Hanging with Josh Davis | The Hang podcast
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- Опубліковано 19 бер 2023
- Most recently seen in the Broadway production of Paradise Square, Josh Davis also spent a fun amount of time in Beautiful The Carole King Musical as well as the national tour of Les Misérables. Ramin is meeting Josh for the first time live in this episode, and the two of them have a wonderful hang. Josh eve has a special surprise for Ramin at the end - so make sure you listen through to the end.
Josh Davis is a NYC bases actor. He began his career in DC after having worked in the "real world" out of college. He holds a B.S. in Business from the University of Delaware.
Off-Broadway: White's Lies, My First Time (New World Stages), Bubbly Black Girl. Regional: Les Miserables (Pioneer Theatre and Flat Rock Playhouse); Guys and Dolls, Little Women (Engeman Theater); Beauty and the Beast (Oklahoma Lyric). TV and Film: The Beautiful Life, As the World Turns, The Graduates.
Website: www.thisisjoshdavis.com, Insta: @joshdnyc
Visit bpn.fm/thehang for more info and ways to follow the podcast.
Produced by Alan Seales. - Розваги
Thank you again Ramin 🙏. What a lovely gift from Josh 🎨🖼️
Really enjoyed Josh Davis' take on his career. Thanks Ramin
Fascinating, talented man. Definitely Valjean and Javert - call Seth. You are the best interviewer, Ramin. One trick a director had her actors use - have a secret. Another great video.
I would love to see you do an interview with Ben Crawford.
Thank you Ramin, great interview 👏👏👏
Another enjoyable interview. Josh Davis's career seems to consist of sets of recurring patterns: "And then I was let go from that job..." "...and then I got let go from that job..." "... and then I got let go from that job..." "And then I played Javert..." "... and then I played Javert...." "... and then I played Javert..." ;-)
I had the pleasure of seeing Davis in Les Miz in Rochester in 2018. He had a gruff, severe, almost elemental take on Javert, with a dark vocal timbre and features chiselled out of granite. I guess it was that prowling tiger note manifested. I thought the scene between him and Nick Cartell's Valjean after the runaway cart ("Can this be true? / I don't believe what I see...") was particularly well done. But it freaked me out that they put a button on Javert's Suicide (something they've since introduced in other productions).
Can I suggest you interview Greg Mills from Phantom?