuuuuoannoooona!"... Pronuncia fantastica🤣 luì è sempre flatty: alla frase "gli enigmi sono tre" la nota non la prende...
LMAO the last sentence was the best.......The longer the better.... ;-))
Eyvazov trying very, very hard, and Netrebko not trying at all
So true. She does not even know that trying matters.
@@AfroPoli All she has to do is step onto the stage and howl like a cat and her fans cheer. Sad.
I think it is her husband who is drstroying her voice… she started singing worse after they married. I have heard several interviews of Eyvazov and I guess they have a patriarchal type of family - he says she never makes him feel like she is the boss and he is like always the leader there… But i think they both’d be better singing separately, everyone in their league, that would benefit both of them, us and opera
To think about it, she destroys her career and reputation for him.
What a shame.
Turandot es un papel muy, muy exigente en todos los sentidos, siempre se ha considerado el rol, para una soprano madura , por la complejidad que significa el personaje pucciniano. A mi Netrebko me parece una buena cantante, diva no lo es. Y, en este rol no da la talla, ya se ha visto en otros performance de esta misma ópera que no domina el papel y que está lejos vocalmente delo que ese papel requiere. Pero podría seguir cantando Donizetti, Bellini que se le va bien, sin ser belcantista. En cuanto a su marido….eso ya…ni hablar…
Vulgar? No, just Asian period design. Very like the two-dimensional art from that period. As for Anna N., her fans are not doing her or “Turandot” any favors by praising the kind of singing she does here. It’s for people who have never heard “Turandot” before. And I generally like Anna N.’s singing.
Non capisco perché specificare "Russian" nel titolo.
"russian spectacle"?
Bah
Tag yourself. I am one of the mic technicians who sabotaged the whole show 😎😎😎
Not actually but I wished 🤣
hahahahahah what a wonderful work! do you have the whole recording of that turandot verona 2021 to share? best regards. gus.
Ho sentito in quel magico "tempio dell'arte" Dimitrova e Martinucci poi solo silenzio!
Arturo Fedozzi
Ho sentito dal vivo la Dimitrova e Giacomini….
O ancora meglio la Dimitrova e Nikolov …
@@bodiloto Buongiorno. Nicolov proprio non lo conosco, proverò ad informarmi.
She is ruining her voice singing too heavy roles...her Husband is also a mediocre Tenor...who isnt in her class...
If I want seven real Turandots other than Bianca Scacciati, Gina Cigna, Christel Goltz, Gladys Kuchta, Birgit Nilsson, Ingrid Bjoner, and Gwyneth Jones, complete with smoky chest tones, vocal endurance, and blazing top notes galore, I would rather go with Erna Schlüter, Roszi Delly, Gertrude Grob-Prandl, Liane Synek, Ludmila Dvorakova, Nadezda Kniplova, and Ghena Dimitrova.
When you realise that after the "VIIIIIIINCEEEEEEEEEEHHHROOOOOOOOOOOGGG!!" (not Vincerò) the claps were just a mere operatic formalism.
Oh well the only people that understand opera, nowadays are too AFRAID to boo. I had tried to boo a terrible tenor just a few weeks ago in Norma, but the crowd just looked at me weirdly and continued their formalism clapping. Where the hell are the loggionists nowadays when we need them the most ???
@@BestOperaMomentsThat would be one of the few situations that I would gladly agree with the loggionisti. Specially for the ones where the singers use amplification.
@@dnor16 Oh for the good old days at La Scala.
@@SymphonyBrahms I'm starting to think that La Scala is only place that you can boo freely and i completely doubt that a shitty singer would dare to put a feet in the scenario.
@@dnor16 unfortunately Netrebko has been singing at La Scala's opening night several times these last few years (Chénier -with her husband!-, Tosca, Macbeth) :/ love how they've forbidden the audience to applaud or make noise until the end with the excuse it was all broadcast on tv lollll
Ears are still bleeding...Absolutely horrific.
Uno schiffo senza dubitta.
Thank you very much for uploading this! As being in severe chock i can not give a comment and if i could......my words would not be right to put "in public". :(((((
How can you measure a voice's real power and amplitude with mikes?! But vulgarity can indeed be easily be measured! Shame!