How to Recognise Modulation in a Piece of Music - Music Theory

Поділитися
Вставка
  • Опубліковано 23 гру 2024

КОМЕНТАРІ •

  • @MusicMattersGB
    @MusicMattersGB  2 роки тому +3

    Learn Music Online - Check out our courses here!
    www.mmcourses.co.uk/courses

  • @gordonhardwick5151
    @gordonhardwick5151 2 роки тому +11

    The best item I’ve seen on UA-cam in weeks. A beautiful little chorale and brilliantly explained. I can now listen to JSB with fresh ears.

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @tintchetia5415
    @tintchetia5415 2 роки тому +18

    Wonderful Gareth! Your enthusiasm is truly infectious. Thank you! So well explained!

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @francoisbruel9163
    @francoisbruel9163 2 роки тому +5

    This is simply CAPITAL! This is what we need! I love how you lead us to use both our ears and basic theory skills, in a kind of pincer movement tactics, to feel and understand the stuctural meaning of the piece. Which is wonderfully written, too. Bravo, and thank you! 😀

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому +1

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @tortoiseperson
    @tortoiseperson 2 роки тому +2

    Very elegantly illustrated! I really appreciate your friendly and encouraging manner.

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @tanyapapoutsakis5213
    @tanyapapoutsakis5213 2 роки тому

    YOU ARE THE BEST, I follow you for a long time (15 + years) always in my thoughts and prayers. Tanya (grandma) from Sydney Australia.

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      Thanks. A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @carlstenger5893
    @carlstenger5893 2 роки тому +1

    Great lesson. I, too, saw the second measure as ii - V/V - V. The Eb on the first beat of measure 3 behaving as a pivot chord taking you directly into Ab. That's part of the fun of music analysis -- sometimes there is more than one way to describe what's going on. Thanks!

  • @diana-
    @diana- Рік тому

    Thank you, Gareth! Your choice of music for its harmonic intricacies. is excellent. Appreciated!

  • @alandenton2973
    @alandenton2973 2 роки тому +2

    This is terrific. It is pushing my knowledge but I really enjoyed this and I did understand it and could follow what you said. Thanks very much.

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @isoEH
    @isoEH 2 роки тому +1

    Thank you Gareth! I heard the first modulation but didn't identify it and felt lost/unsure on the second modulation. Good piece for ear training. Nicely written etude(?): very smooth.

  • @robertpien8708
    @robertpien8708 2 роки тому +1

    Ty great example of how modulation works and how to identify the road map .

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @GeorgeBletchly
    @GeorgeBletchly 2 роки тому

    Thank you Gareth. That cleared up a lot of niggling little questions I've been puzzling over for a while.

  • @eplumer
    @eplumer 2 роки тому

    That was really useful to watch the analysis while hearing the changes. Great hint on cancelling of early flat removal. Thanks!

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      A pleasure. Much more at www.mmcourses.co.uk

  • @theprogressiveprimary9864
    @theprogressiveprimary9864 2 роки тому

    This was well explained, thank you. Nothing I didn't understand from the theory. The hard part is hearing the modulations and making sense of the music.

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @Concertinmyhead
    @Concertinmyhead Рік тому +1

    Amazing job! You are a true gem.

    • @MusicMattersGB
      @MusicMattersGB  Рік тому

      That’s most kind. Much more at www.mmcourses.co.uk

  • @rolandnador5891
    @rolandnador5891 2 роки тому

    This is so interesting! Your modulations mimic a chord progression! I - V - IV - I - vi - I just not with chords, instead with keys! I have never thought about it like that! This gives the music a kind of second layer. So cool! Thank you!

  • @bsdiceman
    @bsdiceman 2 роки тому +2

    That was a great way to teach this important topic! Thank you.

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @bobcosmic
    @bobcosmic 2 роки тому

    Always a pleasure to watch and listen to your analysis. I need to be kept on my toes !

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому +1

      That’s most kind

    • @bobcosmic
      @bobcosmic 2 роки тому

      @@MusicMattersGB Thank you for your reply. What I said is what it is . I’m a trombonist and a ethnomusicologist and I was taught classically as a child and went on to study and play Jazz and other genres but I still listen to western ‘classical’ music every day especially J.S.Bach who remains my favourite composer for obvious and not so obvious reasons !

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      @@bobcosmic That’s brilliant

  • @laura_whittle
    @laura_whittle Рік тому +1

    Top-dollar amazing video Gareth…! Love everything about this and Music Matters…! Please can there be more of these for practise…! Maybe it could be a new course…?!?!? 😊

    • @MusicMattersGB
      @MusicMattersGB  Рік тому +2

      Okay. Will bear that in mind. Glad you’re finding our resources useful. Have a good look through the courses and the Maestros programme at www.mmcourses.co.uk

    • @danielo174
      @danielo174 Рік тому

      Indeed, a full course on Gareth's more composer focused insights on modulation would be so very useful, its not a topic that has been discussed very often on youtube except for the usual jazz move or two.As always great work Gareth, you are a fountain of useful knowledge. Thanks

  • @tackmack
    @tackmack 2 роки тому

    Beautifully done! Now if only I can find your video on suspensions!
    Thanks - as always - for the cogent explanation and for making harmonic analysis accessible!!

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому +1

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @jayducharme
    @jayducharme 2 роки тому +1

    That was fascinating and very clearly explained. Thank you.

  • @violinow1673
    @violinow1673 2 роки тому +2

    Thank you Gareth! I can hear the modulation easily but i wouldn’t be able to identify to what key it is modulated to just by hearing (apart from to minor or major). I remember worrying about ABRSM G8 aural test years ago. The examiner was kindly gave me sort of easier questions at the time but would pianists hear and identify the key, AND what inversion it is by listening twice??

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      It’s a skill that can be developed but it takes work. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @jonorgames6596
    @jonorgames6596 2 роки тому

    at 07:35 it could easily be considered a V/V, and you can continue in the original key?

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому +2

      Absolutely. It’s a secondary dominant but it forms a cadence in Bb major at the end of that phrase, so it qualifies as a modulation because it’s cadenced in Bb.

  • @lawrencetaylor4101
    @lawrencetaylor4101 Рік тому +1

    A masterful lesson. Merci beaucoup.

    • @MusicMattersGB
      @MusicMattersGB  Рік тому +1

      😀

    • @lawrencetaylor4101
      @lawrencetaylor4101 Рік тому +1

      @@MusicMattersGB I'm preparing my financial life to join Maestros, the suspension is this morning at my lesson with my teacher, I'm resolved to playing several of your pieces you composed with simple counterpoint exercises. I'll let you know soon.

    • @MusicMattersGB
      @MusicMattersGB  Рік тому +1

      @lawrencetaylor4101 Enjoy your suspension!

  • @mb10mb10
    @mb10mb10 2 роки тому +1

    Very clear & interesting. Thanks.

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @billyboultonmusic2171
    @billyboultonmusic2171 2 роки тому

    That whole first half was all still in Eb. The Bb and the Ab were just functioning as Dominants and Subdominants. The A natural just facilitated a secondary dominant to make a V/V-V-I back to the Eb tonic. The Db was just a bit of mixolydian modal mixture. The phrase functions in Eb still, especially as it starts and ends with an Eb chord

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      It all demonstrates the subtlety of modulation. Of course the V I in Bb establishes a cadence, which is why it counts as a modulation.

  • @DrLogical987
    @DrLogical987 2 роки тому

    fantastic exercises, having done your course etc. thanks

  • @jingwong829
    @jingwong829 2 роки тому

    It’s so inspiring, thank you so much.

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @martinbennett2228
    @martinbennett2228 2 роки тому

    Thank you. To my ear, the two bars in the minor stand out, but the other accidentals/modulations sound more like colouration.

  • @marceloyamamoto7178
    @marceloyamamoto7178 Рік тому

    Amazing vid! It's a ton of work when you have all four voices to work with. I wonder if you'd have any advice for singers, like me, who usually get the score page with only your voice, and you still need to get the modulation right, even if you don't have all accidentals, only with the horizontal context available. Books like Ottman's sight singing material will often present the melody only, and you have to figure it out. I am scouring the internet after advice on this, but I can't find any. Thanks a lot in advance.

    • @MusicMattersGB
      @MusicMattersGB  Рік тому +1

      It’s very useful to be able to see what’s going on in the rest of the score. The only alternative is to develop your aural skills so you can hear it. See our Aural Dictation course at www.mmcourses.co.uk that teaches those skills.

  • @TheSupremeMusicMan
    @TheSupremeMusicMan Рік тому

    Thank you once again, stellar stuff.

  • @francobonanni3499
    @francobonanni3499 2 роки тому

    Beauty lesson. Question is it better to put the modulation on a weak beat or a strong beat? Thank you.

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      Modulations usually spread over more than one beat so it’s really a matter of what works best in the given context.

  • @minidrags2
    @minidrags2 2 роки тому +1

    Hello, could the V - I in Bb major (in the second bar) also be interpreted as a secondary dominant with the Bb major chord being part of the tonic key and the F major being part of C major? It seems to meet the criteria but I might be mistaken! Thanks

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому +1

      It certainly functions as a secondary dominant with the F major chord being V in Bb major.

    • @oneeyemonster3262
      @oneeyemonster3262 2 роки тому

      it's just weird sometimes...it's even more weird that I comprehend it.lmao
      But Im still going see/hear everything still remaining in EbMaj/C Min
      as the parent KEY..and never made any keys changes.
      Alot of it is also ...it'll be easier for site readers...if Im just inserting chords.
      I'll see the Db maj as the n6 of C min.
      I don't have a problem seeing/playing the D Maj to G min.
      G min is sort of like an inverted Ebmaj7.
      It's easier if I explain it in C MAJOR/Amin
      Im used to playing A lyd b3 over the vi chord..it'll simply create a B7 chord ( mix b2)....it use be E Harmonic MAJOR...
      but Im also used to playing/using the CYCLE of dominant.
      To me it's just B Maj into E ( MAJOR or min)
      Im also used to altering the IV chord into min.
      it's just SOUNDS to me. C Maj7 into F min.
      It's going down in 4th..
      Im also used to inserting the b6 chord degree as a Maj7.
      It's NOT COMMON...but I've hear it used in 4-5 different songs.
      So...I came to an understanding.
      b2.....b3.......b5........b6.......b7 as ANY TYPE of CHORDS.
      The easiest way to explain it. (if you havnt study or learn all the scales/modes)
      PASSING or OPTION NOTE/CHORDS.lol
      I personally use lyd #6, lyd #5, #6 , lyd #2, #6 or Ion #6
      as a GUIDE to VAMP over any of those chords
      Most people see that as loc b4...loc b4, bb7 or lyd #2, 5
      The lyd #2, #5 is just from C Harmonic MAJOR
      aeo b1 (WEIRD) converted it to lyd #2, #5
      so it;ll just be B Maj...maj7 or B7 into E min.
      E min is sort of inverted C Maj7.
      The n6 chord to the Relative minor...You're just going to play it by ear..
      becuase people use variations of it in the same song during bridge.
      Use as Baby come back ..by the players.
      It'll use the n6 chord of relative minor....as a PIVOT chord ( act like a V chord)
      to sort of do a cycle down to the 4th...
      but it's just the b3 chord degree of the MAJOR scale to me.lol
      The original is in Eb Major/C min
      during the bridge Db Maj to Gb Maj...chord
      Then simply play Gb maj...Ab Maj....Bb Maj ....to Eb Maj chord to start the
      riff again.

  • @robrevans4259
    @robrevans4259 2 роки тому

    Very clear instruction. Thank you. The 7th bar seems to have a somewhat not-quite-home feel to it. Is it in a slightly darker mode of Eb?

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому +2

      A pleasure. I think the 7th bar simply has chords slightly lower in the register with notes fairly close together, which gives it that slightly darker quality.

    • @francoisbruel9163
      @francoisbruel9163 2 роки тому

      @@MusicMattersGB …because on an equal-temperament keyboard, specific tonality mood is not really a thing, right?

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому +1

      Some people feel that some keys are brighter or darker than others but I agree that in a world of equal temperament there is an equality, although it’s worth bearing in mind that many string, wind & brass players and singers will say that their intonation makes slight adjustments between enharmonic equivalents / degrees within a scale.

  • @davidhayman9330
    @davidhayman9330 2 роки тому

    This is great! Thanks for explaining so thoroughly 😀

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому +1

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @Trash-Beats
    @Trash-Beats 2 роки тому

    Young man happy Easter from Africa stay safe God bless

  • @shipsahoy1793
    @shipsahoy1793 2 роки тому

    😎Gareth, Excellent analysis my friend! 👏
    ✌️Executing excitement all the way through..🥳👨🏻

  • @davidpavett8376
    @davidpavett8376 2 роки тому

    Very clear and helpful. Thank you.

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @paulsutton5896
    @paulsutton5896 2 роки тому

    My favourite key changes occur in Helene Fischer's "Unser Tag" (written by the American: Christopher Applegate). It is just a rising sequence of notes. But it is quite extensive, and I think there are only two actual key changes. But it is worth reminding onesself just how brilliant Helene Fischer used to be.

  • @merckxmartino
    @merckxmartino 2 роки тому

    The A nat and F Maj chord in measure 2 sounds like a V of V in Eb, not a modulation to Bb. And that is reinforced as V of V when the Eb comes back in beat 1 of measure 3. A key change generally requires more than a single accidental to become aurally apparent.

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому +1

      That’s certainly true unless a cadence is formed, which is what happens here.

    • @merckxmartino
      @merckxmartino 2 роки тому

      ​@@MusicMattersGB Not sure I understand your point. There is a difference between the use of a secondary dominant and an actual key change. In fact I hear only 1 key change achieved in your example, that being the change to Cm.

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      What I mean is that a modulation is established by a cadence so, while the V I in Bb functions as a secondary dominant it also forms a cadence.

    • @merckxmartino
      @merckxmartino 2 роки тому

      @@MusicMattersGB But... not a key change, in this case.

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      A cadence in Bb major. That’s the key change.

  • @vskmusic89
    @vskmusic89 2 роки тому +1

    You are a good teacher 💖👍

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      Thanks. A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @FondueBrothers
    @FondueBrothers 2 роки тому

    I'm out of my depth, but I really enjoy your informative videos.

  • @sayonara6301
    @sayonara6301 Рік тому

    Is modulation and temporary tonicization the same? Thank you

    • @MusicMattersGB
      @MusicMattersGB  Рік тому

      Not really in that modulation seeks to establish the new key perhaps with a cadence rather than simply passing through a key.

    • @sayonara6301
      @sayonara6301 Рік тому

      @@MusicMattersGB thank you

    • @MusicMattersGB
      @MusicMattersGB  Рік тому

      @sayonara6301 A pleasure

  • @ronaldm8235
    @ronaldm8235 2 роки тому

    Is it possible to feel what is coming next without having to know the theory of it all? Every morning before I get out of bed I put in Radio 3 and I wait for the modulation and play my guitar but I suppose I am not ahead because I am hearing and behind of course behind alll the time. Have I got an ear?

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      You’ve definitely got an ear if you can hear and feel modulation. You don’t have to know the theory but theoretical grasp is often helpful in order to understand what’s happening.

  • @DanDoroshDetroitMusic
    @DanDoroshDetroitMusic 2 роки тому

    Is there a reason I'm not aware of that my teacher would be giving me modulation exercises I'm supposed to practice daily and memorize if at least half of this is over my head at this point? There's usually a reason to what he gives me that I figure out down the line but I have about 100 different modulation exercises to memorize and not sure why.

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      Probably trying to get you used to pivot chords and moving around keys.

  • @janetwestmoreland5539
    @janetwestmoreland5539 2 роки тому

    Excellent thank you very informative

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      A pleasure. Much more at www.mmcourses.co.uk

  • @jessicapsalmist8205
    @jessicapsalmist8205 Рік тому

    Thank you sir for this useful video

  • @ahmadrezamoradi2258
    @ahmadrezamoradi2258 9 місяців тому

    Great ! Thank you 🙏

    • @MusicMattersGB
      @MusicMattersGB  9 місяців тому

      A pleasure. Much more at www.mmcourses.co.uk

  • @privacee1845
    @privacee1845 2 роки тому

    its interesting how the chromatic line makes the first modulation smooth and logical even though it doesnt have a pivot chord.

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      Yes the chromatic movement adds to the moment.

  • @CozyGamingWithMe
    @CozyGamingWithMe Рік тому

    Thank you!

  • @ukaszk.8305
    @ukaszk.8305 2 роки тому

    The character of this piece reminds me of XVIII/XIX c. harmonisations of English folk songs and ballads.

  • @베짱이스프링
    @베짱이스프링 2 роки тому

    감사합니다. 큰 도움이 됩니다

  • @Szhihihihihihi
    @Szhihihihihihi Рік тому

    Thanks !

  • @daveroberts9804
    @daveroberts9804 7 місяців тому

    That’s just an interesting piece on its own.

  • @pifviva
    @pifviva 2 роки тому

    Thanks teacher

  • @m.walther6434
    @m.walther6434 2 роки тому

    Great lecture, thank You very much. What kind of modulation is this in bar two. I don't see a pivot chord, or is f the pivot tone, or is it a direct modulation (Rückung in German) without pivot chord or note? And is bar three an evasion (Ausweichung)?

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      It’s using the secondary dominant principle where one simply uses V followed by I in another where the I also belongs to the prevailing key.

  • @monicaconsigliereLavieenfleur
    @monicaconsigliereLavieenfleur 2 роки тому

    Great👏👏👏

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому +1

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @slaneyaudio1948
    @slaneyaudio1948 2 роки тому

    Brilliant

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @nikhilsatay2852
    @nikhilsatay2852 2 роки тому

    legend

  • @katherineparadis-chateaune8004
    @katherineparadis-chateaune8004 2 роки тому

    👏

    • @MusicMattersGB
      @MusicMattersGB  2 роки тому

      A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here ua-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.

  • @bucko5427
    @bucko5427 2 роки тому

    just holy mole guacamole