We can't keep enough Supreme Tenors in stock; they sell out so quickly. In contrast, the Signature models tend to sell much more slowly, even though they are arguably just as good as the saxophones for less. We do appreciate though, they aren’t cheap!
I visited the States last year and play tested a Selmer Signature alto. It was awesome! The key action was much lighter than a Cannonball that I also tried.
Earlier this year I was in the market for a new tenor saxophone. I played a number of excellent instruments, including two Yanagisawas, a Yamaha, a gorgeous black nickel Keilwerth, an Eastman 52nd Street, and the Selmer Signature. Although these were all terrific horns, I went home with the Signature. This was a big surprise to me, as I was never a big Selmer fan. My main alto and soprano are both Yanis. But the Signature ticked all the boxes. The tone sounded gorgeous from bottom to top, played like butter, and gave me plenty of projection. It could go soft when called for, but could also wail. It wasn't as edgy or aggressive as the Eastman, or as warm as the Yani. But it sat in the sweet spot, the best of all worlds. Unfortunately, I did not have the opportunity to try the Supreme. I'd still like to try one. But I have difficulty imagining that it would be a better fit for me than the Signature. It really is a fantastic sax and has made me a Selmer believer. :)
I've been Yanagisawa for many years. Back in April, I brought my tenor sax to the shop for a regular check. I tried the Supreme there, to me, not only it sounded better but the feel and how easy it was to play. I couldn't stop playing the Supreme. I went back two weeks later and traded my Yani.
JIm , your presentations are getting better and better ( not that previous ones were less than good !) - you came across so well-animated - descriptive and super playing. You really sounded at home and expressive on the signature ( what mouthpiece? ) ; the supreme sounded held back somehow and not as bright.
Many thanks for this. It's interesting how you heard those tendencies on the Signature - I definitely bedded more with the Signature in terms of its breadth of sound, which just works more for the sound I hear in my head and wish to make. I went for the most neutral mouthpiece that I could think of to make this video - it's a D'addario Select Jazz 7.
So I saved up and wanted a Selmer tenor reference 36 for years. Finally got one brand new last December. I had a Yamaha YTS62. I have to say I want my Yamaha back! Thoughts??
They (Selmer) really play on your emotions as if they sold magic horns or something. I had the exact same experience as you with a super high priced Selmer years ago. I finally learned there is no substitute for practice. lots and lots of practice. Good Luck to you.
I have a black tenor Series III. I live in a humid tropical country and the lacquer does not like the humidity. The black lacquer becomes sticky and rubs off just from rubbing with my t-shirt. I emailed Selmer Paris for tips on how to clean it. Their response was that they’ve had similar issues with owners living in areas with high humidity.
The Signature is being ignored because it’s a series 2 for the alto or a series 3 for the tenor with a few upgrades. Why would I pay so much more for a Signature/series 2 2.0 than a used mint series 2 or even an old stock series 2? Is it a good horn yes I enjoyed the one I played but the Supreme is a unique offering thus providing a customer with enough difference to say hmm I’ll give up my present Selmer or even add this new one to my stable. As a small complaint about the design I am not a fan of the engraving it seems a bit corny to engrave an art deco style saxophone on the bell but hey some may like it. In the meantime I’ll stick with my Mark VI.
Once again, you've put a lot of effort into this post. Thank you! But what would happen if you put the neck of the Supreme on a Signature? Would you then have more of a Signature or more of a Supreme? I would always prefer a Signature because of the stunning engraving if they sound the same.
I’ve had the opportunity to try both back to back. The hype is real with the Supreme. It is by far a more superior saxophone compared to the Signature.
I like how your mouthpiece and reed matched up great with the Signature. Your intonation was much better on the Signature. I love switching around my sax necks to match up with whatever reeds I'm using. If my reeds are a little hard, I use my brighter sounding neck which has less resistance. If my reeds are a little soft, I use my darker sounding neck (more resistance) to balance the less resistance of the softer reeds. I play the Yamaha Custom 875exII alto and the Yamaha Custom 875 tenor. I use the new Yamaha necks... E1 and V1. My first professional alto was the Selmer Mark VI, but I didn't have a good one, so I fell in love with the Yamaha saxes.
A. No gig worker/ working musician can afford $8K these days. B. Just purchase a Supreme neck, have your tech fit it and throw it on a Serie II or III and you're going to get 99% of the sound. C. These will be awesome options on the used auction sites as they inevitably depreciate to half price like all contemporary Selmer models do. D. You can purchase an amazing tenor with a better factory setup for half the price. E. Not one working pro in the Western USA that I've recorded is in a rush to let go of their VI, BA, SBA for a new Supreme/Sig because they lean, sonically, contemporary. F. Again, purchase a minty Serie II for $3K, purchase a Supreme neck for $500, have good tech fit it, and you're good.
I couldn’t play the series III- here’s why- I’m kind of a smaller guy and the neck was approximately one and a half inches taller. It made the horn one and a half inches longer in reach -I couldn’t reach the low Eb/C spatulas without pain in my wrist. If this thing has the same neck as the series III- THAT MIGHT BE IT- younger players can’t play it because they can’t reach the keys
I would imagine those are a special order sax from anywhere. I doubt anyone keeps a subcontrabass sax in stock. A 9 foot tall sax would be difficult to store.
If only Selmer's pricing of all their saxes since the SA80II was reflected in the build quality. Likewise with Buffet clarinets from the Prestige models upwards. Both companies rely heavily on their name and past glories to sell their below standard products.
Why Supreme? There is no distinction in quality between two instruments, it's basically the same saxophone. There is only a slight tonal characteristic difference, which makes Signature (not Supreme) more flexible, and expressive, as an instrument to be played across music genres.
@@zvonimirtosic6171 As you have said its a problem with the marketing, why spend exorbitantly on the sax that does not have 12 years of R&D associated with it?
@@stveloop9452 12 years of development is empty marketing talk. The Japanese use continuous development methodology, which means their products are constantly improved, they don't "need 12 years" to figure something out. Anyone who knows anything about manufacturing just laughs at Selmer's childish statements, which in the end UNDERMINES their products.
@@zvonimirtosic6171considering yanagisawa don't even play test the factory setup is proof of the pudding, I don't disagree I'd just elect for the supreme if I was mad enough.
I think anybody in that price range who wants the best of the best just goes straight for the supreme. Anything else in the middle-to-high price range, there are just so many good alternatives from the far east and house-branded horns to keep the cost more reasonable.
I think it's unfortunate that one aspect of human nature is to plump for the most expensive option. Fundamentally, these saxes are so similar. The fear of missing out often quashes more objective thinking. Jim
The Supreme, is not manufactured in a different way. They both have their own sounds which branch off. I'm paraphrasing what is said in this video. Great, I'd love to know what justifies one being pricier than the other?
That's correct; thank you for paying attention! Good question. When it comes down to it, there are a handful of additional mechanical and ergonomic design elements that were adopted on the Supreme, but they left out on the Signature, such that both could maintain their identities. In my opinion, the significant ones DID get passed over to the Signature - these are the 3 point neck receiver, nickel silver tightening ring and octave key teflon supports. Otherwise, the Supreme has a host of ergonomic adjustments, repositioned keys, smoothed curves etc. Beyond this there is nothing particularly 'extra' you get with the Supreme, other than that we are dealing with a some acoustic differences that took many years to land upon - a new neck bore; modified tone hole diameters; venting heights altered. However, the Signature alto has a new neck design of its own, and the tenor has an increased neck receiver diameter.
I love the slick video reviews you do. But why are none of the sax's crap. They are all great according to your videos. Maybe we should just buy the cheapest ones you sell?
Jim, if you have one in the store with a really thick layer of dust and no one wants it, send it to me so you can make room for others. Please tenor. 😉
Dear Sax Co Uk, why not try audio spectrum ANALYSIS of both instruments? I test saxophones & saxophone equipment with ears, but also with audio spectrum analysis, to get objective image of what I hear. A competent saxophone shop could do the same, on the same notes played on Supreme and Signature. Then objectively show real differences and what they mean. And then we'll see if people buy by the price tag, or by what they are "able to hear"?
It's an interesting idea. It requires extreme accuracy/consistency on the part of the player to make the results anywhere near valid. And I'd bet that people would STILL buy via the price tag, rather than anything else presented to them!
@@saxworldwide You can only test half a dozen critical & weakest notes on a saxophone. For each note take 3 samples on each saxophone to establish tendency for that note on that instrument. Use the same mouthpiece and reed. It won't take long, but all images from each saxophone will give you a good idea how the instrument vibrates, and what harmonics are accessible. Also in which quantity, whether the slope is more linear, parabolic, etc.
They're too expensive. Selmer saxes sound amazing and I enjoyed what little I've played them. I've always wanted a Selmer Paris bari but they cost half as much as my car cost. Insanity.
because if someone wants the best, they'll shed a lot of money on their top of line Supreme. the Signature may be a great sax, but it's not the top model and it's still pretty expensive. neither here, not there. many other cheaper options in the market for a better value.
I tried a lot of Supreme saxophones in the last year... yeah, nice mechanics but the sound is really poor. Never gonna change any other selmer with my Mark VI
I was just in your fantastic store! My Rampone Two Voices got some nice tweaking by your great repair tech! I've tried these Selmers in Paris, at NAMM in LA and at your store. My (limoited) conclusions): The Signature alto blew kinda like my early 5 digit Mark VI alto The Supreme tenor blew kinda like my late 6 digit Mark VI tenor
It's Selmer's fault, and the fault of their distributors, like Sax co uk. It's failed marketing. You advertised Supreme as something "beyond words", "the pinnacle", and then when Signature came out, which is basically the SAME sax and same tech at a slightly lower price, marketing word salad and empty superlatives used for Supreme worked AGAINST Signature.
Exactly that! Selmer made such a fuss about the Supreme that the Signature, which came on the market later, went completely under the radar. besides, nobody seems to know exactly what the differences are. I work with saxophones every day and don't know exactly why the Supreme is more expensive
@@saxappeal8890 Necks are the same and interchangeable. Finish is the same quality. I think the only difference may be the size of some tone holes, perhaps by a minimal margin, which does influence the tonal character just slightly. That minimal difference makes the Signature just a bit easier to push and more flexible.
@@clifnotes9091 Most of competent reviewers who are also *excellent* saxophone players across genres, said the opposite. Supreme is very good for classical and for rookies who can play only within a small comfort zone. Even in recordings for UA-cam, Signature does sound more interesting and flexible, in every comparison.
@ have you even played them side by side? If not, your comment and input are irrelevant. You have to experience them in a side by side comparison. The first misconception is that the Supreme is only for classical players. Absolute rubbish. It’s an extremely versatile instrument. The Signature is not bad, but it’s nowhere near as good as the Supreme. If you are going by listening to other people play them on UA-cam, your phone or computer screen, then you should save your comments until you’ve played both of them in person. Have a nice day! =) God Bless!
It’s not the horn , IT’S THE PRICE TAG 🏷 !
This ☝️
My thoughts, exactly. Great horn, but way too expensive.
I have played it and it is awesome but too expensive. A beautiful instrument though looks and plays so well.
We can't keep enough Supreme Tenors in stock; they sell out so quickly. In contrast, the Signature models tend to sell much more slowly, even though they are arguably just as good as the saxophones for less. We do appreciate though, they aren’t cheap!
@saxworldwide do you see a difference in customer profile between the signature and the people that used to buy the SA80?
I visited the States last year and play tested a Selmer Signature alto. It was awesome! The key action was much lighter than a Cannonball that I also tried.
Nice! Are you using the DAdarrio? If so what size? I dig the Supreme more. Both great.
The supreme sounds perfect, the evenness, low end, and intonation are on point. I know better than to play test one of those!
Earlier this year I was in the market for a new tenor saxophone. I played a number of excellent instruments, including two Yanagisawas, a Yamaha, a gorgeous black nickel Keilwerth, an Eastman 52nd Street, and the Selmer Signature. Although these were all terrific horns, I went home with the Signature. This was a big surprise to me, as I was never a big Selmer fan. My main alto and soprano are both Yanis. But the Signature ticked all the boxes. The tone sounded gorgeous from bottom to top, played like butter, and gave me plenty of projection. It could go soft when called for, but could also wail. It wasn't as edgy or aggressive as the Eastman, or as warm as the Yani. But it sat in the sweet spot, the best of all worlds. Unfortunately, I did not have the opportunity to try the Supreme. I'd still like to try one. But I have difficulty imagining that it would be a better fit for me than the Signature. It really is a fantastic sax and has made me a Selmer believer. :)
Jim which Sax strap are you using in this video?
I've been Yanagisawa for many years. Back in April, I brought my tenor sax to the shop for a regular check. I tried the Supreme there, to me, not only it sounded better but the feel and how easy it was to play. I couldn't stop playing the Supreme. I went back two weeks later and traded my Yani.
JIm , your presentations are getting better and better ( not that previous ones were less than good !) - you came across so well-animated - descriptive and super playing. You really sounded at home and expressive on the signature ( what mouthpiece? ) ; the supreme sounded held back somehow and not as bright.
Many thanks for this. It's interesting how you heard those tendencies on the Signature - I definitely bedded more with the Signature in terms of its breadth of sound, which just works more for the sound I hear in my head and wish to make. I went for the most neutral mouthpiece that I could think of to make this video - it's a D'addario Select Jazz 7.
So I saved up and wanted a Selmer tenor reference 36 for years. Finally got one brand new last December. I had a Yamaha YTS62. I have to say I want my Yamaha back! Thoughts??
They (Selmer) really play on your emotions as if they sold magic horns or something. I had the exact same experience as you with a super high priced Selmer years ago. I finally learned there is no substitute for practice. lots and lots of practice. Good Luck to you.
@ it just seems hard to keep in tune and I feel the lower priced Yamaha which was also a professional horn was built better and always in tune
I have a black tenor Series III. I live in a humid tropical country and the lacquer does not like the humidity. The black lacquer becomes sticky and rubs off just from rubbing with my t-shirt. I emailed Selmer Paris for tips on how to clean it. Their response was that they’ve had similar issues with owners living in areas with high humidity.
Oh wow. That may explain why some lacquer rubbed off the neck off my series II. Thanks for sharing.
The Signature is being ignored because it’s a series 2 for the alto or a series 3 for the tenor with a few upgrades. Why would I pay so much more for a Signature/series 2 2.0 than a used mint series 2 or even an old stock series 2? Is it a good horn yes I enjoyed the one I played but the Supreme is a unique offering thus providing a customer with enough difference to say hmm I’ll give up my present Selmer or even add this new one to my stable. As a small complaint about the design I am not a fan of the engraving it seems a bit corny to engrave an art deco style saxophone on the bell but hey some may like it. In the meantime I’ll stick with my Mark VI.
Once again, you've put a lot of effort into this post. Thank you! But what would happen if you put the neck of the Supreme on a Signature? Would you then have more of a Signature or more of a Supreme? I would always prefer a Signature because of the stunning engraving if they sound the same.
Some serious eye candy!!!!! Very good review.
Jim -- or the saxes?:)
I’ve had the opportunity to try both back to back. The hype is real with the Supreme. It is by far a more superior saxophone compared to the Signature.
I like how your mouthpiece and reed matched up great with the Signature. Your intonation was much better on the Signature. I love switching around my sax necks to match up with whatever reeds I'm using. If my reeds are a little hard, I use my brighter sounding neck which has less resistance. If my reeds are a little soft, I use my darker sounding neck (more resistance) to balance the less resistance of the softer reeds. I play the Yamaha Custom 875exII alto and the Yamaha Custom 875 tenor. I use the new Yamaha necks... E1 and V1. My first professional alto was the Selmer Mark VI, but I didn't have a good one, so I fell in love with the Yamaha saxes.
That sounds like a great system that you have, and makes perfect sense!
I thought the Sigbature sounds better and you appear to find it easier to play despite the ergonomics.
A. No gig worker/ working musician can afford $8K these days.
B. Just purchase a Supreme neck, have your tech fit it and throw it on a Serie II or III and you're going to get 99% of the sound.
C. These will be awesome options on the used auction sites as they inevitably depreciate to half price like all contemporary Selmer models do.
D. You can purchase an amazing tenor with a better factory setup for half the price.
E. Not one working pro in the Western USA that I've recorded is in a rush to let go of their VI, BA, SBA for a new Supreme/Sig because they lean, sonically, contemporary.
F. Again, purchase a minty Serie II for $3K, purchase a Supreme neck for $500, have good tech fit it, and you're good.
I couldn’t play the series III- here’s why- I’m kind of a smaller guy and the neck was approximately one and a half inches taller. It made the horn one and a half inches longer in reach -I couldn’t reach the low Eb/C spatulas without pain in my wrist. If this thing has the same neck as the series III- THAT MIGHT BE IT- younger players can’t play it because they can’t reach the keys
Ok, ok….like someone mentioned; series llll or series iv ☮️🎶🎵🎶🎷
I’m so collecting this in college! 🎷
Great vlog Jim, make of neckstrap please?
That's a Balam Premium Large. I love these!
Wish I could afford an Axos let alone the Signature.
The Axos is great for the price.
Hello Jim. What mouthpiece are you playing on those horns? Sounds sweet 🙂
Thank you - I tried to go for a neutral sounding option, which in this case was the D'addario Select Jazz 7
Maybe they should have called the Sig a “Series IV”??
Have you ever had a subcontrabass in stock?
I would imagine those are a special order sax from anywhere. I doubt anyone keeps a subcontrabass sax in stock. A 9 foot tall sax would be difficult to store.
I like the signature better for sound
Sooooo….which one cost the most to play🎵🎶🎵🎷
If only Selmer's pricing of all their saxes since the SA80II was reflected in the build quality.
Likewise with Buffet clarinets from the Prestige models upwards.
Both companies rely heavily on their name and past glories to sell their below standard products.
If you are putting together more than 5grand for a sax, you'd go all in and get the supreme
Why Supreme? There is no distinction in quality between two instruments, it's basically the same saxophone. There is only a slight tonal characteristic difference, which makes Signature (not Supreme) more flexible, and expressive, as an instrument to be played across music genres.
@@zvonimirtosic6171 As you have said its a problem with the marketing, why spend exorbitantly on the sax that does not have 12 years of R&D associated with it?
@@stveloop9452 12 years of development is empty marketing talk. The Japanese use continuous development methodology, which means their products are constantly improved, they don't "need 12 years" to figure something out. Anyone who knows anything about manufacturing just laughs at Selmer's childish statements, which in the end UNDERMINES their products.
Or you'd just get a Yani and save a large chunk of money.
@@zvonimirtosic6171considering yanagisawa don't even play test the factory setup is proof of the pudding, I don't disagree I'd just elect for the supreme if I was mad enough.
I think anybody in that price range who wants the best of the best just goes straight for the supreme. Anything else in the middle-to-high price range, there are just so many good alternatives from the far east and house-branded horns to keep the cost more reasonable.
I think it's unfortunate that one aspect of human nature is to plump for the most expensive option. Fundamentally, these saxes are so similar. The fear of missing out often quashes more objective thinking. Jim
Ouch. This reminds me of the Mark VII back in the day.
Soon a new video on tour visit in the Selmer Factory ? 😃
The Supreme, is not manufactured in a different way. They both have their own sounds which branch off. I'm paraphrasing what is said in this video. Great, I'd love to know what justifies one being pricier than the other?
That's correct; thank you for paying attention! Good question. When it comes down to it, there are a handful of additional mechanical and ergonomic design elements that were adopted on the Supreme, but they left out on the Signature, such that both could maintain their identities. In my opinion, the significant ones DID get passed over to the Signature - these are the 3 point neck receiver, nickel silver tightening ring and octave key teflon supports. Otherwise, the Supreme has a host of ergonomic adjustments, repositioned keys, smoothed curves etc. Beyond this there is nothing particularly 'extra' you get with the Supreme, other than that we are dealing with a some acoustic differences that took many years to land upon - a new neck bore; modified tone hole diameters; venting heights altered. However, the Signature alto has a new neck design of its own, and the tenor has an increased neck receiver diameter.
I keep my tenor serie 2
I still do not understand why the tenor SAII never got much love while staying on the market for so song since 1987.
Make comparation test with Keilwerth SX90R, or Yanagisawa t992. You will het answer
I love the slick video reviews you do. But why are none of the sax's crap. They are all great according to your videos. Maybe we should just buy the cheapest ones you sell?
Jim, if you have one in the store with a really thick layer of dust and no one wants it, send it to me so you can make room for others. Please tenor. 😉
I'll have a look around....
Dear Sax Co Uk, why not try audio spectrum ANALYSIS of both instruments? I test saxophones & saxophone equipment with ears, but also with audio spectrum analysis, to get objective image of what I hear. A competent saxophone shop could do the same, on the same notes played on Supreme and Signature. Then objectively show real differences and what they mean. And then we'll see if people buy by the price tag, or by what they are "able to hear"?
It's an interesting idea. It requires extreme accuracy/consistency on the part of the player to make the results anywhere near valid. And I'd bet that people would STILL buy via the price tag, rather than anything else presented to them!
@@saxworldwide You can only test half a dozen critical & weakest notes on a saxophone. For each note take 3 samples on each saxophone to establish tendency for that note on that instrument. Use the same mouthpiece and reed. It won't take long, but all images from each saxophone will give you a good idea how the instrument vibrates, and what harmonics are accessible. Also in which quantity, whether the slope is more linear, parabolic, etc.
They're too expensive. Selmer saxes sound amazing and I enjoyed what little I've played them. I've always wanted a Selmer Paris bari but they cost half as much as my car cost. Insanity.
Supremity?
😅
Supremacy!
Ah yes, you're right! Sorry, my bad...I'll try and read some more books
because if someone wants the best, they'll shed a lot of money on their top of line Supreme. the Signature may be a great sax, but it's not the top model and it's still pretty expensive. neither here, not there. many other cheaper options in the market for a better value.
Your first sentence is probably the truth of it. However, what I wanted to get across in the video is that they are BOTH excellent, just different.
Beautiful horns, but I'm never sold on black finishes. Maybe seems...gimmicky or something.
Stanley Turrentine played on a black finish Selmer tenor and he had such a gimmicky sound😮😮on it.
I tried a lot of Supreme saxophones in the last year... yeah, nice mechanics but the sound is really poor. Never gonna change any other selmer with my Mark VI
Prices have become ridiculously too expensive…and the reeds!
I was just in your fantastic store! My Rampone Two Voices got some nice tweaking by your great repair tech!
I've tried these Selmers in Paris, at NAMM in LA and at your store. My (limoited) conclusions):
The Signature alto blew kinda like my early 5 digit Mark VI alto
The Supreme tenor blew kinda like my late 6 digit Mark VI tenor
Thanks for coming over to our store!
@@saxworldwide Great place! Like Disneyland for Saxophonists!
Selmer is pricing themselves out of the market, in my opinion.
It is simple and obvious. For the same price we can get a SUPER mark 6......
trying hard to sell it? LOL
It's Selmer's fault, and the fault of their distributors, like Sax co uk. It's failed marketing. You advertised Supreme as something "beyond words", "the pinnacle", and then when Signature came out, which is basically the SAME sax and same tech at a slightly lower price, marketing word salad and empty superlatives used for Supreme worked AGAINST Signature.
Exactly that! Selmer made such a fuss about the Supreme that the Signature, which came on the market later, went completely under the radar. besides, nobody seems to know exactly what the differences are. I work with saxophones every day and don't know exactly why the Supreme is more expensive
@@saxappeal8890 Necks are the same and interchangeable. Finish is the same quality. I think the only difference may be the size of some tone holes, perhaps by a minimal margin, which does influence the tonal character just slightly. That minimal difference makes the Signature just a bit easier to push and more flexible.
They are not the same. The Signature plays very much different than the Supreme. Not as good. I was very underwhelmed.
@@clifnotes9091 Most of competent reviewers who are also *excellent* saxophone players across genres, said the opposite. Supreme is very good for classical and for rookies who can play only within a small comfort zone. Even in recordings for UA-cam, Signature does sound more interesting and flexible, in every comparison.
@ have you even played them side by side? If not, your comment and input are irrelevant. You have to experience them in a side by side comparison. The first misconception is that the Supreme is only for classical players. Absolute rubbish. It’s an extremely versatile instrument. The Signature is not bad, but it’s nowhere near as good as the Supreme. If you are going by listening to other people play them on UA-cam, your phone or computer screen, then you should save your comments until you’ve played both of them in person. Have a nice day! =) God Bless!