This is the best rhythm changes lesson on the web. Period. Well done! Like you said, for years I've been locked into trying to pivot from one chord to the next (nailing the 3rd on G7). Your lesson and ideas finally freed me to try other ideas. Thank you so much!!!
A real eye-opener for me and a lesson I should have learned years ago. It is the path from key center playing to something that sounds jazz, adding just the right amount of tension-release, even when changes are fast. Thanks!
Uskomattoman järkeen käypää. En juuri ymmärrä teoriaa mutta kuulen missä mennään. Hyvällä maulla ja maltilla soitat., Sun melodia päät on nii makeita. Tarpeeksi blues fraasausta mun mieleen. Kiitos tuhannesti.
Great lesson, Mikko! I love using tritone sub ideas and have been comfortable thinking Rhythmning and We'll You Needn't over the same changes. So I-7, V-7 can easily become I-7, IIb-7. That gives you so many possibilities.
Mikko, this is such an amazing lesson on rhythm changes! Watched it a lot lately, when you talk of doing one bar of Bb and one bar of c-7b5 have you tried doing one bar of Bb major then one bar of Eb-7b5 for more of an altered sound? would be the Eb-7b5 would create an F7#5#9 sound I guess, great work!
Spontanuous chain of dominants playing, and improvising as a band is called "the Cycle"actually I didn't know it was also in rythm change...but of course... what about Db7 down to F7? (nice and easy, trying to go up with the soloing of course
I love your treatment of Slonimskji, very direct and in business way. I love Joe Hubbard, he knows a lot of stuff, but talks too much--which at least for me is found distracting from what he points pout to be played on the fret board. I can do easily anything here done, I just need to learn the notes and where they are and when they are supposed to be there! I play 5-string bass. Fantastic job bro!!
Obviously I don't think that you can see. That's the point. That would be a violation of copyright. I'm giving you a taste so that you get an idea of how much in the book so that you can buy it if you find it interesting. I didn't think it would be necessary to explain that. I thought that would be obvious. /Mikko
Mikko, thanks for your channel. It has become my daily bread.
Great lesson. Thank you!
This is the best rhythm changes lesson on the web. Period. Well done! Like you said, for years I've been locked into trying to pivot from one chord to the next (nailing the 3rd on G7). Your lesson and ideas finally freed me to try other ideas. Thank you so much!!!
Wow! Thanks! Glad you liked it 🤠
A real eye-opener for me and a lesson I should have learned years ago. It is the path from key center playing to something that sounds jazz, adding just the right amount of tension-release, even when changes are fast. Thanks!
You really are a master teacher Mikko. Your perspective just made my mountain a sliding slope. Thank you!!
Brilliant & insightful-I loved the way you "simplified " the progression & made it more musical!
Thank you!
Great lesson mikko thanks so much !
If you will make a lesson about the B section I would be so grateful .
Uskomattoman järkeen käypää. En juuri ymmärrä teoriaa mutta kuulen missä mennään.
Hyvällä maulla ja maltilla soitat.,
Sun melodia päät on nii makeita. Tarpeeksi blues fraasausta mun mieleen.
Kiitos tuhannesti.
This lesson helped me a lot.
It really made Rhythm Changes less daunting for me!
Really Awesome insightful Lesson Mikko
Very, very practical information. This helps greatly. Thank you Sir!
Awesome Lesson Mikko. Very Inspiring
I heard you quote fascinating rhythm there 👮♂️
Thank you sooo much my friend ! I learn so much with your channel !! 🙏🙏🙏🙏
Great lesson, Mikko! I love using tritone sub ideas and have been comfortable thinking Rhythmning and We'll You Needn't over the same changes. So I-7, V-7 can easily become I-7, IIb-7. That gives you so many possibilities.
🙌🏻 thank you for sharing those insights! Sounds killer! 🙂
Impossibly great lesson! Thank you!
Thank you 😀
You’re a great teacher man!
Thanks 😃
Wow this is an amazing! Class, thanks!
I need more time to practice this, take nots, and practice more!
That's great if you find inspiration from this :D
Amazing
Great lesson.
Thanks !!!
very well done, subscribed.
Awesome!!
very nice, rhythm changes are my achilles heel, hehe, love that guild, i miss my old guild
Very nice sound
Great !
This is great, you are inspiring and a wonderful player.:)
Thank you 😀
Mikko, this is such an amazing lesson on rhythm changes! Watched it a lot lately, when you talk of doing one bar of Bb and one bar of c-7b5 have you tried doing one bar of Bb major then one bar of Eb-7b5 for more of an altered sound? would be the Eb-7b5 would create an F7#5#9 sound I guess, great work!
Thanks! That's a good idea I'll try it out 🙂
Spontanuous chain of dominants playing, and improvising as a band is called "the Cycle"actually I didn't know it was also in rythm change...but of course... what about Db7 down to F7? (nice and easy, trying to go up with the soloing of course
A cycle from Db to F? Never tried it..could work 🤠
svinbra tips, tack!
Very inspiring. And you're right of course, slavishly spelling out every chord all the time sounds boring quick
Kiitos
I love your treatment of Slonimskji, very direct and in business way. I love Joe Hubbard, he knows a lot of stuff, but talks too much--which at least for me is found distracting from what he points pout to be played on the fret board. I can do easily anything here done, I just need to learn the notes and where they are and when they are supposed to be there! I play 5-string bass. Fantastic job bro!!
Way, way too fast. And do you really think viewers can see what's on those book pages you're flipping? Not that good.
Obviously I don't think that you can see. That's the point. That would be a violation of copyright. I'm giving you a taste so that you get an idea of how much in the book so that you can buy it if you find it interesting. I didn't think it would be necessary to explain that. I thought that would be obvious. /Mikko