Hey Arthur, its Nehale I attended his couse for a year and I fully agree with this. as an artist you tend to get lost in shaders and lights but those things are not what get you paid. my assumption that just being the best 3D artist would AUTOMATICALLY just land me tons of jobs was also a bubble he happily bursts for me. The painful reliasation that the things I have to work on to make me money actually required the same time and work we just a testament to show just how lazy I was 😆and that I was not truly ready to do the work required to attract the clients I was looking for.
Yeah there are clients who don't really know much about CGI and just want cool looking adverts, meanwhile there are "studio" clients that require super specific stuff. I've found that you can work with both. One is a good steady stress-free source of income, while the second one is where you make career-changing improvements and leaps through learning and pushing yourself as an artist.
I don´t understand why you need that much clients. I have 3 since day one of my self-employment, and they bombard me with more jobs than i can handle. I could work 24/7 for a year. Attracting new clients would only hurt my relationships with the established ones
I worked on 3D for more then 7 years，in my opinion, your skill is the basic of everything， high skill means you can do something elses can't do, and the work always a leveal higher. and you are far more easier to get a high leveal client, without skill, everything is zero
I onno Arthur, i was literally putting in the hours on Houdini when you video popped up . these are depressing times.
Hey Arthur, its Nehale
I attended his couse for a year and I fully agree with this. as an artist you tend to get lost in shaders and lights but those things are not what get you paid. my assumption that just being the best 3D artist would AUTOMATICALLY just land me tons of jobs was also a bubble he happily bursts for me. The painful reliasation that the things I have to work on to make me money actually required the same time and work we just a testament to show just how lazy I was 😆and that I was not truly ready to do the work required to attract the clients I was looking for.
I think it depends on the level of your clients. Some can be very picky and will not excuse certain flaws.
Yeah there are clients who don't really know much about CGI and just want cool looking adverts, meanwhile there are "studio" clients that require super specific stuff.
I've found that you can work with both.
One is a good steady stress-free source of income, while the second one is where you make career-changing improvements and leaps through learning and pushing yourself as an artist.
Improve on the aesthetic skills rather than learning the software
Hi Arthur, did you use a signed work agreement with your clients?
I don´t understand why you need that much clients. I have 3 since day one of my self-employment, and they bombard me with more jobs than i can handle. I could work 24/7 for a year. Attracting new clients would only hurt my relationships with the established ones
thank you!
Do you sell your raw files?
i just want to ask you..that in how much time u get to learn these skills.
very insightful
Ok you told me what I am doing wrong...how do we get more clients Sir?
I worked on 3D for more then 7 years，in my opinion, your skill is the basic of everything， high skill means you can do something elses can't do, and the work always a leveal higher. and you are far more easier to get a high leveal client, without skill, everything is zero
how do you learn 3d ?
i feel bad , tnx
so true
epic video
ahhh... And first XD
👏👏👏👏
you talked about everything, except about how to attract clients, which was the point of the video xD
He can't talk about attracting clients in a free video while he has a paid course about it ;)
He follows Alex Hormozis books.
Cold outreach on 1 platform. Do it for long enough consistently. You’ll get clients
@@7Mruvek where's the paid course and how much?