My Favorite Exercise: Glenn Zaleski Shares a Diatonic Voicing Workout
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- Опубліковано 18 чер 2022
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Pianist Glenn Zaleski shares an exercise going through the diatonic circle of fifths with pleasing voicings.
This was awesome. Please do more videos with excercises like this!
I am a Glenn follower for some years and I heard about Jeremy in one of his videos. Nice to see both of them together! Please do more in the future! Ty for this exercise, I would love to see an application in a song context! 🙏💚
Yes, please show us how this can be applied to a song!
I’m not sure this is directly applicable to a tune (although there are lots of creative implications). I would think of it more like Hanon as a means to get to know keys, harmony, and voicings better.
Thank you Jeremy for this interesting interviews!
My pleasure! It’s super fun hanging with pianists I admire!
Very nice follow up of Mortensen lesson on classical improvisation! But useful in every style of composition and improvisation!
Thanks, Francesco! Glenn talks with a lot of expertise and wisdom! I've been practicing this exercise!
Pure gold. Thanks Glenn and Jeremy for sharing. I also love the connection with Danilo and Clare.
I loved learning that exercise! My pleasure! Stay tuned for more Danilo-related content. 😊
Clare Fisher was an underappreciated harmonic genius IMO. His block chord(ish) solo on the original recording of “Morning” is still mind-blowing. I heard him play many times at the Cal State Northridge student union pub in the mid-80s. He played a version of “The Entertainer” as a set closer that was undescribable.
Milt Buckner
Yes - every once in a while something of Clare's pops up and it's always such a pleasure to hear how he operates!
Valuable pearls of wisdom!
You will have to get Geoffrey Keezer on this one of these days too!
Geoffrey is so awesome! I hope someday my channel is important enough that he would come on!
@@JeremySiskind yes definitely, agreed! 👍🙏
Great ! Very useful exercise ! lucky to have discovered your channel . Lots of very relevant advice. Thank you Jeremy.
Yay, I’m so happy to hear that, Bertrand!
Fantastic to see you both together!
Hanging out with Glenn always makes me so happy!
Another incredible video 🙏🏼🙏🏼 thank you for providing such great content
Thanks much, Joshie!!!
another great lesson. many thanks to both of you!
My pleasure - I learned a lot!
The whole book by Clare is great.
He’s such a genius - I’ve got to check it out!
Love the exercise! It wasn’t too bad to figure out from this.
Good - I'm glad. I think once it clicks, it makes a lot of sense. :)
Love this video, I'm big fans of you both!
Nice! I'm a big fan of Glenn!
great, love it!
It's super cool, right?!
I Googled 'Clare Fisher exercises for piano' and there's an image of the first page in his book. I'm sure it's Glenn's exercise.
Yes, it's from Clare's Harmonic Exercise book. A great book!
Nice - good detective work, ian!
Nice presentation and great exercise. Is there a way I could find a PDF off this? I’d like to be able to look at it and give it a try. Thanks.
Hey Jeremy, when are you gonna do a video dedicated to left-hand impressionistic arpeggio style ballad playing? You know, the kind of Debussy Ravel rubato Erroll Garner crossover up and down ad libbed left hand type arpeggios. They are rubato in the sense that they are not a strictly patterned left hand arpeggio and therefore are guided by the phrasing of the melody itself and fit the melodic moment and not “in time”.
When I have a better left hand, maybe? 😂
Ooh this is a fun one. Feels like I’m flossing my brain when I play it
I love this one too! I was just doing it as a warmup the other day and it's harder than you think!
15:45 wow almost like classical movements 17:05
So cool sounding, right?
Hey Jeremy, is there any chance of buying your transcription of "what the waves brought - tigran hamasyan"? i wanna play that at my final exam at uni!
Sure - send me an email at jsiskind2@gmail.com
Fisher’s rare videos are very impressive. I have a fingering question to the exercise.( I assume Glenn practices the other Fisher progressions called new distributions too.) The fingering is very poor in my sheet version and it seems that the composer is using only 5/1 and 4/2 but NEVER 3/2. Especially I the new distribution version is difficult, ver it says 5/2 and 4/1 and never 3/1. Is this true or I misunderstood something? Granted, it is very useful for the fourth finger but I am not sure this would be the only way…
I realized both of you mention the fingering problem. Of course it is possible to do it either way but it is very different if you “force” to practice it only with the fourth.
By the way I have never felt this good effect after a pattern. This is really an amazing way and the possibilities are endless.
Ivan! You know so much more about this than I do! I'm not sure if Glenn knows the answer, but I'll ping him and see if he can help. I guess he learned it from Jason/Julian who learned it from Danilo who learned it from the Clare book, so we're all getting it third hand.
@@JeremySiskind Actually I have a little special problem with my pinky. It is extra short. That’s the reason why I more often spend time with fingering questions. I have been doing the same mistake for 40 years as a try to compensate this problem with the other fingers. Recently I “discovered” that all the fingering problems come from this false method. I should use it as normal as possible. And guess what, Many of the so called problems begin to disappear.